Element, 2004. Paper Wrappers. 8vo. "From his hugely popular and personal readings to his hit televised explorations, Derek has dealt with some of Britain's most notorious spirits and conducted countless hauting investigations. The sceptics are being silenced. Believers are being blinded by the light. What will YOU find when you enter the psychic adventures of Derek Acorah?" (jacket). Includes descriptions of encouters with Ghosts (including Jack the Ripper's victims, King Charles I, Mary Queen of Scots, and more). Black paper wrappers gilt title to front panel and blue/white title to spine. Photographic portait of Acorah to front and spine panels. Minor scuffing to panels and very minor wear to edges, else fine. Pristine interior with tight binding. 253 pages. MYTH/042205. Near Fine.
Occult, Myth, & Magic
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Riverside, CA: Bo Press Miniature Books, 2014. This is a welcome reissue of one of Pat Sweet's most inventive miniature works. "Welcome to Hell" comprises twelve pieces of Hellish ephemera that play with some of the images and ideas of the infernal regions from popular culture. The result is a surprisingly humorous and engaging production. Pat described it as one of her most fun projects ever. She writes: "Most religions have discarded the idea of a retributive afterlife, but the idea remains in the popular consciousness as folk belief. Images of old-time Hell are much more common than those of Heaven: Dante invented a whole complex gradation of torments for an exactly sorted list of sins. But grinning devils with pitchforks continue to poke burning sinners, and Satan continues to offer shady your-soul-for-your heart's desire deals in folk tales and legends." The items are stored inside a shopping bag labeled "Welcome to Hell." Your goody bag from Hell includes: Welcome To Hell! (with FAQs! - for example, "Am I really here for all of eternity?" "Yes") A Gallery of Hell (Hell in famous paintings) Visitor's Book (Yes, some people get to leave) Hellhounds of the Underworld (Hell has a surprising number of dogs) Go To Hell (a board game for sinners of all ages) Devil Cards (collect 'em all!) Seven Deadly Sins Post Cards ( by Bruegel) Hotel Grand Pandemonium dinner menu (Annual Famous Last Meals Banquet),an extra gameboard, Hellmouth Pop-up Cards (three thrilling maws) Maps of Hell (maps of Dante's Hell). Also included is a complimentary fan - Hot Enough For Ya? - with picture of devil's head - not that it would do much good. The bag is 3 x 2 3/8 x 1 3/8 inches. The items in the bag vary in size but are all miniature. In fine condition. PRI/060121. Fine.
New York: G. P. Putnam's Sons, (1986). Hardcover. Presentation copy SIGNED BY THE AUTHOR. 8vo. Blue paper backed yellow cloth covered boards with gilt title to spine. Inscription on front free end page reads " To George, Hope you like this book. I look forward to meeting you. Jerome Charyn." Else is clean and bright. White illustrated dust jacket with blue title to front and spine panels. One small closed teat to bottom edge of front panel of dust jacket. Index, 304 pages. NY/061611. Near Fine in Near Fine Dust Jacket.
New York: Wyndham Books, 1981. FIRST EDITION. Hardcover. 8vo. In red cloth backed brown paper covered boards with gilt title stamp to spine. Slight fading to top edge of boards. In illustrated black DJ with tow tiny chips to top edge of DJ. Small brown stain to top edge of textblock. Interior pristine. 286pp. OCC/072606. Very Good in Very Good dj.
Sebastopol, CA: Deeply Game Productions, 2020. Hardcover. Number 4 of 20 copies. Signed by the book artist. From the preface: In the 19th and early 20th centuries a great many people were fooled into believing that "spirit photographers" were able to pierce death's veil to document the ghosts of lost loved ones. "These photographers, also known as mediums, used double exposures and other tricks to manufacture the supernatural encounters. Their popularity attests to the power of love and loss in people's lives then and now. The hauntings were real, even if the ghosts were not. We are haunted still, and not just by love and loss. This book makes visible some of what bedevils us - psychological demons; social & factual distortions; the force & folly of the culture around us." For this compelling book, the artist produced plates using paint, camera, and ink to create specters - haunting figures - immaterial subjects that comprise both fact and fiction, encompassing both the rational and absurd. The apparent spectral images in the plates are able to be identified using a fold-out guide that provides keys to the bedevilments that haunt each image. Key words (or "bedevilments") include: fake news, extinction, lonliness, police murder, rage, social distance, xenophobia, climate change, demise of democracy, etc.). The relevant key abbreviations are printed on the white page across from each of the images. The painted images in the plates were based on spirit photographs by Ada Deane, William Hope, Edward Wyllie, and others. Bound in dark blue cloth with silver titling to front cover. Letterpress printed using News Gothic and Century Schoolbook fonts designed by Morris Fuller Benton. In fine condition. Measures 8 x 11 inches. [38 pages] ARTISTSB/120321. Fine.
Baltimore: Flying Fox Press, 2017. Paperback. 1 of 25 copies, initialed and numbered by the artist. Linocut of an imaginary serpent-bird printed archivally in dark green ink on tan paper. Printed at PaperBase with Sarah Robbins. Thirty-seven additional copies were printed for the Guild of Book Workers "Bird in Hand" annual collaborative project. Ten percent of each sale will be donated to Bat Conservation International. Size: 8 x 8 inches. PRI/090117. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
Seattle: Marquand Editions, 2013. One of 20 copies plus 5 artists proofs. This complicated and fascinating artist's book was described and exclaimed over by a number of reviewers and critics at its publication. Most simply, it is a magician's case of graphic story books, but in reality it is much more than that. Chris Byrne's obsessional graphic novel took a decade to realize and another two years to produce. He and designer Scott Newton worked with Paper Hammer Studios in Seattle to construct an audaciously ambitious bit of publishing magic. The Magician is an epic graphic novel, a bookmaking tour de force, a mesmerizing art object, and the completion of over a decade-long obsession of author Chris Byrne. This enigmatic box of wonders houses a dozen separate publications, printed and hand bound using a variety of techniques. Although individual works, they are considered parts of the whole. The twelve books include Theogony, Handmade, Down the Head, Mountain Man/She-Wolf, Letterpress Flipbook, 4-Ply Toilet Paper, Moleskine, The Magician Manual, M'Phase, Unfinished Versions, Colophon, and Curtains [From Marquand Editions website]. The magician's large case measuring a foot long and foot wide is custom-built with plywood and metal and sits atop casters. It is painted black and decorated by a white rope pattern that crisscrosses its width.Wrote art curator and critic Dan Nadel in 2013 about this production: "There is no single apt reference point for Chris Byrne's ingenious The Magician. It is a wunderkammer, a Cornell-ian box, a visual novel, a conjurer's tool kit. Above all it's a moving, multi-faceted graphic narrative. There's never been anything quite like it." From writer and editor Christina Geyer's review in FDLuxe in 2014: " [Chris Byrne] is indeed the author. In this case, though, author is a loaded word - and means much more than one who writes a story. For The Magician, which Byrne began working on as an undergrad student in 1987, it refers to conceptualizing, illustrating, designing and storytelling. The novel - actually 12 stylistically different books in one box - sprang from Byrne's longtime fascination with semiotics and the language of signs. Thus began the idea of creating an alternative comic strip of sorts. It is, in short, a story about a hermaphroditic magician who was conceived in a public bathroom and who eventually creates the universe. 'It's an exploration of the realms of the unreal,; Byrne says. 'It may even be a goof on the creation myth.' The books and their many visuals, illustration and symbols are meant to be read. interacted with and interpreted deeply by the reader....The result is a high-design book and a collectible art object." In fine condition. Extra shipping costs will apply. ARTB/120821. Fine.
Sutton Mandeville, England: Perdix Press, 1978. Softcover. One of 100 copies printed. Seventy were for the fourth exchange of the Society of Private Printers and thirty for private circulation. A charming small collection of 16 verses that were taken from the Oxford Nursery Rhyme Book of 1955, compiled by the nursery rhyme scholars Iona and Peter Opie. The pages are sewn into light cream wrappers with the title and decoration in blue on front cover. Hand set in 10 point Bembo and printed on a Columbian press by Walter Pattridge. In fine condition. 2.5 x 4.5 inches. Unpaginated. PRI/112717. Fine.
Luminice Press, 2019-2020. One of 10 copies. This fascinating and intricate work by highly regarded book artist Williams is about two forms of transformation: alchemy, a physical process, and written scripture, a codification of religious beliefs. Alchemists believed that a method could be found to transmute base metals into gold. After centuries of trying, they never discovered such a method. The beliefs of some early societies were transformed from pantheistic to a concept of a single god figure, whose stories were collected in written form and used to codify new faiths. This book looks at the failure of alchemy and also how early faiths were corrupted and then used by dominant groups to subjugate and harm those who differed. The front cover is a pentagram with five triangles. The pentagram symbolized both good and evil and had many interpretations. For example, the single point up indicated the five wounds of Christ; both points up had an occult meaning. The triangles represent the base metals of alchemy. From top left in a clockwise rotation they are: silver, lead, tin, iron and copper with the sixth metal, mercury, represented by the silver dust surrounding the pentagram. Gold, the primary objective of alchemy, is at the center. The rear cover represents the four elements identified in antiquity: air, fire, earth and water. Each base metal has been associated with a planet in our solar system. Lead with Saturn, tin with Jupiter, iron with Mars, copper with Venus, silver with the moon, and mercury with its namesake planet. As the book progresses, each etching is aligned with one of the metals. The symbol for each metal, or planet associated with it, is found on the text page. Wit 11 original etchings from zinc plates on Twinrocker hand-made paper, 12 letterpress printed pages from polymer plates with alcohol based stains on Mohawk text weight paper, marbled endpapers. Covers are bound with paper over binders board. Front cover has onlays of thin steel and copper with metal pigment coatings and patina as well as silver leaf and gold leaf. Rear cover has an onlay of embossed aluminium foil from an engraved polycarbonate plate. closed, with three flaps and magnet closure bound with book cloth over binders board with Tyvek hinges. ad, tin, iron and copper with the sixth metal, mercury, represented by the silver dust surrounding the pentagram. Gold, the primary objective of alchemy, is at the center. The rear cover represents the four elements identified in antiquity: air, fire, earth and water. Each base metal has been associated with a planet in our solar system. Lead with Saturn, tin with Jupiter, iron with Mars, copper with Venus, silver with the moon, and mercury with its namesake planet. Custom case measures 9.5 x 8.75 x 1.5 inches. In fine condition. ARTISTSB/052720.
Philadelphia, London: Courage Books, (1991). Hardcover. Thin 4to. Unearthly tales by Sir Arthur Conan Doyle, Washington Irving, M.R. James, Edith Nesbit, Ambrose Bierce, and others. Very good black illustrated glossy paper covered boards with white title to spine. Offsetting from jacket to endpages, else clean interior. Color illustrations on every page. Very good illustrated dust jacket with white title to spine. Minor wear to edges of jacket and a few scuff marks to rear panel. 56 pages. CHILD/102209. Very good in very good jacket.