London: Curwen Press; Faber and Gwyer Limited. Hardcover. (no date / circa 1930). Uncommon. Number 148 of 350 copies. Printed on Zanders' hand-made paper. Number 4 of the Ariel Poems series. Features this single poem by Walter de la Mare, illustrated with one full color wood engraving by Blair Hughes-Stanton. Bound in white paper covered boards with black title and another wood engraving by Hughes-Stanton to front board. Foxing and light browning to boards. A few small spots of foxing to interior and slight offseting from tail of string used in binding, else clean and bright. In original glassine with chipping to edges. [12 pages.] PRI/071422. Very Good. More

1586. A leaf from Le Vies et Alliances des Comtes de Hollande et Zelande, Seignevrs de Frise. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13063. Fine. More

Copenhagen: Limited Editions Club, 1954. Hardcover. Number 615 of 1500 copies, numbered and signed by the illustrator. This book was specially made for members of the LEC living in Copenhagen near Elsinore Castle. Illustrated with woodcuts by Danish artist, Sigurd Vasegaard (1909 - 1967). Bound in blue pastepaper over tan leather spine with embossed title to spine. Minor fading to spine and minor rubbing to edges of boards. Housed in a faded light blue slipcase. Rubbing, spots of soiling, and browning to panels of slipcase and wear to edges. The case has faded in color from blue to yellow. 108 pages. Danish History. SCAN/010923. Very Good. More

A leaf of The Fifth Forestier of Flanders and his Squire with shield and falcon, from The Genealogies and Descendents of Ancient Forest and the Counts of Flanders, with a short description of their lives and actions. Print method is Wood Block with professional coloring. Print measures 295 x 195 mm or approximately 11 3/4 x 7 1/2 inches. Archivally matted. #13011. Fine. More

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine. More

Paper Covered Boards. Folio. In Japanese. Date unknown. Brown paper covered boards with black and white title pastedown to rear board. Scuffing to boards and wear to corners and edges. Exterior of rear hinge has a two inch closed tear in paper covering; binding remains secure. Stab binding with two yellow ribbons. Pages remain securely bound. Includes five beautiful Japanese woodcuts tipped onto cardstock paper. Two of the woodcuts are fold-outs (one having 3 panels). All prints are in color. The pages with text have some foxing and browning, but prints are very clean. Bubbling to endpages. Illustrations are suitable for framing. A nice copy. ASART/082604. Very Good. More