Washington DC: Abstract Orange Press, 2016. Hardcover. Number 9 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This beautifully designed book is in the special collections at the Library of Congress. It is one of a series of books that Lauren has done using her handmade type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved letters of the alphabet in a bold orange. There is one letter to a page. They have been carved our of linoblock, pine, basswood, and plywood. Printed on Lettra 220 paper and bound in orange Mulberry paper with debossed titles in gilded orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2017. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This boldly designed book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved wood numbers from 1 to 0 in various bright colors either on a single page or on a fold-out page. Bound in dark blue cloth with title in orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2018. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This striking book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. This accordion style book juxtaposes a shape as a white space on a blue, grey, or orange background on one page with the shape in that color on a white background on the facing page. Shapes include a circle, square, triangle, arrow, heart, star, and hand. Bound in grey cloth with orange title on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Oregon: Artistically Declined Press, 2013. Hardcover. One of 20 copies signed by the poet, Hosho McCreesh who describes himself as a drunken poet. From reviews: "In the footsteps of Charles Bukowski comes Hosho McCreesh’s magnum opus of drunk poetry. Mammoth in size and scope, A Deep & Gorgeous Thirst is unlike any of McCreesh’s previous collections. Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But McCreesh does, and in this brilliant collection he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out exciting and irresistible poems. A perfect elegy to the illusions and delusions of alcohol." This is from the edition of 20 described by the press as "The DrunkSkull Flask Clamshell." It includes a handmade hardback book housed in a clamshell box custom-made by Bill Roberts of Bottle of Smoke Press. Hidden within the clamshell is the coup de grace - an 8 ounce black flask, engraved with the book's DrunkSkull logo, which is housed in a wood insert, along with some pieces of promotional ephemera that include two letterpress broadsides of unpublished drunk poems signed by McCreesh, a ticket also signed, and a third unpublished broadside hand written and painted by the poet. Hidden under the flash is a patch, a sticker, and a removeable tattoo - all featuring the DrunkSkull logo. The text of the book is printed offset and is bound in grey paper boards with black spine label and skull logo on the front cover. On the back cover is printed: "glister like remnant embers of all you've burned away in your mad and drunken joy." The clamshell box has a black cloth spine and grey paper covering the front and rear panels. The front panel features a reproduction of the book's cover and the spine panel has a matching grey paper title label. Box is 10 x 7 x 3 inches. In fine condition. 359 pages plus acknowledgments and colophon. ARTISTSBOOK/042016. Fine.
San Diego: Bay Park Press, 2006. Hardcover. Number 10 of 10 copies. This is a charming and beautifully produced book by Carolyn LaFrance, a San Diego architect who is affiliated with the gallery at the Bay Park Press. Maxine is Carolyn’s beloved feline friend and companion, and the book describes a day in Maxine’s life through text and illustrations. Maxine begins her story: “Sun’s up, I get to go out. Yes, yes, I know, ‘Be careful,’ the howling creatures may still be about. What, you think I don’t know that? What I need to know is, who has been in my yard? Mr. Smushy-face? Walter? Or that grey and white bruiser? ...” Each page includes a hand-colored intaglio print of Maxine at various moments in her day (11 prints altogether). The text is Bernhard Modern type on lovely Fabriano Rosapina Bianco paper. Oblong folio bound in grey linen with black spine. Paw prints decorate the front cover and endpapers. Housed in a black portfolio with a grey cloth square label illustrated with paw prints affixed to front and cream ribbon closure. In fine condition. Unpaginated. PRI/072012. Fine.
San Diego: Bay Park Press, 2006. Hardcover. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists’ books, offers classes, and holds book arts exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated.Number 3 of 10 copies. In her colophon, Sibyl Rubottom gives her love and thanks “to the father I never knew who named me Sibyl hoping I would be shrewd in business. That did not occur, but I did end up making books.” This beautiful book is about five ancient Sibyls, including how they were depicted in Western art. These Sibyls are the Cumean, Delphic, Erythraean, Persian, and the Libyan. They offered prophecies, often through the use of leaves, as being from the thoughts of the gods. There is a brief description of each, accompanied by an intaglio leaf print and a reproduction of each Sibyl from the work of Michelangelo (four plates) or Velasquez (one plate). Each Sibyl is presented within a fold-out page with the description on the facing page and the plate and illustration inside the fold. Bound in red cloth with green spine, with title and author on front cover. The book was printed on Dutch etching paper in Bodoni, Bernard Modern, Albertus, and Patatino types. There are eight intaglio prints, each signed by the book artist. Housed in a brown paper covered case lined with the same red cloth as the book covers. This splendid production captures the mystery and beauty of the Sibyls legends. In fine condition. Unpaginated. ARTISTSBOOKS/080112. Fine.
San Diego: Bay Park Press, 2010. Hardcover. Number 4 of 10 copies. Book artist Sibyl Rubottom grew up on Long Island Sound where Esther Williams was her hero. She grew up watching her movies trying "to relive the fabulous water ballet sequences." As an adult her love of water continued and she began swimming in La Jolla Cove near her home and later in an olympic sized outdoor pool in Mission Valley. She dedicates this book to La Jolla Cove, one of her regular swimming spots when the water is warm enough. Illustrated with six etchings and three unique oil paintings on mylar. Printed on Fabriano Rosapina Bianco paper using letterpress and intaglio prints, some with chine colle. Set in Bernhard Modern. Oblong folio. Housed in a blue clamshell box. Unpaginated. Fine.
San Diego: Bay Park Press / False Bay Editions, 2009. Number 12 of 20 copies. An exquisite production fr. Hardcover. Number 12 of 20 copies. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. This is an exquisite work from Sibyl Rubottom and Jim Machacek. It was inspired by Sibyl’s interest in all things botanical and Jim’s family heritage. The result is what they hoped for - "a riotous colorscape for your senses” - with rich and luminous colors and beautiful illustrations. It includes 14 unbound folded folio sized leaves that are housed in a folding case. Twelve of the leaves are dedicated to different types of gardens, each in a different color, with designs and writings to reflect that garden. The gardens are: Japanese, butterfly, desert, night, orchid, primordial, mystical, rose, water, Eros, secret, and herb. Each features a poem or prose by such writers as John Milton, Rumi, Homer, Lord Byron, Robert Frost, Oscar Wilde, Frances Hodgson Burnett, and Ralph Waldo Emerson. The two other folded leaves are for the title and for the colophon. Printed on Fabriano Rosapina Blanco paper in Venus, Edwardian Script, and Palatino typefaces using letterpress, monoprint, and intaglio techniques. Housed in a custom box in brown cloth lined with handmade paper. The covers open from the middle with a title label on one side and a small metal rectangle with wooden peg closure on the other. In fine condition. Unpaginated. [56 pages.] ARTISTSBOOKS/081612. Fine.
Riverside, CA: Bo Press Miniature Books, (2013). Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. Number 26 of 50 copies. Signed and numbered by the book artist. "We all know how the story goes: Jonathan Harker leaves the inn at the beginning of 'Dracula', and is dropped off at the crossroads by the coachman, who is afraid to take him any further. But there is another part of the story, one that Stoker's editor (so the story goes) persuaded him to omit. In this version, Harker demands to be taken down a side road that leads to a long-abandoned village, with dire results. This is the story of that dangerous digression: 'Dracula's Guest', published posthumously in 1914. It may have been a part of the novel, or it may not. The narrator is never named, and seems unlike the characterization of Harker in the novel. You can be the judge" (book artist). Designed, printed, and bound by Pat Sweet. Includes 5 illustrations. and endpapers decorated with a flying bat's wing. Bound in black and gold Japanese chiyogami paper with blood red cloth spine. 74 pages. Measures 2 1/16 inches x 1 1/2 inches. PRI/121416. Fine.
New York: Caliban Press, 2013. Paper. Number 39 of 48 copies. Initialed by printer. Mark McMurray founded the Caliban Press in 1985 after studying letterpress printing with the Red Ozier Press and bookbinding with Timothy Ely. Mark is the special collections librarian at St. Lawrence University, where he also teaches courses in book history and printing. This inventive and moving production joins Buddhist and Tibetan sutras – Sanskrit for an aphorism, saying, or collection of same – with contemporary environmental themes. The sayings are from sources that include Indian and Tibetan sutras, American authors, and the Adirondack Mountains region and are printed with metal and wood types on a variety of beautiful handmade papers. Many of the papers were dyed, dipped, and/or floated in an indigo dye bath. Includes a volvelle made from area maps, an ecoprint by Velma Bolyard, and a mountain paperscape. Housed in a stiff paper box with bone clasps. With colophon and table of contents and order. Pages are about 4.25 x 14 inches. Unpaginated. ARTISTS/100813. Fine in Fine Box.
Cheloniidae Press, 1984. Hard Cover. Number 19 of 60 copies for the Deluxe Edition with an extra suite of prints. Signed and numbered by the book artist. There were 225 copies in the standard edition. This beautiful book is in a unique custom binding designed and executed by Robert Wu at his studio in Toronto in 2018. Robert is an exceptionally talented Taiwanese-Canadian designer bookbinder and paper marbler from Toronto, where he has lived since 2006. He began binding books in the 1990s and studied with several master binders. His splendid bindings can be found in public and private collections in Canada and the United States and he has received several awards. His specialization is in the grand tradition of French Art binding - Reliure d'Art. His eight years of architectural training is evident in the quality of his designs and the precision of his execution. The deluxe edition includes a suite of signed and numbered wood engravings and one etching by Alan James Robinson, a master printer and artist who established the Cheloniidae Press, later called The Press of the Sea Turtle, in 1979. The text used for this edition was first published in 1650, “corrected and much enlarged by the author.” English author Sir Thomas Browne (1605 - 1682) was fascinated with the natural world. In this text he describes a variety of horned animals and ponders the varying medicinal value of their horns. His text has been beautifully printed and illustrated by Robinson with unicorns, horned beetles, a walrus, a narwhal, and more. Robert's imaginative and marvelous binding is in red leather with a black spine label with title in silver. The red leather binding is stamped with the title in white, black, and blind running vertically from top to bottom of both covers. The front cover has an elaborately embossed white leather inlay with a faux ivory oval ornament with an illustrated narwhale horn. The rear cover has the same inlay with a portrait of Thomas Browne in the faux ivory. Marbled endpapers from Robert's studio with his binder's seal on the rear pastedown. Printed in Van Dijck Monotype on obsolete Whatman Paper, Blue White Laid. The book, prospectus, and suite of loose plates are housed in a custom clamshell box covered in beige linen. In fine condition. Unpaginated. [56 pages] ARTB/092118. Fine.
High Fall, NY: Maureen Cummins, 2010. Hardcover. Number 28 of 30 copies. Signed by the artist and writer. A powerful work on the famed Salem witch trials that is the result of a decade’s long collaboration between the book artist, Maureen Cummins, and poet Nicole Cooley, based on their research at the American Antiquarian Society while resident artists. The book pairs Cooley’s cycle of poems, written specifically for this book, with images from a penmanship book of stern biblical commandments kept by a Salem boy, Josiah Peele, in 1808-09. The book seeks “to trace the psychic reverberations of the witch trials on subsequent generations” (artist’s statement). Each of Cooley’s thirteen poems is written from the voice and perspective of one of the participants in the trials. They represent the accusers and accused, survivors and condemned, focusing primarily, as the trials did, on the women. They are presented chronologically, beginning with the slave Tituba, the first accused, and ending with the girl Susannah Martin, who refused to confess to being a witch. Printed on Johannot paper with the endpapers done on a handmade Belgique sheet. The poems are printed offset with the titles in letterpress. The images are silkscreen printed. She states that the covers are like vintage writing slates such as Josiah Peele might have used. The book’s binding allows for multiple structures - that of a codex or concertina, or as a “theater in the round” that presents the chorus of voices within. Housed in a black linen box decorated with the marks of the accused, who were unable to sign their names. Maureen’s work is held in over one hundred permanent public collections internationally and has been included in exhibitions at the American Craft Museum, the Corcoran Gallery of Art, and the Rotunda Gallery (amongst others). She has received over a dozen grants and awards and has been an artist-in-residence at numerous venues, including the American Antiquarian Society and the Irish Museum of Modern Art. Size: 7 x 8 inches. In fine condition. Unpaginated (45 pages). ARTB/041317. Fine.
2005. Hardcover. Dean Dass is a noted artist, printmaker, and book artist. There have been many exhibits of his work, which can be found in both public and private collections. He has taught at the University of Virginia since 1985. Until this book, all of his books were manuscripts and thus unique. The Age of Partial Objects is his first editioned book. He worked on it for 18 months. For him the tension between the unique and the reproducible is vital. According to his artist’s statement, this book turns Melanie Klein’s clinical term “partial objects” into a metaphor for an age consisting of fragments and fragmented knowledge. The result of his efforts is a stunning book that conveys mystery, the incomplete, and the melancholy of existence. On various papers, Dass used gouache, collage, pencil, inkjet, etching lithography, Xerox and Xerox transfer, and letterpress to create this book. Bound in grey and silver paper laminated on cotton with letterpress text of title on cover. Quarto in fine condition. 150 pages. ArtistsBooks/110910. Fine.
Pasadena, CA: Deeply Game Productions, 2012. Hardcover. Number 1 of 7 copies. Signed and numbered by the book artist. Sara Press is a photographer, printer, and book artist whose work addresses science, nature, and the intricacies of our culture. This is a suite of four etchings by Ms. Press that depict contemporary mixed-martial-arts fighters. The accompanying text has been appropriated from a panther / bear fight advertising poster from the 1850s. The text describing animal fights is juxtaposed with the prints of human fighters to make an important statement on violence. The typeface is designed by Dan Mayer. Letterpress printed on a Vandercook No. 3 Proof Press. The loose prints and text pages are housed in a solid maple box with title burnt into the lid. This book was made in California and East Coast humidity has caused the box lid to warp a little along the edges. Unpaginated. ARTISTSBOOKS/030613. Near Fine.
Rockville, MD: Erik Delfino, 2015. Number 5 of 10 copies signed by the book artist. A stunning production by book artist and photographer Erik Delfino. In his accompanying pamphlet about the 1964 fair, Delfino writes that his parents took him to the fair when he was four years old. His memories are still vivid and treasured, and he hopes that the photographs of the still remaining structures that he took for this book at the fiftieth anniversary celebration have captured the spirit of the fair. The photographs and text are digitally printed on loose sheets of 19 x 13 inch Epson Exhibition Fiber paper. The twenty-five striking and evocative color photographs are of the structures still remaining at the fair site. They are bold and often abstract and geometric. The photos are interspersed with text offering his brief impressions from viewing the site. The photos are followed by a leaf with pictures of Delfino and his parents on the day they visited the fair. There is a table of contents on the colophon page. The leaves are housed in a taupe cardboard folder that is housed in a blue cloth case, which is encased in a 19.5 x 14 inch stainless steel box with an impression of the iconic stainless steel unisphere. Includes a copy of Cotter and Young’s The 1964-1965 New York World’s Fair. Unpaginated. ARTISTSBOOK/112916.
Israel: Even Hoshen, 2010. Hardcover. Number 32 of 66 copies. Signed and numbered by the book artist. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. The Raven is bound in full black leather with tan and black leather inlay forming the image of a raven on both boards. The binding is a dos-a-dos structure printed in English and in Hebrew. The English text was hand set in Alt-Mediaval type and the Hebrew text was set in Margalit type. It is printed on Bavaria-Butten paper and illustrated with a paper cut of a raven. Housed in a white cloth slipcase with paper title label with light, ghostly visibility under the white cloth. In fine condition. Unpaginated. Fine.
Israel: Even Hoshen, 2009. Someck, Ronny. Hardcover. Numbered and signed by the author and printer. A collection of five poems by Ronny Someck about ballet with two hand-colored illustrations. Someck is an Israeli poet, musician, and artist who has won multiple awards for his poetry including the Prime Minister's Award, the Hans Berghhuis prize for poetry, and the Yehuda Amichai Award for Hebrew poetry. He is internationally renowned with poems published in over thirty-five languages and ten books of poetry published in English. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. Pointe Shoes is a dos-a-dos structure printed in both English and Hebrew. It is bound in black cloth boards with inset cloth ballet slippers to both boards and decorative pink and black ribbons to spine. The center of both signatures features four black and pink flourishes. Printed on Grandee paper and handset in Alt-Mediaval and Margalit type. Housed in a black cloth slipcase. A fine production. Unpaginated. [18 pages.] PRI/032713. Fine.
Washington DC: Library Fellows, The National Museum of Women in the Arts, 1992. Hardcover. Number 4 of 20 copies. Signed and numbered by the artist with an original drawing in a separate portfolio. Audrey Flack (1931-) is an important American artist who is nationally recognized and whose works are in major collections throughout the world. She is known as a pioneer in Photorealism and has also been inspired by Baroque art. This book is the third volume in the artists' book series published by the Library Fellows of The National Museum of Women in the Arts. The sketchbook records Flack's travels from 1985-89, which included trips to Paris, Las Vegas, and Fort Lauderdale. The terra cotta pencil sketches that fill the sketchbook are beautifully rendered and often intimate. They are reproduced to scale. The book and the portfolio for the illustration are bound in a green, black and orange marbled cloth. Save for light creases on the free endpapers the book is in fine condition. The original drawing is a portrait from a Baroque sculpture and measures 4 x 6 inches. Both are housed in a brown cloth box with black leather title label affixed to a strip of the marbled cloth used for the binding. A lovely copy of this now rare book. Unpaginated. ARTISTS/102612. Fine.
Baltimore: Flying Fox Press, 2017. Paperback. 1 of 25 copies, initialed and numbered by the artist. Linocut of an imaginary serpent-bird printed archivally in dark green ink on tan paper. Printed at PaperBase with Sarah Robbins. Thirty-seven additional copies were printed for the Guild of Book Workers "Bird in Hand" annual collaborative project. Ten percent of each sale will be donated to Bat Conservation International. Size: 8 x 8 inches. PRI/090117. Fine.
Glenview, IL: Karen Hanmer, 2009. Softcover. Number 51 of 100 copies. Signed and numbered by the book artist. In this flip book an image of the White House deconstructs to represent blunders and evil-doings since the 2001 inauguration. Created with pigment inkjet prints. The illustration was done in collaboration with Henry Maron. In fine condition. Measures 2.5 x .5 x .75 inches. PRI/070618. Fine.
Basel: Romano Hänni, 2017. Hardcover. Number 64 of 87 copies of the standard edition. The text is in German, English, and Japanese. Master book artist Hanni has long been passionately speaking out through some of his books about the devastating effects of contamination from nuclear facilities. This powerful work is about the Fukushima nuclear disaster in Japan in 2011 that occurred after a severe earthquake and its accompanying tsunami. It was the most significant nuclear incident since the 1986 Chernobyl disaster. He writes in the text appearing on the inside of the book's stiff paper covers that claims made by nuclear scientists "that no health consequences are to be expected from contamination are unscientific, immoral, and criminal." He further states that "there is no peaceful use for nuclear energy. It is repressive, criminal and deadly. Only nuclear plants that have not been built can offer absolutely safety." Hänni writes much more to detail what happened and the dire effects. He believes that the catastrophe in Fukushima is a "disaster beyond human imagination in both time and scope." The title comes from parts of the text where Hänni writes about the many people permanently displaced in order to escape the contamination resulting from the disaster. The book itself is printed in five colors on paper towels, an innovative technique that Hänni has successfully used in a previous work. On the pages small selections of text are juxtaposed with letters, images, and symbols to communicate the event and its aftermath. The results are stunning and thought-provoking. Hand composed and hand printed letterpress. Most of the pages required several printing forms and runs. Books are handbound. The production took about 1400 hours to complete. Housed in a grey paper covered slipcase with title in the three languages on a white spine. The book is accompanied by a glossy 12-page color pamphlet with 108 photographs documenting the production process. Book has 64 unnumbered pages. 9.25 x 10.25 inches. In fine condition. PRI/101017. fine.
Montgomery Village, MD: Shireen Holman, 2013. Paperback. Number 15 of 20 copies signed and numbered by the artist. This complex and beautiful artist's book explores time from the viewpoints of religion, literature, science, and philosophy. The book artist, Shireen Modak Holman, has been a printmaker for more than thirty-five years and a book artist for more than twenty. She was born in India, and her work often involves the interaction of her Indian and American cultures. She states that she is fascinated by time and spent several years reading, sketching, and selecting texts to illustrate the imagery she was creating as she tried to visually express time. She has used texts from the writings of Shakespeare, Tagore, Einstein, Thoreau, Hawking, and others. As the design of the book came together, she created a full-sized colored pencil mock-up. The finished book consists of woodcuts printed onto pulp-painted handmade paper. The text was letterpress printed on gampi paper and then pasted onto the handmade sheets. The pages are folded in such a way that one can see a little of each of the subsequent pages from the current page. Thus from the beginning to the end of the book one can see a little of the future from the present. Each page has semicircular areas cut out so that the calendar at the bottom right of the colophon page is visible at all times. Housed in a cream paper clamshell box with the title "Time" in raised letters affixed vertically to the cover. Linen spine. In fine condition. Accompanied by a softcover book titled "The Making of the Artist Book 'Time.'" Unpaginated. [16 pages]. 13.75 x 19.25 inches. ARTISTS/041916. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
Minneapolis: Indulgence Press, 2011. One of 20 copies. Arthur & Barbara is a portrait of art critic/philosopher Arthur Danto and artist Barbara Westman as seen reflected in the space of their New York City apartment on Riverside Drive. This book embodies their life and work in symbolic forms of thoughtful play. Arthur & Barbara is a collection of simple objects, images and “games” referring to both Duchamp’s Boîte-en-valise and to Fluxus Collections. The box contains laser-etched glass with a plan view of the apartment. Beneath the glass, separated spaces hold a DVD with images of Arthur, Barbara and their apartment, a hand-bound codex filled with photographic illustrations and brief text, a glass block laser-etched with an illustration by Barbara Westman, two chairs, handmade dice, and a spinner. A drawer holds a folio of letters written by Sean Scully, Shirin Neshat and Barbara Westman, and an introduction by David Carrier. A fascinating way of documenting the lives and personalities of this interesting couple. In fine condition. Size: 13 x 12 x 7 inches. PRI/041111. Fine.
New York: Intima Press, 2014. Hardcover. Number 4 of 12 copies signed and numbered by well-known book artist Mindy Belloff, This superb book from Mindy's Intima Press was inspired by and taken from Hieronymus Bosch's renowned three-panel painting, the Garden of Earthly Delights (1490-1516). This famous work, full of symbolism and subject to endless interpretation, depicts the Garden of Eden, earthly pleasures and pursuits, and humanity's punishment in Hell. Mindy created eleven color intaglio prints of deep bite copper etchings with hand painting in watercolor, gouache, and ink. Each beautiful print is unique within the limited edition, printed on Somerset cotton rag papers corresponding to the painting's three panels from left to right, progressing from white (Section I), to tan (Section II), to gray (Section III). The book also has three original poems by Amy Lemmon, Steven Gentile, and Rich Turnbull, each preceding a section and also inspired by Bosch's painting. Letterpress printed on a Vandercook Universal III Automatic A/B Press. In a concertina sewn spine binding in quarter-bound pink buffalo skin over Somerset white papers, with leather tip corners and leather ornamental onlays, bound by Celine Lombardi. Protected by a paper tri-fold enclosure with light grey leather spine with title label. Housed in a pink buffalo skin slip case. In fine condition. ARTISTSBOOK/041916. Fine.