Toronto: Cheshire Cat Press, 2018. Hardcover. Number 7 of 42 copies signed by the printer, illustrator, and the author of the introduction. The illustrator writes: "This edition in your hand is one of three interations of The Hunting of the Snark published by Cheshire Cat Press, all of them very different in concept while sharing the same aesthetic, inflecting the narrative in different ways without in the least altering Lewis Carroll's original text." The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. For this edition of Snark, Malcolm created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. He chose images that to him bring to life the imagined crew men on the hunt for the snark. They are ideal depictions for this fantastical nonsense poem by Carroll, written when he was forty-four years old. Bound in dark blue cloth with title in gilt to spine and on cover label. With "The Snark Map" inserted in a sleeve on the front pastedown. Handprinted in New Caledonia type on Velin Rives paper. Housed in a slipcase in the same blue cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 71 pages. PRI/111519. Fine.
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Toronto: Cheshire Cat Press, 2017. Number 19 of 42 copies. Signed by the printers and the author of the introduction, who are ardent and well-known Carroll admirers. The Cheshire Cat Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. From the prospectus: "Here finally is a book collecting all the Alice associated images into one volume. In this book is the work of the other PUNCH illustrators who were influenced by John Tenniel’s pictures for Lewis Carroll’s Alice. Oh yes we include Tenniel too! Through the many decades that Punch existed (1841-2002), references to the Alice books have been a common feature. Now you can have them all in one volume. The images are printed by hand directly from polymer plates made by Boxcar Press, except Alice Reigns Supreme (page 27) which is printed photo-mechanically. The plates were created from high resolution scans made directly from the original PUNCH publications. Printed on 115 gsm Rives Lightweight Buff 100% rag paper using a Vandercook Sp15 letterpress." Bound in green cloth with gilt title to spine and gilt ruling and Punch figure to front cover. Punch figure repetitive design to endpapers. Housed in a green cloth slipcase. In fine condition. 10 x 13 inches. 57 pages. PRI/010819.
San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
Oldham, England: Incline Press, 2010. Paperback. One of 140 copies published for the Summer Fair at Greenside Primary School Shepherds Bush London. A charming collection of poems for children. Poets include W.B. Yeats, William Blake, William Wordsworth, Edward Lear, and Lewis Carroll. Printed with Poliphilus type on Somerset Text Laid paper. Green Indian decorated paper wrappers with handsewn binding. In near fine condition. Unpaginated [18 pages]. PRI/033015. Near Fine.
Oldham, England: Incline Press, 2015. Paperback. Limited Edition of under 250 copies. Out of Print. Hans Fallada (1893-1947) was a famous German writer in the first half of the 20th century. His most significant work was the 1947 novel Every Man Dies Alone, written by Fallada in a feverish heat in only twenty-four days, dying just weeks before its publication. This Anti-fascist novel was based on a true story of a couple whose grief for their murdered son led them to launch a clandestine resistance campaign in Nazi Germany. In her new introduction for this translation, Jenny Wilson says that Fallada turned to writing for children in the 1930s when his novels came under scrutiny by Nazi authorities. Among his works for children was this charming and poignant story of young Tom and his beloved stuffed dog, Hoppelpoppel. This 21st New Year Book from the Press is printed in Sabon and Centaur types on Zerkall Paper. Frontispiece illustration by Jennie Malbon. Bound in pred paper wrappers with decorative covers and paper title label. 4 x 8.5 inches. In Fine Condition. 18 pages. PRI/032415. Fine.
Sutton Mandeville, England: Perdix Press, 1978. Softcover. One of 100 copies printed. Seventy were for the fourth exchange of the Society of Private Printers and thirty for private circulation. A charming small collection of 16 verses that were taken from the Oxford Nursery Rhyme Book of 1955, compiled by the nursery rhyme scholars Iona and Peter Opie. The pages are sewn into light cream wrappers with the title and decoration in blue on front cover. Hand set in 10 point Bembo and printed on a Columbian press by Walter Pattridge. In fine condition. 2.5 x 4.5 inches. Unpaginated. PRI/112717. Fine.
Toronto: The Cheshire Cat Press, 2015. Number 16 of 66 copies signed and numbered by the publisher, Andy Malcolm, the writer of the introduction, Edward Wakeling, and the printer, George A. Walker. The press calls this fine production their Sesquicentennial Edition of Alice's Adventures in Wonderland. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. Wakeling writes in his introduction: Harry Furniss was born in Wexford, Ireland on March 26, 1854. He was a prolific artist and illustrator, best remembered for his humorous illustrations published in Punch, to which he contributed over 2,600 drawings from 1880 to 1894. Furniss was eleven years old when Alice’s Adventures in Wonderland was published. He regretted not being old enough to illustrate the Alice book for himself. He was delighted when Carroll singled him out to illustrate the Sylvie and Bruno books. Carroll recognized Furniss’s ability to draw both character likenesses and grotesques; an essential ingredient for his new book. Sylvie and Bruno was nothing like Alice’s Adventures. Furniss said that this was a bitter disappointment to him. Inwardly, he nursed the ambition to do his own illustrated version of Alice. When the copyright ran out in 1907, he drew twenty illustrations for the book. But few people have seen Alice as illustrated by Harry Furniss. The illustrations first appeared in three installments of The Children’s Encyclopaedia edited by Arthur Mee in 1908. This edition offers for the first time enlarged, high resolution copies of the original Furniss art. The portfolio of loose illustration leaves is made available for sale as a hand printed folio. The polymer plates of the illustrations were made from high resolution scans; sixteen of these images are from the original drawings from the archives of the Fales Library in New York City. Printed on Arches Velin Cream French 100% rag archival paper with Janson type. The portfolio is housed in a clam shell box made from the finest quality materials, with red cloth covers and a gilt illustration of the white rabbit on the top cover and gilt title on spine. In fine condition. Paper sheets measure 11 x 15 inches. PRI/111519. Fine.
New York: Frederick G. Melcher, 1958. Softcover. One of 1200 copies made by Meredin Gravure for students and lovers of the literature of children. The original book was printed in Boston in 1746 by B. Gray. From the colophon: "This facsimile of the once immensely popular story book in rhyme has been photographed from the only known complete copy now in the Library of the Essex Institute, Salem, Massachusetts." The original author stated on the title page that the book is a pleasant and profitable companion for children and was composed on purpose for their use. The text describing the life of Jesus is in verse, with woodcut illustrations interposed. Bound in cream paper wrappers with gold star ornaments. In fine condition. 3 x 4 inches. Unpaginated [48 pages]. PRI/112817. Fine.