New York: Library of America, 1993. Hardcover. First Printing. "Embracing over 1,000 poems by nearly 150 poets." Blue cloth boards with black and gilt titles to spines. Clean and bright. In black dust jackets with white titles to spines and front panels. Light rubbing to jackets. Housed in a black glossy paper covered slipcase with white title to front panel. Light rubbing to panels. 1099 pages in volume I; 1050 pages in volume II. Poetry Anthology. POE/050918. Fine / Fine.
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Omaha. NE: Abattoir Editions, The University of Nebraska, 1985. First Edition. Hardcover. LIMITED FIRST EDITION. NUMBER 56 OF 200 COPIES. Olive green cloth with black title to white label on the spine. Label darkened at lower edge, otherwise fine, without printed dust jacket, as issued. In glassine dust jacket. Vietnam War poetry. PRI/102416. Near Fine.
Baltimore: John B. Piet, 1881. Hardcover. SCARCE. Good in original red cloth boards with gilt title and decoration to spine and front cover. Covers are dampstained and lightly soiled. There is a large split to binding after front endpage and a few smaller splits within textblock. Front pastedown is loose near hinge. Frontispiece illustration and each poem begins with a decorative initial. Writing in pencil on front endpage, else clean interior. Slight musty smell. 96 pages. POE/121013. Good.
Lexington, MA: Women/Poems Press, . Paperback. A collection of 20 poems by women including: "Amnesia" by Adrienne Rich, "The Bumpity Road to Mutual Devotion" by Marge Piercy, and "Anne's wedding" by Celia Gilbert. Bound in orange stapled wrappers with black title to front cover. Slight dampstain to rear cover, else clean and bright. Unpaginated. POEANTH/101216. Very Good.
Madison: R.F. Milne, 1903. Paperback. Vg in wraps. Poetry. POE112031. Very Good.
Jerusalem: Ibis Editions, (2002). Paperback. SCARCE. 3rd printing. 12mo. Beige paper wrappers with dark green title to front and spine panels. Pristine interior. 127 pages. POET/010412. Fine in wraps.
Baltimore: The Johns Hopkins Press, 1968. Hardcover. Near fine in very good+ pictorial dust jacket, enlarged edition. Poetry. POE1/02242. Near Fine in Very Good + DJ.
West Chester, PA: Aralia Press, 1988. LIMITED. Paper Wrappers. 8vo. 1 of 125 copies. Grey paper wrappers with black title to front panel. Clean, bright interior. Printed on Ingres Laid with Spectrum Types. [24 pages]. PRI/122806. Fine.
West Chester, PA: Aralia Press, 1987. Paperback. Thin 4to. 1 of 225 copies. Blue paper wrappers with black title to front panel. Printed by Michael Peich on Rives Light from Spectrum types. Pristine. [12 pages]. PRI/072408. Fine.
West Chester, PA: Aralia Press, 1985. LIMITED. Paper Wrappers. 8vo. 1 of 240 copies. Light blue and gold pastepaper cover with tan title label to front. Clean and bright. Printed in Bembo and Centaur types. [20 pages] PRI/122206. Fine.
West Chester, PA: Aralia Press, 1988. Paperback. 1 of 125 copies. Printed on Ingres Laid from Spectrum types. Grey paper wrappers with black title to front panel. Pristine. The title page illustration is by Diane Collins. [16 pages] PRI/072408. Fine.
West Chester University: Aralia Press, 1991. Softcover. One of 200 unnumbered copies. There were also 50 signed press copies and seven presentation copies. A moving collection of seven poems published after the death of Gioia's infant son and dedicated to him. Gioia is a noted poet and critic and was the Chairman of the National Endowment for the Arts from 2003-2009. He is currently a professor at the University of Souther California. Bound in handmade flax papers. Beautifully printed by Michael Peich on Vandercook Universal I press from Spectrum and Hunt Roman types on Umbria paper. With black and white drawing by Testa on title page. 7.5 x 12 inches. In fine condition. Unpaginated. PRI/062118. Fine.
West Chester, PA: Aralia Press, 1984. Paperback. 194 of 280 copies. Printed on Mohawk Letterpress Text and bound into Fabriano wrappers. Grey paper wrappers with black title to front panel. Pristine with frontis piece illustration. [26 pages] PRI/072408. Fine.
West Chester University: Aralia Press, 1999. LIMITED. Paper Wrappers. 1/100 c. Lovely small book in light blue paper wraps. Printed on Letterpress text paper from Van Dijck types. Unpaginated. PRI/042407. Fine.
West Chester, PA: Aralia Press, 1994. LIMITED. Hardcover. 8vo. 1 of 160 copies. Printed on Johannot paper with Van Dijck and Weiss I type. Black cloth boards with white title pastedown to spine. Clean, bright interior. [28 pages] PRI/122806. Fine.
West Chester University: Aralia Press, 1989. Paperback. 1 of 200 copies. This keepsake commemorates the opening of the exhibit "The Books of the Red Ozier Press." Tan paper wrappers with black title to front panel. Pristine. [8 pages] PRI/072408. Near Fine in Near Fine Dust Jacket.
West Chester, PA: Aralia Press, 2000. Morgan, Gaylen. LIMITED EDITION. Paper Wrappers. Small 8vo. 1 of 160 copies printed on Johannot paper. Grey textured paper wrappers with B&W title pastedown to front panel. Pristine interior with bright text. Frontis photograph is pasted-down. [20 pages] PRI/122206. Fine.
West Chester University: Aralia Press, 1999. LIMITED. Paper Wrappers. 8vo. 1/150 c. Lovely poetry by Northrop. Cream colored paper wrappers with title embossed on cover. Pristine interior. Printed from Spectrum type on Zerkell paper. Unpaginated. PRI/041407. Fine.
New York: Farrar and Rinehart, Inc, (1937). Hardcover. Very good orange pape covered boards with black title to front board. Minor browning to end pages. Contains some writings of previous owner. Poetry. POE2/12060. Very Good.
Milan: Giovanni Pirotta, 1818. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa, and has many fantastic and magical elements. It was a big influence on later works of literature, including Spenser's Faerie Queen and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs, this is a nice, attractive copy with strong, tight spine and clean interior. Marbled end pages. Bookplate to front end page. In Italian. Folio. ITA109201. Very Good.
London: Smith, Elder & Co., 1902. Hardcover. Preface by Mrs. Wodehouse. 8vo. Very good in white cloth with gilt lettering to spine. Spine darkened. Minor rubbing to boards and wear to spine ends. First edition. Frontis portrait of Arnold. Interior is clean and bright. Poetry. POE2/12290. Very Good.
London: Macmillan and Company, 1893. Hardcover. Vg in green cloth covered boards with gilt title to spine. Thick 8vo. Bumping to edges and a few spots of wear to cloth on spine. frontis./510 pp.+ads Poetry. POE1/3082. Very Good.
Oregon: Artistically Declined Press, 2013. Hardcover. One of 20 copies signed by the poet, Hosho McCreesh who describes himself as a drunken poet. From reviews: "In the footsteps of Charles Bukowski comes Hosho McCreesh’s magnum opus of drunk poetry. Mammoth in size and scope, A Deep & Gorgeous Thirst is unlike any of McCreesh’s previous collections. Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But McCreesh does, and in this brilliant collection he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out exciting and irresistible poems. A perfect elegy to the illusions and delusions of alcohol." This is from the edition of 20 described by the press as "The DrunkSkull Flask Clamshell." It includes a handmade hardback book housed in a clamshell box custom-made by Bill Roberts of Bottle of Smoke Press. Hidden within the clamshell is the coup de grace - an 8 ounce black flask, engraved with the book's DrunkSkull logo, which is housed in a wood insert, along with some pieces of promotional ephemera that include two letterpress broadsides of unpublished drunk poems signed by McCreesh, a ticket also signed, and a third unpublished broadside hand written and painted by the poet. Hidden under the flash is a patch, a sticker, and a removeable tattoo - all featuring the DrunkSkull logo. The text of the book is printed offset and is bound in grey paper boards with black spine label and skull logo on the front cover. On the back cover is printed: "glister like remnant embers of all you've burned away in your mad and drunken joy." The clamshell box has a black cloth spine and grey paper covering the front and rear panels. The front panel features a reproduction of the book's cover and the spine panel has a matching grey paper title label. Box is 10 x 7 x 3 inches. In fine condition. 359 pages plus acknowledgments and colophon. ARTISTSBOOK/042016. Fine.
London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
Boston: Boston, Little, Brown & Company [c1968]. (1968). First American Edition. Hardcover. FIRST AMERICAN EDITION. 8vo. Near fine in purple cloth covered boards with gilt title to spine. Light fading to edges of boards. Very slight yellowing to edges of pages. Else is pristine. White, pink and purple dust jacket with black title to front and spine panels. Minor rubbing and edgewear to dust jacket. 69 pages. POE/102416. Near Fine / Very Good.