San Diego: Bay Park Press, 2003. Paperback. Number 31 of 150 copies. Founded by Sibyl Rubottom and Jim Machacek in 2000, the press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. This book’s poem is a moving tribute to the author’s friend, Nancy Morgenstern, who died in the World Trade Center attacks on September 11, 2001. The book artists, Sibyl Rubottom and Jim Machacek, say in the colophon that they were privileged to design and print Portraits in memory of all 9/11 victims. Bound in grey Rives BFK paper covered boards with the title blind stamped on the front cover. The free endpapers are Classic Crest tarragon and handmade washi papers. Printed in Times Roman on Chartham English vellum. A portrait of Nancy Morgenstern is printed on title page and there are small line illustrations on some pages. In grey and white envelope with title in orange on front. In fine condition. Unpaginated, 5.5 x 12 inches. PRI/072712. Fine.
Refine search resultsSkip to search results
San Diego: Bay Park Press / False Bay Editions, 2009. Number 12 of 20 copies. An exquisite production fr. Hardcover. Number 12 of 20 copies. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. This out-of print book is an exquisite work from Sibyl Rubottom and Jim Machacek. It was inspired by Sibyl’s interest in all things botanical and Jim’s family heritage. The result is what they hoped for - "a riotous colorscape for your senses” - with rich and luminous colors and beautiful illustrations. It includes 14 unbound folded folio sized leaves that are housed in a folding case. Twelve of the leaves are dedicated to different types of gardens, each in a different color, with designs and writings to reflect that garden. The gardens are: Japanese, butterfly, desert, night, orchid, primordial, mystical, rose, water, Eros, secret, and herb. Each features a poem or prose by such writers as John Milton, Rumi, Homer, Lord Byron, Robert Frost, Oscar Wilde, Frances Hodgson Burnett, and Ralph Waldo Emerson. The two other folded leaves are for the title and for the colophon. Printed on Fabriano Rosapina Blanco paper in Venus, Edwardian Script, and Palatino typefaces using letterpress, monoprint, and intaglio techniques. Housed in a custom box in brown cloth lined with handmade paper. The covers open from the middle with a title label on one side and a small metal rectangle with wooden peg closure on the other. In fine condition. Unpaginated. [56 pages.] ARTISTSBOOKS/081612. Fine.
San Diego: Bay Park Press, 2004. Glossy Pictorial Cover. Number 23 of 40 copies. Signed and numbered by the book artists. Founded by Sibyl Rubottom and Jim Machacek in 2000, the press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. Visiting artists including Carolyn LaFrance and others regularly print books at the press. Books created by Jim and Sibyl at Bay Park Press bear the imprint of False Bay Editions. It is named after False Bay, which was the original name of San Diego's Mission Bay and is located near the press. This engaging accordion book is an alphabetical melange of spice. Various spices are described by definition, quotes, or history, and accompanied by lovely images on tan color pages that were hand-tinted with spice dyes. Some of the pages had an "intoxicating 14 runs through the press." The accordion text pages are encased in stiff paper covers, with the top flap cut out in the shape of leaves. Comes in a burlap drawstring bag with title and press name printed on a label attached by string. In fine condition. 4.5 x5 inches.PRI/073112. Fine.
Pasadena, CA: Deeply Game Productions, 2012. Hardcover. Number 1 of 7 copies. Signed and numbered by the book artist. Sara Press is a photographer, printer, and book artist whose work addresses science, nature, and the intricacies of our culture. This is a suite of four etchings by Ms. Press that depict contemporary mixed-martial-arts fighters. The accompanying text has been appropriated from a panther / bear fight advertising poster from the 1850s. The text describing animal fights is juxtaposed with the prints of human fighters to make an important statement on violence. The typeface is designed by Dan Mayer. Letterpress printed on a Vandercook No. 3 Proof Press. The loose prints and text pages are housed in a solid maple box with title burnt into the lid. This book was made in California and East Coast humidity has caused the box lid to warp a little along the edges. Unpaginated. ARTISTSBOOKS/030613. Near Fine.
Israel: Even Hoshen, 2010. Hardcover. Number 32 of 66 copies. Signed and numbered by the book artist. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. The Raven is bound in full black leather with tan and black leather inlay forming the image of a raven on both boards. The binding is a dos-a-dos structure printed in English and in Hebrew. The English text was hand set in Alt-Mediaval type and the Hebrew text was set in Margalit type. It is printed on Bavaria-Butten paper and illustrated with a paper cut of a raven. Housed in a white cloth slipcase with paper title label with light, ghostly visibility under the white cloth. In fine condition. Unpaginated. Fine.
Israel: Even Hoshen, 2009. Someck, Ronny. Hardcover. Numbered and signed by the author and printer. A collection of five poems by Ronny Someck about ballet with two hand-colored illustrations. Someck is an Israeli poet, musician, and artist who has won multiple awards for his poetry including the Prime Minister's Award, the Hans Berghhuis prize for poetry, and the Yehuda Amichai Award for Hebrew poetry. He is internationally renowned with poems published in over thirty-five languages and ten books of poetry published in English. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. Pointe Shoes is a dos-a-dos structure printed in both English and Hebrew. It is bound in black cloth boards with inset cloth ballet slippers to both boards and decorative pink and black ribbons to spine. The center of both signatures features four black and pink flourishes. Printed on Grandee paper and handset in Alt-Mediaval and Margalit type. Housed in a black cloth slipcase. A fine production. Unpaginated. [18 pages.] PRI/032713. Fine.
Washington DC: Library Fellows, The National Museum of Women in the Arts, 1992. Hardcover. Number 4 of 20 copies. Signed and numbered by the artist with an original drawing in a separate portfolio. Audrey Flack (1931-) is an important American artist who is nationally recognized and whose works are in major collections throughout the world. She is known as a pioneer in Photorealism and has also been inspired by Baroque art. This book is the third volume in the artists' book series published by the Library Fellows of The National Museum of Women in the Arts. The sketchbook records Flack's travels from 1985-89, which included trips to Paris, Las Vegas, and Fort Lauderdale. The terra cotta pencil sketches that fill the sketchbook are beautifully rendered and often intimate. They are reproduced to scale. The book and the portfolio for the illustration are bound in a green, black and orange marbled cloth. Save for light creases on the free endpapers the book is in fine condition. The original drawing is a portrait from a Baroque sculpture and measures 4 x 6 inches. Both are housed in a brown cloth box with black leather title label affixed to a strip of the marbled cloth used for the binding. A lovely copy of this now rare book. Unpaginated. ARTISTS/102612. Fine.
London: Cassell and Co., and John Lane The Bodley Head, 1934. Hardcover. First Edition. An interesting and unusual presentation copy from the editor to Clementine Churchill, wife of Winston: "To Mrs. Churchill, these poems from the day when Fanny's First Play was written; and in memory of the pleasure of seeing it in her company. August 11, 1935 Desmond Flower." The inscription makes reference to Fanny's First Play, written anonymously in 1911 by G. Bernard Shaw. Desmond Flower (1907-1997) was a publisher, collector, and writer. He joined his father's publishing house, Cassell, and remained there until it was sold in 1966 following his father's death. Cassell's was the publisher for many major writers, but Flower's most important writer was Winston Churchill, editing and publishing his History of English Speaking People and the History of the Second World War. Bound in publisher's original green cloth with title and author in gilt to spine. Binding and text in near fine condition. In original dust jacket which is torn and tattered, and now protected by a mylar cover. 297 pages. POE/052913. Near Fine / Chipped and Torn.
Glenview, IL: Karen Hanmer, 2005. Hard Cover. Number 27 of 50 copies. Signed and numbered by the book artist. An accordion pop-up book which showcases thirteen women aviators from the beginnings of powered flight through 2005. These aviators set records of altitude, speed, endurance, or made other significant contributions to the field, not as women's firsts - but across gender lines. Each spread features a pop-up vintage photograph and a brief description of the aviator including name, birth and death dates, and a record of accomplishments. It can be extended and displayed in a closed circle shape. The book is housed in an archival case with the book artist's contact information stamped on the front panel. Measures 8 x 2.5 x .5 inches closed and 8 x 56 x 5 inches open. Unpaginated. [28 pages.] ARTB/121817. Fine.
Glenview, IL: Karen Hanmer, 2010. Hardcover. Number 21 of 30 copies. Signed and numbered by the book artist. This book was one of six winners of the “Building by the Book” competition sponsored by the Philadelphia Athenaeum and Philadelphia Center for the Book. This work by noted book artist Karen Hanmer is based on Samuel Sloan's 1852 collection of house plans and instructions to contractors titled The Model Architect. Hanmer juxtaposes Sloan's historical text and illustrations with modern text from the U.S. Department of Housing and Urban Development's online "Guide to Avoiding Foreclosure." The artist provides commentary in the colophon reflecting on the effects of the 2008 financial collapse in her own neighborhood. She states: "Samuel Sloan's The Model Architect was published at the mid point of a century marked by cycles of rampant speculation followed by financial collapse. The Panic of 1857 came on the heels of publication of Sloan's work, and put a halt to the most active portion of his career. This milieu mirrors what has happened in my own neighborhood of modest homes over the past fifteen years. The transformation began with some owners remodeling their kitchen, or adding a family room or bedroom. Then larger additions came. Ultimately, the houses commanded high prices to be sold as teardowns. Huge new houses were built in their places. The construction proceeded with increasingly grandiose features; portions of the facade faced with thin sheets of stone, wooden garage doors with cast iron-like fittings, decorative copper accents on the roofs, turrets, lions flanking the brick driveways. Now the house across the street, the house next door, and the house next door to that are all in foreclosure, and soon will be uninhabitable. The lawns grow without interruption. Without electricity and heat the basements fill with water, the pipes burst, the mechanicals are destroyed. Few modest, affordable homes remain in the neighborhood." Bound in marbled paper covered boards with black leather spine and red leather title label, titled and ruled in gilt. Bound using the modern drum leaf structure but replicating the look of a 19th century book. Housed in an archival paper case with the edition number and artist's contact information stamped on the front panel. Measures 14 x 11 x .5 inches. 48 pages. ARTB/121212. Fine.
Glenview, IL: Karen Hanmer, 2004. Hardcover. Number 19 of 30 copies. Signed and numbered by the book artist. Features photographs, archival documents, and text pertaining to the Wright Brothers' experimentation to develop the first manned, powered flight. Bound using the flag book structure with illustrated paper covered boards. This book was created for Turning Pages: A Collection of Artists' Books shown in The Living Room, the family installation space at the Wichita Art Museum. Housed in an archival paper case with the edition number and artist's contact information stamped on the front panel. Measures 7 x 26 x 5 inches open and 7 x 5 x 3 ¾ inches closed. Unpaginated. [16 pages.] ARTB/032417. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
London and New York: Bliss, Sands and Foster; Brentano's, 1894. Hardcover. First Edition. Presentation Copy, inscribed on free front endpaper "To the 'Star Barker' of our house, whose sunny nature excuses a dozen faults, and whose tiny, rippling laugh makes serious work impossible - but whom we would not do without - With the fondest love of his mother - The Author," and further inscribed "To Karl Martin, Buffalo, June 20 1901." The recipient of this extravagant inscription was the author's son. Jones was an American writer and this is the uncommon English issue of this book. The stories are of a science fiction / fantasy nature. Bound in brown cloth with delicate cream and green design of cupids and title and author in gilt. Edges are worn and chipped. Interior pages have some browning along margins. There is some splitting of the signatures but the text block remains solid. In very good condition. 95 pages. LIT/010413. Very Good.
London: Cecil Palmer, n.d. . Hardcover. With its large format and beautiful color illustrations on every page, this is one of Jessie M. King’s most desirable books. The stories are charming, and many impart a gentle moral to the children reading them. For many years there was some uncertainty about the identity of the author, “Marion.” Many believed that Jessie M. King was the author because her middle name was Marion. It was finally established by her descendants, however, that the author was Mrs. Alexander (Marion) Gemmel. (B199, Colin White bibliography). The illustrations are exuberant and playful, as befits stories for small children. There are eleven full-page illustrations, with color decorations on each text page. Bound in bright paper covered pictorial boards with title and illustrator in red to front cover and spine. Some wear and rubbing to edges, hinges, and corners but in very good condition with clean, bright interior. Original glassine jacket not present. 56 pages. CHILD/111412. Near Fine.
MA: Viewpoint Editions, 2012. Paperback. Number 22 of 36 copies. According to noted book artist Dorothy Simpson Krause, “This homage to Marjory Stoneman Douglas (1947-1997) and her seminal book, The Everglades: River of Grass combines my images of the Everglades with historic photographs, documents, and maps. Forty miles wide and over 100 miles long this slow moving river ranges from a few inches to a few feet in depth. Only half its original size, the Everglades has been largely destroyed to meet the demands of urban and agricultural growth. The ongoing battle for restoration of the Everglades is a moral test which hopefully we will pass.” The book’s exquisite images evoke the beauty and mystery of the Everglades, which are “one of the unique regions of the earth, remote, never wholly known” (Marjory Douglas). Printed on Yu Kou paper, on a laser printer with letterpress overlay. Interleaved with Yu Kou light tissue guards. All of the unbound pages are housed in an envelope enclosure made from brown Lokta Oil Paper to reference a packet of documents an early settler might have carried. The closure on the envelope is a native mahogany tree seedpod with rawhide and thread tie. This book was produced while Krause was Artist-in-Residence at the Jaffe Center for Book Arts, Wimberly Library, Florida Atlantic University, and was published under the auspices of Minerva: The Press at Wimberly. In fine condition. PRI/101912. Fine.
Massachusetts: Viewpoint Editions, 2011. Hardcover. Number 13 of 15 copies. This mystical book by the award winning book artist Dorothy Simpson Krause draws upon her work as a painter, collage-maker, and printmaker. The text is from Samuel Taylor Coleridge's poem "Kubla Kahn or A Vision in a Dream, A Fragment,” composed in 1797 after an opium-induced dream. Krause’s imagery creates a vision of a savage place, with holy and enchanted caverns, walls, towers and a sacred river where "the shadow of the dome of pleasure floated midway on the waves.” These haunting images of submerged architectural passageways, lit from within, reflect the branches of trees and illuminate floating leaves and flowers. Bound in gold and brown Asahi fabric over boards with gold cloth spine. The title and author are stamped in gold on a gold paper label on the front board. Laserprinted with endsheets of mustard gold Lokta paper. Housed in a gold organza bag with gold drawstring ties. In fine condition. About 5 x 7 inches. Unpaginated. PRI/100312. Fine.
London: Smith, Elder & Co., 1857. Hardcover. First Edition of author's second novel. RARE INSCRIBED COPY: "F. Maxse/ from his friend/ GM." George Meredith (1828-1909) was an important author and poet of the Victorian era. He was a friend to many major figures of his time including William and Dante Gabriel Rossetti, Algernon Charles Swinburne, Robert Louis Stevenson, and J.M. Barrie. This book is inscribed to Frederick Augustus Maxse, his dearest friend, who was a hero of the Crimean War. Meredith's book, Beauchamp's Career, was based on the political career of Maxse. In his bibliography of Victorian fiction, Michael Sadleir described Farina as scarce, saying "few Victorian fictions are more seldom seen than [this and three others]." Bound in the original apple-green cloth. It has been professionally recased. The binding is rubbed and soiled but still very nice (According to Sadleir, the binding was both unusual and easily soiled.) Interior pages are clean and bright. Includes July 1857 publisher's catalog. With bookplate of the noted book collector, H. Bradley Martin. Housed in a green cloth clamshell box with paper title and author label to spine. An exceptional association copy in the extremely scarce original cloth. 244 pages plus 16 page publisher catalog. LIT/120312. Very Good.
London: Longmans & Co., 1898. Hardcover. This interesting address offered advice to the students by which Morris himself lived: “...make yourself sure that you have in you the essentials of an artist before you study Art as a handicraft by which to earn your bread. But, again, if you are able to do this, & become a genuine handicraftsman, I congratulate you...for you belong to the only group of people in civilization which is really happy: Persons whose necessary daily work is inseparable from their greatest pleasure.” An exceptionally nice copy bound in blue paper boards with grey linen spine and title printed on cover. Light wear and slight darkening to edges of boards. Interior is bright and clean save for offsetting to the rear endpapers and a few brown spots on fore-edge. Pages are unopened. 25 pages. MOR/081712. Near Fine.
London: Watts & Co., [1898?]. Hardcover. Rare. A Presentation Copy, inscribed "To Joseph Fay from his old friend Arthur B Moss 25 June 98.” The Workman's Foe concerns a man who succeeds in becoming a manager in a large firm and then turns upon the workmen who helped him climb the ladder, making their lives unendurable. Paul the Rebel is the story of a would-be anarchist whose mission is to blow up a bank. He ends up being blown up by his own bomb. Bound in brown cloth with titles and author in gilt to cover and original wraps bound in. Water staining on pastedowns and free endpapers, partially affecting the inscription. Some pages are loose and the paper has browned. The cloth binding is slightly rubbed and worn, but an extraordinary survival story as radical plays by a working-class author were printed in extremely perishable form. According to press notices reprinted on the original paper wrappers, both plays were actually performed in local theaters in London. No original copies in WorldCat, one of two known copies - the other is in the James Ellis collection of Victorian drama. Very good condition given the fragility of the items. Workman's Foe: 16 pages; Paul the Rebel: 14 pages. DRA/013113. Very Good.
Pennyroyal Press, 1985. Barry Moser. Hardcover. Number 194 of 200 copies signed and numbered by Barry Moser. The preface states that the bestiary was a well-established tradition in France by the time De Fournival wrote his Bestiare d'Amour in the middle of the 13th century. In his bestiary, however, he diverted the bestiary's hallowed animal symbolism to amorous purpose. An anonymous woman composed a response to his new symbolism, which was appended to a few of the surviving manuscripts. The two works remain as an articulation of the eternal debate between Man and Woman. This fascinating text is illustrated with dozens of Barry Moser's splendid small wood engravings of animals, birds, and insects. Bound in limp vellum with gilt title to spine and housed in a grey cloth slipcase. The rear panel of the slipcase has three watermarks but is otherwise in fine condition. In monotype Dante, designed by Moser and Chase Twichell, and printed by Harold McGrath. A beautiful book in fine condition. Unpaginated. PRI/032813. Fine in Very good Slipcase.
New York: Purgatory Pie Press, 1983. Hardcover. Number 75 of 85 copies bound into hard covers. 95 additional copies were issued in wraps. Signed by the author, printer (Dikko Faust), and designer (Esther K. Smith). An inventive collection of eight tales in which portions of the story have been replaced by lines of color allowing the reader to make up their own stories utilizing the given words. A vibrant book printed in red, yellow, green, blue, and black. Fine in yellow paper covered boards with red title to spine and front cover. Printed at the Center for Book Arts on Lana Laid all rag with red Kozo endsheets. Unpaginated. [24 pages.] PRI/010212. Fine.
New York: Purgatory Pie Press, 1997. Paperback. Number 127 of 250 copies. Signed by the designer (Esther K Smith), printer (Dikko Faust), and paper marbler (Lauren Rowland). According to the designer, this project was inspired by 'those folded religious pamphlets.' Each of the five artists has created and signed his or her card or the box. Each card has a different theme ranging from sexual experience to a subway mosaic. All are housed in a marbled paper covered card stock box with silver title to front panel. PRI/010213. Fine.
Milan: Ulrico Hoepli, 1920. Hardcover. An interesting early twentieth century Italian text on advertising techniques in various media, including newspapers, posters and signs, catalogs, and more. It talks about the power of advertising, and offers aphorisms on the subject. Extensively illustrated from Italian and French sources with twenty-seven black and white and seventeen color full-page reproductions. There are also over forty inventive and charming in text illustrations. Rebound in chipped and rubbed blue cloth. Some foxing and aging to interior pages but in very good condition. 181 pages including list of artists plus index. ART/091312. Very Good.
London: Ellis and White, 1881. Hardcover. First Edition. AN EXCEPTIONAL ASSOCIATION COPY. Inscribed by Dante Gabriel Rossetti: "To Frederick Leyland from his friend D.G. Rossetti 1881." Rossetti died the following year. Leyland was Rossetti's most important late patron. Frederick Leyland (1832-1892) was a Liverpool shipping magnate and major art collector. He had a collection of paintings by the Pre-Raphaelites and from artists of the Aesthetic Movement, as well as an important collection of Italian Renaissance paintings. His collection included Rossetti's “The Blessed Damozel,” “Monna Rosa Proserpine”, and “Lady Lillith.” Rossetti also painted portraits of Leyland and his wife. Other well-known works commissioned by Leyland were “The Beguiling of Merlin” by Edward Burne-Jones, and Whistler's Peacock Room, which was installed in his London house (The Peacock Room may now be seen at the Freer Art Gallery). Bound in original green cloth with gilt flower and lattice design by Rossetti on covers and spine. There is spotting to the preliminary leaves and at the end of the book, including on the inscription page, but this does not obscure the inscription. Closed half-inch margin tear to page 327. A very nice copy in very good plus condition. Housed in a modern green cloth clamshell box. 335 pages plus one page ad. PRERAPH/052213. Very Good.
London and Chicago: John Lane and the Bodley Head and Stone and Kimball, 1895. Patten Wilson. Hardcover. First Edition, Private Issue. Presentation Copy. This is the very scarce private version of Frederick Tennyson's last book. With a handwritten limitation notice on the half-title "Twenty five vellum bound copies of the first edition have been issued for private circulation, This is No. 16." It is inscribed: "To the Revd. W.B. Macleod With Capt. J. Tennyson's & the Authors Compliments Jersey Jan 1896." The recipient was the author of Frederick Tennyson: His Life and Work, published in 1896. Frederick Tennyson (1807-1898) was a poet and the older brother of Alfred Tennyson. Although a gifted poet, he was overshadowed by his brother throughout his life. Captain Julius Tennyson was the author's only son, and the book is dedicated to him and his sister, Sophia, whom Frederick called the companions of his old age. In original vellum with gilt title and author to spine, and gilt florettes and initial "F" to front cover. The spine is darkened and the covers are soiled and bumped but still nice. In very good condition with darkening to page edges. Frontispiece photograph of Tennyson and title page design by illustrator Patten Wilson. A lovely book with a charming association. 163 pages plus tipped-in errata sheet and 16 pages of publisher ads. POE/061313. Very Good.