Toronto: Robert Wu, 2019. Paperback. A hand die-cut and embossed notebook with 24 smooth cream pages. In the shape of an elephant with grey paper covers. Comes with an envelope for easy mailing. Size: 5 x 3.5 inches. Fine. More
Toronto: Robert Wu, 2021. Die-cut miniature blank notebook filled with 30 sheets of creamy paper with marbled paper covers. Tied with a postal twine and a sealing wax. For keeping you most ambitious thoughts or ideas. Colors vary. Marbled paper and bindings by Robert Wu. Size: Approximately 5 x 4 inches. Fine. More
Toronto: Studio Robert Wu, 2021. Paperback. Part of a small unnumbered edition. A Victorian-style handmade Valentine fan with the handwritten text: "If the postman only knew, what the weight of love for you, carried by this little card on its journey cold and hard, he would demand ten thousand more stamps to take it to your door!" The fan is die-cut from stiff white paper and edged in gilt with full color Victorian cutouts on the front panel and on each page. The front of the fan also features a stamp and a postmark. A red tassle adorns the clip on the back edge of the fan. The last page of the fan is covered in maroon marbled paper, which was made by the artist. The last page is signed and dated by the artist. Housed in a white paper covered gift box with handtitled brown paper label to top. [8 pages.] Size of fan: about 7 x 4 inches. Wu trained at the American Academy of Bookbinding (AAB) in Colorado with Monique Lallier and at the Canadian Bookbinders and Bookartists Guild (CBBAG) in Toronto. He was the recipient of the first ever Tini Miura scholarship for the study of fine binding at the AAB and later studied privately with master binder Miura in California. His work has been included in numerous exhibitions and can be found in several notable collections including Harvard University. ARTB/072821. Fine. More
Toronto: Studio Robert Wu, 2021. Paperback. Part of a small unnumbered edition. A sweet handmade folding victorian style fan with the handwritten text: "Kind hearts are gardens. Kind thoughts are roots. Kind words are flowers. Kind deeds are fruits. Henry Wadsworth Longfellow." The fan is die-cut from stiff blue paper and edged in gilt with full color floral Victorian cutouts on each page. The floral piece on the front of the fan is a pop up. A blue tassle adorns the clip on the back edge of the fan. The back of the fan is covered in green pastepaper with flecks of gold, which was made by the artist. [5 pages.] Size of fan: about 4.25 x 2 inches. Housed in a white paper covered gift box with handtitled brown paper label to top. Wu trained at the American Academy of Bookbinding (AAB) in Colorado with Monique Lallier and at the Canadian Bookbinders and Bookartists Guild (CBBAG) in Toronto. He was the recipient of the first ever Tini Miura scholarship for the study of fine binding at the AAB and later studied privately with master binder Miura in California. His work has been included in numerous exhibitions and can be found in several notable collections including Harvard University. ARTB/072821. Fine. More
Lincolnville, ME: Dudley Zopp, 2017. Hardcover. Number 8 of 25 copies of a new limited edition book by artist and scholar Dudley Zopp. Signed and numbered by the book artist. Ms. Zopp graduated from the University of Kentucky with a B.A. and M.A. and completed postgraduate studies in Drawing and Painting at the Hite Art Institute, University of Louisville. She now lives in Lincolnville, Maine. Zopp finds inspiration in geological processes and cultural histories of place. Her engagement with restoring habitat where she lives feeds directly into her work, which ranges from site specific installations to paintings, woodcuts and limited edition books. She has completed residencies at geologically significant sites in Newfoundland, Spain and Italy. She has exhibited widely at galleries, universities and museums in New England and the Midwest. Her work is included in university and museum collections nationally. This book is offered as both a limited edition deluxe set with one of the original signed drawings and as a slipcased set with a limited edition print. This is one of the 25 deluxe boxed copies with the original drawing for Day three and a blue marble. The book considers our relationship to the Earth in a sequence of annotated watercolors. It was originally presented digitally for a 2014 exhibition "Turning in Your Hand: The Blue Marble Project,” at Waterfall Arts in Maine. Twenty artists were given a blue marble and asked to respond to the pale blue dot we call home. Dudley's images and notations provide a unique look into the oldest of concerns: our place in this world (artist's statement). The drawings began with a month-long daily ritual of erasing an earlier charcoal drawing and, using watercolor and ink, creating a new drawing in its place. As part of this Dudley noted the weather and the color of the ocean as seen from her studio. She also added a few lines adapted from ancient Buddhist texts. The resulting 31 watercolors were collected in a mystical and magical book that beautifully captures Dudley's artistic consideration of our place in the world. Design, typography, and assembly of books and cases are by Richard Reitz Smith. Text and images are printed as offset lithography by Penmore Lithographers. The book is presented in an accordion format and can be read in the round or displayed as sculpture.The book, watercolor drawing, and marble are housed in a dark blue cloth clamshell box. Book measures 5 x 7 inches. 82 pages. In fine condition. ARTISTSB/110317. Fine. More
Lincolnville, ME: Dudley Zopp, 2017. Hardcover. Number 10 of 25 standard copies of a new limited edition book by artist and scholar Dudley Zopp. Signed and numbered by the book artist. Ms. Zopp graduated from the University of Kentucky with a B.A. and M.A. and completed postgraduate studies in Drawing and Painting at the Hite Art Institute, University of Louisville. She now lives in Lincolnville, Maine. Zopp finds inspiration in geological processes and cultural histories of place. Her engagement with restoring habitat where she lives feeds directly into her work, which ranges from site specific installations to paintings, woodcuts and limited edition books. She has completed residencies at geologically significant sites in Newfoundland, Spain and Italy. She has exhibited widely at galleries, universities and museums in New England and the Midwest. Her work is included in university and museum collections nationally. This book is offered as both a limited edition deluxe set of 25 with one of the original signed drawings and marble ,and as a slipcased set of 25 with a limited edition print. of which this is one. The book considers our relationship to the Earth in a sequence of annotated watercolors. It was originally presented digitally for a 2014 exhibition "Turning in Your Hand: The Blue Marble Project,” at Waterfall Arts in Maine. Twenty artists were given a blue marble and asked to respond to the pale blue dot we call home. Dudley's images and notations provide a unique look into the oldest of concerns: our place in this world (artist's statement). The illustrations began with a month-long daily ritual of erasing an earlier charcoal drawing and, using watercolor and ink, creating a new drawing in its place. As part of this Dudley noted the weather and the color of the ocean as seen from her studio. She also added a few lines adapted from ancient Buddhist texts. The resulting 31 watercolors were collected in a mystical and magical book that beautifully captures Dudley's artistic consideration of our place in the world. Design, typography, and assembly of books and cases are by Richard Reitz Smith. Text and images are printed as offset lithography by Penmore Lithographers. Typeset inFutura on Cougar Opaque Smooth paper. Covers are blue Dover book cloth.The book is presented in an accordion format and can be read in the round or displayed as sculpture. The book is housed in a dark blue cloth slipcase with an archival pigment print of the drawing for Day Sixteen. Book measures 5 x 7 inches. 82 pages. In fine condition. ARTISTSB/110717. Fine. More
Washington DC: 2012-2013. Hardcover. Limited to 7 copies. These three fascinating volumes comprise the Non-Boundaries Series. They document a project undertaken by Zussman in which a group of people was asked to categorize a list of forty-two interactions between memory and reality into three to five categories. The book artist states: "This project has been a physical fulfillment of the question of whether there is any conscious common ground to the way we categorize unfamiliar phenomena and interactions that haven't been categorized for us in advance." The first volume provides the categories representing each participant's grouping and categorization of the interactions. In the second volume, participants were asked to map up to five interactions from the same list, using Euclidean geometric tools of a dot and a line. The third volume uses Jeremy Bentham's circular structure, the Panopticon to explore the interactions between memory and reality from the first two volumes. Each volume is bound in white laminate covers with the title printed in black on the cover. In fine condition. 8 x 10 inches, Unpaginated. This set may require an extra shipping fee. ARTISTSBOOK/081315. Fine. More
Washington DC: Na'ama Zussman, 2015. Hardcover. Number 7 of 12 copies. A beautifully conceived and produced book from Na'ama Zussman, a powerful new book artist originally from Israel. She describes her book: "A Survey of a World scrutinizes interactions between map and territory, along with memory and reality, whether of the surveyor herself - the creator of this artist's book - or of other people. It surveys and seeks to capture the doubt in the role of the surveyor, and the inevitable immersion in this role. A Survey of a World portrays the endeavour of grasping the moment ahead of the impression of the territory, when doubt turns into representation." Na'ama's exquisite images are interwoven with her evocative text as she ponders interactions, memory, and reality. Bound in brown Cialux book cloth, with a goatskin leather spine. The images throughout the book were created through the screen printing process and are done on lovely Thai Kozo paper. The text is composed in Meta Capitals and Constantia. The book is housed in a surveyor's bag made out of grey cashmere, with a leather string. The colophon is in a pocket on the back of the bag. 7 1/4 x 9 3/4 inches. Unpaginated. ARTISTS/081915. Fine. More