Harpers Woods, MI: The Adagio Press, 1969. Hardcover. INTERESTING ASSOCIATION COPY WITH RELATED MATERIAL LAID IN. This beautiful copy is inscribed by author John Dreyfus to noted Chicago book collector and philanthropist Samuel R. Rosenthal, "for Sam R Rosenthal after a splendid evening John Dreyfus 16 December 1978 Chicago." Rosenthal and his wife, Marie-Louise, had a pre-eminent book collection that concentrated on livres d'artistes, illustrated books, and private press. This is 39 of 75 folio copies issued with one vellum leaf and one handmade paper leaf laid in from books printed at the Doves Press. There were 329 copies originally printed of this Adagio Press edition (although fewer than 180 were offered for sale), each with two Doves Press leaves: 12 with both Doves Press leaves printed on vellum; 75 with one leaf on vellum and the second on handmade paper; and 242 with both leaves printed on handmade paper. This copy has an octavo vellum leaf from Goethe's "Faust," issued in 1906, and a folio double leaf on paper with Leviticus 16-22 from the famed Dove's Bible. The Adagio Press was founded in the late 1950s by Leonard Bahr, who signed the colophon. In Roderick Cave's The Private Press, second edition, he cites the Bible as the most substantial title printed by the press. In 1970, Strouse had sent two letters to Rosenthal, included with this copy, offering C-S The Master Craftsman. Strouse said that he would make Rosenthal's copy "a little special" by putting in a double leaf from the Bible. Two letters dated 1978 are laid in from Dreyfus to Rosenthal and his wife. These letters and the 1978 inscription indicate that he got to know Rosenthal around this time. In one letter, Dreyfus expresses his appreciation for their expressions of sympathy over the tragic death of his son. There are a few handwritten additions to the text of Dreyfus's essay in this copy, which may have added when he inscribed the book, but this is conjecture. The book is hand sewn and bound in quarter vellum with Cockerell marbled paper covered boards and gilt title to spine. It is printed in red and black Palatino Roman and Pascal types on handmade Tovil paper. In addition to the Doves Press leaves, laid in are the prospectus, a mounted photograph of Cobden-Sanderson with Emery Walker developed from the original negative, a smaller copy of the photo, and a pamphlet issued in 1971 titled "A Letter from Stella." This pamphlet reprints the text of the last letter written by Cobden-Sanderson to his daughter, Stella, a few hours before he died, with an introduction by Strouse. [54 pages.] PRI/042309. Fine.
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New York: Vanguard Press, 1947. Hardcover. First Edition. Signed by the author on the title page. The author’s second novel. Very good in black cloth boards with blue title to spine. Minor wear to corners and spine ends and very light evidence of a minor dampstain to the rear board. Signed by the previous owner on the front free endpaper, and browning to both gutters; otherwise, a clean copy. In a good light blue dust jacket with white title to spine and front panel. There are several large chips to the top edges of the dust jacket and there are a few small chips to the bottom edge. Browning to the spine panel and dampstaining to rear panel. 294 pages. LIT.052511. Very Good in Good Dust Jacket / Chipped.
New York: Viking, 2003. Hardcover. First American Edition. Signed by the author. Published in the same year Coetzee won the Nobel Prize for literature. This is an unusual book in many respects: Coetzee’s alter ego is a woman, and through the device of formal speeches, he gives himself a platform to reflect on the novel in Africa, race relations, wildlife, and environmental issues; and on evil in Amsterdam and the sexual impulses of the American poet Robert Duncan. He does this while recounting Costello’s life as a woman and mother. Fine in blue cloth backed paper covered boards with white title to spine. In fine blue illustrated dust jacket with orange title to spine. 233 pages. LIT/052511. Fine in Fine Dust Jacket.
London: R.A. Walker, 1924. Hardcover. First Edition. Number 183 of 500 copies with signature of publisher, Walker. PRESENTATION COPY inscribed by Walker to the journalist J.M. Bulloch "To J.M. Bulloch / with the regards of the publisher and editor / R.A. Walker / 7 January 1925." An autograph letter from Walker to Bulloch is pasted down to the rear end page and Bulloch's review of this book is pasted down to the front end page. It was appropriate that Bulloch reviewed this book as he had promoted Beardsley's work in the 1890's. The main text is a lecture by A.W. King, a friend and tutor of Beardsley. He originally delivered the lecture at the Blackburn Technical Institute where he held the position of secretary. The book also includes 15 full page sketches and about 16 letters from Beardsley, many of which include smaller sketches. All of the letters and sketches had been in the possession of A.W. King and had never before been published. Several of the letters are of notable content, one of which tells of his first visit to see the influential artist Edward Burne-Jones in 1891 and another describes his development of a new drawing style. Near fine in original light blue cloth boards with black and gilt leather title label to spine. Slight browning to spine and minor wear to spine ends. Light offsetting to front endpages from inserted review, else very clean. A nice association copy. 103 pages. ART/010710. Near Fine.
Chicago: Herbert S. Stone & Co, 1896. Hardcover. First American Edition. Tipped-in is a one page autograph letter on the author's printed stationary to the book's then owner, the author and book collector Thomas Hutchinson, on his own writing and books - an interesting autograph letter with good literary content. In maroon linen covered boards with highly decorated elaborate gilt Art Nouveau binding by Frank Hazenplug with gilt author and title stamp to spine. Minor bumping to corners and head/foot of spine, small smudge to design on front cover. Interior is clean and bright with decal edge to pages. Frontis photograph of Le Gallienne. Hutchinson's handwritten ownership signture on front pastedown. Very good condition. 201 pages. POE/121613. Very Good.
London: Swan Sonnenschein, Lowrey, & Co., 1888. Hardcover. First Edition. Author's presentation copy inscribed to his brother, "To Maurice Moore from George Moore." While Moore presentation copies are not hard to find, significant ones inscribed at the time of publication rarely appear on the market. Tipped in at back is an autograph letter from Moore to editor and writer C. Lewis Hind. George Moore (1852-1933) was an Irish novelist, poet, critic, and dramatist who is often regarded as the first great modern Irish novelist. His younger brother Maurice (1854-1938) was also an author as well as a soldier and politician. He was a founding member of the Irish Free State. Maurice was the dedicatee of Esther Waters in 1894. Despite this, relations between the two brothers were troubled through most of their lives. The one page autograph letter to Hinds, dated June 18, 1900 is in regard to the possible reprinting of Esther Waters. He thanks Hind for his kind mention of the book and says that he read two "excellent articles in your paper." Bound in original cloth with pictorial illustration of a young woman on the cover. Spine somewhat darkened as usual, corners of book and spine bumped but still nice. Hinges tender but otherwise in very good condition. Tipped in is an advertisement for Moore's Parnell and His Island. Housed in a grey cloth chemise and quarter leather slipcase in very good condition. 357 pages. LIT/080315. Very Good.
London: William Rider and Son, Ltd, 1899. Hardcover. First Edition. This is the author's uncommon second book. Very good in original white parchment covered boards with gilt title to spine and front board. The elaborate gilt cover with floral and geometric design is by Gleeson White. Browning to spine and rubbing to spine and boards. Minor wear to joints. Signed by the previous owner in pen on the front pastedown; otherwise, the interior is clean. An attractive copy of a scarce book. 123 pages. POE/062910. Very Good.
London: Oxford University Press, 1942. Hardcover. First Edition. Presentation copy inscribed "For my sister Emily, in grateful appreciation of her generous thought for my children, her brother, in old affection, Will / March 16 - 42." Near fine in original orange cloth boards with gilt title to spine. The spine is slightly cocked and rubbed and there is minor wear to the spine ends and corners. Illustrated with 40 handsome photogravures by famed artist Rothenstein printed in red. Clean and bright. 134 pages. ART/052010. Near Fine.