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Columbia and London: University of Missouri Press, 1990. Hardcover. A collection of 10 essays "representing a spectrum of critical approaches and topics, [these essays] explore the interconnections between Morris's political thought and his later writings. Although the occasion for this collection is the hundredth anniversary of the publication of the utopian romance 'News from Nowhere' (1891), these essays consider a variety of other works, ranging from socialist songs to theories of art" (jacket). New in black cloth boards with bronze title to spine. Clean and bright with frontispiece illustration. In new pink, grey, and black dust jacket with pink spine panel titled in black. 177 pages. MOR/080515. New / New.
Athens: The University of Georgia Press, 1975. Hardcover. “Countering the widely accepted interpretation of William Morris’s Earthly Paradise as an expression of retreat from Victorian ugliness, Blue Calhoun asserts that the poem embodies a pastoral response to that troublous age” (jacket). Near fine in near fine illustrated dust jacket with orange title to front panel and off white title to spine. Fading to spine. Pristine interior. 263 pages. MOR/062910. Near Fine in Near Fine Dust Jacket.
Pasadena: The Clinker Press, 2007. Hardcover. Number 43 of 60 copies. The Clinker Press was founded by Andre Chaves in 1996. Mr. Chaves prints materials relating to the art of printing and the Arts and Crafts movement at his letterpress studio. In this book the printer says that despite his love of the Middle Ages, Morris was firmly bound to the 19th century and that in John Ball he uses an event in 1381 to link its principles of solidarity with his socialist views. Bound in brown linen with white and red paper label to front cover. Thin quarto. In fine condition. I-II; 6 pages. MOR/022412. Fine.
London: William Morris Society, 1992. Paperback. Fine in grey illustrated paper wrappers with black title to front cover. Side-stapled with slightly rusted staples. Minor foxing to interior of both covers and facing pages, else clean and bright. Several photographic illustrations. 36 pages. MOR/080515. Fine.
The Antiquaries Journal, 1963. Paperback. Reprinted from the Antiquaries Journal Volume XLIII Part I, 1963. Very good in light blue side stapled paper wrappers with black title to front wrap. Small yellow spot to rear wrap has bled through to the last 6 pages but does not effect any of the text. Minor creasing to corners. Else is clean and bright. 16 pages. MOR/030812. Very Good in Wraps.
New York: Oriole Editions, 1971. Hardcover. Morris and Burne-Jones struggled to make their Earthly Paradise a reality but gave up in good part because they could not find type that was in harmony with the illustrations. Beige cloth backed light blue paper covered boards with blue title to spine. Pristine with illustrations by Edward Burne-Jones. Tight binding. In a tan dust jacket with dark blue title to spine and front panel. Housed in a tan paper covered slipcase with very minor wear to edges. Size: quarto. 86 pages. MOR/080515. New / New.
London: William Morris Society, 2010. Paperback. Second printing. In green illustrated side-stapled paper wrappers with white title to front cover. Includes 33 illustrations, most of which are in full color. An attractive, heavily illustrated publication detailing the history of Kelmscott house from 1780 through 2009, with the bulk of the book focusing on its most famous occupant, William Morris. Other owners including George Macdonald (1867 - 1877) and the Stephensons (1926 - 1972) are also discussed. 64 pages. MOR/080515. Fine.
Tacoma: Elliott Press, 2011. Pictorial Boards. Number 39 of 50 copies. This was a collaboration between printer Jessica Spring and librarian Jane Carlin's William Morris class that resulted in this book, a series of "homes" inspired by William Morris. The book is an artful construction and a charming homage to the great Morris. In fine condition. Unpaginated. MOR/100212. Fine.
New York: Charles Scribners Sons, 1940. FIRST EDITION. Hardcover. 8vo. Blue cloth boards with gilt title to spine and front board. Minor rubbing to spine panel. Interior is very clean with tight binding. Beige dj with faded black and yellow spine panel. Several chips to edges of dj. Index, 386 pp. MOR/110105. Very Good in Very Good dj.
London: William Morris Society, 1981. Paperback. First annual Kelmscott lecture of the William Morris Society given on 30 September 1980. Very good in purple paper wrappers with black title to front cover. Sewn binding with white thread visible along spine. Minor wear to edges of wrappers and minor fading along spine. 45 pages. MOR/080515. Very Good.
London: William Morris Society, 1975. Paperback. Limited to 1750 copies. This essay was developed by Peter Faulkner from one for which he was awarded a Peter Floud Memorial Prize in 1963. In light blue paper wrappers with black title to spine and front cover. Clean and bright. 32 pages. MOR/080415. Fine.
Reprinted from The Penrose Annual, Vol. 54, 1960. Paper Wrappers. 4to. Light blue portfolio houses the loose articles mentioned above along with some relevant ephemera. Minor browning/discoloration to folio. Minor creasing to edges/corners of several sheets, else very clean. MOR/072505. Very Good Plus.
New York: Burt Franklin, (1969). Hardcover. Burt Franklin: Bibliography & Reference Series 104. This bibliography is organized generally by the period in which Morris was writing, although his writings on Socialism have their own chapter. The appendix lists Morris's voluminous contributions to The Commonweal. Blue cloth coverd boards with gilt title to spine. 221 pages. William Morris. MOR/071312. Near Fine.
2014. A beautiful calligraphic manuscript of William Morris’s poem “Love Fulfilled.” Maryanne Grebenstein is a professional calligrapher who studied under many other notable calligraphers. She teaches calligraphy and manuscript gilding at the Massachusetts College of Art (Boston), the North Bennet Street School (Boston), and the Abbey Studio in Hingham, MA. This lovely lyric was published in Morris’s last book of poetry, Poems by the Way, in 1892. A contemporary critic described this late work as still marked by a pervading intensity of human feeling found in his early poetry. The title and decorated capitals are 23 Karat gold leaf. Thirty-five lines with the calligrapher’s signature in pencil below the border. The text is in Moon Palace sumi ink and the color is in Winsor & Newton gouache on Crane’s 100% cotton stock paper. Archivally matted. Measures 17 x 22 inches including mat. Fine.