Oakland, CA: In Cahoots Press, 2017. Hardcover. Number 14 of 40 copies, numbered and signed by the artist. "With quotes from 'A Thousand and One Nights', 'Meanwhile' celebrates the importance of stories over time and across cultures. A series of organic imagery flows from page to page, overlapping and echoing the quality of A Thousand and One Nights as one story leads to another and another. The quoted text is set in shaped text blocks and clusters of letters, like flocks of birds floating amidst the shapes. A few larger lines of text per page guide the viewer through the book, describing Sceherazade's experience of telling stories and, as a result, saving herself from execution by the King," Macy Chadwick. Accordion bound in blue cloth boards with dark blue title to front cover. The images are printed from linoleum cuts and the text is letterpress printed from polymer plates. Housed in a green cloth covered clamshell box with dark blue title to front panel. Size: 10 x 10 inches, closed; 10 x 156 inches, fully extended. ARTB/051019. Fine.
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Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
Minneapolis: Indulgence Press, 2011. One of 20 copies. Arthur & Barbara is a portrait of art critic/philosopher Arthur Danto and artist Barbara Westman as seen reflected in the space of their New York City apartment on Riverside Drive. This book embodies their life and work in symbolic forms of thoughtful play. Arthur & Barbara is a collection of simple objects, images and “games” referring to both Duchamp’s Boîte-en-valise and to Fluxus Collections. The box contains laser-etched glass with a plan view of the apartment. Beneath the glass, separated spaces hold a DVD with images of Arthur, Barbara and their apartment, a hand-bound codex filled with photographic illustrations and brief text, a glass block laser-etched with an illustration by Barbara Westman, two chairs, handmade dice, and a spinner. A drawer holds a folio of letters written by Sean Scully, Shirin Neshat and Barbara Westman, and an introduction by David Carrier. A fascinating way of documenting the lives and personalities of this interesting couple. In fine condition. Size: 13 x 12 x 7 inches. PRI/041111. Fine.
Minneapolis: Indulgence Press, 2012. Hardcover. Number 26 of 50 copies. Signed by the book artists. The book was produced by Schilling and Pittman for an exhibition Cull-arbor-ation. They describe the exhibit and the book as a record of urban deforestation. The exhibit documents tree stumps as artifacts that allow one to reimagine space and time based on what is left behind. The book juxtaposes pictures of tree stumps with pictures of newspaper articles on environmental protection developments. It also provides a glossary of tree diseases. Accordion structure bound in brown cloth with black design on covers. Includes a vinyl record with tree cutting and chipping sounds in rear pocket. In fine condition. Unpaginated. PRI/121312. Fine.
Berkeley: Codex Foundation, 2013. Hardcover. Book Art Object is primarily a record of the third biennial Codex Book Fair and Symposium: "The Fate of the Art," held at Berkeley, California, 2011. The event showcased contemporary artist books, fine press and fine art editions produced by the world's most esteemed printers, designers, book artists, and artisans. Showcases 300 books by 140 artists / printers and presents a selection of the papers delivered at the 2009 an 2011 symposium lectures including Paul van Capelleveen, Antoine Coron, Ron King, Juan Pascoe, and Richard Ovenden. Includes 1133 color images. New in white cloth boards with red title to front cover and spine. In new white dust jacket with red title to spine and front cover. 521 pages. BOB/022515. Fine / Fine.
Simi Valley, CA: Pie in the Sky Press, 2014, 2016. Hardcover. The book's writer and illustrator, Rebecca Chamlee, states: "Like the self-taught naturalists of the Victorian era, my recent work examines the intersection of my artistic and scientific interests by collecting and cataloging the natural world. I am inspired to record, interpret and celebrate nature. My new letterpress printed artist book project records and observes the natural world around me." Her creative aesthetic is beautifully complemented by Karen's own. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. This beautifully executed unique binding was done from a few printer's proofs that the writer left in sheets for hand bookbinders. Karen's binding uses a design of Quercus lobata (valley oak) leaves and vintage botanical instruments that reference the author's documenting of the native flora surrounding her home in an arid inland valley in Southern California. In a German Bradel binding with a green goatskin spine, boards covered in orange Khadi handmade paper with Cave paper onlays and pigment inkjet printed illustrations. With three-color hand-sewn silk endbands, and the top edge decorated with sponged gilt acrylic, acrylic pochoir on spine, and hand-titling in gold foil. Roma endpapers. The book measures 9 x 6 x 1 inches. Housed in a brown cloth bound clamshell box with leather title label to spine. In fine condition. Fine.
Philadelphia: Joseph Allen, 1855, 2016. Hardcover. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. She writes about this work: "This binding was created for an exhibit in Charleston, SC. As a Midwesterner unfamiliar with the area, I inquired about local icons and incorporated several: an antiquarian text block on the local Revolutionary War hero “The Swamp Fox” decorated with South Carolina’s palmetto motif, on a background of the once ubiquitous “Charleston green.” The resulting production is this masterfully constructed and executed unique designer book binding that perfectly befits the text. Bound in full green goatskin with back pared onlays in several shades of green, tooling and hand-titling in blind along bottom edges of the boards. With three-color hand-sewn endbands and three edges sprinkled in three colors of acrylic. Marbled endpapers by Pamela Smith. Measures 7.5 x 4.5 x 1 inches. Housed in green cloth clamshell box with green leather spine label. In fine condition. 252 pages. FINEBINDING/080618. Fine.
Berkeley: University of California Press, 1981, 2018. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. Karen designed and constructed this exquisite unique signed binding for this first trade edition of the famous Arion Press's 1979 edition with its striking illustrations by renowned illustrator Barry Moser. Her binding is based on the non-adhesive “clip-on cover” structure developed by UK binder Kathy Abbott. To create this binding the text block is disbound, the outer folios guarded and then sewn with long stitch using blue linen thread into the calf vellum wrapper, covered in limp calf vellum case, with tabbed corners. Hand titling to spine is done in 22k moon gold, with a blue acrylic line applied through stencil along the bottom edges of the front and rear covers. The endpapers are of handmade Ruscombe Mill pale wove paper in a single folio with hooked flexi endleaf. The top edge of the text block is covered with graphite. Karen writes: "The pale vellum references the white whale, and the blue line a turbulent sea. The stark contrast between these elements mirrors the horror steadily building in anticipation of the Pequod’s encounter with Moby Dick. Use of blue inside and out also references the color of the initial caps in the Arion Press and Deluxe California editions of this text." This is an impressive binding that beautifully pays honor to one of the great American novels. Book measures 10.5 x 7 x 1.5 inches. Housed in a dark blue clamshell box with a white gilt and blue title label to spine. In fine condition. FINEBINDING/080618.
New York: Farrar, Straus and Giroux, 1979, 2011. Hardcover. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. This spectacular signed unique designer binding for a first edition of Tom Wolfe's The Right Stuff was inspired by Wolfe’s notion of single combat warriors battling the Cold War in the heavens on behalf of the US and USSR. Further inspiration was taken from space-themed advertising of the era. The binding thus incorporates various patriotic and space race icons from the US and USSR, portrayed as constellations, planets and spacecraft. In full black goatskin binding with laced-in boards, with edge-to-edge black goatskin doublures and black suede flyleaves. The boards are decorated with the space related images; some are back pared and cushioned onlays, some laser-printed, and some areas sprinkled with gold leaf. The page edges are graphite and gold-sprinkled, and there are hand sewn silk headbands. The book's original dust jacket is bound in. A beautiful exemplar of Karen's meticulous and creative work. Housed in a black cloth clamshell box with red leather title label to spine. Book measures 8.5 x 5.5. x 1.75 inches. In fine condition. FINEBINDING/080618. Fine.
Eugene, OR: Knight Library Press / University of Oregon, 2000. Robin Eschner. Paperback. 62 of 125 numbered copies. Signed by the author and artist. An additional 10 lettered artist’s copies were also printed. This wonderful short story by Lopez was originally published in the Fall 1997 issue of The Georgia Review. In the story, a Peruvian man writes of the effects on his life and faith from having read at different points in his life, secret love letters written in the 17th century between Rosa and Martin. The two were later canonized as saints, and the writer comes to understand their divinity and love of God as expressed in the letters. The book is a beautiful production from the Knight Library’s fine press publishing program. It was designed, printed, and bound by Sandy Tilcok. It is printed on Heine paper using Bembo types. There are five lovely tipped-in hand-colored etchings done by Robin Eschner. Marilyn Reaves did the calligraphic title, headings, and ornaments. The colophon describes the cover as being made by laminating two handmade papers of brown and rose. The covers are fastened by thin leather straps for which instructions are provided on a laid-in card on how to re-tie them in the original intricate fashion. Unpaginated. ARTB/120209. Fine.
[Raleigh NC]: Jon Kolkin, 2014. Hardcover. Number 37 of 50 copies. Inscribed: "May you experience Inner Harmony as you continue along your life's journey - Jon Kolkin #37/50." Kolkin is a fine arts photographer, Buddhist, and an international speaker on achieving a more enriching and balanced life. This beautiful book has thirty black and white images selected from his photographic series, Inner Harmony. The evocative and mysterious photographs were taken at Buddhist monasteries in China and Bhutan. The text is both in English and traditional Chinese with calligraphy created by Oi Yee Tai. Bound in black Japanese cloth and bound using a traditional Chinese binding technique. In fine condition. 12 x 13 inches. 72 pages. PRI/031215. Fine.
Ft. Lauderdale, FL: 2007. Hardcover. Number 18 of 26 copies. Numbered and signed by the book artist. This book was inspired by a Little Red Riding Hood doll that the artist had as a child. "When Little Red is turned upside down, the wolf, in grandmother's clothing, is revealed under her skirts. A long lost music box, embedded in her back, played 'Who's Afraid of the Big Bad Wolf.'" Includes text from the poem "Silver and Gold" by Ellen Steiber (1994). The featured wood engraving is by Gustav Dore (1869). Fine in red cloth boards with black title and illustration printed on front cover. The book is accordion bound and printed in black and red. Housed in a plain black paper envelope. Unpaginated (6 pages). ARTB/103018. Fine.
Ft. Lauderdale, FL: Viewpoint Editions, 2015. Number 2 of 10 copies signed and numbered by the book artist. This handsome and intriguing work is from well-known artist Dorothy "Dot" Krause. In her artist's statement she describes her work: "My work includes large scale mixed media pieces, artist books and book-like objects that bridge between these two forms. It embeds archetypal symbols and fragments of image and text in multiple layers of texture and meaning. It combines the humblest of materials, plaster, tar, wax and pigment, with the latest in technology to evoke the past and herald the future. My art-making is an integrated mode of inquiry that links concept and media in an ongoing dialogue - a visible means of exploring meaning. " "PreScribe" exemplifies her artistic philosophy. This work perhaps offers a statement on the medical and pharmaceutical professions and also the impact of opioid drugs in our current society. As Dot states on the title page, Prescribe "is from the Latin prae +scribere to write previously, to recommend, advise, authorize or order the use of a drug or other remedy." In this portfolio, images are printed on pages from a prescription ledger kept by a pharmacy in the late 1800’s and housed in a black paper over boards box covered with prescription images and lined with red handmade paper. The imagery is taken from work that was produced during an Artist-in-Residency at Harvard’s Countway Library, one of the world’s leading collections of medical history. Photographs of their anatomical specimens, medical artifacts, rare books and manuscripts are incorporated. The processes include prints onto the ledger pages using Pronto, Toray and Solar intaglio and planographic plates and Gocco screens. The title page, introduction and colophon are letterpress printed on Rives BFK tan. The font used for the title is “Ambulance Shotgun” by Guillaume Seguin. Completed at the Jaffe Center for Book Arts, Boca Raton, Florida. The book measures 11.5 x 17.25 inches and is housed in a box 12 x 18” inches. 9 pages + title/introduction and colophon. In fine condition. Fine.
San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
Rochester NY: Leopard, Sue Huggins, 2005. Leopard, Sue Huggins. Hardcover. 8vo. 3 of 10 copies. SIGNED BY ARTIST. Lovely work by this noted printmaker and book artist. Fine in beige cloth boards with title label on front and long beige ribbon ties. Six accordion style fold out pages reproduce stunning color prints by Huggins, each with a water theme. Unpaginated. PRI/051107. Fine.
Rochester, NY: Sue Huggins Leopard, 2005. Leopard, Sue Huggins. Hardcover. 16mo -. 19 of 50 copies. SIGNED BY ARTIST. An interesting book without words by this noted book artist and printmaker. Black and white lineleom block prints on accordian folded pages indeed depict a predatory bird stealing a baby. The primitive looking prints evoke the eeriness of the event. Inkjet printed on Kaji paper at the Weekend Print Shop. Bound in black cloth with long red ribbon ties, and signed on colophon by artist. Unpaginated. PRI/051107. Fine.
Kensington/Berkeley CA: Liminal Press, 2017. Hardcover. Number 9 of 10 copies. Signed by Richards and Sibony. “Stained is a collaborative book of word and image, pigment and fiber, documenting the emotional experience—bright lightness, dark depths—and reckoning of motherhood” (colophon). It is an intensely personal yet universal statement on being a mother. In her artist’s statement, Camden writes: “As an artist, I focus on telling the stories of people and places that are in danger of being lost or forgotten, with a focus on women, children and the environment. History repeats itself too often: by telling these stories I help others to remember, to learn from the past, and to take action for the sake of our present and future... I am specifically drawn to the artist’s book format as a sculptural medium to convey these stories because it is tangible, experiential, and provides an interactive experience for the viewer.” Camden’s powerful and beautifully produced books have been in numerous exhibitions and are in many public and private collections throughout the country and in Canada. She both studied and taught at the Corcoran College of Art and Design. Stained is bound in the buttonhole style with stiff white paper boards and brown title to front cover. Accenting Camden’s poignant poem are eight unique non-objective monotypes by Sibony and leaves of white handmade paper that resemble weavings by Patti Harden. The photographic collages are ink jet printed on Canson Vidalon Vellum. Text set in Zuzana Licko’s Mrs Eaves and letterpress printed by Richards on a Vandercook 4 proofing press. Monotypes were pulled in counterpoint to the text on a Takach etching press on BFK paper. The book is housed in a custom clamshell box with hand painted beige book cloth by Sibony. Box construction by John DeMerritt. Size: 10 x 15 inches, Unpaginated [56 pages]. ARTISTSBOOK/061217. Fine.
Petersham, MA: The Lone Oak Press, 2012. Hardcover. Master wood engraver Abigail Rorer is considered one of the finest engravers working today. She founded her Lone Oak Press in 1989 and has published many beautiful works that often focus on nature - animals, flowers, trees, and water. Abigail has also provided lovely illustrations for other private and commercial presses. Her fine press books have been in numerous exhibitions in the U.S., U.K., and Ireland. They can be found in many public and private collections.Number 12 of 14 deluxe copies. A total of 60 copies were printed. Numbered and signed by the book artist. “In the Lone Oak Press book Mimpish Squinnies we focused on fourteen plants that British plant explorer Reginald Farrer (1880 - 1920) disliked with a passion. In this new book, we join Farrer on a journey to the Alps in his quest to see in situ one of his most beloved plants, Eritrichium nanum, also known as King of the Alps” (prospectus). In addition to the book, this deluxe edition includes an essay by book artist Abigail Rorer discussing the trials and tribulations of trying to grow Eritrichium nanum, a botanical illustration in watercolor of the King of the Alps, a pseudo herbarium specimen of Eritrichium nanum, and an extra suite of prints from the book with an experimental print using various engravings from the book and related material. All housed within a large black cloth clamshell box with black leather spine titled in silver. A splendid work by this noted wood engraver. In fine condition. Fine.
Petersham, MA: The Lone Oak Press, 2005. Hardcover. Number 9 of 70 signed and numbered copies. There were also 14 deluxe copies with an extra set of prints and an original block. This beautiful production from master printmaker, Abigail Rorer, is a tribute to Henry David Thoreau and his celebration of the wonders of nature. In Ms. Rorer's description of her book, she says that "woodland pools, spring-holes, and ditches are all terms used by Thoreau to describe vernal pools; ephemeral springtime wetlands that often dry up in the summer and are vital breeding habitats for many species ranging from wood frogs, spadefoot toads, spotted salamanders....In New England these pools are an important part of the landscape and the rites of spring. The book comprises selected entries from Thoreau's Journal for the months of March, April, and May  to give a sense of the awakening spring and teeming life...at this time of year. Thoreau puts so beautifully into words what one woud see, hear, and feel when out in nature at this time of the year." The enlightening introduction is written by renowned Thoreau scholar, Bradley P. Dean. Accompanying the text are twenty-eight marvelous wood-engravings, some with hand-coloring, by Ms. Rorer. They are based on the landscape and pools that Thoreau explored. The book was designed and printed by Michael Russem of Kat Ran Press on Zerkall Book in Baskerville type. Barbara Blumenthal bound the book in quarter brown morocco leather with marbled paper by Iris Nevins for the covers. Housed in a grey-green cloth clamshell box with the same marbled paper on the edges and spine. The result of the collaboration of these book artists is this stunning edition. 92 pages. PRI/081417. Fine.
Eugene, OR: Susan Lowdermilk, 2002. Hardcover. One of 35 copies. Susan Lowdermilk is a book artist and printmaker working in traditional processes such as woodcut, wood engraving and intaglio etching as well as digital media. Her artist’s books involve movable parts, pop-ups and LED circuitry. She is a professor at Lane Community College in Eugene, Oregon, teaching courses in printmaking, artist books and graphic design. Her work has been collected by over 60 public institutions including, the Getty Museum, the Library of Congress and the New York Public Library. Her artist’s books are represented in galleries throughout the United States. She earned her Master’s of Fine Art from the University of Oregon. This inventive book uses a six panel Jacob's ladder structure with the panels connected by black ribbon. Images of rock, paper, and scissors appear in each panel and are printed from black and grey woodcuts. The panel backgrounds are carved to imitate wood grain. Housed in a grey and black chemise. In fine condition. 4 x 4 inches closed. ARTISTSB/073118. Fine.
Eugene, OR: Susan Lowdermilk, 2016. Susan Lowdermilk is a book artist and printmaker working in traditional processes such as woodcut, wood engraving and intaglio etching as well as digital media. Her books involve movable parts, pop-ups and LED circuitry. Her artists’ books are in the collections of many university libraries, public libraries and museums. She is a professor at Lane Community College in Eugene, Oregon where she teaches courses in printmaking, artist books and graphic design. Susan earned her Master of Fine Arts from the University of Oregon in Eugene and her Bachelor of Fine Arts from Colorado State University. In her artist’s statement she writes: “Through my art practice as a printmaker and book artist, I reflect my life experiences and relate them to a broader sense of the human condition: struggles, transitions, choices and the inevitable element of chance. I explore and express these themes through familiar forms and shapes, symbolic of humankind’s shared stories as we, as individuals, progress from one day to the next.” Number 14 of 30 copies. Signed and numbered by the book artist. In this inventive work, Lowdermilk uses Emily Dickinson’s poem to examine the inherent interconnection of environmental elements. She uses three dimensional pop-up shapes to complement Dickinson’s words. Bound in blue-green cloth covers with vertical decorated paper inset to front cover. Includes four pop-up spreads tipped at the fore-edges with an exposed concertina spine. Printed in Twentieth Century type on Vanguard Recycled Plus paper. Unpaginated. In fine condition. Size: 7.25 x 9.25 x 1 inches. ARTISTSBOOK/073118.
Kensington MD: Lion Stone Books, 2013. Softcover. Number 37 of 650 copies. Signed by the book artist and author of essay. "Clothed in Bark's unconventional words and images connect the reader with the issues of forests, globalization and climate that haunt our world today" (Carter Roberts, President and CEO World Wildlife Fund). Sallie Lowenstein has transformed her photographs of tree bark by drawing on top of each image to accentuate the lines and patterns formed by nature. Her images are paired with an essay on climate change by her brother, former head of the Nature Conservancy's North America Conservation Region's Forest Health Program. Each copy is in a unique binding. Bound by hand in flexible dark brown leather wrappers decorated with an intricate pattern of circular punches. Sewn with a medieval long stitch, which is then woven in a pattern resembling tree bark. Housed in a cardboard box with velcro closures and plastic bag insert, which holds the book in place inside of the box. Images from the book decorate the exterior of the box. Unpaginated. [60 pages.] ARTB/051214. Fine.
Kensington MD: Lion Stone Books, 2013. Softcover. Number 48 of 650 copies. Signed by the book artist and author of essay. "Clothed in Bark's unconventional words and images connect the reader with the issues of forests, globalization and climate that haunt our world today" (Carter Roberts, President and CEO World Wildlife Fund). Sallie Lowenstein has transformed her photographs of tree bark by drawing on top of each image to accentuate the lines and patterns formed by nature. Her images are paired with an essay on climate change by her brother, former head of the Nature Conservancy's North America Conservation Region's Forest Health Program. Each copy is in a unique binding. Bound by hand in flexible brown pigskin wrappers decorated with an intricate pattern of circular punches. Sewn with a medieval long stitch, which is then woven in a pattern resembling tree bark. Housed in a cardboard box with velcro closures and plastic bag insert, which holds the book in place inside of the box. Images from the book decorate the exterior of the box. Unpaginated. [60 pages.] ARTB/051214. Fine.
Barcelona: Printed at The Folio Club for Sandra March, 2014. Hardcover. Number 83 of 100 copies signed and numbered by Sandra March. Text in Spanish, Catalan, and English. March is a talented young book and installation artist. With this work she draws a metaphorical, graphic, and auditory journey captured by words, illustrations, and sound. Thus the contents comprise the book, two posters, and a CD. She writes that this project has a scientific basis with a therapeutic and artistic impulse, starting on a subconscious level after losing both her sister and her father from heart diseases. The journey goes from a symbolic loss of the heart until its restoration, through a tour of the beautiful and varied morphology of the cardiac systems of thirty-one different animals and the sounds of their heartbeats. The heartbeat sounds are from a jellyfish, starfish, black widow spider, giant tortoise, Nile crocodile, frog, parakeet, and human being among many others There were a number of contributors to this project, including the biologist Francesc Uribe Porta, sound engineer Vicente Rosati, and illustrator Raquel Bullon. Bound in a white cardboard CD case, with posters attached to the back cover by a pink elastic band and CD held on the middle fold of the case. In fine condition. 58 pages. PRI/042715. Fine.