London: George Virtue, 1853. Hardcover. An important Victorian magazine, known for its honest viewpoints on the fine arts. Includes 36 full page plates reproducing paintings and sculptures from artists of the day. Articles address art, fashion, architecture, museums, photography, exhibitions, reviews, and more. Ex-library with stamps to fore-edge of textblock and copyright page and sticker to spine. Red cloth library binding with gilt title to spine. Minor sunning to spine, rubbing to hinges and edges of boards, and minor wear to corners. Minor soiling to boards. Closed tears and chipping to some pages. Clean and bright overall with occasional foxing. Some tissue guards creased or removed. A folio sized heavy volume. 324 plus The Exhibition of Art-Industry in Dublin, 64 pages. May require an extra shipping fee. ART/032119. Very Good.
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New York: D. Appleton and Co., 1875. Hardcover. The American version of this popular English magazine about the fine arts. Lacks 5 of the 36 engraved full page plates based on paintings and sculptures by Turner, Morris, Millet, Raffaelle, Dore, Bierstadt, Lombardi, and more. Articles on British and American artists, architecture, decorative arts, art schools, shoe collection in Museum of Costume in Paris, and more. Ex-library from MICA with stamp to front free endpaper. Dark brown leather spine and corners over brown cloth covered boards with gilt title to spine. Raised bands and gilt decoration to spine. Wear, rubbing, and chipping to spine ends, hinges, and corners. Both hinges are starting with cracks. Rubbing to covers and tear to book cloth on front board. Small dampstain along top margins of most pages. Very slight browning to margins, but clean and bright overall. Offsetting from plates to facing pages. Previous ownership signature in pencil dated 1961 to front free endpaper. Full gilt edges. An attractive volume despite the noted wear. 384 pages. This is a heavy, folio sized volume and it may require an extra shipping fee. ART/032619. Very Good.
New York: D. Appleton and Co., 1879. Hardcover. The American version of this popular English magazine about the fine arts. A total of 36 engraved full page plates based on paintings and sculptures by Gerome, Landseer, Lucas, Millais, Newton, Armitage, and more. Articles on British and American artists, architecture, decorative arts, poetry, and more. Ex-library from MICA with stamp to copyright page and fore-edge of textblock. Dark brown leather spine and corners over reddish-brown cloth covered boards with gilt title to spine and front cover. Minor wear to spine ends, hinges, and corners. Very slight browning to margins, but clean and bright overall. Chip to front free endpaper. Full gilt edges. Laid-in fold out supplemental illustration dated December 1879. An attractive volume despite the noted wear. 380 pages. This is a heavy, folio sized volume and it may require an extra shipping fee. ART/032619. Very Good.
London: Virtue and Co, 1867. Hardcover. An important Victorian magazine, known for its honest viewpoints on the fine arts. Includes the full year of 1867 plus issues through August of 1868. A total of 43 engraved full page plates based on paintings and sculptures by Leslie, Eastlake, Ward, Solomon, Hook, Dore, and more. Articles on art, sculpture, photography, architecture, fashion, art clubs, exhibitions, reviews, decorative arts, and more. Ex-library from MICA with stamp to copyright page and fore-edge of textblock. Dark green leather spine and corners over brown cloth covered boards and maroon title label to spine with raised bands and gilt decoration to compartments. Minor wear and chipping to spine ends and corners. Rear hinge is starting. Minor soiling and sunning to boards. Slight browning to margins, occasional spots of foxing, and some smudge marks, but clean and bright overall. Full marbled edges and endpapers. An attractive volume despite the noted wear. 276 pages plus 164 pages. This is a heavy, folio sized volume and it may require an extra shipping fee. ART/032619. Very Good.
New York: The Kalon Publishing Company, Inc, 1917. Paperback. Includes articles on Degeneracy in art, town and country embellishments, Japanese ideas in an American House, Craftsman houses, Fruit Trees, Bird Houses, 19th century painting, and more. Illustrated white paper wrappers with black title to spine and front cover. Chipping and tears to paper on spine. Both wrappers are detached but present. Minor spotting and soiling to covers, but clean interior. Includes many full page black and white photographic reproductions of art. About 100 pages. PER/061020. Very Good.
New York: The Kalon Publishing Company, Inc, 1917. Paperback. Includes articles on photography, mission furniture, craftsman houses, the aesthetic ideal, and more. Illustrated white paper wrappers with black title to spine and front cover. Chipping and tears to paper on spine. Minor spotting and soiling to covers, but clean interior. Includes many full page black and white photographic reproductions of art. About 100 pages. PER/061020. Very Good.
New York: The Kalon Publishing Company, Inc, 1917. Paperback. Includes articles on color vs drawing, literary Naples before the war, taxidermy as art, art and citizenship, Hallowed Christmas Tree, Japanese Coral Carving, Oldest Pottery in America, Craftsman houses, Caracara (Mexican Eagle), Devonshire Lace, and more. Illustrated white paper wrappers with black title to spine and front cover. Chipping and tears to paper on spine. Spotting and soiling to covers, but clean interior aside from minor foxing. Color frontispiece - "Gloria" by Thomas W. Dewing. Includes many full page black and white photographic reproductions of art. Two pages have been opened poorly and have closed tears to top edges - these are pages of ads for furniture. About 100 pages. PER/061020. Very Good.
New York: The Kalon Publishing Company, Inc, 1917. Paperback. Includes articles on 19th century painting, G.F. Watts and Arnold Boecklin, the Real Aims of the NY Central, Library of Congress, and more. Illustrated white paper wrappers with black title to spine and front cover. Chipping and tears to paper on spine. Both wrappers are detached but present. Minor spotting and soiling to covers, but clean interior. Includes many full page black and white photographic reproductions of art. About 100 pages. PER/061020. Very Good.
New York: The Kalon Publishing Company, Inc, 1917. Paperback. Includes articles on planning NY's Metropolitan division, Oriental rugs, American pottery, James Cran, Craftsman houses, the Arts Club of Washington, Emerson's Journals, Cathedral of St. John the Divine, Roussel and the Philosophy of Beauty, and more. Illustrated white paper wrappers with black title to spine and front cover. Chipping and tears to paper on spine. Rear wrapper is nearly detached. Minor spotting and soiling to covers, but clean interior. Includes many full page black and white photographic reproductions of art. About 100 pages. PER/061020. Very Good.
Boston: New England Manufacturers' and Mechanics' Institute, 1884. Hardcover. One of 2000 copies. An interesting albeit short-lived publication that was done for the Institute by Arthur B. Turnure, proprietor at the time of the Art Age Press in NY. Turnure also created Vogue Magazine in 1882 and was a founder of the Grolier Club in January 1884. This year-book's preface states that the object of the publication "is to present to the world a volume, in which the highest American art products of the year are represented by means of suitable graphic arts, and produced entirely by means of American brains, labor, and materials." The first section offers a history and policy of the Institute, which was incorporated in 1879. The next section, the largest, provides an overview of 1884 art exhibits, the work of various prominent artists, and activities in various fields such as architecture, bookmaking, ceramics brass work, furniture, and jewelry. It is followed by a section with eleven examples of various graphic processes. All are in black and white except for a stunning lithograph from a painting by H. Hamilton Gibson. There are then several pages titled "Catalogue of Exhibits," and 16 pages of advertisements. Bound in cream paper covered boards with title with color design on front cover. Quite soiled , chipped and bumped. Interior pages are generally very good, with some foxing or spotting on some of the types of paper used. Measures 9.5 x 12.5 inches. Unpaginated (about 100 pages). ART/050619. Very Good.
London: Raithby, Lawrence & Co., Ltd, 1901. Hardcover. Bound in maroon cloth covered boards with maroon leather spine titled in gilt. The leather on the spine is split along the front hinge and there is a large chip to the spine leather. The boards remains attached; although, the front board is a little loose. Ex-library with library stamps to fore edge and copyright page. Clean interior filled with samples of color printing and many articles. Browning and foxing to margins of most pages. Occasional smudge marks. Previous owner signature dated 1902 to front free endpaper. Full marbled edges and endpapers. An attractive interior and an interesting publication. 320 pages plus 72 pages of ads to rear. ART/090220. Very Good.
Paris: Abbé de la Chau and Abbé Le Blond, 1780 and 1784. Hardcover. These two sumptuous French volumes describe the Duc of Orléans's magnificent collection of pierre gravées - "engraved stones or gems" - that was acquired over the years. This was the collection of Louis Philippe (1725-1785) that was inherited by his son Louis Philippe II (1747-1798), The son had the collection for two years but it was sold to Catherine, Empress of Russia in 1787. The volumes include descriptions of every stone included along with beautiful and intricate engravings of each. Most of the subjects are the Greek and Roman divinities. There are also a number of vignettes and cul de lampes throughout the text. There is also an engraving of the Duc designed by the artist Charles-Nicolas Cochin. The two folio volumes are bound in brown speckled calf skin, with gilt rulings to edges of covers, and gilt titling and ornaments to spine compartments. Leather is scuffed and mottled, and gilt has faded in places, with a skillfully rebacked spine in both volumes. Marbled paper endpapers. All edges gilt. Interior pages are in very good to near fine condition. Volume I, published in 1780, is 303 pages; Volume II, published in 1784, is 215 pages. Small folios measuring 8 x 12.5 inches. ART/122820. Very Good.
Paris: Chez Poinçot, 1789. Hardcover. A collection of 44 beautiful handcolored botanical plates of which 38 are of various flowers and 6 comprise a visual dictionary of botanical terms. Each plate is accompanied by a page of text describing the plant and its qualities. The plates are in near fine condition but unfortunately the leather binding is not. It is chipped, scuffed, and bumped, and the top half of the spine is missing. The front board is almost detached although the text block is firm. Endpapers have spotting and the title page has browning to edges. Small octavo. Unpaginated. NATURE/072021.
(Baltimore): Allen C. Abend, 2015. Hardcover. Includes chapters on Baltimore as an art center, opportunities for women to study fine arts (both abroad and in Baltimore), exhibition opportunities for women artists (nationally and locally), biographies of sixteen Baltimore artists, and more. The artists covered include: Alice Worthington Ball, Camilia Whitehurst, Mary A. Kremelberg (Gibson), Josephine Granger Cochrane, Maude Drein (Bryant), Ruth A. Anderson (Temple), Mary de Ford Keller, Dora Louise Murdoch, Margaret Moffett Law, Florence MacKubin, Lilian Giffen, Rosalie Lorraine Gill, Gabrielle DeVeaux Clements, Louisa Wright Neilson (Ford), Mary Worthington Crummer, and M. Louisa Steuart. Oblong, bound in black cloth boards. In white illustrated dust jacket with black title to spine panel. Pristine with numerous color illustrations. 123 pages. BALT/122016. New / New.
Baltimore: Blurb, Inc., 2021. Hardcover. "A history of the 138 year old artist association, the Charcoal Club of Baltimore. The first few chapters begin with the founding of the Club in 1883 and with the history of its highly regarded art school and popular annual Exhibition of American Contemporary Art. The book then turns to the social aspects of the Club including the Bal des Arts costume ball, its hilarious endeavors, and combative positions sometimes veiled in humor. The book continues with a chronicle of the Club's history followed by a sampling of artworks by Club members." Oblong, bound in black cloth boards. In illustrated dust jacket with title to front and spine panels. Numerous color illustrations. 167 pages. New / New.
(Baltimore): Allen C. Abend, 2018. Hardcover. Allen Abend's latest book about the art of Baltimore focuses on the history of the Peabody Institute's art collection and how it was assembled, cared for, and divested of over the last century. He "chronicles the management of the collection after the gallery closed in 1925 through its present day status. The book explores the dichotomy associated with the Peabody Art Collection as both a treasure and a burden" (jacket). Chapters include: Baltimore's Need for the Peabody Institute, Founding of the Peabody Institute, Gallery Organization, Peabody Art Collection, Gallery Exhibitions 1879 - 1925, Gallery Closes - Changing Priorities, and Collection Becomes the Property of the State of Maryland. Also includes an appendix that lists the artworks in the Peabody Collection. Oblong, bound in black cloth boards. In black illustrated dust jacket with black title to orange spine panel. Pristine with numerous color illustrations. 139 pages. BALT/112818. New / New.
Leigh-on-Sea: F. Lewis Publishers, 1968. Hardcover. 4to. Orange cloth covered boards with gilt title to front board and to spine. Interior is clean and bright and filled with illustrations, 4 of which are in full color. Slight yellowing to edges of pages. Red dust jacket with black title to front and spine panels. Minor wear to dust jacket includes fading to spine and a few tiny light spots of soiling to the rear panel. Ltd. Edition, one of 600 copies. A lovely book. Art. ART908291. Near Fine in Near Fine Dust Jacket.
London: Kegan Paul, Trench, Trubner & Co., Ltd, 1925. Hardcover. Includes 36 color plates and 48 in text illustrations. "In these days it is unnecessary to say how bold a German publisher must be, to give so many coloured plates, at a time when with us all economic ideas are upside down. I hope this boldness will be rewarded. When we were excavating Ashur the wish became stronger, with every new find of this coloured Assyrian art, one day to convey the discoveries to posterity complete and as unaltered as possible. Photography alone did not suffice for this; as far as possible every piece was copied in water-colours immediately after being found, and later we took the trouble to take colour photographs with Lumiere plates" (page 77). A folio bound in olive green buckram boards with gilt and leather title label to spine. Bumping to corners, wear to spine ends, wear to edges, minor soiling to boards, and rubbing to spine. Chipping to leather spine label. Bookplate to front pastedown. Evidence of removed library sticker to foot spine and evidence of removed library marking to rear free endpaper. Clean, bright interior aside from occasional light finger smudges to margins and minor browning to margins of plates. Tissue guards are present; however, some have creases and tears. 78 pages of text plus plates to rear. ART/021921. Very Good.
Charlottesville: Thomasson-Grant, 1988. Hardcover. 4to. Introduction by Wendy Shadwell. Dark green cloth boards with gilt title to spine. Clean, bright interior with tight binding. Filled with full color illustrations by Catlin, Bodmer, McKenney, Audubon, Catesby, De bry, and more. Grey illustrated dust jacket with black and maroon title to spine. There is a one and a half inch closed tear to the front panel of jacket. Creasing to top edge of jacket. 127 pages. ART/082406. Near Fine in Very Good Minus dj.
New York: New York Times Book Co., 1979. Hardcover. John James Audubon is considered one of the finest painters of American wildlife. This publication was the first to bring together his 655 octavo-sized Birds and Quadrupeds in full size and full color. Quarto. Red paper-covered boards with tan cloth spine. White dust jacket with illustrations to front and back; black title to front and spine. Pages are fine and bright. Cover is fine. Minor wear to edges of dust jacket, including a few short closed tears and minor browning. 674 pages. NAT/052622. Fine / Very Good.
London: George Bell and Sons, 1901. Hardcover. Herkomer (1849 - 1914) was a German born painter, who lived mostly in England but spent many summers in his native Bavaria. He was known for painting scenes of poor people and also the Queen on her deathbed. He was also an early film director and composer. Sadly, none of his seven films are in existence any longer. Ex-library with sticker removed from spine, pocket to rear, bookplate to front endpaper, and stamp to copyright page. Bound in the original blue cloth boards with gilt title to spine. Leather and gilt title to front board is mostly detached and no longer present; however, embossed title remains legible. Chipping to leather author label to front board. Heavy chipping and wear to spine ends. Minor wear to corners and minor rubbing to boards. Closed tear to bookcloth along rear hinge, but binding remains secure. Filled with full page plates including photogravures of Herkomer's works. 133 pages plus plates. A heavy folio that may require an extra shipping fee. ART/040219. Very Good.
Mission, BC: Barbarian Press, 2013. Simon Brett. Hardcover. Endgrain Editions Four. Limited to 120 copies in the regular edition. This is the first addition to the Endgrain Editions since 2003, and it is a major return to the series. It is a celebration of the work of Simon Brett documenting his fifty plus years as an engraver. Simon is acknowledged as one of the masters of wood engraving of the past half-century. With 134 engravings printed from the wood, an introduction by the artist, and a chronological catalogue of the more than 1,000 engravings Simon has so far engraved, this is a major work of 250 pages, and is certain to be an important reference on Simon’s work as well as being a splendid book from this important private press. Text printed in Joanna with Fry’s Ornamented for display in green and black on Zerkall Cream laid with engravings printed on Zerkall White Smooth. Bound in quarter green cloth with paper patterned boards and title label to spine. In fine condition. PRI/062014. Fine.
Baltimore: Scapegoat Publishing, 2005. Paperback. "American Gothic provides an overview of at least 15 years of Carlos Batts's artistic career covering all manners of photographic and mixed-media manipulations" (back cover). Includes CD featuring Mastadon, Swarm of the Lotus, Pig Destroyer, Pg. 99, Dog Fashion Disco, Radiation 4, Daybreak, Buzzoven, and Agoraphobic Nosebleed. Some tracks are unavailable elsewhere. Bound in black paper wrappers with pink title to spine and front cover. Clean and bright. Housed in a black cloth slipcase with pink title to front panel. Unpaginated. ART/071017. Fine.
New York: Macmillan (for the Whitney Museun), 1953. Hardcover. 8vo. Green cloth covered boards with white title to spine. Interior is clean and bright with illustrations throughout. Purple dust jacket with red title to front and spine panels. Jacket has minor chipping to edges. Art. ART1/10110. Near Fine in Very Good DJ.