Paperback. Featuring portfolios of photography by Steffens Lienwohl and Rodney Galarneau / comment by Robert Bly / Poems by Dennis Schmitz, William Hunt, Saint Giraud, James Wright, Gene Frumkin, David Cohen, Paul Carroll and more. Black, white, and red paper wrappers with white title to spine and front cover. Creasing to wrappers and heavy rubbing. Minor soiling/ dampstain to interior of front wrapper, else clean interior. Includes tipped-in fold out poem to rear endpaper. 112 pages. PER/091620. Very Good.
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Omaha. NE: Abattoir Editions, The University of Nebraska, 1985. First Edition. Hardcover. LIMITED FIRST EDITION. NUMBER 56 OF 200 COPIES. Olive green cloth with black title to white label on the spine. Label darkened at lower edge, otherwise fine, without printed dust jacket, as issued. In glassine dust jacket. Vietnam War poetry. PRI/102416. Near Fine.
Washington DC: Abstract Orange, 2019. Number ? of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/122319. Fine.
Baltimore: John B. Piet, 1881. Hardcover. SCARCE. Good in original red cloth boards with gilt title and decoration to spine and front cover. Covers are dampstained and lightly soiled. There is a large split to binding after front endpage and a few smaller splits within textblock. Front pastedown is loose near hinge. Frontispiece illustration and each poem begins with a decorative initial. Writing in pencil on front endpage, else clean interior. Slight musty smell. 96 pages. POE/121013. Good.
Milan: Giovanni Pirotta, 1818. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa, and has many fantastic and magical elements. It was a big influence on later works of literature, including Spenser's Faerie Queen and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs, this is a nice, attractive copy with strong, tight spine and clean interior. Marbled end pages. Bookplate to front end page. In Italian. Folio. ITA109201. Very Good.
London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
New York: Harper & Brothers, 1928. Hardcover. INSCRIBED BY THE AUTHOR. Very Good Plus/No Jacket. 8vo. In black cloth covered boards with gilt title stamp to spine and gilt and blind stamp to front board. Minor fading to spine and slight shelfwear to board edges. Interior is mostly clean and bright with only slight aging to endpapers. Inscribed by author on FFEP. 76pp. POE/051304. Very Good +.
Boston: Little Brown & Company, 1915. LIMITED EDITION. Hardcover. Thin 8vo. Limited to 500 numbered copies and SIGNED BY AUTHOR. 3/4 white cloth backed blue paper covered boards with gilt title to spine and front board. Charming illustration of a tree in gilt to front board. Minor browning to spine and to edges of boards. Minor browning to endpages, else interior is very clean. Tight binding. POE/102005. Very Good.
Mission, BC: Barbarian Press, 2020. Hardcover. One of 110 copies. A beautiful new publication from the esteemed Barbarian Press. Jan Zwicky is a philosopher and a poet. Crispin and Jan Elsted, proprietors of the press, write that it has been almost twenty years since they published Zwicky's 21 Small Songs, and that a return to one of their favorite contemporary poets was long overdue. Her lyrical poems are accompanied by eight black and white tipped in photographs by her friend and professional photographer Robert Moody. The book was designed by Crispin Elsted. Printed in Van Dijck type and printed on Zerkall Smooth White Wove paper. The type setting was by daughter Apollonia Felicity Elsted, who worked with Jan Elsted on the printing. Bound in blue paper boards with a blue cloth spine by Alanna Sienson at Mad Hatter Bookbinding Company. In fine condition. Measures 6.75 x 10.5 inches. 66 pages. PRI/070720. Fine.