Riverside, CA: Bo Press Miniature Books, 2018. Hardcover. An interesting miniature book from Pat Sweet's Bo Press. She says: "Our alphabet used to be a lot bigger. It used to include letters like ampersand (and), eng ( the sound at the end of words like 'sing'), and the famous long s, which still puzzles readers of old books when it appears in the middle of words looking like 'f' but sounding like 's'. I've taken eleven of these once well-known letters and given each of them a tiny spotlight: illustrating it against a background of medieval tracery, telling a little of its history, and giving some examples in modern fonts (yes, these old letters still turn up in modern typography. You never know when you'll need a conjoined ae.) The book is printed in Kelmscott and Thryomenes on Monarch superfine paper, and bound in a diagonal pattern of cream colored paper and a gold on red medieval-ish print." In fine condition. It measures 2 5/8 x 2 inches. Unpaginated [56 pages]. PRI/060121. Fine.
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San Jose, CA: Prose and Letters Press, 2004. Hardcover. Number 24 of 50 copies. Signed and numbered by the artist. This printed book is based on a unique hand painted book by the artist. Bound accordion style in Lokta paper covered boards with hand painted gold accents and leather and bead closure. The inspiration for this book was the Lithuanian-American archaeologist, Marija Gimbutas (1921 - 1994), known for her research on the Neolithic and Bronze age cultures of Europe. Gimbutas theorized that the first writing predated Sumerian businessmen by a few thousand years, and instead grew out of symbolic marks on ritual objects made to venerate the Great Goddess in Old Europe. Artist, Cari Ferraro, was heavily influenced by this theory and created an alphabet style based on Marija's catalog of marks which she has used in this book. The background painting on all of the pages uses symbols found in the 5000-year passage grave Newgrange in Ireland, whose meaning has never been fully understood. The design is intended to feel like a cave wall with ancient symbols and writing. The text reads "The first writing/ not merely scribble/ devised by accountants to track livestock or record property/ the first writing/ made to track the moon/ inscribe spirit/ praise for the great mother." An attractive book. [10 pages] ARTB/042108. Fine.
Oldham, England: Incline Press, 2009. Paperback. "U unwillingness, slowness to learn. V is the vomitting the great fish is forced to make our hero change and turn, if only stumblingly, mind not yet open. W's the whale and the gobbling worm. X is exposure to why, Yahweh. Z is the zeal that makes Yahweh squirm" (last page). A chapbook issued to celebrate The Books of Jonah, the summer exhibition at Chetham's Library in Long Millgate, Manchester. Letterpress printed with metal type and illustrated with wood cuts printed in various colors. Bound in marbled paper wrappers with yellow title label to front cover. Clean and bright. Size: 4.5 x 3.5 inches. [8 pages] PRI/120518. Fine.
New York: Sarah Plimpton, 2021. Number 2 of 8 copies written and illustrated by the artist. Sarah Plimpton was born in New York City and divides her time between New York and France. She works in several media; oil painting, printmaking and artists’ books and is also a poet. Her books are in such collections as The Museum of Fine Arts, Boston, The New York Public Library, The Morgan Library, and the Metropolitan Museum of Art. In this handsome work, Plimpton illustrated each letter of the alphabet with a drawing and wrote a few poetic words for each on the page following. She did the original drawings for this during the Covid lockdown. She found the thought of doing all of the letters daunting but is pleased that they are now in a book. Set in Caslon 540 type and printed on Somerset paper. The images were printed by Erik Hougan at LESP and the text was printed by Brad Ewing at The Grenfell Press in NY. The book is softcover bound with a Coptic style binding and housed in a green clamshell box with black titling. Both were made by Claudia Cohen. In fine condition. Measures 5.5 x 8.5 inches. Unpaginated. ARTISTSB/070522. Fine.
Buenos Aires: Marina Soria, 2018. A unique book from renowned calligrapher and book artist Marina Soria. She has created for it a calligraphic alphabet that was inspired by cattle brands that are used at ranches in the province of Buenos Aires, Argentina. The letters are done in gouache, ink, and silver leaf on paper. Beads and nylon fishing line weave together the various letters into a grid framed by the book's edges. Bound in white cloth with paper label depicting images of actual cattle brands on the cover. Accompanied by a card with the books description and signed by the artist. In fine condition. Size: 20 x 20 cm. Born in Buenos Aires, Argentina, Marina Soria is a seasoned artist and educator with degrees in Fine Arts and Graphic Design. Not content to just immerse herself in learning calligraphy at international conferences, and through courses with renown calligraphers, she studied Eastern principles of Beauty in sumi-e (Japanese painting). She distilled and blended these principles with her rich experience and background in the fine arts, typography and graphic arts, employing unique approaches and techniques. She has also dabbled in the textile arts, creating a metaphor for weaving; letters as stitches and text as if it were a textile. Her works, vibrating with a love for nature and exploding with life and color, can be found in calligraphy collections in museums, universities, and libraries in the U.S., Europe, and South America. Marina has received numerous national and international awards, and has been featured widely in calligraphic arts publications. A prolific artist, experimental calligrapher, book artist, and educator, her goal is to mingle diverse disciplines to challenge the limits of conceptual art and technique. ARTISTSB/072622. Fine.
Paris: L'Adventurine, (2000). Paperback. Very good in dark grey illustrated wrappers with light green title to spine. Laminate is peeling slightly along bottom edge of front wrapper. Light rubbing to covers. Pristine interior featuring examples from eight centuries of ornamental lettering. 379 pages. BOB/102209. Fine.
The Moveable Book Society, 2018. Hardcover. Limited to 2000 copies. From the introduction: "Our 25th anniversary collection, A to Z: Marvels in Paper Engineering, looks ahead to the next generation of paper engineers. The artists were given freedom to explore the mechanism revealing the essence of each letter form. This juried collection was selected from the contributions of many qualified candidates. The collected works of the best and brightest artists hold promise to inspire the future wave of paper engineers." This boxed alphabet production contains 26 folding pop-up cards, each featuring a different letter of the alphabet designed by a different artist. It also includes an introductory pamphlet and a pop-up title page. Each card contains a pop-up letter and on the back includes a photograph of the designer as well as a brief statement about the letter and design choice. Contributors include: Simon Arizpe, Camille Magaud, Peter Dahmen, Dorothy Yule, Eric Broekhuis, Yoojin Kim, Jess Tice-Gilbert, Angelo Ferrari, Lena Ignestam, Hiromi Takeda, Rob Kelly, Courtney McCarthy, Wai-Yin Kwan, Kelli Anderson, Kyle Olmon, Maike Bierderstaedt, Aurore Le Vilain, Julie Charvet, Isabel Uria, Sheila Hirata, Shelby Arnold, Damien Prudhomme, Shawn Sheehy, Katherine Belsey, Tina Yeung, Yevgeniya Yeretskaya, and Bruce Foster. The box and logo were designed by Isabel Uria. The box is approximately 8.5 x 6.5 x 4 inches. It is covered in glossy blue paper with gilt title to spine and front panels. It has a magnetic closure and a pull ribbon attached to the clasp. Minor rubbing to panels of covers and some cards. Unpaginated. ARTB/101718. Fine.