Basel: Romano Hänni, 2017. Hardcover. Master book artist Hanni has long been passionately speaking out through some of his books about the devastating effects of contamination from nuclear facilities. This powerful work is about the Fukushima nuclear disaster in Japan in 2011 that occurred after a severe earthquake and its accompanying tsunami. It was the most significant nuclear incident since the 1986 Chernobyl disaster. He originally printed this book in German, English, and Japanese with the text juxtaposed with symbols, figures, and more. This small version is the text only in Japanese. There are 200 copies. Bound in stiff paper boards. In fine condition. Unpaginated [10 pages]. fine.
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Switzerland: Romano Hänni, 1987. Hardcover. Number 6 of 70 copies. “On November 1, 1986 near the city of Basel Switzerland, there was a major chemical spill in the river Rhine, the greatest environmental catastrophe in the area - six months after the reactor catastrophe in Chernobyl in April 1986. Up to this point the residents of Basel, where there is so much chemical industry, were unaware they were sitting on top of a powder keg. The typographic illustrations and the text are a selection of twelve important incidents that occurred during the night of the catastrophe. Footnotes are used to indicate new or contradictory information. After removing the dust jacket you may fold the pages out as one strip, reading the capitals on each page as NOVEMBER 1, 1986” (Romano Hänni). Bound in stiff paper boards with cream paper dust jacket, which is titled with large 1987 on the front cover and German text on the rear cover. Oblong. 4.25 x 8.5 inches. In fine condition. 20 pages. THIS IS THE LAST AVAILABLE COPY IN THE EDITION. PRI/121913. Fine.
MA: Viewpoint Editions, 2012. Paperback. Number 22 of 36 copies. According to noted book artist Dorothy Simpson Krause, “This homage to Marjory Stoneman Douglas (1947-1997) and her seminal book, The Everglades: River of Grass combines my images of the Everglades with historic photographs, documents, and maps. Forty miles wide and over 100 miles long this slow moving river ranges from a few inches to a few feet in depth. Only half its original size, the Everglades has been largely destroyed to meet the demands of urban and agricultural growth. The ongoing battle for restoration of the Everglades is a moral test which hopefully we will pass.” The book’s exquisite images evoke the beauty and mystery of the Everglades, which are “one of the unique regions of the earth, remote, never wholly known” (Marjory Douglas). Printed on Yu Kou paper, on a laser printer with letterpress overlay. Interleaved with Yu Kou light tissue guards. All of the unbound pages are housed in an envelope enclosure made from brown Lokta Oil Paper to reference a packet of documents an early settler might have carried. The closure on the envelope is a native mahogany tree seedpod with rawhide and thread tie. This book was produced while Krause was Artist-in-Residence at the Jaffe Center for Book Arts, Wimberly Library, Florida Atlantic University, and was published under the auspices of Minerva: The Press at Wimberly. In fine condition. PRI/101912. Fine.
Bronx, NY: Plotzing Press, 2003. Hardcover. Number 21 of 35 copies. A graduate from SUNY College, Tammy Wofsey now lives and works in the Mott Haven section of the South Bronx, New York. She studied with Antonio Frasoni and printed at Robert Blackburn’s Printmaking workshop before establishing her own studio. Her work has been exhibited around the world and is held in several institutional collections including Yale University, the Library of Congress, and Duke University. She has won several awards including the BRIO Award from the Bronx Council on the Arts. Her beautifully constructed books often address such societal issues as war, climate change, and with this book, the food we eat. She writes: "Mankind is now at the helm of deciding what the future will be with the food we eat. The animals eating junk food represent the global problems created by genetic engineering and monoculture farming. The wild animals in this book are smart enough not to consume our creations. Once set in motion there will be no way to revert the changes corporations are making to our food chain. The animals leave the colorful junk food for the natural world leaving behind the question only the future will tell, what will be the color of regret?" The book is an accordion-fold with the pages unfolding to reveal Tammy's etched and watercolor images of animals and plants. They are printed on Coventry Medium paper with the text in Times New Roman. The cream color boards are covered with a cream dust jacket with delicate dry point illustrations of plants on the front and back flaps. The book is housed in a bright hand painted Japanese Paper Box with hand made paper, by Dieu Donne. The book measures 6 x 6 inches. The box measures 6.25 x 6.5 x 1.5 inches. In fine condition. Unpaginated [56 pages]. Fine.
Redwood City, CA: Judith of Serebrin Books & Prints, 2012. Hardcover. Unique. A lovely set of miniature books with a powerful statement about cherishing and protecting biodiversity above and below ground. Both volumes are housed in a wooden box and are in Coptic bindings with repurposed wooden-board covers. In Above, the text reads: “Look around, Look up, Look down, What do you see? Protect Diversity. Above. Below. Everywhere we grow. Wake up! Wake up! What do you see? I see double jeopardy.” In Below, the text reads: “Things we barely know grow below. Look! Look! Not one above. Not one below. No Life, Sentient or other is unattached. We destroy. We extract, to our own Human peril.” This text winds through an underground landscape. Judith’s work explores the “interrelations between people, animals, and the planet in ways, she hopes, are accessible. Using book art as a format is part of that for her, as you can have an intimate experience holding a book and looking through it.” She received a master’s degree in fine arts from the University of Utah in 1990 and has been making limited editions and unique books since then. Her work can be found in public and private collections in the United States and abroad. Each volume is about 2.25 x 2 inches. The box is 3 x 2.25 x 2.5 inches. In fine condition. ARTB/032917. Fine.
Lincolnville, ME: Dudley Zopp, 2017. Hardcover. Number 8 of 25 copies of a new limited edition book by artist and scholar Dudley Zopp. Signed and numbered by the book artist. Ms. Zopp graduated from the University of Kentucky with a B.A. and M.A. and completed postgraduate studies in Drawing and Painting at the Hite Art Institute, University of Louisville. She now lives in Lincolnville, Maine. Zopp finds inspiration in geological processes and cultural histories of place. Her engagement with restoring habitat where she lives feeds directly into her work, which ranges from site specific installations to paintings, woodcuts and limited edition books. She has completed residencies at geologically significant sites in Newfoundland, Spain and Italy. She has exhibited widely at galleries, universities and museums in New England and the Midwest. Her work is included in university and museum collections nationally. This book is offered as both a limited edition deluxe set with one of the original signed drawings and as a slipcased set with a limited edition print. This is one of the 25 deluxe boxed copies with the original drawing for Day three and a blue marble. The book considers our relationship to the Earth in a sequence of annotated watercolors. It was originally presented digitally for a 2014 exhibition "Turning in Your Hand: The Blue Marble Project,” at Waterfall Arts in Maine. Twenty artists were given a blue marble and asked to respond to the pale blue dot we call home. Dudley's images and notations provide a unique look into the oldest of concerns: our place in this world (artist's statement). The drawings began with a month-long daily ritual of erasing an earlier charcoal drawing and, using watercolor and ink, creating a new drawing in its place. As part of this Dudley noted the weather and the color of the ocean as seen from her studio. She also added a few lines adapted from ancient Buddhist texts. The resulting 31 watercolors were collected in a mystical and magical book that beautifully captures Dudley's artistic consideration of our place in the world. Design, typography, and assembly of books and cases are by Richard Reitz Smith. Text and images are printed as offset lithography by Penmore Lithographers. The book is presented in an accordion format and can be read in the round or displayed as sculpture.The book, watercolor drawing, and marble are housed in a dark blue cloth clamshell box. Book measures 5 x 7 inches. 82 pages. In fine condition. ARTISTSB/110317. Fine.