New York: Purgatory Pie Press, 2010. Paperback. Number 70 of 150. Each card was set and printed by Dikko Faust. A collection of 12 postcards contained in a box labeled "Elongated Postcards." The designers include: Elizabeth Duffy, Mike Topp, Marc Nasdor, Bryan C. Baker, Rosamond S. King, Jessi Nebraska Gifford, Eve Eisenstadt, Kit Kennedy, Jeffrey Cyphers Wright, Dikko Faust, and anonymous. Each card is signed by the printed and designer. Each card is printed on a different type of paper. Some designs are typographic, one is printed on velvet, one is embossed, most are humorous, all are interesting. Housed in a white cardstock envelope with a velcro closure. [12 pages.] PRI/010213. Fine.
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New York: Purgatory Pie Press, 1983. Hardcover. Number 75 of 85 copies bound into hard covers. 95 additional copies were issued in wraps. Signed by the author, printer (Dikko Faust), and designer (Esther K. Smith). An inventive collection of eight tales in which portions of the story have been replaced by lines of color allowing the reader to make up their own stories utilizing the given words. A vibrant book printed in red, yellow, green, blue, and black. Fine in yellow paper covered boards with red title to spine and front cover. Printed at the Center for Book Arts on Lana Laid all rag with red Kozo endsheets. Unpaginated. [24 pages.] PRI/010212. Fine.
New York: Purgatory Pie Press, 1994. Number 100. Signed by the book artists. An old record that has been re-produced by the Purgatory Pie Press with a new label printed on both sides: "Roberta 'N' Rob Smith - Lame!" and "Roberta 'N' Rob Smith - Worse!" This "random re-issue" pokes fun at bad records with lots of typos, slogans, and gimmicks. The words 'Lame / Stale' and 'Worse / Fukt-Fi' have been scratched into the record. The record sleeve is printed with information about the fictitious Roberta N Bob fan club and is also signed by them. The plastic bag that covers the sleeve has several stickers which further emphasize the poor record quality "30 years after ... New British Infestation", "This record waz wuns mor popular than it is NOW", etc. The label, sleeve, and stickers are letterpress printed. PRI/010213. Fine.
New York: Purgatory Pie Press, 2004. Paperback. Number 172 of 200 copies. Each page features a linoleum cut of a different character including G-Squirt, Drip Nose, Jolly Notso, Scrubby, and more. The face of each member is depicted in a cartoonish, grotesque style. The verso forms a different book - Team Evil - with an additional set of grotesque characters. Fine in off white paper wrappers with yellow illustration and red title to front panel. Unpaginated. [8 pages]. PRI/010212. Fine.
New York: Purgatory Pie Press, 2004. Slipcased. Number 71 of 100 copies. An inventive and interesting work from the Purgatory Pie Press, designed by Esther Smith and typeset and printed by Dikko Faust. The book compiles quotes on infinity from such figures as Aristotle, Georg Cantor, Einstein, and Dan Quayle. The book is done in accordian style with cutouts on dark blue paper, with the writings and designs in gold and orange. It is covered in lovely orange silk and housed in a stiff blue paper slipcase. In fine condition. 2 x 9 inches. PRI/010213. Fine.
New York: Purgatory Pie Press, 2011. Paperback. Number 176 of 200. Signed by the authors and printer (Dikko Faust). This book features the New York City Gotham Golem who "will save America with creativity and art." This modern Golem is based on the creature from 16th century Prague which was created to save the Jews. A political piece which states that "the Art Party is a response to the Tea Party ... rather than cutting social programs, the Art Party advocate creative cultural solutions to rebuild America." Fine in white paper wrappers with blue title (Join the Art Party) to front panel. Unfolds to reveal a poster of the golem printed on top of a map of New York City. Unpaginated. [8 pages plus poster printed on verso]. PRI/010213. Fine.
Cambridge: Riverside Press for Houghton Mifflin, 1905. Hardcover. Number 12 of 430 copies. This is a fine press edition of the Song of Songs as published in 1680 by Quarles in his Divine Poems. Very good in original red cloth boards with gilt title to spine. Fading to spine and a few markings to front cover. Printed on laid paper with untrimmed edges. Pages remain unopened. 125 pages. PRI/032013. Very Good.
Copenhagen: Razorback Press, (1980). Limited Edition. Paperback. ONE OF 250 COPIES. 8vo. Side stapled brown textured paper wrappers with black title to front wrapper. Lightly bumped at the upper corner of the front wrapper, otherwise fine. Pristine interior. First Razorback Press edition (originally published by Burning Deck in 1979). Unpaginated. Housed in white envelope with typed title and author on upper left hand corner. PRI/102816. Near Fine.
US: Fine Press Book Association, 2007. Hardcover. Deluxe edition issued in hardcover. In original olive green cloth covered slipcase with decorative white paper covered side panels featuring green illustrations of leaves. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: Arion Press, Blue Pearl Press, The Hill Press, Incline Press, The LaNana Creek Press, Midnight Paper Sales, The Petrarch Press, Port Press, Red Dragon Fly Press. Clean and bright. 64 pages. BOB/102621. Fine.
US: Fine Press Book Association, 2008. Hardcover. Deluxe edition issued in hardcover. In original gold cloth covered slipcase with brown paper covered side panels featuring illustrations of mice. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: Belle Weather Press, Black Rock Press, Indian Mountain Press, Intima Press, Leopard Studio Editions, The Printery, Ree Heights Institute Press, Shinola Press, Sherwin Beach Press, Sun Hill Press, Tight Squeeze Press, Jim Westergard, David Wolske, and Warwick Press (paper for slipcase and design for portfolio page). Clean and bright. 64 pages. BOB/102621. Fine.
US: Fine Press Book Association, 2009. Hardcover. Deluxe edition issued in hardcover. In original red cloth covered slipcase with decorative orange and yellow paper covered side panels. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: Atelier Press, Blackbird Press, Gehenna Press, Harsimus Press, Mixolydian Editions, Moving Parts Press, Port Press, Ree Heights Institute Press, The Tight Squeek Press, Three Sheets Letterpress, Turtle Island Press, Warwick Press, West Meadow Press with orange compass / paste paper designed by Elizabeth Hyder of Brookfield Paperworks (and printed). Clean and bright. 64 pages. BOB/102721. Fine.
US: Fine Press Book Association, 2009. Hardcover. Deluxe edition issued in hardcover. In original black cloth covered slipcase with decorative blue and green paste paper covered side panels. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: Contre Coup Press, Pelican's Way Press, Warwick Press, Ninja Press, Chester Creek Press, Blackbird Press, Peter Koch, Three Sheets Letterpress, Green Cat Press, Otis College of Art and Design, Caliban Press, with pasted paper designed by Leight McLellan of the Meadow Press. Clean and bright. 72 pages. BOB/102721. Fine.
US: Fine Press Book Association, 2011. Hardcover. Deluxe edition issued in hardcover. In original navy blue cloth covered slipcase with decorative dark green paste-paper covered side panels. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: Sea Dog Press, Horton Tank Graphics, The Marsolais Press, Shinola Press, Port Press, Red Howler Press, The Lone Oak Press, Midnight Paper Sales, Letter Press, with paste papers made by Sarah Creighton Bookbinding. Clean and bright. 72 pages. BOB/102721. Fine.
US: Fine Press Book Association, 2012. Hardcover. Deluxe edition issued in hardcover. In original olive green cloth covered slipcase with green paste paper covered side panels. Includes supplemental portfolio of printed pieces. The portfolio for this issue includes pieces from the following presses: (lacks contents for portfolio) - Three Sheets Letterpress, Terhorst, Anagram Press, Richard Seibert, Ninja Press, Kelly-Winterton Press, Greenboathouse Press, Blackbird Press, Aliquando Press, Barbarian Press, et. al. Clean and bright. 56 pages. BOB/102721. Fine.
London: George Allen, 1898. Hardcover. 4to. 93 of 300 copies. A beautifully illustrated collection of poetry featuring angels, hell, tombs, soldiers, knights, cemetaries, shipwrecks, and more. Black and white illustrations on each page by Anna Richards, wife of the celebrated American landscape painter, William T. Richards. Their daughter Anna Richards Brewster was also a painter. Religious sonnets printed in calligraphic style on fine woven paper. This volume has been rebound in full dark grey leather with five raised bands to spine with no lettering to it or front board. The interior is lovely save for some light offsetting to many pages caused by facing illustrations. Previous ownership inscription dated 1899, gifted to Esther Morton Smith to front free endpaper. Smith (1865 - 1942) was an American poet and artist. 57 pages plus 3 page index of first lines. PRI/031308. Near Fine.
Derry, PA: Rook Press, (1976). Published as Rook Folios First Series. Number 38 of 250 copies. Issued as twelve individual broadsides with a poem, each numbered and signed by the poet and illustrated by William Lint. Poets include William Heyen, Czeslaw Milosz, Paul Zimmer, Jon Anderson, Sandra McPherson, Daniel Halpern, Gerald Costazo, Mark Halperin, Ed Ochester, James Tate, William Stafford, and Frederick Morgan. The poems were selected by Ernest and Cis Stefanik. The loose cream colored broadsides, each 8.5 x 11 inches, are housed in a red folder, also numbered 38. A fine production in fine condition. POE/100214. Fine.
Toronto: The Aliquando Press, 1987. Softcover. One of approximately 100 copies bound in Mayfair Goldenrod covers, out of a total edition of about 235 copies. A charming chapbook designed and collaged by William Rueter with a series of black and white collages produced for the 1987 Grimsby Wayzgoose Anthology and the Typocrafters. In wraps. A fine copy. Measures 5.5 x 8.5 inches. Unpaginated [8 pages]. PRI/032521. Fine.
[Seattle]: Sea Pen Press, 1988. Hardcover. Number 97 of 100 copies. Signed by the author. Thomas Brush is an award winning Seattle poet who has written several books and for several distinguished journals. He tended bar for four years at a Seattle racetrack several years ago and found it an enchanted place that values possibilities and dreams. This influence is evident in the poems included in Even Money. This interesting production from the Sea Pen Press has a blue handmade light-and-shade watermarked paper covers that are sewn in a non-adhesive concertina fashion to the text. The orange and brown decorated endpapers were created by Neal Bonham of the press using colored paper pulps in a decorative technique that he developed. There are five linoleum cut illustrations by Suzanne Ferris that "capture the linear poetry of the thoroughbred world" (prospectus). The book also has images of racetrack betting tickets decorating the title page and colophon that were created by transferring Xerox images to linoleum. The text is printed in Monotype Janson and the title page is printed with Weiss Initial Series 2. The book is housed in a coarse tan linen covered clamshell box with blue borders and ticket images on the front cover. Both the book's binding and the case were designed and constructed by Judith L. Johnson. In fine condition. Book is 9 x 11.5 inches. Case measures 10.25 x 13 inches. Unpaginated [21 pages]. PRI/090717. Fine.
Germany: John Gerard, 2006. LIMITED. Paper Wrappers. 8 of 30 copies. Signed and numbered by artist. Sonnet LXXVI, with a pulp paper painting by Gerhard van der Grinten. Hand printed in 14 pt. Caslon. Lovely paper with swirling multi-colored pastel pulp painting. 2 pages plus colophon. PRI/041807. Fine.
n.p. . A lovely lithograph printed in green ink by Charles Hazelwood Shannon. It is an image of three bending nude female figures and appeared in #2 of "The Dial." Shannon and Ricketts were artistic and personal partners for more than fifty years. They designed and illustrated books, founded "The Dial" magazine and Vale Press, and were key figures in the London cultural world. The 4 x 5.5 inch print is on a sheet of 11 x 14 inch paper. There are a few small creases and light brown spots along the paper margins, not affecting the illustration. Said to be from the collections of T. Sturge Moore and his daughter Henrietta but there is no evidence of provenance. Very good condition. ORIG/092413. Very Good.
Rutland, VT: Carolyn Shattuck, n.d. Open edition of this beautifully crafted origami-designed book. This collaborative book was made to commemorate Carolyn's experience living in Okinawa for three years. The folds of the book reflect traditional patterns from Edo craftsmen. These fine patterns represent the distinguishing tastes of Edo including stylishness, sophistication and refinement. The haiku created by Victoria describe their reverence for our home and harbour, Earth (from colophon). Digitally printed on Epson Matte and Japanese Washi paper. The boards are covered in lovely Genji cloth with paper title label, with ribbons to close the book or to hold the pages open. 4.5 x 4.5 x 1 inches. In fine condition. ARTISTS/062819. Fine.