San Francisco: Arion Press, 2000. Number 343 of 400 numbered copies. Signed by the artist. From the acclaimed Arion Press: "Cane is regarded as the highest literary achievement of the Harlem Renaissance and a masterpiece of African-American writing. To call it a novel is misleading, for the book is made up of many parts, by turn fiction, poetry, drama, set in rural Georgia, urban Washington, D.C., and elsewhere. To say it was first published in 1923 is misleading, too, for parts were published earlier in magazines. While it may seem at first a collection of writings, it is a highly experimental novel, novel in concept and form, and is a unified artistic whole. Cane was praised when issued but sold few copies. Toomer isolated himself after the book was published, and it was not rediscovered until the 1960s with the rise of academic interest in black history and culture. Jean Toomer (1897-1967) wrote several autobiographies, other fiction, drama, poetry, and essays, but published only one other book, Essentials, a collection of aphorisms, in 1931. Leon Litwack is an eminent historian of the black experience in America. In his essay on Cane, Litwack shows how the book addresses the racial situation in the early twentieth century. 'In coming to grips with the present, Jean Toomer insisted on confronting the past and exploring the heritage of slavery to its very roots, in ways that would avoid both condescension and romanticization. Looking about him, he sensed an agrarian folk culture deeply rooted in the slave experience. There was still time, he thought, to explore that culture, indeed the very soul and spirit of the black South, before urbanization and industrialization rendered it unrecognizable.' Martin Puryear is a leading American sculptor. He read Cane for the first time when he was teaching at Fisk University in Nashville, Tennessee, and living in the South for the first time. The book has been important to him ever since. His woodcuts for Cane are on two scales. The seven larger images are abstract portraits of women characters in the book; the three smaller blocks are reinterpretations of the enigmatic arcs that Toomer placed on pages dividing sections in the first edition." Bound in full tan linen over limp boards with brown ties. The text type is Times New Roman composed by Monotype and printed on Biblio mouldmade paper from Germany. The display type is Lucian Bold, composed by hand. The prints are on handmade Kitakata paper from Japan. Oblong measuring 111/2 by 13 7/8 inches. Includes prospectus and box in which mailed. In fine condition. PRIV/091818.
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Columbia, MD: C. H. Fairfax Company Publishers, 1989. Paperback. INSCRIBED BY THE AUTHOR. Black paper wrappers with white title to front wrapper and to spine. Minor rubbing and creasing to exterior. Ex libris with writing in pen to top corner and bottom of front free end page. Inscription from author to front free end page. Else is clean and bright. 203 pages. AFRAM/120716. Very Good.
Rockford, IL: by the author, 1902. Hardcover. Illustrated. Red cloth boards with gilt title to spine, which reads "The Rescue of Kansas from Slavery with False Claims Corrected." Minor sunning to spine and edges of boards. Slight bumping to corners. Inscription across title page "Alonzo J. Tullock compliments of an old friend, M.L.B." and beneath "From one of my oldest and very best friends I prize this book highly. A.J. Tullock. March 14, 1903." Bookplate of A.J. Tullock to front pastedown. Tullock (? - 1904) was an engineer from Illinois who later owned the Missouri Valley Bridge and Iron Company. Small closed tear to bottom of title page and small open tear to facing tissue guard. Last 60 pages of second title appear to be printed on a different paper stock and are browned. A few dog eared pages. Occasional spots of smudges and foxing, but clean overall. 204 pages / 160 pages. AMER/022019. Very Good.
Atlanta: Scholars Press, (1988). Paperback. Number 60 from the American Academy of Religion Academy Series. Fine in black and white paper wrappers with green title to front wrapper and and white title to black spine. Pristine interior. "A pioneering and multi-dimensional work, Black Womanist Ethics is at once a study in ethics, gender, and race." 183 pages. WOM/032317. Fine.
Chapel Hill: University of North Carolina Press, 1939. Hardcover. Ex-library with call number sticker to spine, stamp to title page, and pockets to rear covers. Bound in blueish gray cloth boards with faded gilt title to spine. Dust jacket flaps are adhered to front endpapers. Clean interior aside from library markings. 473 pages. AFRAM/082516. Good.
Nashville, TN: The A.M.E. Sunday School Union, 1957. Hardcover. Full black leather boards with gilt title "A.M.E. Discipline 1956" to spine and front cover. Gilt name of Rev. R.R. Stokes to front cover. Penned name "Stokes" to fore-edge of textblock. Pen markings to endpapers, else clean. Repair to interior front hinge. 626 pages. Size: 6 x 4 inches. REL/041619. Very Good.
Boston: Marshall Jones Co., 1925. Hardcover. 8vo. In black cloth covered boards with light blue title stamp to cover and spine. Illustrated black and white jacket has many tears to spine and edges. Interior is mostly clean with many black and white illustrations. Endpapers are slightly yellowed. BLA/108280. Very Good / Good.
Philadelphia: Chilton Company, 1962. Hardcover. First Edition. Inscribed, "For Barry with all the best Hal July 7, 1966." The book is inscribed to Barry Zorthian, the U.S. spokesman in Saigon during the Vietnam War. The book is about a wandering Black minstrel. It is written by an author who wrote extenisvely about African and American Black folklore and music. Bound in grey cloth with title and author in black to spine. In brown dustjacket with title and author on spine and front cover, and illustration of man on front. Some chipping and bumping. In very good condition. 118 pages. LIT/011513. Very Good in Very Good Dust Jacket.
[United House of Prayer], 1968. Hardcover. First Edition of this scarce book on the founding and growth of the United House of Prayer for All People between January 1960 and August 1967. The church was founded by Bishop C. M. Grace, known to his followers as Sweet Daddy Grace. After a brief chapter on Sweet Daddy Grace, the book's primary focus is on The Most Honorable Bishop W. McCollough, his successor. McCollough became known as Sweet Daddy McCollough after his rise to leadership. His accomplishments and the spread of the church throughout the country are documented, and there are photos of him over time as well as pictures of the many churches founded in various cities. Bound in black cloth with title to spine and front board. Lettering slightly faded. Slight bumping and very small goudge to cloth on back cover, but in very good condition. Interior pages are clean and bright except for residue from paper clips on table of contents page and rear pastedown, and a few remnants from item glued to corner of page 94. 100 pages. REL/072412. Very Good.
New Haven: Institute of Human Relations / Yale University Press, 1937. Hardcover. Signed by the author. Ex-library. "This book is an attempt to give a dynamic view of social life in a small town in the deep South. It represents a convergent use of several methods on the same problem and may therefore have interest for such diverse specialists as the social psychologist, sociologist, social worker, adn psychoanalyst. The attention of the intelligent general reader who wishes a deeper understanding of American social life is hoped for, as it is in all such researches" (preface). Dark gray cloth boards with gilt title to spine and old library sticker to foot of spine. Minor wear and rubbing to boards, spine, and edges. Bookplate of M.C. Carroll Davis to front pastedown. Pen marking to title page and library slip to rear endpaper. 502 pages. AFAMER/122018. Very Good.
Baltimore: Gateway Press Inc, 1999. Hardcover. Fine in navy blue cloth boards with gilt title to spine. Clean, bright interior. In light blue dust jacket with black title to spine and front cover. Light soiling to jacket and closed tear with small loss to foot of spine of jacket. 484 pages. POE/090315. Fine / Very Good.
Cambridge: The Belknap Press of Harvard University Press, 1956. Hardcover. First Edition. "The sources for this stimulating and original book, which will provoke a good deal of discussion, include unpublished papers in private collections and government archives as well as local memoirs and correspondence, Southern newspapers and journals of the time, and eye-witness accounts of visitors. From this material, Professor Franklin has drawn the evidence for his argument that something in ante-bellum Southern society made possible there a more aggressive and violent response to the demands of the world than existed elsewhere in America - a bellicosity for which the reader of this book may discover analogies in the South of our own day" (jacket). In red cloth boards with gilt title to spine. Previous ownership signature and notes to endpapers and title page, and half title page. Underlining in pen to interior. In black and red dust jacket with white title to spine and front panels. Non-archival tape has been used to reinforce edges and corners of jacket, and it has yellowed. A few short closed tears to edges of jacket. Minor wear, scuffing, and rubbing to jacket. Foxing to interior of jacket. 315 pages. AFAMER/122618. Very Good / Good.
Boston: Trustees of the Public Library of the City of Boston, 1991. Hardcover. Ex-library from the Library of Congress with stamp to front endpaper. Tan cloth boards with gilt title to spine and front cover. Bumping to foot of spine. Filled with photographic illustrations. 187 pages. Massachusetts State History AFAMER/122018. Very Good.
New York: Alfred A. Knopf, 1945. Hardcover. PRESENTATION COPY signed by the author “to Gay Dallman, with the good wishes of Langston Hughes New York, July 12, 1947.” Elaine Gay Dallman was a poet, bibliophile, and socialite in San Francisco. This is a nice copy of the second printing. Very good in black cloth with orange cloth spine and purple title to front board and spine. Slight fading to spine and bumping to bottom corners. In a very good price clipped dust jacket with green spine panel and black title to spine. The jacket, also later, is worn along the edges including a chip to the head of the spine and a short closed tear. There is also a scuffmark to the front panel and the interior of the front flap has light dampstaining. There is no evidence of dampstaining to the boards or to the exterior of the jacket. 125 pages. POE/04291. Very Good in Very Good Dust Jacket.
Columbia, S.C. The State Company, 1925. Hardcover. Second edition (the book was first published in 1888). A collection of sixty-one myths including: "How Come buh Alligatur Nebber Sleep fur from de Ribber Bank", "Buh Wolf, buh Rabbit an de Tar Baby", "Buh Rocoon an buh Possum", "De Dyin Bull-Frog", "De Fiddler, buh Tiger, an buh Bear," and many more. Bound in the original maroon cloth with gilt title to front cover and spine. Endpapers and pastedowns darkened, residue on the pastedowns from removed protective wrapper, and foxing to fore-edge of textblock; otherwise bright and clean, without dust jacket. 192 pages. AFAMER/102116. Very Good.
Chicago: Third World Publishing, 1994. FIRST EDITION. Hardcover. Inscribed By Author. 8vo. SCARCE SIGNED COPY. In blue cloth covered boards with gilt title stamp to spine. In illustrated blue DJ. Interior clean and bright. Inscribed in black ink on the half title page.272pp. BLA/063006. Very Good Plus in Very Good Plus dj.
New York: Thomas Seltzer, 1922. Hardcover. First American edition. Winner of the Prix Goncourt. "A pioneering work that instituted the modern school of Negritude" (Blockson/ A Commented Bibliography 61). Original green cloth lettered in gilt on the spine and front cover. Spine titling is very faded and there is are a few small discolored spots on spine. Very good, without dust jacket. Interior has previous owner's name in ink to front free endpaper, but is clean overall. 207 pages. LIT/101716. Very Good.
New York: G. Schirmer, Inc., 1929. Paper Wrappers. Thin 4to. In tan paper side-stapled wrappers with dark brown title print and illustration to front. Only slight wear to wrappers. Interior is very clean and bright filled with sheet music and lyrics. Small closed tear to bottom of all pages (less than 1 inch) 15pp. BLA/042806. Very Good.