Ellicott City, MD: Thomas J. Albert Jr., 2014. Softcover. A delightful memoir by Eagle Scout Tom Albert about his experiences as a camp counselor for thirteen summers at the Goshen Scout Reservation, one of the largest Boy Scout reservations in the country. There are entertaining, humorous, and sometimes poignant stories throughout as Tom and the other counselors mentor, instruct, and protect the hundreds of young scouts who come each week over the summers. Trade paperback bound in glossy paper covers with title on spine and front cover and illustration on front. In fine condition. 229 pages. Fine.
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Milano: Fabbri, 1968. Paperback. Three seperate side stapled sections, each with a full color cover depicting photographic images of animals including pages 521 - 580. Text in Italian. Each section includes full color photographs and black and white line drawings. They cover marsupials, monotremes, and birds. Occasional pen annotations and minor dampstaining to bottom edge of one issue. Clean overall. An amusing periodical just for the illustrations (even if you don't read Italian). NAT/082517. Very Good.
Boston: Houghton Mifflin Company, 1940. LIMITED EDITION. Hardcover. SIGNED BUT THE EDITOR. 4to. 1 of 3025 copies. Beige cloth boards with black and gilt title to spine and front board. Browing to top portion of front board. Pristine interior with tight binding. Includes several illustrations. Glassine dust jacket with several large open tears and wear to edges. Housed in a good black paper slipcase with minor wear. 327 pages. NAT/070305. Very Good in Good dj.
Richmond, VA: Monalisa Bagby, 2019. Hardcover. Number 1 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/072120. Fine.
New York: Harry N. Abrams, Inc., 1990. Hardcover. 4to. Fine in black cloth covered boards with bright gilt silhouette of tiger to front board and gilt title to spine. Pristine interior with full color photographic illustrations of endangered animals. In near fine illustrated white dust jacket with gilt title to front and spine panels. 144 pages. Nature. NAT/5093. Fine in Near Fine DJ.
New York: Outdoor Life Books, 1985. Linen Backed Paper Covered. 8vo. In green linen backed white paper covered boards with gilt title stamp to spine. In white and green illustrated slightly edgeworn DJ with brown title print to spine panel. Interior is clean and bright with many color illustrations. Index. 254pp. NAT/020305. Very Good in Very Good dj.
London: Thornton Butterworth, (1921). Hardcover. Very good in orange cloth covered boards with black tilte to spine. Minor soiling to exterior as well as minor bumping to spine ends and corners. Owner stamp on front flyleaf. Else is clean and bright with illustrations throughout. Index, 253 pages. Nature. NAT3/01301. Very Good.
New York: Playboy Press, 1974. Hardcover. 4to. Near fine in very good blue illustrated, price clipped dust jacket with white title to spine panel. Fading to spine panel and wear to edges of dust jacket. Interior is in lovely condition, clean and bright with no yellowing. Many full-color photographic illustrations. Ink inscription to previous owner opposite title page. Index, 214 pages. Nature. NAT/5093. Near Fine / Very Good.
London: George E. Eyre and William Spottiswoode, 1877. SCARCE. Hardcover. Tall 8vo. Bound in navy cloth covered boards with original blue paper wrappers bound in as second endpaper. Interior very clean and bright. Volume complete with three appendices, a frontispiece foldout map, and 8 folding illustrations to the rear. Period bookplate to front pastedown. A scarce item in beautiful condition. NAT/070106. Very Good.
Cassell, Petter, & Galpin, 1870 - 1880. Chromolithograph print of 4 pigeons. Browning to margins, else clean and bright. Foxing to margins. Large chipping / open tear to right margin of print; illustration not affected. Inch long closed tear to margin that extends to bottom corner of image. Size of print: about 8.25 x 10.75 inches. Fine.
Easthampton MA: Cheloniidae Press, 2014. Hardcover. Number 15 of 150 copies. Signed and numbered by the book artist Alan James Robinson. This wildflower alphabet book is the first book issued by Alan’s highly regarded Cheloniidae Press in several years, and the first produced using the Giclee printing process, which he calls a “new direction” in our ever changing world. It is intended to be the first in a series of Natural History Abecedary Editions. There is also a Fine Art edition of Wildflowers with twenty-eight original watercolors. The illustrations for this Giclee edition are printed from the artwork created for the Fine Art watercolor edition. The illustrations in this edition show the lovely renditions of a flower, often accompanied by a butterfly or other insect, for each letter of the alphabet. Each page is headed by a calligraphic letter in red, designed originally by Master Calligrapher Suzanne Moore for the press’s A Fowl Alphabet in 1986. This accordion style book is bound in pale yellow cloth with the title in gilt to the front cover. It is housed in a green cloth slipcase with the title in gilt to the spine. In fine condition. 8.5 x 5 inches. Unpaginated. PRI/071817. Fine.
n.p. Cheloniidae Press, 1979. A stunning black and white print of a majestic bald eagle in flight. This is the last available print of a sold out edition of 50. Signed and dated by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The eagle is shown from the side with his head extended and wings held wide. In fine condition. Image is 17.5 x 23.5 inches; in mat it is 21.5 x 25 inches. ORIGART/072517. Fine.