Morris, . Hardcover. Scarce. A calendar produced by various firms in New Jersey, to be given to customers for free. Filled with advertisements including plumbers, carriage manufacturers, house painters, shoes, book store, musical instruments, hand-made harnesses, furniture, taxidermist, carpenters, tailors, wallpaperers, etc. Also includes a calendar for 1888, numberous full page prints, and a chart for determining days of the week for 160 additional years. Bound in red cloth boards with gilt title to front cover. Gift inscription dated 1990 in pen to first page. Large split to front hinge. Textblock remains attached, but is loose. Two small dampstains to rear endpaper and one small stain to front cover / spine. Size: quarto. [18 pages.] ART/113016. Very Good.
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Museum of Modern Art, 1968. Paperback. An exhibition catalog organized by the Museum of Modern Art and presented by the Tate Gallery in April of 1969. Bound in thin black paper wrappers with white title to spine. Red, blue, and white title to front cover. Minor wear to edges of covers and minor rubbing to panels. Clean, bright interior with many black and white illustrations. 60 pages. ART/122016. Very Good.
Brussels: Pierre Berge & Associes, 2008. Softcover. Auction catalog for a 299 lot sale of African and Oceanic art objects, masks, and sculptures. In black wrappers with pictorial covers. Very good with a few ink notations by potential buyer. Without prices realized. In French. 142 pages. African Art. ART/010517. Very Good.
Paris: Musee de l'Homme, 1967. Paperback. Grey paper wrappers with black title to spine and front cover. Minor wear to edges of boards and corners. Clean and bright with many black and white photographic illustrations. Text in French. Mostly african art with some art from the Americas. 158 pages. ART/021419. Very Good.
Museum für Völkerkunde zu Leipzig, 2002. Paperback. Fine in white paper wrappers with black title to spine and front cover. Text in German. Includes 53 full page photographic illustrations. The catalog includes descriptions of 231 items. Size: quarto. 177 pages. African Art. ART/123016. Fine.
Open Studios Press, 2009. Paperback. A mid-atlantic competition for painters - many are from Maryland and DC. Fine in illustrated paper wrappers with white spine panel titled in black. Clean and bright filled with color photographic illustrations of modern art. Includes name, contact info, picture, resume, samples of work, and artist statements for person represented. 172 pages. ART/011017. Fine.
Pasadena: California Insitute of Technology, 1971. Catalog for exhibition held at the Baxter Art Gallery. Nicely produced with tipped in color plates and b&w text photographs. In black paper wrappers with pictorial front cover. Very good condition. 8 x 11.5 inches. Unpaginated. [about 50 pages] African Art. ART/010417.
Paris: Chez Vincent, 1776. Hardcover. Bound in 2 volumes: A - K and L - Z. An extensive dictionary of artists including painters, musicians, actors, dancers, engravers, printers, clockmakers, and mechanics. The dates of birth and death and a brief biography is listed for each cited artist. Very good minus in full brown leather with maroon title labels and black volume labels to spines. Six compartments to spines with raised bands and gilt decoration. The front hinge of volume one is cracked. The corners are bumped, edges worn, spine ends chipped, and leather cracked. Previous owner's signature in pen to front endpages of both volumes. Page 281 / 282 of volume 2 has a long closed tear and paper imperfection to following page. Scattered foxing throughout and a spots of dampstaining to beginning and end of volume one. Marbled endpage and full red edges. 772 pages in volume one and 95 pages in volume two. FRE/011513. Very Good.
(Baltimore): Allen C. Abend, 2015. Hardcover. Includes chapters on Baltimore as an art center, opportunities for women to study fine arts (both abroad and in Baltimore), exhibition opportunities for women artists (nationally and locally), biographies of sixteen Baltimore artists, and more. The artists covered include: Alice Worthington Ball, Camilia Whitehurst, Mary A. Kremelberg (Gibson), Josephine Granger Cochrane, Maude Drein (Bryant), Ruth A. Anderson (Temple), Mary de Ford Keller, Dora Louise Murdoch, Margaret Moffett Law, Florence MacKubin, Lilian Giffen, Rosalie Lorraine Gill, Gabrielle DeVeaux Clements, Louisa Wright Neilson (Ford), Mary Worthington Crummer, and M. Louisa Steuart. Oblong, bound in black cloth boards. In white illustrated dust jacket with black title to spine panel. Pristine with numerous color illustrations. 123 pages. BALT/122016. New / New.
(Baltimore): Allen C. Abend, 2018. Hardcover. Allen Abend's latest book about the art of Baltimore focuses on the history of the Peabody Institute's art collection and how it was assembled, cared for, and divested of over the last century. He "chronicles the management of the collection after the gallery closed in 1925 through its present day status. The book explores the dichotomy associated with the Peabody Art Collection as both a treasure and a burden" (jacket). Chapters include: Baltimore's Need for the Peabody Institute, Founding of the Peabody Institute, Gallery Organization, Peabody Art Collection, Gallery Exhibitions 1879 - 1925, Gallery Closes - Changing Priorities, and Collection Becomes the Property of the State of Maryland. Also includes an appendix that lists the artworks in the Peabody Collection. Oblong, bound in black cloth boards. In black illustrated dust jacket with black title to orange spine panel. Pristine with numerous color illustrations. 139 pages. BALT/112818. New / New.
New York: Whitney Museum of American Art; Distributed by Harry N. Abrams, 1992. Hardcover. Agnes Martin (1912-2004 was an influential Canadian-American abstract artist whose work is in collections throughout the United States. The exhibition catalog describes itself as the first book to deal with the full scope of Martin's art. There are 100 illustrations including 60 color plates, and three essays that place her work in the context of American and European 20th century art and culture. Very good in grey cloth boards with silver title to spine and front board. There is underlining with notes in pencil on several pages and in red pen on two pages in Chave's essay. Small spots of soiling on one page. In very good dust jacket with grey spine panel and blue title to spine. Light wear to edges of jacket. 188 pages. ART/052810 Modern Art. Very good in very good jacket.
Leigh-on-Sea: F. Lewis Publishers, 1968. Hardcover. 4to. Orange cloth covered boards with gilt title to front board and to spine. Interior is clean and bright and filled with illustrations, 4 of which are in full color. Slight yellowing to edges of pages. Red dust jacket with black title to front and spine panels. Minor wear to dust jacket includes fading to spine and a few tiny light spots of soiling to the rear panel. Ltd. Edition, one of 600 copies. A lovely book. Art. ART908291. Near Fine in Near Fine Dust Jacket.
Baltimore: Goucher College, 1968. Hardcover. Thin 4to. SIGNED BY ARTIST, "For Sylvia and Paul, Amalie." Grey cloth backed white and orange illustrated paper covered boards with black title to front board and to spine. Author's inscription to half title page. Light toning to edges of pages. Else is clean and bright with a tight interior with many illustrations. 77 pages. Modern art. ART/030806. Near Fine.
Edinburgh: City of Edinburgh Museums and Galleries / Danish Cultural Institute, 1995. Paperback. A comprehensive survey of Danish art. Fine in beige illustrated wrappers. Clean and bright with many full color illustrations. Size: thin quarto. 126 pages. ART/011817. Fine.
University Park: Pennsylvania State University Press, 1967. Hardcover. SCARCE. Very good in yellow boards with light edgewear/8vo./190 pp. Art. ART2/3192. Very Good.
Madrid: Instituto Diego Velazquez, del Consejo Superior de Investigaciones Cientificas, 1955. Hardcover. 8vo. Very Good hardcover with slightly soiled white dustjacket. Several black and white reproductions. In Spanish. Spanish Art. ART/7192. Very Good / Very Good.
New York: Metropolitan Museum of Art, 1977. Hardcover. 4to. Beige cloth covered boards with gitl title to spine. Wear to exterior includes minor browning to spine and one small scuff mark to cloth at rear hinge. Interior is clean and bright with lovely woodcut illustrations throughout. Housed in a light blue slip case with fading to edges. Unpaginated. ART/121509. Very Good +.
London: The Field Press Limited, 1933. Paperback. Very good in black paper wrappers with turquoise title to spine and front cover. Minor wear to edges of wrappers and chipping to spine ends. A few chips to edges of illustration pasted down on front cover. Roll to spine. Clean interior with many reproductions of art, some are in full color. Oversize. Pages 175 - 232. ART/091015. Very Good.
Charlottesville: Thomasson-Grant, 1988. Hardcover. 4to. Introduction by Wendy Shadwell. Dark green cloth boards with gilt title to spine. Clean, bright interior with tight binding. Filled with full color illustrations by Catlin, Bodmer, McKenney, Audubon, Catesby, De bry, and more. Grey illustrated dust jacket with black and maroon title to spine. There is a one and a half inch closed tear to the front panel of jacket. Creasing to top edge of jacket. 127 pages. ART/082406. Near Fine in Very Good Minus dj.
New York: George H. Doran Co., 1922. Hardcover. Very good in red cloth covered boards with faded gilt title to spine. No dust jacket. Detached frontis. Photo portraits of famous people throughout. Artist Biography. ARTBIO/6182. Very Good.
New York: Rizzoli, The Al-Sabah Collection, 1990. Paperback. Vg/oversize wrappers/color illus./311 pp. Art. ASIART511121. Very Good in Wraps.
London: Henry Sotheran and Co., 1881. Hardcover. 4to. This is the second edition of an important work first published by Audsley and Bowes in 1875. George Audsley and his brother William were noted architects and decorative arts experts. Audsley was also an early British authority on Japanese art publishing. The second edition incorporates information from relevant reports published after the first edition. The first section is an introductory essay of 111 pages, followed by chapters discussing different Keramic manufactures and provinces. The text is accompanied by 32 beautiful black and white and chromolithographic plates. Bound in a lovely signed binding by Root and Son in full green morocco with five raised bands and six compartments with elaborate floral devices and title to the spine, and with gilt lines and decoration to boards along interior and exterior edges. There is browning to spine and to top edge of front board, though gilt remains bright. Marbled end pages and full gilt edges. The interior is very clean with some browning to margins of pages not affecting the text and illustrations. Includes a detailed index and a glossary of marks and monograms. 304 pages. ART/071907. Near Fine.
New York: Appleton-Century-Crofts, (1972). Hardcover. 8vo. Near fine in black cloth covered boards with white title to spine. Pristine interior with many illustrations. 213 pages. GRE/012518. Near Fine.
London: Phaidon, (1999). Paperback. 4to. White paper wrappers with black title to front wrapper and to spine. Interior is clean and bright and filled with illustrations. Black and white illustrated dust jacket with white title to front and spine panels. 160 pages. ART/020818. Near Fine / Near Fine.
Mission, BC: Barbarian Press, 2013. Simon Brett. Hardcover. Endgrain Editions Four. Limited to 120 copies in the regular edition. This is the first addition to the Endgrain Editions since 2003, and it is a major return to the series. It is a celebration of the work of Simon Brett documenting his fifty plus years as an engraver. Simon is acknowledged as one of the masters of wood engraving of the past half-century. With 134 engravings printed from the wood, an introduction by the artist, and a chronological catalogue of the more than 1,000 engravings Simon has so far engraved, this is a major work of 250 pages, and is certain to be an important reference on Simon’s work as well as being a splendid book from this important private press. Text printed in Joanna with Fry’s Ornamented for display in green and black on Zerkall Cream laid with engravings printed on Zerkall White Smooth. Bound in quarter green cloth with paper patterned boards and title label to spine. In fine condition. PRI/062014. Fine.