Basel: Romano Hänni, 2010. Hardcover. Number 35 of 175 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. This work offers a commentary on various aspects of life, some of which are illustrated with design elements. For example "with ritalin" shows a series of small, numbered pill shaped designs. It faces "without ritalin" which shows a variety of animals and other creatures. One unillustrated quote from the jacket reads "The daily misconduct: It is not the large catastrophes, it is he daily mistakes in the details that cause the global problems." Bound accordion style in boards with white illustrated dust jacket. Handcomposed and handprinted in black, red, blue, and gold. The text is printed in German; however, a pictorial booklet supplement with English translation is included. A thought provoking, well designed book. ARTB/092117. Fine.
Refine search resultsSkip to search results
Basel: Romano Hänni, 2008. Hard Cover. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. Number 197 of 290 copies. This book was hand composed and hand printed in black, red, and blue ink. An accordion structure bound in boards with an illustrated white dust jacket and a paper band closure. Includes a two page laid in supplement featuring the title of the work and the colophon. A small book measuring 3.25 inches wide by 5 inches tall. In fine condition. Unpaginated [10 pages]. ARTB/060111. Fine.
New York: Béatrice Coron, 2009. Number 6 of nine copies. In this complex and inventive work, the words of the poem have been cut into black Arches paper as though floating on water, accompanied by paper cuts of stars, clouds, and far away animals and buildings. T result is a production is done to stunning effect by poet Harjo and artist Coron. The book is wrapped in a gossamer like tissue paper and held in an Arches paper binding with the title, artist names and edition number and date on front cover labels. In fine condition. Measures 7.5 x 44 inches when extended. Joy Harjo is an internationally renowned performer and writer of the Muscogee (Creek) Nation and was named the 23rd Poet Laureate of the United States in 2019. She is the author of nine books of poetry, several plays and children's books, and a memoir,Harjo is a chancellor of the Academy of American Poets and is a founding board member of the Native Arts and Cultures Foundation. She lives in Tulsa, Oklahoma, where she is a Tulsa Artist Fellow. French born Béatrice Coron is a renowned artist whose work includes book arts, fine art, and public art. Her work can be found in major museum collections, libraries, as well as private collections. Her books are fascinating creations made through cutting images in paper or Tyvek. Christina Favretto, Head of Special Collections at the University of Miami describes her work in Coron's "artfragments" portfolio: "There is a palpable joy in the work of Béatrice Coron, the kind of joy we felt as children in unwrapping a particularly enticing holiday gift. But...for Béatrice the gift is a sheet of Tyvek...or paper, and the stories to be unearthed and unleashed within and through the medium." Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website] ARTISTSB/082520. Fine.
Wantage, England: Black Swan Press, . Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. A splendidly crafted unique designer binding by well-known book artist and bookbinder Karen Hanmer. The text is a reproduction of an early 20th century manual on bookbinding tools and techniques, which Karen has altered by adding multiple full page pop-ups based on illustrations found within the manual. The editor, Paul N. Hasluck (1854 – 1931) was one of the first authors to write in the do-it-yourself genre. Born in Australia, he wrote mainly technical manuals ranging in subject from beekeeping to taxidermy to motorcycle construction to bookbinding. Karen’s binding design is inspired by the text’s charming vintage illustrations, originally published in 1902, many of which feature disembodied hands performing common binding tasks. Karen has created an exquisite binding in full teal goatskin with laced-in boards, titled in blind and tooled with acrylic pochoir. It features several goatskin onlays with illustrations from the text printed directly onto the leather. Includes hand sewn silk headbands, three speckled edges, and marbled endpapers by Pamela Smith. The pop-up illustrations were scanned from the text and inkjet printed onto Mohawk Superfine cover, then hand cut into pop-ups, and sewn into each signature. Housed in a green cloth clamshell box with gilt and leather title label to spine. In fine condition. Book Size: 8.5 x 5.5 x 2 inches; Box is 9.5 x 6.25 x 2 inches. (#31261).
Penland School of Crafts, 2017. Hardcover. Number 11 of 16 copies. Signed by the artist. An exploration of women's domestic roles in the late 19th century through the language of Henrik Ibsen's play, "A Doll's House" juxtaposed with pastel renderings of domestic objects. The text oscillates between a husband's dialogue to his wife and her inner dialogue, including: "Has my little spendthrift been wasting money again? ... They all think that I am incapable of anything really serious - that I have gone through nothing in this world of cares.... My little songbird must never do that again. A songbird must have a clean beak to chirp with - no false notes! ...." Grey cloth boards with silhouette of a vessel to front board. Text and images are letterpress printed on cotton and Japanese papers. Size: 7 x 5 inches. ARTB/090320. Fine.
Philadelphia: University of the Arts, 2017. Hardcover. Number 9 of 10 copies. Signed by the artist. Folio. "All Disease is an exploration of hysteria in women. Images of inkblots invoke interpretive psychological tests and are paired with images of pelvic bone and language from 18th and early 19th century medical texts. The conclusion presented by the male-dominated voices in the text is that women are bound to irrationality, emotional instability, and insanity on account of the womb" (artist statement). The text that meanders through the book, often cut off against the edge of a page reads: "The womb, the starting point of hysteria. My womb, the starting point. Like some delicate plant deprived of the beneficial rays of the sun, she is a flower, which withers and droops away, even before its blossoming. On account of the uterus, woman is all disease. A document in madness, thoughts and remembrance fit. Divided from herself and her fair jud ... On account of the uterus, I am all disease.... some delicate plant deprived of the beneficial rays of the sun, she is a flower, ... My womb, the starting point of hysteria. A document in madness, thoughts and remembrance fitted. The womb, the starting point of hy ... On account of the uterus, woman is all diseas... Divided from herself and her fair jud ... On account of the uterus, I am all disease." The disjointed, repetitive text paired with the inkblots makes the reader feel as if they are descending into madness or recalling a traumatic event. As you read it, you can easily imagine a woman sitting, rocking, and whispering these words over and over in a chant of despair - and then you realize that as the reader, you have become this woman. A subtle, but powerful book about the oppression of women. Bound in quarter black leather boards with hand marbled paper covered boards. Imagery and text are appropriated from 19th century medical texts and Shakespeare's "Hamlet." Letterpress printed on a Vandercook SP20 from polymer plates. Printed on handmade cotton rag paper (including watermarks, formed shapes, and pulp painting). Inkblot imagery printed by hand lithography. Size: 22 (width) x 15 (tall) inches when open. ARTB/060920. Fine.
Philadelphia: Heirloom Press, 2017. Hardcover. Number 4 of 5 copies. Signed by the artist. Folio. "Curio is a collection of quotidian objects that speaks to the idea of woman as domestic curator and as weaker vessel. Images of household vases, cups and bowls are paired with inkblots that evoke the trappings of middle-class existence" (artist's statement). Includes text adapted from the 1868 collection of articles, "Modern Women and What Is Said of Them" and the Kate Chopin novel "The Awakening." Many of the excerpts that the artist has chosen to include objectify women, likening them to jewelry, tables, and other precious possessions. For example: After scolding his wife for sun bathing, Mr. Pontellier looks "at his wife as one looks at a valuable piece of personal property which has suffered some damage." Also "The mind ought to be developed a little, and in such a way as to make the body more piquant and attractive. Like the candle inside a Chinese lantern, it may serve to lighten up and show to advantage the pretty devices outside. But the outside is the important thing, and the inside only incidental" (from "Modern Women ...). Others comment on how wives should be controlled or "managed" and the power dynamics within the home. A powerful book about the subjugation of women. Bound in full white alum-tawed leather with seven raised bands to the spine. Printed using letterpress, screenprint, and lithography on paper handmade by the artist. Size: 22 (wide) x 14.5 (tall) inches when open. ARTB/060920. Fine.
Montgomery Village, MD: Shireen Holman, 2013. Paperback. Number 15 of 20 copies signed and numbered by the artist. This complex and beautiful artist's book explores time from the viewpoints of religion, literature, science, and philosophy. The book artist, Shireen Modak Holman, has been a printmaker for more than thirty-five years and a book artist for more than twenty. She was born in India, and her work often involves the interaction of her Indian and American cultures. She states that she is fascinated by time and spent several years reading, sketching, and selecting texts to illustrate the imagery she was creating as she tried to visually express time. She has used texts from the writings of Shakespeare, Tagore, Einstein, Thoreau, Hawking, and others. As the design of the book came together, she created a full-sized colored pencil mock-up. The finished book consists of woodcuts printed onto pulp-painted handmade paper. The text was letterpress printed on gampi paper and then pasted onto the handmade sheets. The pages are folded in such a way that one can see a little of each of the subsequent pages from the current page. Thus from the beginning to the end of the book one can see a little of the future from the present. Each page has semicircular areas cut out so that the calendar at the bottom right of the colophon page is visible at all times. Housed in a cream paper clamshell box with the title "Time" in raised letters affixed vertically to the cover. Linen spine. In fine condition. Accompanied by a softcover book titled "The Making of the Artist Book 'Time.'" Unpaginated. [16 pages]. 13.75 x 19.25 inches. ARTISTS/041916. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
Cairo, NY: Editions, 1999. Number 20 of 32 copies. Signed by the book artist. Book artist Ed Hutchins is known for his inventive and fanciful books that are made from found materials and that use untraditional methods and structures. This miniature tunnel book exemplifies his work. The book's theme is stars and although they are seemingly the same, in fact each really is unique - like humans. A star cutout on the cover reveals a tiny galaxy of varied color stars floating in the air when the tunnel is expanded. The sides of the tunnel are made with different bright colored papers and have the words of the text printed that are also revealed as the tunnel expands. Black covers with yellow title label on front and green label on back with quote about stars, Hutchins's signature, and edition number in pencil. In an orange slipcase and both housed in a purple slipcase with star cutout and title on front. Fine condition. 2 x 3 x .5 inches. ARTISTSBOOK/090717. Fine.
Philadelphia: Ben Iluzada, 2018. Hardcover. Limited to 3 copies. The artist describes this piece as a "haptic artist book". Bound in green cloth covered boards with paper title label to front cover. A removable blue wooden dowel threaded through paper loops binds the book. A linocut printed grey snake is coiled between the boards. Printed in gold lettering on the snake is: "Thus it came to pass that some stayed beyond the confines of the wurls: but others took their leave and descended into it." This book opens as a codex OR the wooden rod holding the binding together can be removed an inserted into holes in the boards to create a sculptural book. Linocut, lead type & photopolymer letterpress printing, gold dusting on handmade paper. Assembled size: 9.5 x 9.5 x 9.5 inches. Open size: 9.5 x 19 x 8 inches. [2 pages.]. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
Minneapolis: Indulgence Press, 2011. One of 20 copies. Arthur & Barbara is a portrait of art critic/philosopher Arthur Danto and artist Barbara Westman as seen reflected in the space of their New York City apartment on Riverside Drive. This book embodies their life and work in symbolic forms of thoughtful play. Arthur & Barbara is a collection of simple objects, images and “games” referring to both Duchamp’s Boîte-en-valise and to Fluxus Collections. The box contains laser-etched glass with a plan view of the apartment. Beneath the glass, separated spaces hold a DVD with images of Arthur, Barbara and their apartment, a hand-bound codex filled with photographic illustrations and brief text, a glass block laser-etched with an illustration by Barbara Westman, two chairs, handmade dice, and a spinner. A drawer holds a folio of letters written by Sean Scully, Shirin Neshat and Barbara Westman, and an introduction by David Carrier. A fascinating way of documenting the lives and personalities of this interesting couple. In fine condition. Size: 13 x 12 x 7 inches. PRI/041111. Fine.
New York: n.p, circa 1991-1992. Hardcover. A unique mysterious and deeply personal artist's book by an unknown man mourning the loss of the love of his life. The author has filled this work with his poetry, profile images of Nefertiti, collage, applied color and designs and more. The texts and images are mounted and framed on multi-colored matte boards. Bound in black cloth covered boards painted with swaths of orange color with title in purple on front cover. This fascinating book on love and grief measures 10.75 x 13.25 x 2.75 inches. It is heavy in both emotion and actual weight (extra shipping required). In fine condition. ARTBOOK/022520. Fine.
Berkeley: Codex Foundation, 2013. Hardcover. Book Art Object is primarily a record of the third biennial Codex Book Fair and Symposium: "The Fate of the Art," held at Berkeley, California, 2011. The event showcased contemporary artist books, fine press and fine art editions produced by the world's most esteemed printers, designers, book artists, and artisans. Showcases 300 books by 140 artists / printers and presents a selection of the papers delivered at the 2009 an 2011 symposium lectures including Paul van Capelleveen, Antoine Coron, Ron King, Juan Pascoe, and Richard Ovenden. Includes 1133 color images. New in white cloth boards with red title to front cover and spine. In new white dust jacket with red title to spine and front cover. 521 pages. BOB/022515. Fine / Fine.
Philadelphia: Joseph Allen, 1855, 2016. Hardcover. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. She writes about this work: "This binding was created for an exhibit in Charleston, SC. As a Midwesterner unfamiliar with the area, I inquired about local icons and incorporated several: an antiquarian text block on the local Revolutionary War hero “The Swamp Fox” decorated with South Carolina’s palmetto motif, on a background of the once ubiquitous “Charleston green.” The resulting production is this masterfully constructed and executed unique designer book binding that perfectly befits the text. Bound in full green goatskin with back pared onlays in several shades of green, tooling and hand-titling in blind along bottom edges of the boards. With three-color hand-sewn endbands and three edges sprinkled in three colors of acrylic. Marbled endpapers by Pamela Smith. Measures 7.5 x 4.5 x 1 inches. Housed in green cloth clamshell box with green leather spine label. In fine condition. 252 pages. FINEBINDING/080618. Fine.
Berkeley: University of California Press, 1981, 2018. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. Karen designed and constructed this exquisite unique signed binding for this first trade edition of the famous Arion Press's 1979 edition with its striking illustrations by renowned illustrator Barry Moser. Her binding is based on the non-adhesive “clip-on cover” structure developed by UK binder Kathy Abbott. To create this binding the text block is disbound, the outer folios guarded and then sewn with long stitch using blue linen thread into the calf vellum wrapper, covered in limp calf vellum case, with tabbed corners. Hand titling to spine is done in 22k moon gold, with a blue acrylic line applied through stencil along the bottom edges of the front and rear covers. The endpapers are of handmade Ruscombe Mill pale wove paper in a single folio with hooked flexi endleaf. The top edge of the text block is covered with graphite. Karen writes: "The pale vellum references the white whale, and the blue line a turbulent sea. The stark contrast between these elements mirrors the horror steadily building in anticipation of the Pequod’s encounter with Moby Dick. Use of blue inside and out also references the color of the initial caps in the Arion Press and Deluxe California editions of this text." This is an impressive binding that beautifully pays honor to one of the great American novels. Book measures 10.5 x 7 x 1.5 inches. Housed in a dark blue clamshell box with a white gilt and blue title label to spine. In fine condition. FINEBINDING/080618.
New York: Farrar, Straus and Giroux, 1979, 2011. Hardcover. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. This spectacular signed unique designer binding for a first edition of Tom Wolfe's The Right Stuff was inspired by Wolfe’s notion of single combat warriors battling the Cold War in the heavens on behalf of the US and USSR. Further inspiration was taken from space-themed advertising of the era. The binding thus incorporates various patriotic and space race icons from the US and USSR, portrayed as constellations, planets and spacecraft. In full black goatskin binding with laced-in boards, with edge-to-edge black goatskin doublures and black suede flyleaves. The boards are decorated with the space related images; some are back pared and cushioned onlays, some laser-printed, and some areas sprinkled with gold leaf. The page edges are graphite and gold-sprinkled, and there are hand sewn silk headbands. The book's original dust jacket is bound in. A beautiful exemplar of Karen's meticulous and creative work. Housed in a black cloth clamshell box with red leather title label to spine. Book measures 8.5 x 5.5. x 1.75 inches. In fine condition. FINEBINDING/080618. Fine.
Eugene, OR: Knight Library Press / University of Oregon, 2000. Robin Eschner. Paperback. 62 of 125 numbered copies. Signed by the author and artist. An additional 10 lettered artist’s copies were also printed. This wonderful short story by Lopez was originally published in the Fall 1997 issue of The Georgia Review. In the story, a Peruvian man writes of the effects on his life and faith from having read at different points in his life, secret love letters written in the 17th century between Rosa and Martin. The two were later canonized as saints, and the writer comes to understand their divinity and love of God as expressed in the letters. The book is a beautiful production from the Knight Library’s fine press publishing program. It was designed, printed, and bound by Sandy Tilcok. It is printed on Heine paper using Bembo types. There are five lovely tipped-in hand-colored etchings done by Robin Eschner. Marilyn Reaves did the calligraphic title, headings, and ornaments. The colophon describes the cover as being made by laminating two handmade papers of brown and rose. The covers are fastened by thin leather straps for which instructions are provided on a laid-in card on how to re-tie them in the original intricate fashion. Unpaginated. ARTB/120209. Fine.
[Raleigh NC]: Jon Kolkin, 2014. Hardcover. Number 37 of 50 copies. Inscribed: "May you experience Inner Harmony as you continue along your life's journey - Jon Kolkin #37/50." Kolkin is a fine arts photographer, Buddhist, and an international speaker on achieving a more enriching and balanced life. This beautiful book has thirty black and white images selected from his photographic series, Inner Harmony. The evocative and mysterious photographs were taken at Buddhist monasteries in China and Bhutan. The text is both in English and traditional Chinese with calligraphy created by Oi Yee Tai. Bound in black Japanese cloth and bound using a traditional Chinese binding technique. In fine condition. 12 x 13 inches. 72 pages. PRI/031215. Fine.
Fort Lauderdale FL and Ketchikan AK: Dorothy Simpson Krause, 2019. A unique miniature artists' book by well-known book artist Dorothy Krause. She made the book in June 2019 in Ketchikan, Alaska while on a trip there. The book used a metal box for mints to create a case with a sliding top for the book. The top of the case has the title "Alaska: The Last Frontier" embossed on a multi-color background. The six pages of the book unfold to show totem images from the Totem Heritage Center. An inventive and engaging work in fine condition. The box measures 1.5 x 2.75 inches. MINIATURE/072519. Fine.
Dorothy Simpson Krause. “Leonardo" is a book-necklace made from pages from a book about Leonardo da Vinci. It was made by the book artist years ago when she was in Rome. The book's aged pages have a red leather diamond shaped front cover with a shiny red "jewel" and hangs from a black rubber cord. Measures 3.5 x 2.25” inches. In very good condition. ARTISTSB/072519. Very Good.
Ft. Lauderdale, FL: Viewpoint Editions, 2015. Number 2 of 10 copies signed and numbered by the book artist. This handsome and intriguing work is from well-known artist Dorothy "Dot" Krause. In her artist's statement she describes her work: "My work includes large scale mixed media pieces, artist books and book-like objects that bridge between these two forms. It embeds archetypal symbols and fragments of image and text in multiple layers of texture and meaning. It combines the humblest of materials, plaster, tar, wax and pigment, with the latest in technology to evoke the past and herald the future. My art-making is an integrated mode of inquiry that links concept and media in an ongoing dialogue - a visible means of exploring meaning. " "PreScribe" exemplifies her artistic philosophy. This work perhaps offers a statement on the medical and pharmaceutical professions and also the impact of opioid drugs in our current society. As Dot states on the title page, Prescribe "is from the Latin prae +scribere to write previously, to recommend, advise, authorize or order the use of a drug or other remedy." In this portfolio, images are printed on pages from a prescription ledger kept by a pharmacy in the late 1800’s and housed in a black paper over boards box covered with prescription images and lined with red handmade paper. The imagery is taken from work that was produced during an Artist-in-Residency at Harvard’s Countway Library, one of the world’s leading collections of medical history. Photographs of their anatomical specimens, medical artifacts, rare books and manuscripts are incorporated. The processes include prints onto the ledger pages using Pronto, Toray and Solar intaglio and planographic plates and Gocco screens. The title page, introduction and colophon are letterpress printed on Rives BFK tan. The font used for the title is “Ambulance Shotgun” by Guillaume Seguin. Completed at the Jaffe Center for Book Arts, Boca Raton, Florida. The book measures 11.5 x 17.25 inches and is housed in a box 12 x 18” inches. 9 pages + title/introduction and colophon. In fine condition. Fine.
Rochester NY: Leopard, Sue Huggins, 2005. Leopard, Sue Huggins. Hardcover. 8vo. 3 of 10 copies. SIGNED BY ARTIST. Lovely work by this noted printmaker and book artist. Fine in beige cloth boards with title label on front and long beige ribbon ties. Six accordion style fold out pages reproduce stunning color prints by Huggins, each with a water theme. Unpaginated. PRI/051107. Fine.