Refine search resultsSkip to search results
Garden City: Doubleday and Company Inc, 1973. Hardcover. First Edition. "In text written especially to complement the Harrises' bold illustrations, Father Berrigan draws on personal experiences, particularly in prison, to explore the symbolism of the cross. At the same time, he commments on war, the Church, madness and sanity, the individual's evaluation of his role in society, and the cross itself as it has been and can become for each person" (jacket). Thin Quarto. Grey cloth boards with gilt title to spine. Ex-library marking in red pen to front free endpaper and to half title page. Full page color illustrations. In orange dust jacket with white title to spine and front panels. Sunning to spine of jacket. Closed tears and wear to edges of jacket. Minor rubbing and light soiling to jacket. Clean interior. Unpaginated. REL/062520. Very Good / Very Good.
Munich: Bremer Presse, 1929. Hardcover. Number 177 of 250 copies printed in Germany at the Bremer Presse for Random House. An additional 280 copies were printed for Bremer Presse subscribers. This handsome book provides an excellent example of the fine printing done at the Bremer Presse. The press produced books from 1911 to 1934, with a break during World War I. Stylistically influenced by the English Doves Press, the press was a strong influence on German book art. Ralph Waldo Emerson's essay, "Nature" was written in 1836. In the essay Emerson put forth the foundation of transcendentalism, a belief system that espouses a nontraditional appreciation of nature. Transcendentalism suggests that the divine, or God, suffuses nature, and suggests that reality can be understood by studying nature. Bound in grey, white, and red marbled paper covered boards with cream vellum spine titled in gilt. Minor browning to spine and minor wear to edges, corners, and joints. Top edge gilt, with deckled fore-edge and bottom edge. Letterpress printed on Zanders handmade paper in black and red, with red title and initials designed by Anna Simons. Clean and bright overall with inscription from previous owner in pen to front free endpaper dated 1929. 86 pages. PRI/010923. Near Fine.
Paris: Carolum Savreux, 1663. Hardcover. Jean-Baptiste Du Hamel, Duhamel or du Hamel (1624 – 1706) was a French cleric and natural philosopher of the late seventeenth century, and the first secretary of the Academie Royale des Sciences. As its first secretary, he influenced the initial work of the Académie, but his legacy and influence on the Académie and the growth of science in France is mixed. It is Du Hamel's scholarly work, both in his analysis of the competing philosophies of the ancient and new science, as well as his role in disseminating the values and beliefs of the Académie to students and scholars that prove to be the most influential on the history of the science in France. Among his several books is this treatise in Latin on natural philosophy compares Greek and scholastic theories with those of Descartes. A scarce work that is quite uncommon in commerce or at auction. Bound in brown leather with five raised bands to spine with gilt titling and ornaments to the compartments. Leather is soiled and faded, with bumping to corners, a crack to front joint, and chipping to spine. Some offsetting to pastedowns and free endpapers. Bookplate from Liechtenstein. Text pages have browning and occasional spots but still quite legible. With a green ribbon bookmark that opens to an illustration that accompanies a section on the development of the Cartesian system. A nice copy of this classic of natural philosophy in about very good condition. Measures 7.25 x 9.25 inches. 280 pages. PHIL/090123. Very Good.
Haarlem / New York: Printed by Joh. Enschedé en Zonen for the Heritage Press, no date, circa 1951. Hardcover. With woodcuts by Franz Masereel. Printed by Jan van Krimpen in the Netherlands with Perpetua type designed by Eric Gill on paper made especially for this book at the Pannekoek paper mills (newly reopened after being destroyed by the Nazis). Van Loon's introduction touches on the horrors of WWII and the Holocaust and applies them to this work by Erasmus, giving the modern reader a feel for the times in which this edition was printed. Includes 4 page newsletter / prospectus from the Heritage Press (Number X / 17). Bound in tan cloth over illustrated paper covered boards with gilt title to spine. Clean and bright. Housed in a matching illustrated paper covered slipcase.Minor rubbing and wear to panels and edges of case. 125 pages. PHIL/020923. Fine.
Chicago: Pascal Covici / Renshaw Press, 1925. Hardcover. Number 620 of 1100 copies. Also the pictures of Holbein etched in the author's time, to which are added Mr. Angarola's conception of the period and drawings by way of contemporary comment by Gene Markey, Esq. An attractive printing of this classic work with almost 30 black and white illustrations. Bound in dark brown cloth over light brown paper covered boards with heavilly oxidized gilt title and decoration to spine. The spine title has become so darkened, it is no longer legible. Minor wear to edges of spine and boards. Foxing to fore-edge of text block and occasional spots of foxing to interior, but clean overall. 208 pages. PHIL/020923. Very Good.
Paris: L. Hachette, editeur; Ladrange, Librarie, 1843. Hardcover. Fénelon was a French Catholic archbishop, theologian, poet and writer from the late 17th-early 18th centuries. He was active in the French Catholic Church's efforts to persuade Huguenots to return to Catholicism. He is best known for his Les Aventures de Télémaque [The Adventures of Telemachus, Son of Ulysses]. This publication covers his philosophical writings. Scarce early edition. 12mo. Three-quarter red leather, with red paper covered boards. Gilt title to black leather spine label. Gilt devices and raised bands to spine. Marbled endpapers and full marbled edges. Front cover is scratched in many places, and back cover also shows scratching. Wear to edges of boards and sunning to spine. Pages are lightly and uniformly browned, with dampstaining and scattered light foxing, but generally in good condition. 460 pages. FRELANG/082422. Very Good.
Geneva: Librairie de l'Universite Georg & Cie S. A., (1962). Hardcover. 4to. White glossy paper covered boards with black title to front and spine panels. Illustrations to boards. Light browning to board edges as well as minor rubbing. Chipping to plastic coating along hinges. Minor wear to foot of spine. Interior is clean and bright with many black and white illustrations and tipped in color illustrations. Also includes other tipped in items like a playing card and a letter. IN FRENCH. 74 pages. Philosphy. PHIL/041708. Very Good +.
Parisiis [Paris]: Editore Ambrosio Firmin Didot, 1858. Hardcover. Rudolf Hercher ( 1821 – 1878) was a German classical philologist, who worked as a Grammar school teacher in Rudolstadt (1847–1859) and Berlin (1861–1878). He is especially known for his textual criticism of diverse Greek authors. Bound in marbled paper boards with quarter black leather spine with titling in gilt. Covers are lightly abraded and spine and tips have rubbing. Offsetting to pastedowns and free endpapers. Two previous ownership signatures on free front endpaper. The text is printed in two columns with the original Greek and the Latin translation. The text pages are lightly aged but clean and quite legible. Very good condition. Small quarto. 541,115 pages. CLASS/021023. Very Good.
Hagenau: Heinrich Gran, 1494. This is a handsome leaf from the press of Heinrich Gran (active 1489–1527). Gran was an Alsatian printer of the incunabular era and was one of the pioneers of book-printing in Alsace. Little is known about Gran's life other than that he introduced printing to Haguenau, then a more important city than today. Between 1501 and 1527 he printed 213 works of mostly theological content. The text of this book was written by English philosopher Robert Holkot (d. 1349). He belonged to the first generation of scholars to absorb and develop the views of famed English philosopher William Ockham. This is a leaf from his most famous Biblical lectures, on the book of Wisdom, associated with Cambridge, and known as the Postilla Super Librum Sapientiae. The leaf is 54 lines and headline, printed in gothic letter in double column, with one red initial. The leaf is generally clean and bright with browning to the margins, light creases on verso, and slight chipping where removed from the book in which it was bound. Very good condition. Measures 8.25 x 11.25 inches. Proctor 3182. Very Good.
New York: Intima Press, 2021. Hardcover. Number 8 of 26 copies from the standard edition signed and numbered by the book artist. There were 6 deluxe copies. Artist and Master Printer, Mindy Belloff, specializes in fine book editions and custom letterpress. She has been creating art for over 35 years and printing letterpress since 1996. Her books are numerous permanent collections. Her press is committed to traditions of high art and the by-hand craft of letterpress printing, fine artist's books, unique bindings, poetic broadside editions, and elegant designs and typography. Mindy Belloff's custom designs are a union of art historical traditions with modern technology and sensibilities. Edition limited to 32: This fine edition is limited to 26 standard and 6 deluxe bindings. The volume is 300-pages, consisting of 75 folios folded into 19 signatures, with back endsheet printed letterpress. The text is digitally typeset in Adobe Jenson Pro with additional fonts (Lydian Cursive MT, Fine Gothic Medium, Luminari, Berliner, Berliner Fraktur, Garamond Premier Pro, and Goudy Text MT). The typography and page composi- tions were designed in Adobe InDesign over many hundreds of hours for more than 30 months. Image reproductions of artworks were painstakingly color-corrected in Adobe PhotoShop. A selection of drawings and photographs were manipulated in Adobe Illustrator. The text of the novels was digitally printed with archival pigmented inks on over 3,600 sheets, with an Epson Professional SureColor P600 inkjet printer. Most of the commentaries and calligrams were printed letterpress on a Vandercook Universal III Automatic Adjustable Bed Press (Uni III A/B), with a limited color palette of deep red, aqua blue, and grey inks. There are over 180 letterpress print runs. The pages are Crane's Lettra archival cotton rag text weight papers. The palette is limited, and the commentaries and page designs thoughtfully composed with reverence to the history of the book. The concept, designs, typography, research, artworks, and printing are by Mindy Belloff. This splendid production from Mindy's Intima Press is a feminist reading of three literary classics: Nathaniel Hawthorne’s “The Scarlet Letter,” Gustave Flaubert’s “Madam Bovary,” and Fyodor Dostoevsky’s “Crime and Punishment.” The artist writes: "The volume gives voice to the main female characters, Hester Prynne, Emma Bovary, and Sonia Marmeladov, and presents multiple voices in dialogue. The subtitle, Joni. Annie. Tracy, highlights contemporary singer-songwriters Joni Mitchell, Annie Lennox, and Tracy Chapman along with other favored musical artists including Janis Joplin, Etta James, Leon Russell, Paul Simon, Mary J. Blige, Laurie Anderson, and others, whose poetic lyrics provide commentary in the margins. Text of philosophers, writers, and poets such as Simone de Beauvoir, Virginia Woolf, Karen Horney, Jean-Paul Sartre, Julia Kristeva, Rainer Maria Rilke, William Blake, and Arthur Rimbaud, are incorporated into brilliant typographical designs, deconstructing the original narratives. A selection of text is in Latin, French, and Russian." Mindy writes on her website that the book has additional references to contemporary issues including Covid-19 and Black Lives Matter protests. She further states: "The three sections are abridged and combined into one volume, reframed to create a critical dialog in the 21st-century. The resulting layered narrative recontextualizes the stories, bringing additional voices to the fore." This was an over three year project, with the concept, designs, typography, artworks, printing, and publishing all done by Mindy Belloff. The edition includes an Introduction, "No Text Stands Alone," written by Saul Ostrow, art critic and curator. There is an extensive appendix with over 50 bibliography listings to materials referenced in creating this work, over 50 lyric references used in the book, and an index of over 40 artworks reproduced in the book that were created by Mindy the artist at various times over her career. The book required 180 letterpress runs. It is digitally printed with archival pigmented inks on Crane's cotton rag text weight paper using various fonts. It is bound in in white letterpress printed covers, with an aqua blue Sokoto leather spine millimeter binding. Housed in a red cloth custom box with a unique middle opening showing the title, sewn and bound by Celine Lombardi. In fine condition. Measures 10.5 x 7.75 x 1.75 inches. 300 pages. ARTB/051223. Fine.
Basileae [Basel]: 1574. Hardcover. A compilation in Greek of the writings of Plutarch, including his Moralia but various other philosophical and historical writings as well. The Greek text is preceded by a several page letter of dedication in Latin, along with a frontispiece portrait of the Roman general Scipio. Bound in dark brown leather with gilt rulings to covers and gilt decorations to the spine compartments along with a spine label "Plutarchi Opera." Binding is chipped, bumped and worn with weakened joints. There was an attempt to reinforce or repair the joints with newer leather but it was not done well. The hinges are cracked but the text block is holding firm. Marbled endpapers, with front free endpaper detached. Text pages are browned and have occasional spots throughout. A few words and lines have been underlined. Pages 413-417 have a square brown spot possibly an offset from a piece of paper. Despite condition, this is an interesting work first published almost 450 years ago. Measures 8 x 12 inches. 679 pages plus index in both Greek and Latin. PHIL/011823. Very Good -.
Dania Beach, FL: Claire Jeanine Satin, 2018. 1 of 2 copies. An homage to the Jewish Dutch philosopher, Baruch Spinoza (1632 - 1677). "This portrait is constructed using Spinoza's own words of philosophy and musings, with the exceptions of his eyes" in such a way that the text remains legible to read (Claire Satin). There is a scattering of a few three dimensional silver stars of David attached to the print. Printed on Lexan, a translucent material. Unframed. Size: 14 x 18 inches. Claire Jeanine Satin, a well known book artist, sculptor and designer of public art installations. Satin's work has been extensively exhibited and collected in the United States and in Europe, including at The Library of Congress, the National Museum of Women in the Arts, The Getty (CA), MOMA, and The Victoria and Albert Museum. She is known especially for her conceptual works in uenced by the ideas of her friend and mentor the composer/visual artist John Cage, and the conversion of ordinary industrial materials into environmental constructions and book works of layered transparent mass. ARTB/010822.
New York: Jason Aronson, 1973. Hardcover. Volume I: Understanding the Symbolic Meaning of Language and Vol 2: Understanding the Unconcious Meaning of Language. Green cloth boards with gilt titles to spines. Clean, tight interiors. Orange and green dust jackets with white titles to spines. Vol I, 498 pages; Vol II, 437 pages. REF/050206. Very Good in Very Good dj.
Lancaster, PA. J.E. Woodbridge and Wendell T. Bush, 1916. Paperback. Very good- in off-white side stapled paper wrappers with black title to front wrapper. Minor wear includes slight stain, closed tear repaired with archival tape and small open tear to front cover. Periodical. PER/7102. Very Good -.