Refine search resultsSkip to search results
Omaha. NE: Abattoir Editions, The University of Nebraska, 1985. First Edition. Hardcover. LIMITED FIRST EDITION. NUMBER 56 OF 200 COPIES. Olive green cloth with black title to white label on the spine. Label darkened at lower edge, otherwise fine, without printed dust jacket, as issued. In glassine dust jacket. Vietnam War poetry. PRI/102416. Near Fine.
Washington DC: Abstract Orange, 2019. Number ? of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. Inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/122319. Fine.
Baltimore: John B. Piet, 1881. Hardcover. SCARCE. Good in original red cloth boards with gilt title and decoration to spine and front cover. Covers are dampstained and lightly soiled. There is a large split to binding after front endpage and a few smaller splits within textblock. Front pastedown is loose near hinge. Frontispiece illustration and each poem begins with a decorative initial. Writing in pencil on front endpage, else clean interior. Slight musty smell. 96 pages. POE/121013. Good.
Milan: Giovanni Pirotta, 1818. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa, and has many fantastic and magical elements. It was a big influence on later works of literature, including Spenser's Faerie Queen and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs, this is a nice, attractive copy with strong, tight spine and clean interior. Marbled end pages. Bookplate to front end page. In Italian. Folio. ITA109201. Very Good.
London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
New York: Harper & Brothers, 1928. Hardcover. INSCRIBED BY THE AUTHOR. Very Good Plus/No Jacket. 8vo. In black cloth covered boards with gilt title stamp to spine and gilt and blind stamp to front board. Minor fading to spine and slight shelfwear to board edges. Interior is mostly clean and bright with only slight aging to endpapers. Inscribed by author on FFEP. 76pp. POE/051304. Very Good +.
Boston: Little Brown & Company, 1915. LIMITED EDITION. Hardcover. Thin 8vo. Limited to 500 numbered copies and SIGNED BY AUTHOR. 3/4 white cloth backed blue paper covered boards with gilt title to spine and front board. Charming illustration of a tree in gilt to front board. Minor browning to spine and to edges of boards. Minor browning to endpages, else interior is very clean. Tight binding. POE/102005. Very Good.
Reid: Oberosterreichischer Landesverlag, circa 1950. Hardcover. Scarce. A somber book of poetry dedicated to "the people of my heart" who fell in World War II. The title translates to "Because I Love You. A Dead Task." Inscription in pencil to front free endpage "Gift from Pfarrer Reinold Simma Damüls / Bregeugewald Voraailberg (sp?) at the request of Frau Natalie Beer." Includes several illustrations. Very good in thin grey boards with gilt title to front cover. Minor wear to edges of boards. Clean with slight browning to margins of pages and edges of boards. Size Octavo. 65 pages. In German. GER1/2042. Very Good.
London: Chapman and Hall, 1850. Hardcover. Presentation Copy from the author: "Rev. Derwent Coleridge with the Authors Compliments." English scholar and author Derwent Coleridge (1800 - 1883) was the son of poet Samuel Taylor Coleridge. This is an early work by William Cox Bennett (1820 - 1895), who wrote songs as well as poetry. He is best known for "Baby May," a sweet poem about his baby daughter, which appears in this collection. Bound in original navy blue cloth boards with gilt title to spine and embossed design to boards. Chipping to head of spine. Interior rear hinge is cracked and spine is rolled. Ex-library with a few stamps to interior. Clean overall. 262 pages. POE/011916. Very Good.