Philadelphia: George Barrie and Son, Printed for Subscribers Only. Hardcover. Very Good. One volume of multivolume set. This title is John Law. Limited edition for subscribers only. First state of the large Japan edition. 11/250c. Vg in blue boards. Nine beautiful engravings after Remarque plus color frontis. Literature. LIT610171. Very Good.
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Paris: Editions de la Sirene, 1923. Paperback. 1 of 200 numbered copies. Grey paper wrappers with black title to spine. Creases to spine. Minor and edgewear to exterior. Clean, bright interior with several illustrations. Includes poetry, essays, and more. 231 pages. In French. FRE/080608. Very Good.
Boston: The Sherrill Press, 1936. Hardcover. Limited edition, 17/300 copies, SIGNED BY THE AUTHOR. Near fine in blue cloth spine with gilt lettering and blue paper boards. Title label to front board. Light sunning around board edges and to spine. Interior is clean and bright. Deckel edge pages. Literature. LIT4/5090. Near Fine.
New York: The Black Hawk Press, 1935. Hardcover. LIMITED EDITION, 1 of 900 copies. Very good light blue thin 8vo., light discoloration along bottom edge near both front and back hinges; light rubbing to boards. Paper pastedown label to spine. Some cracking to front inner hinge, cracking a few pages in from rear hinge and one page is starting, another has a large closed tear to bottom half of page. Textblock is tight overall. Interior is browned w/age but clean and text bright. Frontis + several illustrations throughout. 57 pp. Literature. LIT/7103. Very Good.
San Francisco: John Henry Nash, 1934. Hardcover. A very good plus copy of the trade edition of this work, originally published in a limited edition of 500 copies. Harte's satirical poem is illustrated in exuberant fashion by Phil Little. In an introduction, Ina Coolbrith details the context and effects of Harte's satire in which he sought but failed to combat perceptions that he was racially prejudiced. This folio volume was designed by John Henry Nash in Asian fashion with string binding over blue paper boards, and a paper title label of mock Chinese calligraphy. Housed in orange slipcase with slight soiling and wear to spine and edges. Unpaginated. Very Good.
New York: Alfred A. Knopf, 1923. Hardcover. SIGNED, LIMITED EDITION. Hand numbered 42 of 930 copies. 8vo. Very good in black cloth backed, illustrated paper covered boards with black title to white title label to spine. Signed by author. Minor browning to edges of boards. Inscription to previous owner to front free end page. Else is clean and bright. 66 pages. Literature. LIT212201. Very Good.
New York: Limited Editions Club, 1954. Hardcover. Number 916 of 1500 copies. Unlike most Limited Editions Club books, this one was issued unsigned by the illustrator, as Reginald Marsh died before the book was released. Bound in light red cloth with author, title and illustrator on spine. Spine shows light sunning but otherwise in fine condition. Interior pages are also clean and crisp. The slipcase is faded in places and has some small water splatters on front. 556 pages. LIT/071811. Very Good+.
New York: Farrar, Straus, Giroux, (1979). Hardcover. Limited Edition, 1 of 750 copies. Very good plus red cloth boards w/bright gilt to cover and spine. Two small white marks to rear board, else very clean w/little wear; sharp corners. With good glassine d.j. (heavily chipped, faded, with mylar cover). Interior is in lovely condition: bright white and clean, no marks or stains. Tightly bound. 362 pages. Literature. LIT/12013. Very Good + / Good.
1929. Hardcover. LIMITED EDITION. Number 9 of 200 copies. 8vo. Black cloth backed gold paper covered boards with minor edge wear to boards. Previous owner's name written to front paste down. Interior is clean and bright with several small illustrations throughout. Gold dust jacket with black title to front and spine panels. Minor rubbing to hinges as well as chipping to edges of dust jacket which is now in a protective plastic sleeve. 80 pp. Poetry. POE1/3282. Very Good + in Very Good Minus DJ.
New York: Crosby Gaige, 1929. Hardcover. 216 of 688 copies. FIRST EDITION, signed by the author. Beige cloth boards with paper blue title label to spine. Blue paper covered boards with very light foxing. Clean, crisp interior printed on laid paper. Bookplate of previous owner to front pastedown. Housed in a green morocco backed slipcase with gilt title and raised bands to spine. Rubbing to edges of case. Very nice. 116 pages. Size octavo. LIT/022406. Near Fine.
New York: Samuel A. Tannenbaum, 1941. Hardcover. INSCRIBED BY THE AUTHOR. Elizabethan Bibliographies, No. 19. Limited edition, 300 copies. Signed by author. Very good in maroon cloth spine and brown paper covered boards with maroon title to title label on front board. Faded gilt title to faded spine. Author's inscription to front free end page. Interior is clean and bright. Index, 38 pages. Literature. BOB04/110199. Very Good.
New York: Samuel A. Tannenbaum, 1945. Hardcover. INSCRIBED BY BOTH AUTHORS. Elizabethan Bibliographies No. 31. Vol. 2 only. Limited edition, 250 copies. Signed by author. Very good in maroon cloth backed brown paper covered boards with maroon title to white title label on front board and faded gilt title to faded spine. Inscription to front free end page. Interior is clean and bright. Index, 75. Literature. BOB6/110199. Very Good.
London: Elkin Mathews and John Lane, 1893. Paperback. First edition. Limited edition, 1 of 375 copies. Original pink cloth. Minor dading to spine and edges of boards. 1 very small nick to cloth at foot of spine. Browning to endpages. Light browning to edges of untrimmed pages. Text is clean and bright. Remarkable, naturalistic short stories by a writer primarily known as an art critic. 100 pages. Literature. LIT/5153. Very Good.