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76.
Original Drawing By Ilbery Lynch, 'The Robed Man'. Ilbery Lynch.

Original Drawing By Ilbery Lynch, 'The Robed Man'

circa 1900. 8vo. Original pen and ink drawing by Ilbery Lynch. The drawing is of a robed man with long hair. Little is known about Lynch, though he was a follower of Aubrey Beardsley and contemporary of Oscar Wilde. Lynch illustrated Dunsany’s Five Plays and Bramah’s Transmutation of Ling, among other works. The drawing is unsigned and undated, but would be early 20th century. 6.5" x 3.5" on cream paper. ART/020607. Very Good.
[Book #19066]
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Price: $225.00
77.
Mottled Owl Print from A History of British Birds. Alexander Francis Lyon.

Mottled Owl Print from A History of British Birds

This print comes from the six volume set, A History of British Birds, by Reverend F. O. Morris, comprised of some of the most accurate drawings and information about British birds and their habitat. Engraved by Alexander Francis Lyon, and colored by a team of women colonists, the prints are presented on a greenish tan or biscuit color background. The print is Woodcut (Xylographic) engraving with superb original hand color Plate printed on one side, blank on reverse.The leaf measures 9 5/8 x 5 3/8 inchesThis print comes from the six volume set, A History of British Birds, by Reverend F. O. Morris, comprised of some of the most accurate drawings and information about British birds and their habitat. Engraved by Alexander Francis Lyon, and colored by a team of women colonists, the prints are presented on a greenish tan or biscuit color background. The print is Woodcut (Xylographic) engraving with superb original hand color Plate printed on one side, blank on reverse.The leaf measures 9 5/8 x 5 3/8 inches. Archivally matted. #46360. Very Good.
[Book #27128]
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Price: $115.00
78.
Print of The Fifth Forestier of Flanders from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders. Cornelius Martin.

Print of The Fifth Forestier of Flanders from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders

1598. A leaf of The Fifth Forestier of Flanders and his Squire with shield and falcon, from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders, with a short description of their lives and actions. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #12999. Fine.
[Book #27221]
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Price: $285.00
79.
The Tenth Count of Flanders Print. Cornelius Martin.

The Tenth Count of Flanders Print

A leaf of The Fifth Forestier of Flanders and his Squire with shield and falcon, from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders, with a short description of their lives and actions. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13011. Fine.
[Book #27222]
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Price: $285.00
80.
What a Feed I've Had (ink drawing). Phil May.

What a Feed I've Had (ink drawing)

No Binding. A delightful ink drawing by English illustrator, Phil May (1864 - 1903), who made regular contributions to many periodicals, including the Sydney Bulletin, St. Stephens Review, Daily Graphics, and Punch. He also published his own annuals from 1892 - 1905 and supplemented these with additional larger albums. Examples of his work can be found at the Victoria & Albert Museum and the British Museum. May, a short man of slight build, has drawn himself in a wonderfully comic manner, as is typical of his self-portraits. He depicts himself as being enormously fat and smoking a cigar following a meal. The drawing is inscribed by May and reads: “Menu. Savoy Omlette, Cold Beef (plat de jour), Spring Onions (off), Cabbage (pickled)” and is titled “What a Feed I’ve Had.” It is also signed by the artist, “Fill May.” The drawing has been mounted on a piece of archival board and matted. The bottom right corner of the paper is missing; to make this less evident; the board behind the drawing has been watercolored in light blue to match the color of the paper. There are a few light spots of foxing to the paper. Ink drawing measures 7 x 5 inches. The mat measures 19 x 12.5 inches. ART/050609. Very good.
[Book #21613]
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Price: $975.00
81.
Leaf from The Native Flowers and Ferns of the United States. Thomas Meehan.

Leaf from The Native Flowers and Ferns of the United States

L. Prang & Co. 1879. Framed leaf of Plaanthera Fimbriata, from The Native Flowers and Ferns of the United States, by Thomas Meehan. Date: 1879 Publisher: L. Prang & Co. #42911. Fine.
[Book #27113]
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Price: $250.00
82.
Leaf from The Native Flowers and Ferns of the United States. Thomas Meehan.

Leaf from The Native Flowers and Ferns of the United States

L. Prang & Co. 1879. Framed leaf of Cleome Pungens, from The Native Flowers and Ferns of the United States, by Thomas Meehan. Date: 1879 Publisher: L. Prang & Co. #42921. Fine.
[Book #27114]
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Price: $250.00
83.
Demi-Launcer's Armour, Print. Samuel Rush Meyrick.

Demi-Launcer's Armour, Print

1830. First Edition. A leaf from the Engraved Illustrations of Ancient Armour From the Collection at Goodrich Court. Meyrick is known as the founding father of the systematic study of arms and armor. Print method is engraving on heavy paper with professional coloring, measuring 365 x 275 mm. or approximately 14 7/16 x 10 3/4 inches. Archivally matted. #50205. Fine.
[Book #27247]
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Price: $125.00
84.
County Map of Kentucky and Tennessee. Samuel Augustus Mitchell.

County Map of Kentucky and Tennessee

Philadelphia: 1860. A leaf from Mitchell's New General Atlas, Containing Maps of the Various Counties of the World, Plans of Cities, Etc. Embraced in Forty-Seven Quarto Maps, Forming a Series of Sevety-Six Maps and Plans, Together with Valuable Statistical Tables. Full color by county. Map measures 38.1 x 31.75 cm. or approximately 15 x 12.5 inches. Archivally matted. #53611. Near Fine.
[Book #27284]
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Price: $215.00
85.
County Map of Ohio and Indiana. Samuel Augustus Mitchell.

County Map of Ohio and Indiana

Philadelphia: 1860. A leaf from Mitchell's New General Atlas, Containing Maps of the Various Counties of the World, Plans of Cities, Etc. Embraced in Forty-Seven Quarto Maps, Forming a Series of Sevety-Six Maps and Plans, Together with Valuable Statistical Tables. Full color map by county. Prime meridians are Greenwich and Washington, DC. Map measures 28 x 34 cm. or approximately 11.02 x 13.39 inches. Archivally matted. #53620. Near Fine.
[Book #27282]
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Price: $185.00
86.
County Map of Ohio and Indiana. Samuel Augustus Mitchell.

County Map of Ohio and Indiana

Philadelphia: 1860. A leaf from Mitchell's New General Atlas, Containing Maps of the Various Counties of the World, Plans of Cities, Etc. Embraced in Forty-Seven Quarto Maps, Forming a Series of Sevety-Six Maps and Plans, Together with Valuable Statistical Tables. Hand colored, shows settlements, railroads, canals, etc. Prime meridians: Greenwich and Washington, DC. Map measures 33 x 40 cm. or approximately 12.99 x 31.50 inches. Archivally matted. #54236. Near Fine.
[Book #27285]
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Price: $85.00
87.
Map of Illinois, Missouri, Iowa, Nebraska and Kansas. Samuel Augustus Mitchell.

Map of Illinois, Missouri, Iowa, Nebraska and Kansas

Philadelphia: 1860. A leaf from Mitchell's New General Atlas, Containing Maps of the Various Counties of the World, Plans of Cities, Etc. Embraced in Forty-Seven Quarto Maps, Forming a Series of Sevety-Six Maps and Plans, Together with Valuable Statistical Tables. Full color by county. Kansas and Nebraska partially shown. Map measures 38.1 x 31.75 cm. or approximately 15 x 12.5 inches. Archivally matted. #53622. Near Fine.
[Book #27283]
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Price: $185.00
88.
Map of Kentucky and Tennessee. Samuel Augustus Mitchell.

Map of Kentucky and Tennessee

Philadelphia: 1880. A leaf from Mitchell's New General Atlas, Containing Maps of the Various Counties of the World, Plans of Cities, Etc., Embraced in Ninety-three quarto maps. Hand colored. Relief shown by hachures. Shows settlements, railroads, rivers, etc. Prime meridians: Greenwich and Washington, DC. Map measures 38.1 x 55 cm. or approximately 15 x 21.65 inches. Archivally matted. #53554. Near Fine.
[Book #27287]
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Price: $235.00
89.
Print of a Red-Necked Nightjar from A History of British Birds. Francis Orpen Morris, Alexander Francis Lydon, engraver.

Print of a Red-Necked Nightjar from A History of British Birds

London: Groombridge & Sons, 1881. Third Edition. This print comes from the six volume work, A History of British Birds, written by Rev. Francis Orpen Morris, comprised of some of the most accurate drawings and information about British birds and their habitats. Morris was prolific in his authorship of Natural History books and articles. Alexander Francis Lydon was one of Morris's principal engravers, contributing much in technique and design. A team of women colorists under very strict scrutiny hand colored each plate. The prints are presented on a greenish tan or biscuit color background, which is associated with the earliest printings of these books. Print method is Woodcut (Xylographic) engraving with superb original hand color Plate printed on one side, blank on reverse. Print measures 220 x 125 mm or approximately 8 3/4 x 4 7/8 inches. Leaf measures 243 x 144 mm or approximately 9 5/8 x 5 5/8 inches. Archivally matted. #45176. Very Good.
[Book #27214]
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Price: $100.00
90.
The Story of Cupid and Psyche: Cupid Going Away PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Cupid Going Away PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine.
[Book #30547]
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Price: $100.00
91.
The Story of Cupid and Psyche: Death of the Sister. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Death of the Sister. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30552]
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Price: $80.00
92.
The Story of Cupid and Psyche: Psyche at the Bath. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche at the Bath. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30561]
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Price: $75.00
93.
The Story of Cupid and Psyche: Psyche by the Bed. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche by the Bed. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30558]
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Price: $75.00
94.
The Story of Cupid and Psyche: Psyche Comes to the First Sister. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Comes to the First Sister. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30554]
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Price: $80.00
95.
The Story of Cupid and Psyche: Psyche Comes to the Second Sister. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Comes to the Second Sister. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30555]
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Price: $80.00
96.
The Story of Cupid and Psyche: Psyche Coming Out into Hell. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Coming Out into Hell. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30549]
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Price: $80.00
97.
The Story of Cupid and Psyche: Psyche Entering the Court of the Palace. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Entering the Court of the Palace. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30560]
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Price: $75.00
98.
The Story of Cupid and Psyche: Psyche Going into Hell. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Going into Hell. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30550]
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Price: $80.00
99.
The Story of Cupid and Psyche: Psyche in the Garden. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche in the Garden. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30559]
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Price: $75.00
100.
The Story of Cupid and Psyche: Psyche Looking into the Cupboard. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Looking into the Cupboard. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30557]
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Price: $75.00

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