Maureen Cummins, 2018. Number 17 of 35 copies signed and numbered by the book artist, Maureen Cummins. Secretary deconstructs the life and death-by-suicide of the artist's mother, Dolores Cummins, a brilliant woman, aspiring artist, and housewife for twenty-five years. It is this story that inspired Cummins's later book Crazy Quilt, as well as all the subsequent work that she created around marginalized populations. This book is the first of several around this common theme that Maureen has become well-known for. Secretary is made even more powerful by the structure and composition. It was letterpress printed on sheets of Asian lined paper resembling a steno pad, with titling redacted by hand in graphite. The type used appears to have been typed on an old typewriter. Each section of the book is preceded by a ghostly photographic image of Cummins's mother from that period of her life, reprinted from originals in the artist's possession. The text pages are bound in the style of a stenographer's notepad. It is housed in a stiff grey paper folder. Maureen Cummins is a noted creator of artists' books. Her work is held in over one hundred permanent public collections internationally and has been included in exhibitions at the American Craft Museum, the Corcoran Gallery of Art, and the Rotunda Gallery (amongst others). She has received over a dozen grants and awards and has been an artist-in-residence at numerous venues, including the American Antiquarian Society and the Irish Museum of Modern Art. In fine condition. Measures 8.75 x 14.5 inches. ARTB/100119.
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Pennsylvania and New York: Maureen Cummins, 2019. Number 17 of 50 copies signed by the book artist. AlieNation / SepaRation was part of Swarthmore College’s Friends, Peace, and Sanctuary project. The project brought five artists into conversation with Syrian and Iraqi individuals resettled in Philadelphia. Cummins interviewed four participating families in 2018. The interviews captured the unspeakable losses experienced by the settlers and bore witness to their struggles to adjust to new countries, cultures, languages, and their separation from loved ones. From the interviews, Cummins selected forty-eight excerpts that she pieced together to create a narrative arc. To house the text, the artist created a structure that is visually startling, experimental, and conceptually driven. Text blocks are severed, then reprinted as quarto-sections on corresponding pages of four separate books. As in the case of the resettlers themselves, these stories must be reunited in order to be read, understood, and made whole again. Since the structure is two-sided, with half the pages printed upside down, the reader is forced to puzzle out where and how to begin and what order in which to read the pages. In this way (s)he is forced to experience some measure of the confusion, alienation, dislocation, and separation that resettlers struggle with every day. The books were created by first deeply saturating flats of color onto Arches Cover White. Blocks of text were then surprinted over the color fields, a process that required masterful registration. Bound by Lisa Hershey in the Coptic style structure that draws on Middle Eastern binding tradition. Each set of four books is housed in a handsome plexiglass slipcase and laser-etched titling by Sarah Pike. Maureen Cummins is a noted creator of artists' books. Her work is held in over one hundred permanent public collections internationally and has been included in exhibitions at the American Craft Museum, the Corcoran Gallery of Art, and the Rotunda Gallery (amongst others). She has received over a dozen grants and awards and has been an artist-in-residence at numerous venues, including the American Antiquarian Society and the Irish Museum of Modern Art. In fine condition. The set measures 17 x 17 x 2.5 inches and contains 192 pages. ARTISTSB/092319.
San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
Berkeley: Flying Fish Press, 2018. Hardcover. Number 25 of 50 copies signed and numbered by the book artist. Flying Fish Press was established in 1987 by internationally known book artist and book art educator Julie Chen. The press focuses on the design and production of limited edition artists' books with an emphasis on three-dimensional and movable book structures and fine letterpress printing. Editions range in size from 25 to 150 copies. Work from the press Is known for combining meticulous attention to craft, intricate structural design, and inspired artistic vision. Half Century was written, illustrated, and designed by Chen. It is dedicated to Sandra Kroupa, Book Arts and Rare Books Curator, on the occasion of the 50th anniversary of her career at University of Washington Libraries, Seattle, WA (colophon). Chen writes: "The text of this book considers the complexity of our relationship to time in our daily lives. We think we understand how time works, but our public beliefs about time may not sync up with our private beliefs about time. Our conception of time changes over the course of a lifetime but we often only realize this at milestones and/or traumatic moments in our lives. Imagery includes a variety of large wood type numbers that were printed at the Hamilton Wood Type Museum in Two Rivers, WI, along with an abstract visual timeline illustrating a pattern of significant life events over a 50-year period." Half Century has an accordion structure that measures 6 x 6 x 1 inches when closed, opening to a full width of 174 inches. Bound in red cloth with title label and "Act I" or Act II" on front and back covers. Letterpress printed from wood type and photopolymer plates. Presented in a red cloth box with a magnetic closure. In fine condition. Unpaginated. ARTB/012219. Fine.
Santa Cruz: Foolscap Press, 2002. Paperback. 126 of 200 copies. This is an unusual and lovely scroll book, which, according to the Press, follows the written record of a wondrous monument standing in Athens. The Tower has been explained by scholars from antiquity to the present, yet the Tower of the Winds was and still is a mystery to those who study it. The work is original to the Foolscap Press both in content and exterior form, and was created as a biblio-artifact, both a book and an object. The book is in a pre-codex form, allowing the reader to scroll through history viewing the subject along a panorama 25 feet in length. In addition to reproducing historic texts, there are illustrations of the Tower by James Stuart and Nicolas Revett, two important early British architects. The work is printed in Adobe Herculanum type on Zerkall Book and hand made papyrus from Egypt. It is housed in a formed sculptural / architectural case. Each case is a rigid cylinder hinged with cloth and lined with a map of ancient Athens. Issued with handling instructions. It is a stunning and inventive work from this press. PRI/101713. Fine in Fine Box.
Santa Cruz: Foolscap Press, 2019. Hardcover. Number 22 of 90 copies, numbered and signed by the binder and printer. The press describes the book: "The Travels of Sir John Mandeville follows a journey that began in 1322 and continued on for more than thirty years. This edition commences as Mandeville leaves the Holy Land and travels east to the lands beyond Egypt, which were mostly unknown to Western Europeans at that time. It is a strange journey and one that has kept his book alive and in print since it was first published in manuscript form in 1357.... His was a piece of European literature rather than a history of exploration... The book was carried aboard ship by Christopher Columbus and others on their voyages of discovery, adding to their confidence that they could safely circumnavigate the globe. Our edition is illustrated and illuminated by Peggy Gotthold following Mandeville’s observations of strange flora and fauna and the remarkable beings he encountered; and especially of the wondrous and powerful kingdoms he chanced upon, which held more gold and jewels and strange customs than his contemporaries could imagine; here are kings and emperors with power at their finger tips beyond the reach of any autocratic ruler in Medieval Europe. Our text is based mainly on the Cotton MS, a translation that was first edited in 1725 and continues to be a starting point for serious study of Sir John Mandeville. Though imperfect, it adheres very closely to the original... As no inventive travel book should be made without including a map or two, we have supplemented Mandeville’s narrative with five imaginative maps created for this edition. These are maps that would make sense to a fellow traveler of Mandeville’s time. They are not modern maps where one might expect to identify one’s place on land or the sea. There are no precise coordinates of latitude and longitude. These maps are also narrative and allow the reading traveler to follow Sir John Mandeville, whoever he was, through an unfamiliar landscape. The modern reader will also discover the bizarre and unexpected in the world and share in Mandeville’s amazement and curiosity while traveling alongside him." Bound in flexible red paper covered boards with paper title label to front cover. Includes five double-page maps printed on handmade linen paper from Papeterie St. Armand. Hand-applied illuminations appear throughout. Letterpress printed on paper handmade at the University of Iowa's Center for the Book under the direction of Timothy Barrett in Silentium text, designed by Jovica Veljovic. Housed in a red cloth covered clamshell box. Size of book: 9 x 12.75 inches. 104 pages. PRI/061319. Fine.
New Orleans: F.F. Hansell and Bro., Ltd, 1903. Hardcover. Fourth Edition. American historian, lawyer, author, politician and slave owner, Charles Gayarre (1805 - 1895) was best known for his histories of Louisiana; although, he wrote fiction as well. Born in New Orleans to a Spanish and French Creole planter family, he grew up on a plantation before attending law school in Pennsylvania. He lost his considerable fortune by supporting the Confederacy and later earned money by writing and working as a court reporter. He was president of the Louisiana Historical Society for nearly thirty years. This four volume edition includes a biography of the author, bibliography, an extensive index, and combines multiple works and lectures that were previously published by the author about Louisiana under separate covers. Each volume is bound in three quarter tan leather over marbled paper covered boards. Leather and gilt title and volume labels to spines. Minor cracking to leather on spines, minor wear to corners and edges of boards. Frontispiece and three fold-out maps. Clean interiors overall. Minor browning to margins of pages in some volumes. Top edges gilt with marbled endpaper. Volume I is 540 pages; Volume II is 383 pages; Volume III is 649 pages; Volume IV is 693 pages plus index. This set may require an extra shipping fee. STA/022119. Very Good.
San Francisco: Gazelle and Goat, 2018. Number 20 of 40 copies. Signed and numbered by Rhiannon Alpers, the book artist. Rhiannon has been a book artist, maker of paper, and bookbinder based in San Francisco for almost twenty years. She is fascinated by structures and boxes, and much of her work is focused on nature. This beautifully designed and executed book is emblematic of Rhiannon's artistic interests and aesthetics. She writes of her book, which was inspired by author Glynis Ridley: "When Jeanne Baret stepped on-board the Etoile ship in 1766, she didn’t set out to be the first woman to circumnavigate the globe. Alongside her colleague, accomplice and lover, Philibert Commerson, she took on many roles during the expedition as a botanist, herb woman, nurse, and cataloger of the more than 630 specimens they brought aboard. This limited edition artist book traces the expedition of the first woman to circumnavigate the globe, through the lens of the botanical discoveries she made along the ship’s journey. Jeanne Baret was not able to document the expedition herself, due to the forbidden nature of her passage on this journey, but her legacy has inspired many, and spurred the creation of this book." The book has a removable magnetic spine binding that opens completely back-to-back, with a digitally produced specimen chart hidden within. Hahnemuhle Bugra Fawn folio maps are letterpress printed from polymer plates, adapted from French expedition maps from the published logs “Voyage Autour du Monde par la Frégate du rio la Boudeuse et la Fluté L’Etoile.". Crane’s Lettra Ecru 90lb specimen folios letterpress printed from linoleum blocks and polymer plates. Plant outlines are laser cut and secured with Japanese tissue. Laser cut specimens were adapted from the original plant specimens collected by Commerson and Baret on the expedition, archived in the Museum of Natural History in Paris. Interleaved vellum sheets with macro photography by the artist laser printed on Neenah UV Ultra II. Spine bound with Gmund Bier Paper [colophon]. In fine condition. Measures 8.25 x 9.5 inches. Unpaginated. ARTISTSB/072419.
Portland, OR: Anne Greenwood, 2008. Number 8 of 30 copies. Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us." This interesting and evocative work exemplifies how Anne integrates her textile skills with book arts. She explains that Winter Counts were historic calendars used by the Plains Indians to record time pictographically. This book is Anne's interpretation of the Sioux tradition to record her personal history using hand-stitched embroidery and letterpress printing. The 41 embroideries were scanned and then made into print form from hand-processed photopolymer plates run on a Vandercook Universal hand press. Printing was done by Inge Bruggeman. Each is printed in the same color as the embroidered version. The loose images and text pages are housed in a light red clam shell box. The text pages are printed in Goudy Sans type and include the title page, artist's statement, two commentary pages for images titles and stitch identification, and colophon with quotes relevant to the winter count tradition. An impressive production in fine condition. PRI/031819. Fine.
Portland, OR: Anne Greenwood, 2016. Number 2 of 12 copies in the special edition portfolio signed and numbered by the book artist. There were also 138 copies of the chapbook. This beautiful and complex work was inspired by the poetry of the Portland poet and seamstress Hazel Hall (1886-1924) and pays homage to her to writings and resilience. She survived either scarlet fever or a fall at the age of 12 and used a wheelchair for the rest of her short life. The poems are republished by permission from The Collected Poems of Hazel Hall. From the colophon: "The special edition portfolio is made of crinoline; it is machine sewn, hand-dyed in fustic, and pressure-printed with machine-stitched text from poems originally written by Hall and then pieced together by Anne Greenwood. The chapbook cover is machine-stitching on crinoline; the under print is pressure-printed, hand-stitched embroidery with pochoir and the book is hand-bound using the pamphlet stitch. The decorations are hand-stitched embroidery sigils by Greenwood and Shannon Ayuyu pressure printed on washi paper. The tapestry is made of crinoline hand-dyed in madder, fustic, cochineal and indigo, with hand stitching and pochoir. The applique: the moon is pressure-printed, found, hand-made doily, and the poem Loneliness is written by Hall and printed with a polymer plate. The machine-stitched texts are cut-ups of Hazel Hall’s poetry made by Shannon Ayuyu and Anne Greenwood. The printing is all by Clare Carpenter (2016) in Portland, Oregon." Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us." When the tapestry is folded the work measures 8 x 12.25 inches. In fine condition. ARTISTB/031819. Fine.
Portland, OR: Anne Greenwood, 2018. Number 3 of 10 copies in the deluxe edition, signed and numbered by the book artist. This deluxe edition includes a hand-written poem in a rear folder with a bound in fabric piece. Vestiges was conceived in Iceland where Anne was an artist-in-residence in April and May 2018. This striking work includes folded, sewn, dyed, and printed crinoline cloth pieces accompanied by text. They beautifully capture the almost intangible nature of vestiges - things disappearing or no longer in existence. The book's wrap-around cover is white crinoline. The book is printed with Weiss Italic type on Mohawk Superfine paper by Diane Jacobs of the Scranton Press in Portland. The text is hand-written and authored by the artist as are the hand-dyed fabric manipulations (from the colophon). Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. She makes objects, installations, and works with her community. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us. I enter into inquiry-based community engagement through arts education, residency, public work, studio practice, and collaboration. " A lovely work in fine condition. ARTS/031419. Fine.
Washington DC: Kristin Gubrandsdottir, 2010. Soft cover. Number 10 of 11 copies signed and numbered by the book artist. Kristin is a book artist, furniture maker, and teacher from Iceland. Her works typically address feelings, memory, and experience. She studied book arts at the Corcoran College of Art + Design in Washington DC where she made this book. She currently resides in Brussels. Awakening is a powerful photobook done in response to the loss of friends that "left me wondering about the meaning of our existence and why some leave too prematurely." The photographs and text address these questions and the strange feelings that arose in her at night that left her waking up "knowing that one day I will die." The twelve evocative color photos are reproduced in an oblong accordion style book and juxtaposed with letter press text. Printed on Soberest paper using Minion Pro Regular and Medium Italic fonts. Bound in white stiff paper with titling on front cover. In fine condition. Unpainted. PI/022119. Fine.
Glenview, IL: Karen Hanmer, 1999. Number 4 of 20 copies. Signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland (from artist's statement). In this amusing book, Karen utilizes the flag book structure originated by Hedi Kyle to juxtapose and contrast two staples of western art history, "Mona Lisa" and "Waterloo," a poker dogs painting by Cassius Coolidge. Partial images of each work alternate as the flag images are turned. When the book is completely open the full poker dogs picture is seen. The images are reproduced with pigment inkjet prints. The book is 8 x 4.5 inches closed and 8 x 19 inches when open. Housed in archival storage case with Velcro closures. In fine condition. ARTISTSB/070618. Fine.
Glenview, IL: Karen Hanmer, 2005. Hard Cover. Number 27 of 50 copies. Signed and numbered by the book artist. An accordion pop-up book which showcases thirteen women aviators from the beginnings of powered flight through 2005. These aviators set records of altitude, speed, endurance, or made other significant contributions to the field, not as women's firsts - but across gender lines. Each spread features a pop-up vintage photograph and a brief description of the aviator including name, birth and death dates, and a record of accomplishments. It can be extended and displayed in a closed circle shape. The book is housed in an archival case with the book artist's contact information stamped on the front panel. Measures 8 x 2.5 x .5 inches closed and 8 x 56 x 5 inches open. Unpaginated. [28 pages.] ARTB/121817. Fine.
Glenview, IL: Karen Hanmer, 2004. Number 20 or 20 copies, signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. This is the last unsold copy of this thoughtful and nostalgic book by Karen. She uses the text of a young Navy wife’s letter written from Europe in the 1950s to her family on the farm along with her alternate personal thoughts. The book uses the flag book structure to juxtapose these texts with sections of an old photograph of her Midwestern relatives. This structure offers an effective medium for creating a visual as well as a textual experience. The full photograph of the family is revealed when the book is fully opened. The photograph and text were created using pigment inkjet prints. The covers reproduce a black and white photo of the young Navy wife with an Italian city view behind her. The back of the book opens in accordion style and shows another black and white photo from Italy. Book is 4.5 x 9 inches closed and 8 x 19 inches when fully open. Housed in an archival stiff paper storage box with Velcro closures. In fine condition. Fine.
Basel: Romano Hänni, 2018. Hardcover. A set of three books in the Words Make the Infinite Finite series. Volume VII is limited to 290 copies, Volume VI is limited to 187 copies, and Volume V is limited to 86 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His intricate designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. Each of these books was hand composed and hand printed in black, red, yellow, and blue ink. All are accordion structures with stiff paper illustrated wrappers, which when removed, allow the twelve pages of the contents to be unfolded into one continuous strip. With a paper band closure for the folded book. Includes a four page supplement featuring the title of the work and the colophon in both English and German. A small set in a slipcase measuring about 3.25 inches wide by 5 inches tall by 1.25 inches thick. In fine condition. Unpaginated. PRI/112818. Fine.
Cairo, NY: Editions, 1999. Number 20 of 32 copies. Signed by the book artist. Book artist Ed Hutchins is known for his inventive and fanciful books that are made from found materials and that use untraditional methods and structures. This miniature tunnel book exemplifies his work. The book's theme is stars and although they are seemingly the same, in fact each really is unique - like humans. A star cutout on the cover reveals a tiny galaxy of varied color stars floating in the air when the tunnel is expanded. The sides of the tunnel are made with different bright colored papers and have the words of the text printed that are also revealed as the tunnel expands. Black covers with yellow title label on front and green label on back with quote about stars, Hutchins's signature, and edition number in pencil. In an orange slipcase and both housed in a purple slipcase with star cutout and title on front. Fine condition. 2 x 3 x .5 inches. ARTISTSBOOK/090717. Fine.
Oldham, England: Incline Press. Hardcover. Number 32 of 160 copies signed by the artist. This is a handsome book with striking prints from artist Nick Wonham. From the press: "Collective nouns, the stuff of schooldays, always seem to amuse us. A parliament of magpies has to be a favourite, especially if you’ve heard a group of them cackling together in the Springtime. But we prefer the alternative, a charm of magpies, which certainly suits this poem better. It is one version of a folk rhyme which has many local variants, all superstitiously foretelling the future through random occurrence. Although Iona & Peter Opie’s Dictionary of Nursery Rhymes does not include it amongst the counting rhymes. It makes a nice counting or even skipping song, and we present it thus, with the numeral and its word facing each picture to encourage learning by mixing reading with the action of counting. Magpies are often known a thugs in the garden, stealing eggs and chasing off their more delicate rivals. As printers, though, we have a fondness for them because of their “ink on paper” plumage and their latin name pica pica, which recalls the printshop unit of measure. The heart of our book is the ten two-colour linocut prints. Each one 8 x 6 inches, their bold, dense colours add to the edgy feel of the images. Hand set in Monotype Bemb from 24 to 72 points in size. The numerals are Winchester 30-line woodtype from Stephenson, Blake. The paper is Zerkall. Bound with a dark blue cloth spine and light blue printed paper over boards with specially printed endpapers by Roger Grech at his Papercut Bindery. In fine condition. Measures 14.5 x 10.25 inches. Unpaginated [27 pages]. PRI/102518. Fine.
New York: G. P. Putnam's Sons, 1889. Hardcover. Hudson Edition. An attractive set bound in three quarter brown morocco over marbled paper covered boards with gilt titles, raised bands, and floral devices to spines. Minor rubbing and wear to edges of boards, bands, hinges, and corners. Minor bumping to some corners. Includes frontispieces and full page illustrations with tissue guards. Decorated initials begin each chapter. Clean and bright interiors with many unopened pages. Previous owner's signature in pen dated 1891 on the front free endpapers of each volume. Marbled endpapers and top edges gilt. LIT/041719. Very Good.
New York: Dodd, Mead & Company, . Hardcover. First edition with the charming illustrations by famed illustrator Jessie Willcox Smith. There are eleven full page color illustrations and numerous text illustrations as well. Bound in green cloth with gilt titling to spine and front cover. A circular color plate is moubnted on the front cover. Some bumping and fraying. Hinges are cracked but otherwise the interior is in very good condition. A nice copy of this children's classic. CHIL/062419. Very Good.
London: Hurst and Blackett, 1880. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction number 2055. First edition, uncommon. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Clean and bright interior. Unopened pages. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Auction record tipped into rear. 317 pages and 16 pages of ads. DRA/031419. Very Good.
Seattle: Marquand Editions, 2017. Number 23 of 50 copies signed by Reiko, Marquand, and Birnbaum. There were also five lettered hors de commerce. This splendid production honors the achievements of Reiko Sudo, considered one of the great textile designers of our time, the renowned "weaver of new ideas." Sudo and Ed Marquand of Marquand Editions worked together to design and produce this artists' book that offers an in-depth exploration of Sudo's textiles, techniques, materials and more. Over 140 distinct textiles are represented in four bento box-style book-objects: they include three scarves, a notebook of cloth samples and collages assembled by Sudo. The first box has two booklets, one with Sudo's autobiography and the other a detailed guide to the boxes including the colophon, and three beautiful scarves. Box two has the textile collages that demonstrate techniques and materials. Box three is the Nuno Compendium - a notebook of cloth samples. Box four contains tools and raw materials she uses in her practice. Each of the boxes is covered by lovely examples of Nuno textiles. The top box also has a fabric lid. Reiko Sudo is co-founder, current CEO, and design director of Nuno Corporation of Tokyo, universally recognized as one of the world’s most innovative textile companies. Her company takes the techniques, materials and aesthetics of traditional textiles and reinterprets them with cutting-edge technologies. Sudo and her design team, together with the company’s skilled weavers and dyers, have greatly broadened the parameters of contemporary design in the industry, experimenting with an eclectic array of materials, ranging from silk, cotton and polyester to hand-made paper and aluminum, and finishing methods that include salt-shrinking, rust-dyeing and caustic burning. The results are distinctive, intriguing and indisputably remarkable. Her works are represented in the permanent collections of many institutions, including the Museum of Modern Art; the Victoria & Albert Museum; and the Tokyo National Museum of Modern Art Craft Gallery [Nuno website]. Boxes measure 1.25 x 10.25 x 10.5 inches. In fine condition. ARTB/041919. Fine.
Seattle: Marquand Editions, . Number 23 of 25 numbered copies signed by the author and the photographer. In this remarkable edition, environmental scientist Gretchen C. Daily and photographer Charles J. Katz describe how one relic tree, the magnificent Ceiba pentandra in the village of Sabalito, Costa Rica carries physical and spiritual importance far out into the world. In poetic language interwoven with scientific fact, Daily also describes the historical and natural history of this tree and of the ceiba species in general. Katz's photographs of the tree and village amplify this message quietly yet forcefully. Gretchen Daily is the recipient of the Blue Planet Prize, the world's most prestigious award for environmental sustainability [Description from Marquand Editions]. This powerful artist's book by Daily and Katz is created in the form of text, 9 color photographs and a wood carving of the magnificent tree. The carved tree is folded down to fit into a semicircular insert box to be pulled out and detached from the container slipcase. It opens up to reveal the One Tree (attached to the lid by a string that lifts it upright as the lid is lowered). The tree is cut from 3 layers of plywood laminated together and attached tongue-in-groove to the center edge. The photographs and 2 letterpress printed booklets reside in a cut-out recess. beneath the folded tree. The indentation is also made of built up, laminated layers of plywood. The inside of the lid is illustrated with a watercolor print. The first booklet of 14 pages contains Daily's essay about the tree, with an additional signature by the author. The other supplementary booklet of 9 pages One tree / Gretchen C. Daily, Charles J. Katz Jr., contains the foreword by Charles J. Katz Jr., acknowledgments, and artist biographies. Accompanying the booklets are the nine numbered color photographs by Katz. The book is in a semicircular shape measuring 11.5 x 22.5 inches. It is housed in a rectangular slipcase. In fine condition. ARTISTSB/042219. Fine.
Baltimore: Richardson and Bennett, 1871. Hardcover. SCARCE. A very attractive volume, despite being ex-library. Illustrated by Handann Brothers. Includes a history of the city by Brantz Mayer and over seventy biographical descriptions of notable Baltimorean men, each illustrated with an original photograph. Black full leather boards with gilt title, decoration, and raised bands to spine. Boards are beveled with gilt borders and decoration. This book has been expertly rebacked with the original spine mounted on the new leather spine. White library call number to spine, partially removed. Library stamp to bottom of title page and last page of text with call numbers to copyright page. Minor bumping to corners and minor wear to edges of boards. Gilt dentelles, full gilt edges, and later marbled endpages. Later silk headbands. Interior is very clean overall, though there are a few spots of foxing to several pages. Archival repairs to gutters of a few pages. Old pencil inscription erased from front endpaper, dated 1871. Illustrations include original tissue guards. Tight binding. 562 pages. BALT/041619. Very Good.
New York: Harper and Brothers, 1847. Hardcover. First American Edition of Melville's second novel. This story is based on Melville's adventures and experiences during his years at sea between 1839-1844. It has been professionally rebacked in handsome dark green leather with gilt titling and elaborate ornaments to spine. The front cover features a gilt ship and embossed decoration. Wear to cloth on edges and corners. Original marbled endpapers. Foxing throughout, but heaviest to first several pages. With frontis map and text illustration. A nice copy of this literary landmark. 389 pages plus two sets of advertisements. LIT/091919. Very Good.