1918. Hardcover. Rare military service record of Brigadier General Frank Parker (1872-1947). Presentation inscription from Parker "To C. Van U. in memory of the Great Days together - F.P. - Bridge Head, Easter, 1919". Includes service record, facsimiles of orders and telegraphs, as well as a list of decorations of Brig. Gen. Frank Parker from 1918 - 1919 during which he was awarded the War Cross of France with Palm, Commander of the Legion of Honor of France with second Palm of War Cross, Commander of the Order of the Crown of Belgium, D.S.M., and Third Palm on War Cross. Parker served in a tour of Lorraine, the second Battle of the Marne, the Battle of St. Mihiel Salient, the Battle between the Meuse and the Argonne Forest, and more. Bound in full red leather with gilt title and dates to spine. Gilt rules and swastikas to both boards. Rubbing and wear to boards, edges, spine ends, and corners. Evidence of a removed sticker to front board (about 1 x 2 inches) with surface sheen of leather removed in this small area. Adhesive remnants to front pastedown where a bookplate was removed. Browning to interior, mostly along margins. Unpaginated with blank sheets bound in at rear to fill out an otherwise thin binding. [Approximately 150 pages, of which about 100 have text printed on one side (so, about 50 pages of text).] WWI/011221. Very Good.
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Harpers Woods, MI: The Adagio Press, 1969. Hardcover. INTERESTING ASSOCIATION COPY WITH RELATED MATERIAL LAID IN. This beautiful copy is inscribed by author John Dreyfus to noted Chicago book collector and philanthropist Samuel R. Rosenthal, "for Sam R Rosenthal after a splendid evening John Dreyfus 16 December 1978 Chicago." Rosenthal and his wife, Marie-Louise, had a pre-eminent book collection that concentrated on livres d'artistes, illustrated books, and private press. This is 39 of 75 folio copies issued with one vellum leaf and one handmade paper leaf laid in from books printed at the Doves Press. There were 329 copies originally printed of this Adagio Press edition (although fewer than 180 were offered for sale), each with two Doves Press leaves: 12 with both Doves Press leaves printed on vellum; 75 with one leaf on vellum and the second on handmade paper; and 242 with both leaves printed on handmade paper. This copy has an octavo vellum leaf from Goethe's "Faust," issued in 1906, and a folio double leaf on paper with Leviticus 16-22 from the famed Dove's Bible. The Adagio Press was founded in the late 1950s by Leonard Bahr, who signed the colophon. In Roderick Cave's The Private Press, second edition, he cites the Bible as the most substantial title printed by the press. In 1970, Strouse had sent two letters to Rosenthal, included with this copy, offering C-S The Master Craftsman. Strouse said that he would make Rosenthal's copy "a little special" by putting in a double leaf from the Bible. Two letters dated 1978 are laid in from Dreyfus to Rosenthal and his wife. These letters and the 1978 inscription indicate that he got to know Rosenthal around this time. In one letter, Dreyfus expresses his appreciation for their expressions of sympathy over the tragic death of his son. There are a few handwritten additions to the text of Dreyfus's essay in this copy, which may have added when he inscribed the book, but this is conjecture. The book is hand sewn and bound in quarter vellum with Cockerell marbled paper covered boards and gilt title to spine. It is printed in red and black Palatino Roman and Pascal types on handmade Tovil paper. In addition to the Doves Press leaves, laid in are the prospectus, a mounted photograph of Cobden-Sanderson with Emery Walker developed from the original negative, a smaller copy of the photo, and a pamphlet issued in 1971 titled "A Letter from Stella." This pamphlet reprints the text of the last letter written by Cobden-Sanderson to his daughter, Stella, a few hours before he died, with an introduction by Strouse. [54 pages.] PRI/042309. Fine.
Frederick Fell Inc., 1946. Hardcover. FIRST EDITION. PRESENTATION COPY SIGNED BY THE AUTHOR. 8vo. Very good in brick red cloth with gilt title to front baorda nd gilt and black title to spine. Slight bumping to spine ends. Author's inscription to front free end page. Light browning to end pages. Pages yellowed. Illustrations throughout. 336 pages. Humor. HUM1/5250. Very Good.
Philadelphia: University of Pennsylvania, 1917. Hardcover. 8vo. Very good in maroon cloth covered boards with gilt title to spine. Minor fading to gilt on spine and minor bumping to spine ends. Presentation copy from editor to publisher. Inscription to front free end page. Else is clean and bright with illustrations. Tight binding. 206 pages. Drama. DRA1/6270. Very Good.
London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
Williamsburg, VA: The Colonial Williamsburg Foundation, 1977. Hardcover. SIGNED BY AUTHOR, PRESENTATION COPY INSCRIBED on title-page: To Olivia Rodgers an old & dear friend John and also signed under his printed name. Fine blue coated cloth backed blue linen boards, gilt title to spine. Very good plus pictorial d.j. (one closed tear to rear flap, small amount of creasing, edgewear). Interior is very nice, bright and clean, though a few areas have some ink underlining. Contains 144 plates, many in color. 153 pp. + facsimile reproduction of the 1755 Chelsea sale catalog, an important source documents for students of English porcelain. Ceramics. CER/8223. Very Good + in Very Good DJ.
London: W.H. Allen & Co., 1888. Hardcover. First Edition. Inscribed: "To Linda Falconer from the Author." Wyke Bayliss (1835-1906) was a British painter and author who was affiliated with the Pre-Raphaelites and friendds with such figures as Millais, Leighton, and Burne-Jones. Bound in dark red cloth with title and author in gilt to spine. Discolorations and bumping to boards. Light water stains to first few pages and some creases and light marks to last few pages. Several b&w illustrations. Very good minus condition. 207 pages. ART/032313. Very Good -.
London: William Heinemann, 1921. Hardcover. Inscribed by Beerbohm with Autograph Letter Signed laid in. The book is inscribed on the half title to S.J. Williams, “Dear Mr. Williams I am so very glad you see to like [And Even Now] and I thank you very much - Max Beerbohm May, 1943.” Laid in is a letter to Williams along with the envelope in which it was sent. The letterhead is “Abinger Manor Cottage, Abinger Common, Nr. Dorking.” In this charming letter Beerbohm writes: “June 15 1943/Dear Mr. Williams/I write to tell you, with many thanks, how proud I am to be the subject of an epigram so perfect in pre-, com-, and incision. Epigrams are usually unkind in wit. Wit and kindness are rather distantly related to each other. But here they seem to be [the word are is crossed out below this] brother and sister, and will abide in my heart as well as in my brain. With kindest regards from my wife and me to Mrs. Williams and to you, I am sincerely and gratefully yours, Max Beerbohm.” The envelope is addressed S.J. Williams, Prof/Queens’ College/Cambridge. The flap of the envelope is affixed to the front endpaper opposite the half title page. There is one fold in the letter otherwise in fine condition. Book is bound in original yellow cloth with paper title label to spine. Soiled and bumped but in very good condition. Interior pages are clean and tight. 320 pages. LIT/042012. Very Good.
London: William Heinemann, 1919. Hardcover. A very nice ASSOCIATION COPY. Beerbohm signed and inscribed the book “For CS Evans from his friend Max 1919.” Evans was the chairman of Beerbohm’s publishing company, Heinemann, and he and Evans were close friends. Max Beerbohm, of course, is known as one of the leading critics, caricaturists, and writers of his day. This book is the first edition in the primary binding of dark blue cloth with gilt title and author to spine and front board. It is in very good plus condition with a small nick to the top of the front board, some chipping to corners and spine, and four darker blue spots to front. No dust jacket. Interior pages are clean with some browning to margins of pages. 219 pages plus four pages of publisher ads. LIT/091608. Very Good +.
London: Heinemann, 1972. Hardcover. Inscribed and signed by Rupert Hart-Davis. Laid in is a letter from Rupert's son, Adam, to a family friend, Bound in blue cloth with gilt title to spine. In brown, orange, cream dust jacket with some nicks and small tears. Overall in very good condition. 125 pages. LIT/061112. Very Good in Very Good Dust Jacket.
New York: Farrar & Rinehart, Inc., . Hardcover. Inscribed by the playwright. First edition of this well-received Broadway play, which ran in New York between November 1931 and February 1932. Berhman (1893-1973) was a prolific playwright and screenwriter, perhaps best known for his “high comedies” which were so popular in the 1930s. This copy was inscribed to Dame Nellie Burton, Berhman’s landlady when he stayed in London. Miss Burton ran a famous lodging house on Half Moon Street, where lived, among other notables, Siegfried Sassoon and Robbie Ross, the latter being one of Oscar Wilde’s closest friends. The inscription reads “For Miss Burton, with love from her devoted Sam, London Apr. 1932.” Laid in is a typed letter to Berhman from the Stanley Rose bookstore, informing him that the copy of Brief Moment he had sent to Miss Burton at her address on Half Moon Street was returned to sender, “party gone away.” Bound in red cloth with title and author in black on front cover and spine. The interior is bright and clean with some light spotting to fore-edge. The jacket has small tears to top and bottom of spine. In near fine condition with very good jacket. An extremely nice copy with an interesting association. DRA/042011. Near Fine.
New York: Privately Printed, 1947. Hardcover. Presentation copy from the author to Dorothy Moyer. First Edition. A famliy history about Hibernia Florida. Very good in original turquoise paper covered boards with blue title to front cover. There is a large chip to the head of the spine and minor wear to the corners and edges of the boards. Clean and bright interior with several photographic illustrations. Nicely printed. 144 pages. AMSTATE/042011. Very Good.
London: Smith, Elder,and Co, 1880. Hardcover. First Edition. AN IMPORTANT PRESENTATION COPY, inscribed “Mrs Proctor, with RB’s affectionate regards June 27 ‘80.” Anne Proctor’s husband, the barrister and poet Bryan W. Proctor (who wrote under the pseudonym Barry Cornwall), was the dedicatee of Browning’s poem “Columbe’s Birthday” (1844). The Proctors were among the Brownings’ closest friends. Proctor and John Forster anonymously edited the first selection from Browning’s works in the 1860s. Near fine in original brown cloth with gilt title to spine. Light rubbing to edges and corners. There is browning from a paper clip to the top edge of the first few pages, else the interior is very clean. 147 pages plus 2 pages of advertisements. POE/020309. Near Fine.
Hong Kong: Phoenix Press, 1965. Paperback. First Edition. Inscribed: "To Mr. Zorthian With the compliments of the author. Nov. 19,1968." The recipient was Barry Zorthian, the well regarded U.S. spokesman during the Vietnam War. The author, a journalist and professor, wrote this book about Tung Chi-ping, who fled from the Chinese embassy in Burundi Africa to seek refuge with the U.S. Embassy there. Bound in brown paper wrappers with author and title to fron tocover. In near fine condition. 77 pages. CHINA/010913. Near Fine in Wraps.
New York: Harper and Row, 1964. Hardcover. INSCRIBED BY JOHN CHEEVER PRESENTATION COPY. Later edition. Very good plus black cloth covered boards with gilt title to spine. Author's inscription and signature to front free end page. Interior is clean and bright. Very good red and black price clipped dustjacket with white title to front and spine panels. Minor edge wear to dust jacket and one small portion of a cup ring to front panel. Minor fading to edges of dust jacket. 275 pages. Literature. LIT/5213. Very Good plus / Very Good.
Boston: Hill and Company, (1988). Hardcover. 4to. PRESENTATION COPY from authors. Near fine in black cloth backed lavender paper covered boards with blue title to spine. Minor fading to edges of boards. Interior is clean and bright with black and white photographic illustrations on every page. Blue illustrated dust jacket with yellow and purple title to front and spine panels. 134 pages. Women's Studies. WOM/702. Near Fine in Near Fine Dust Jacket.
London: T. Unwin Fisher, 1898. Hardcover. First English edition of Conrad's first collection of short stories, published in both America and England in 1898. Author's presentation copy, inscribed “For J. B. Pinker, Joseph Conrad.” The book marks the first stage of Conrad learning to write for popular magazines: "in that book I come nearer to the popular notion of tale-telling than in any previous work of mine" (writing to Unwin, Collected Letters, II., p.48). Pinker was one of the first literary agents in London, and became one of the most important agents of the twentieth century, with such clients as H.G. Wells, Stephen Crane, Henry James, and Ford Madox Ford. Pinker was “superbly attuned to the changing economic climate of the 1890s publishing market and served the interests of several 'difficult' writers with a skillful blend of shrewdness, tact, generosity, and long-suffering” (Knowles and Moore). This could not have been better demonstrated than with his relationship with Conrad, in which the agent was required to play many roles: friend, banker, father-figure and general factotum. Pinker could see Conrad's potential, but in many ways the author was ill-placed to survive the cutthroat market of the time, committed as he was “to a form of experimental novel, the unpredictable gestation of which involved an enormous amount of energy, time, and living costs” (op.cit.) As Conrad later gratefully acknowledged, Pinker believed in him and backed him for the long term, bankrolling him through the lean years when he had yet to be a commercial success, in the hope of future payments and royalties. Conrad was forced to split himself between his long serious projects like Nostromo and Under Western Eyes and more commercial journalistic material. Tensions were high between author and agent in these years between 1904 and 1910, with Pinker being asked for larger and larger advances to fund medical costs, household bills and overseas trips. The agent's requests for itemization and justification were resented by Conrad, and he sometimes resisted his agent's attempts to link payments to fixed amounts of delivered copy. In December 1909 Pinker's patience finally snapped after the author had been working on Under Western Eyes for two years and then broke off, against his agent's wishes, to write for the English Review. Pinker threatened to cut off all funds; his author retaliated by threatening to throw the manuscript into the fire. After an explosive row the two did not speak for two years. After the dramatic upturn in Conrad's popularity and finances after 1914 the author could finally begin to settle his debts, and the two men resumed their relationship, meeting weekly, spending weekends at each other's homes, and even collaborating on a screenplay. Conrad later wrote: “those books which, people say, are an asset of English Literature owe their existence to Mr. Pinker as much as to me. For 15 years of my writing life he has seen me through periods of unproductiveness[,] through illnesses[,] through all sorts of troubles...” (Collected Letters, V, p.619). Conrad was deeply affected by his agent's sudden death in 1922. Bound in original green cloth with light bumping to corners. Offsetting to free front endpaper not affecting the legibility of inscription. Text block has pulled away from front hinge but still tight although some interior gutters visible. Library stamp on rear pastedown, offsetting and piece of rear free endpaper torn away. Housed in a green cloth slipcase. With bookplate of book collector Stanley J. Seeger. Very good condition despite noted flaws. 297 pages. LIT/011116. Very Good.
Philadelphia: Chilton Company, 1962. Hardcover. First Edition. Inscribed, "For Barry with all the best Hal July 7, 1966." The book is inscribed to Barry Zorthian, the U.S. spokesman in Saigon during the Vietnam War. The book is about a wandering Black minstrel. It is written by an author who wrote extenisvely about African and American Black folklore and music. Bound in grey cloth with title and author in black to spine. In brown dustjacket with title and author on spine and front cover, and illustration of man on front. Some chipping and bumping. In very good condition. 118 pages. LIT/011513. Very Good in Very Good Dust Jacket.
Paris: Gauthier-Villars, Imprimeur-Libraire, 1870. Paperback. SIGNED PRESENTATION COPY. 8vo. Signed by author on front wrapper. Beige paper wrappers with black title to front wrapper. Browning to front wrapper as well as one very small open tear. Minor chipping and creasing to edges of wrappers. Minor browning to edges as well as minor foxing throughout. Text is clean and bright with many graphs and illustrations. 66 pages. SCI/042408. Very Good.