Ellicott City, MD: Thomas J. Albert Jr., 2014. Softcover. A delightful memoir by Eagle Scout Tom Albert about his experiences as a camp counselor for thirteen summers at the Goshen Scout Reservation, one of the largest Boy Scout reservations in the country. There are entertaining, humorous, and sometimes poignant stories throughout as Tom and the other counselors mentor, instruct, and protect the hundreds of young scouts who come each week over the summers. Trade paperback bound in glossy paper covers with title on spine and front cover and illustration on front. In fine condition. 229 pages. Fine.
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Boston: Houghton Mifflin Company, 1940. LIMITED EDITION. Hardcover. SIGNED BUT THE EDITOR. 4to. 1 of 3025 copies. Beige cloth boards with black and gilt title to spine and front board. Browing to top portion of front board. Pristine interior with tight binding. Includes several illustrations. Glassine dust jacket with several large open tears and wear to edges. Housed in a good black paper slipcase with minor wear. 327 pages. NAT/070305. Very Good in Good dj.
Richmond, VA: Monalisa Bagby, 2019. Hardcover. Number 1 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/072120. Fine.
New Mexico Department of Game and Fish, 1928. Hardcover. Based mainly on field work of the Bureau of Biological Survey, United States Department of Agriculture. A comprehensive volume on the numerous varieties of birds found in the state of New Mexico. The book is organized by bird orders, and then the species found in each. With beautiful color and b&w plates throughout as well as many text illustrations, maps, and diagrams. Bound in green buckram cloth with gilt title to cover and spine. Gilt to spine is mostly faded, corners lightly bumped. Tear along front hinge and tenderness not affecting text block, otherwise very good condition. Gift inscription on free front endpaper. Small quarto. 805 pages. NATURE/051021. Very Good.
Dublin: Geo. and Alex. Ewing, 1755. Hardcover. Part I: Being a true and ample Description of its Situation, Greatness, Shape, and Nature....written by Gerard Boate, late Doctor of Physick to the State of Ireland; Part II: A Collection of such Papers as were communicated to the Royal Society, referring to some Curiosities in Ireland; Part III: A Discourse concerning the Danish Mounts, Forts, and Towers in Ireland never before published, by Thomas Molyneux, M.D. in England. Part II is dated 1726 and Part III is dated 1725. An interesting and detailed account of all aspects of Ireland's natural history is to be found in this scarce eighteenth century title. Gerard Boate (1604-1650) was a Dutch physician who settled in London. Boate had never visited Ireland, but materials for his natural history were furnished by his brother Arnold and by some of the English who had been ejected from Irish lands sometime occupied by them. Boate commenced the ‘Natural History’ early in 1645 and completed it within the year, but its publication was deferred. Boate attained a position as a physician in Ireland and arrived there at the latter end of 1649,but he survived only a short time. He died in January 1650. Boate's papers and his ‘Natural History’ left behind him in London came into the hands of Samuel Hartlib who published it in 1652. It bore the title: ‘Ireland's Naturall History. Being a true and ample description of its situation, greatness, shape, and nature; of its hills, woods, heaths, bogs; of its fruitfull parts and profitable grounds, with the severall ways of manuring and improving the same; with its heads or promontories, harbours, roades, and bayes; of its springs and fountaines, brookes, rivers, loghs; of its metalls, mineralls, freestone, marble, sea-coal, turf, and other things that are taken out of the ground. And lastly of the nature and temperature of its air and season, and what diseases it is free from or subject unto. Conducing to the advancement of navigation, husbandry, and other profitable arts and professions. Written by Gerard Boate, late Doctor of Physick to the State in Ireland, and now published by Samuel Hartlib, Esq., for the common good of Ireland, and more especially for the benefit of the Adventurers and Planters there.’ A quarto edition of the ‘Natural History’ by Boate was published at Dublin in 1726, and reissued there in 1755 [Dictionary of National Biography].Thomas Molyneux (1661-1733) was the first professor of physic in Ireland's new medical school. He was a Trinity graduate, having studied for his BA from 1676 to 1680. Medical studies followed between 1683 and 1687, when he spent time in England, Leiden and Paris. While he was at Leiden he compiled a catalogue of two collections for the Royal Society and contributed to their Philosophical Transactions. Molyneux was active in the Dublin Philosophical Society and his contributions to it included the first scientific studies of the Irish elk and the Giant’s Causeway [historyireland]. Bound in later three quarter brown leather with marbled paper boards. The top of the front cover is sunned, leather with minor scuffing. Interior pages are generally clean and bright. With several illustrations, many of them foldouts, in parts II and III. Ownership signature dated 1855 on title page. Very good condition. Octavo. 213 pages. IRE/071321. Very Good.
London: George E. Eyre and William Spottiswoode, 1877. SCARCE. Hardcover. Tall 8vo. Bound in navy cloth covered boards with original blue paper wrappers bound in as second endpaper. Interior very clean and bright. Volume complete with three appendices, a frontispiece foldout map, and 8 folding illustrations to the rear. Period bookplate to front pastedown. A scarce item in beautiful condition. NAT/070106. Very Good.
Cassell, Petter, & Galpin, 1870 - 1880. Chromolithograph print of 4 pigeons. Browning to margins, else clean and bright. Foxing to margins. Large chipping / open tear to right margin of print; illustration not affected. Inch long closed tear to margin that extends to bottom corner of image. Size of print: about 8.25 x 10.75 inches. Fine.
n.p. Cheloniidae Press, 1979. A stunning black and white print of a majestic bald eagle in flight. This is the last available print of a sold out edition of 50. Signed and dated by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The eagle is shown from the side with his head extended and wings held wide. In fine condition. Image is 17.5 x 23.5 inches; in mat it is 21.5 x 25 inches. ORIGART/072517. Fine.
Northampton MA: Cheloniidae Press, n.d. State Proof signed by the artist. A stunning original print, never published and the only copy ever printed, created by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The image depicts an owl flying in the dark of night. Most of the surface is a profound black, with the hunting owl visible by moonlight. The print is 17.5 x 23 inches and measures 22 x 27 inches with the mat. In fine condition.ORIGART/072017.
n.p. Cheloniidae, n.d. State Proof. This marvelous black and white etching of a walking hippopotamus is a one of a kind print signed by renowned artist and printer Alan James Robinson, particularly well known for his depiction of animals, birds, and nature. He founded the Cheloniidae Press in 1979, and his work can be found in many public and private collections around the country. The hippo appears to be walking toward the viewer with his head done in particular detail. In fine condition. 22 x 28.5 inches. PRINTS/072517. Fine.
Martinez, CA: Lucy Childs, 2019. A unique embroidered artists’ book. Lucy’s exquisite embroidered books are inspired by her “exploration of the history, craft, and culture of early American and British sewing samplers, made mostly by young girls to learn the practical craft of sewing but also to learn letters and spelling. Many old and antique samplers included text or images in memory of family members who had died.” Lucy’s beautiful and painstakingly created books are a fitting tribute to and continuation of the craft she honors. Her unique books can be found in several artists’ book collections. This beautiful work evokes the feel and mood of its inspiration - the windy day on a quiet island. (Text appearing inside card under “A Blustery Windy Day on Quiet Island” accordion book.) Blustery windy days on Quiet Island are those in-between days where being outside is fine, but if you’re biking, use your hat’s chin strap and remember strong winds will push you over. Before you leave the house, secure your screen door. (Unlatched screendoors entertain by blowing and flappping in cacophonous time.) Quiet Island is within the sweep of the North Atlantic Drift of the Gulf Stream and inside the arm of land which keeps away the hurricanes that hit most everywhere else nearby. A few hundred or so people live on this island. Houses are basic, cars are shared, the libraries are popular, and people bake a lot. And they brew too, because while they're quiet, they're social. Many have relatives who visit, and some bring friends with them, particularly for the varied (and some invented) holidays." The embroidery is stitched in blue, green, brown, and yellow threads on white linen cloth. The borders are stitched with intricate white designs. There are two covers. The inner cover is tan linen with a small cross on each side. The outer cover is blue felt with the title and border stitching in yellow thread. The folded book measures 6 x 11 inches. Unfolded the book is 22 inches. In fine condition. ARTS/031419. Fine.
New York: Béatrice Coron, 2016. Paperback. Number 3 of 3 copies. This intricate work created by Béatrice Coron beautiful displays her skill and artistry in papercutting. A sea blue book case opens to reveal the mystery, diversity, and wonder of the Galapagos through Coron's hand cut creation, made from a single sheet of black Arches paper. The individual pages unfold to show a scene 44 inches long. The viewer sees silhouettes of water, land, birds, sea creatures, and more. Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website] Christina Favretto, Head of Special Collections at the University of Miami describes Coron's work in Coron's "artfragments" portfolio: "There is a palpable joy in the work of Béatrice Coron, the kind of joy we felt as children in unwrapping a particularly enticing holiday gift. But...for Béatrice the gift is a sheet of Tyvek...or paper, and the stories to be unearthed and unleashed within and through the medium." Size: 8 x 44 inches when unfolded. 5.5 x 8 inches when folded. In fine condition. ARTB/081921. Fine.
San Diego: Anne Covell, 2017. Paperback. Number 9 of 20 standard copies. There were also five deluxe and two artist copies of this beautifully conceived and executed work. Anne Covell is a book artist and hand papermaker living in San Diego, CA. She has studied Asian and Western papermaking techniques with Timothy Barrett, and has taught for numerous professional organizations including the Morgan Art of Papermaking Conservatory, Penland School of Crafts, and the University of Georgia study abroad program in Cortona, Italy, among others. Her work has been exhibited internationally and can be seen in a growing list of private collections, special collections libraries, and museums worldwide. In her colophon Anne writes: "I first became interested in the Japanese beetle in 2012 during a particularly hot and dry summer in Iowa City. Perhaps it was a result of the season or of my having moved to a new home ripe with some of the beetle's most preferred foods, but I became overwhelmed by its pervasive, relentless assault on my garden. As the summer wore on, I began finding leaf remains gathering at the bases of trees...as if it were fall. Their presence was out of place; out of season. But when I began to look more closely, what struck me was the beauty of form that the beetle had inadvertently left behind. Starved of oxygen and drained of color, these leaf skeletons would soon crumble and return to the earth. But, for a moment they existed between realms and reflected a loss that spoke to the complexity of the natural world." The book contains 12 folios of 100% Japanese Gampi hand-dyed with persimmon tannin and treated with konnyaku to mimic the sound and texture of withering foliage. The illustrations of leaves, berries, and twigs were letterpress printed from drawings by Anne. Housed in a stiff brown paper envelope, with paper handmade, hand dyed, and hand burnished with persimmon tannin by the artist. Measures 4.5 x 10 inches. Fine condition. ARTISTSB/010421. Fine.