Seattle: Marquand Editions, 2017. Number 23 of 50 copies signed by Reiko, Marquand, and Birnbaum. There were also five lettered hors de commerce. This splendid production honors the achievements of Reiko Sudo, considered one of the great textile designers of our time, the renowned "weaver of new ideas." She is co-founder, current CEO and design director of Nuno Corporation of Tokyo, universally recognized as one of the world’s most innovative textile companies. Nuno takes the techniques, materials and aesthetics of traditional textiles and reinterprets them with cutting-edge technologies. Sudo and her design team, together with the company’s skilled weavers and dyers, have greatly broadened the parameters of contemporary design in the industry, experimenting with an eclectic array of materials, ranging from silk, cotton and polyester to hand-made paper and aluminum, and finishing methods that include salt-shrinking, rust-dyeing and caustic burning. The results are distinctive, intriguing and indisputably remarkable. Her works are represented in the permanent collections of many institutions, including the Museum of Modern Art; the Victoria & Albert Museum; and the Tokyo National Museum of Modern Art Craft Gallery [Nuno website]. Sudo and Ed Marquand of Marquand Editions worked together to design and produce an artists' book that offers an in-depth exploration of Sudo's textiles, techniques, materials and more. Over 140 distinct textiles are represented in four bento box-style book-objects: they include three scarves, a notebook of cloth samples and collages assembled by Sudo. The first box has two booklets, one with Sudo's autobiography and the other a detailed guide to the boxes including the colophon, and he three beautiful scarves, and the colophon. Box two has the textile collages that demonstrate techniques and materials. Box three is the Nuno Compendium - a notebook of cloth samples. Box four contains tools and raw materials she uses in her practice. Each of the boxes is covered by lovely examples of Nuno textiles. The top box also has a fabric lid. Boxes measure 1.25 x 10.25 x 10.5 inches. In fine condition. ARTB/041919. Fine.
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1888. A leaf from La Monde Illustree, founded by Henri de Girardin, in 1829. Girardin employed Chevalier , who adopted the nickname Gavarny, and later Gavarni. From 1830 to 1837 Gavarni designed the most feminine and vital of fashion plates. Many of his pieces also featured charming drawings of children. La Mode Illustree was published weekly on Sundays, with illustrations and descriptions of Victorian fashions and the latest must have accessories. There was always a fashion plate. Print method is lithograph on woven, not heavy stock, hand colored, measuring 365 x 265 mm. or approximately 14 3/8 x 10 3/8 inches. Archivally matted. #44952. Fine.
Paris: Draeger Freres, n.d. [1920s]. Stiff Boards. A charming advertising piece from the furriers Leroy & Schmid. There are four full page color illustrations and seven full page black and white photographs of women wearing sumptuous furs. The tipped in color illustrations are in a beautiful art deco style by Martin, Barbier, Drian, and Vincent. There are three text sections. The first was written by the writer and fencer Marcel Boulenger about an imaginary fur hunting expedition. The second is about wearing furs in winter, and the last is on miniatures of the 18th century. Each section is illustrated. Bound in stiff cream paper boards with reproduction of a miniature, title, and furrier name on front cover. Some soiling, bumping, and a few spots but in very good condition. Interior pages are bright and in very good condition save for a slight crease to the upper right page corners. An uncommon and delightful promotional publication from the early 20th century. Unpaginated. Very Good.