Martinez, CA: Lucy Childs, 2019. A unique embroidered artists’ book. Lucy’s exquisite embroidered books are inspired by her “exploration of the history, craft, and culture of early American and British sewing samplers, made mostly by young girls to learn the practical craft of sewing but also to learn letters and spelling. Many old and antique samplers included text or images in memory of family members who had died.” Lucy’s beautiful and painstakingly created books are a fitting tribute to and continuation of the craft she honors. Her unique books can be found in several artists’ book collections. This beautiful work evokes the feel and mood of its inspiration - the windy day on a quiet island. (Text appearing inside card under “A Blustery Windy Day on Quiet Island” accordion book.) Blustery windy days on Quiet Island are those in-between days where being outside is fine, but if you’re biking, use your hat’s chin strap and remember strong winds will push you over. Before you leave the house, secure your screen door. (Unlatched screendoors entertain by blowing and flappping in cacophonous time.) Quiet Island is within the sweep of the North Atlantic Drift of the Gulf Stream and inside the arm of land which keeps away the hurricanes that hit most everywhere else nearby. A few hundred or so people live on this island. Houses are basic, cars are shared, the libraries are popular, and people bake a lot. And they brew too, because while they're quiet, they're social. Many have relatives who visit, and some bring friends with them, particularly for the varied (and some invented) holidays." The embroidery is stitched in blue, green, brown, and yellow threads on white linen cloth. The borders are stitched with intricate white designs. There are two covers. The inner cover is tan linen with a small cross on each side. The outer cover is blue felt with the title and border stitching in yellow thread. The folded book measures 6 x 11 inches. Unfolded the book is 22 inches. In fine condition. ARTS/031419. Fine.
Refine search resultsSkip to search results
San Diego: Anne Covell, 2019. Number 12 of 18 copies signed and numbered by the artist. Anne Covell is a book artist and hand papermaker living in San Diego, CA. She has studied Asian and Western papermaking techniques with Timothy Barrett, and has taught for numerous professional organizations including the Morgan Art of Papermaking Conservatory, Penland School of Crafts, and the University of Georgia study abroad program in Cortona, Italy, among others. Her work has been exhibited internationally and can be seen in a growing list of private collections, special collections libraries, and museums worldwide. Anne writes: "History of a Felling was first conceived during the winter of 2014 while at the Penland School of Crafts on a winter residency in letterpress. The images were made on-site from polymer plates created from film ink hand-painted on Yupo paper. The project was filed away while the concept evolved into a body of work that would become Covell’s graduate thesis, “Towards a Just Landscape,” in 2015. In the intervening years, the US/Mexico border would draw global attention for the deeply contentious debate over the compulsion to secure the southern border though the construction of a border wall. It seemed a particularly poignant time, by comparison, to revisit the history of the US/Canada border felling, and so the project came out of storage. In many ways the southern and northern US border conflicts remain as isolated as their geographical latitudes; however, their ethical and environmental costs deserve equal scrutiny. Over 150 years later, the deforestation continues. Nature inevitably begins to rebound - trees, shrubs, and grasses grow - and every six years the swath is cleared through exhaustive manual labor." Anne has created a lovely tunnel book that opens to reveal a multi-layered forest of delicate trees printed in light brown on a cream background of Sakamoto paper. The images were printed from photopolymer plates made from original drawings by the artist. Housed in a brown cloth portfolio with a discussion and description of this book. In fine condition. 5.75 x 4.75 x .5 inches (closed) 5.75 x 4.75 x 18 inches (open). ARTISTSB/012121.
Rutland, VT: Shattuck Studios, 2000. Number 1 of 5 copies signed by the book artist. This is an inventive work from well-known artist Carolyn Shattuck that displays her skill in using various book structures to convey meaning and context in the books she creates. She writes: Save the Rhinos was designed to bring awareness of their struggle as the population is rapidly declining due mainly to poachers. Her text describes the ongoing loss of these magnificent animals and the desperate efforts of those trying to save them. Despite these efforts, the Rhino Recovery Fund in South Africa estimates a rhino is killed every fifteen hours. They are sought because of the believe that powdered rhino horn has medicinal value and because the horn is valued in traditional Chinese culture as a symbol of wealth. Her design uses a flag book structure from which three origami rhinos, a giraffe, and three wildebeests are walking the grasslands of Africa when the book is opened. They are made with Lofta origami papers as well as Canson Mi Teinte, and Strathmore watercolor papers. The binding is a plain grey with an orange spine title label and a white title label, signed and numbered by Carolyn. The work is housed in a black stiff paper slipcase with an orange title label to cover. In fine condition. Measures 13.5 x 7.5 x 3 inches in slipcase. New York Times Article from 1/6/21 about rhino extinction: https://www.nytimes.com/2021/01/06/magazine/the-last-two-northern-white-rhinos-on-earth.htmlARTISTSBOOK121520. Fine.