1586. A leaf from Le Vies et Alliances des Comtes de Hollande et Zelande, Seignevrs de Frise. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13063. Fine. More
1586. A leaf from Le Vies et Alliances des Comtes de Hollande et Zelande, Seignevrs de Frise. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13038. Fine. More
1598. A leaf of The Fifth Forestier of Flanders and his Squire with shield and falcon, from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders, with a short description of their lives and actions. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #12999. Fine. More
A leaf of The Fifth Forestier of Flanders and his Squire with shield and falcon, from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders, with a short description of their lives and actions. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13011. Fine. More
New York: Harper and Brothers, 1887. Hardcover. Includes work by: Victor Berstrom, W.B. Closson, Timothy Cole, John P. Davis, Frank French, T. Johnson, F.S. King, Elbridge Kingsley, G. Kruell, R.A. Muller, C.A. Powell, S.G. Putnam, John Tinkey, F.H. Wellington, and Henry Wolf. Features 25 full page wood-engravings. An elephant folio bound in black cloth over dark green cloth covered boards with gilt title to front cover and spine. Ex-library with call numbers to spine and pocket to rear endpaper. Previous owner bookplate to front pastedown. Library repair to spine (modern black cloth pasted down over original cloth) and interior hinges (white hinge tape reinforcement). Dampstaining to front cover and to edges of rear cover. Heavy wear to corners of boards and mnior wear to edges. Minor browning to margins of most pages, but clean interior overall. Unpaginated. ART/090220. Very Good. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More
London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine. More
Paper Covered Boards. Folio. In Japanese. Date unknown. Brown paper covered boards with black and white title pastedown to rear board. Scuffing to boards and wear to corners and edges. Exterior of hinges are partially cracked. Stab binding with two yellow ribbons. Pages remain securely bound. Includes five beautiful fold-out Japanese woodcuts tipped onto cardstock paper. One is in black and white and the rest are in color. The pages with text have some foxing and browning. These pages are separated from the prints by the cardstock paper, which has protected the prints from foxing. Bubbling to endpages. Illustrations are suitable for framing. A nice copy. ASART/082504. Very Good. More
Paper Covered Boards. Folio. In Japanese. Date unknown. Brown paper covered boards with black and white title pastedown to rear board. Scuffing to boards and wear to corners and edges. Exterior of rear hinge has a two inch closed tear in paper covering; binding remains secure. Stab binding with two yellow ribbons. Pages remain securely bound. Includes five beautiful Japanese woodcuts tipped onto cardstock paper. Two of the woodcuts are fold-outs (one having 3 panels). All prints are in color. The pages with text have some foxing and browning, but prints are very clean. Bubbling to endpages. Illustrations are suitable for framing. A nice copy. ASART/082604. Very Good. More