Tacoma: Elliott Press, 2011. Pictorial Boards. Number 39 of 50 copies. This was a collaboration between printer Jessica Spring and librarian Jane Carlin's William Morris class that resulted in this book, a series of "homes" inspired by William Morris. The book is an artful construction and a charming homage to the great Morris. In fine condition. Unpaginated. MOR/100212. Fine. More

Meriden, CT: Bayberry Hill Press, 1965. Number 5 of 75 copies.Those numbered 1 to 43 constitute Keepsake Number 86 of the Columbiad Club of Connecticut. Numbers 44-75 were for private distribution by the Press. The Johnsons were the proprietors of the Bayberry Hill Press. They write of their journey to Oxford and Kelmscott Manor in a charming, enthusiastic and, yes, sentimental way. Their text combines some history of the Bodleian Library and William Morris's Kelmscott Manor with descriptions of scenery and villages. They also describe the pubs and restaurants they ate at and some of the people they met. They loved everything of course, despite not being able to go into Kelmscott Manor, which was closed for renovations. Bound in dark red paper with Morris's Acorn pattern wallpaper with dark red spine. Author and title labels on spine and front cover. Printed in Bruce Rogers's Centaur type with Arrighi italics The book is in near fine condition. Its glassine is creased and torn on the spine and lower edge. Housed in a black slipcase with title label to spine and cover. The slipcase is in very good condition. Measures 8.5 x 11.5 inches. 20 pages. PRI/040120. More

Hammersmith: Kelmscott Press, 1892. This monumental three volume work was one of the early achievements of the renowned Kelmscott Press. This is a single sheet from the book (pages 159-160 from Volume I) with one ten-line and one six-line beautiful ornamental initials designed by William Morris. Printed in Golden type on Flower paper. Small chips and light browning to margins otherwise very good condition. PRI/120518. Very Good. More

Hammersmith: Kelmscott Press, 1896-97. The Earthly Paradise was a collection of epic and romantic poems by William Morris (1834-1896) that first appeared in 1868-1870 when he was still in his thirties, and established Morris's reputation as an important poet. He planned to do an edition elaborately illustrated by his great friend, the artist Edward Burne-Jones but it was never realized. This Kelmscott Press edition had eight volumes that were issued between July 1896 and September 1897. There were 225 paper copies and 6 copies on vellum. These eight leaves are from volume five and contain pages 17 - 32. Pages 17-29 are the final pages of The Death of Paris. Pages 30-32 are the first three pages of The Land East of the Sun and West of the Moon. Pages 30-31 are the gorgeous double spread title page and first lines with beautiful borders by Morris and a 12-line first intitial. They are collected as one signature. The beautiful text pages have two 10-line decorated initials, two 6-line initials and three 4-line initials. Printed on Apple paper in Golden type using red and black inks. This was the first book in which Apple paper was used. Pages measure 6.5 x 9.5 inches. Except for some light browning to page edges the leaves are in near fine condition. An excellent example of the typography and printing of the Kelmscott Press and a wonderful addition to a teaching collection. PRI/070320. Near Fine. More

Hammersmith: Kelmscott Press, 1896-97. The Earthly Paradise was a collection of epic and romantic poems by William Morris (1834-1896) that first appeared in 1868-1870 when he was still in his thirties, and established Morris's reputation as an important poet. He planned to do an edition elaborately illustrated by his great friend, the artist Edward Burne-Jones but it was never realized. This Kelmscott Press edition had eight volumes that were issued between July 1896 and September 1897. There were 225 paper copies and 6 copies on vellum. These eight leaves are from volume five and contain pages 49-64 of The Land East of the Sun and West of the Moon. They are collected as one signature. The beautiful text pages have two 6-line decorated initials and twenty 4-line initials. Printed on Apple paper in Golden type using red and black inks. This was the first book in which Apple paper was used. Pages measure 6.5 x 9.5 inches. Except for some light browning to page edges the leaves are in near fine condition. An excellent example of the typography and printing of the Kelmscott Press and a wonderful addition to a teaching collection. PRI/070320. Near Fine. More

Hammersmith: Kelmscott Press, 1892. William Morris greatly admired The Golden Legend, a medieval collection of saints' lives. It was one of the first books printed in England by William Caxton, (1422- 1491), the first English printer, who, as a translator and publisher, exerted an important influence on English literature. In his bibliography of the Kelmscott Press, William Peterson writes that The Golden Legend was intended to be the first book produced by the press, but because of its length and some problems with paper delivery, Morris was forced to issue several shorter volumes before it was completed. The book was completed in three volumes and a celebratory dinner was held in October 1892 (Bibliography pages 19-24). It was printed in Golden type on Flower paper. These 6 leaves display the fine printing and handsome Morris-designed ornamental initials. The leaves comprise pages 563-57. There are twenty-three 6-line initials and two 10-line initials.They are attached as in a signature. The pages are in very good condition with slight aging to margins. A nice addition to a teaching collection for the printing arts and history of the book. PRI/070920. Very Good. More

Hammersmith: Kelmscott Press, 1892. William Morris greatly admired The Golden Legend, a medieval collection of saints' lives. It was one of the first books printed in England by William Caxton, (1422- 1491), the first English printer, who, as a translator and publisher, exerted an important influence on English literature. In his bibliography of the Kelmscott Press, William Peterson writes that The Golden Legend was intended to be the first book produced by the press, but because of its length and some problems with paper delivery, Morris was forced to issue several shorter volumes before it was completed. The book was completed in three volumes and a celebratory dinner was held in October 1892 (Bibliography pages 19-24). It was printed in Golden type on Flower paper. These 6 leaves display the fine printing and handsome Morris-designed ornamental initials. The leaves comprise pages 3-4, 13-14, 296-297, 368-367, 499-500, 523-524. There are eleven 6-line initials and three 10-line initials. The pages are in very good condition although the leaf with pages 368-369 show some aging and has the name C.B. Foote and New York written upside down in ink at the bottom of page 368. A nice addition to a teaching collection for the printing arts and history of the book. Very Good. More

New Castle, DE: Oak Knoll Press, 2011. Hardcover. First Edition. When William Morris founded the Kelmscott Press, his celebrated private press, in 1891, one of the books he intended to print was an edition of the writings of Geoffrey Chaucer. Because of its size and complexity, The Works of Geoffrey Chaucer did not emerge from the press until June 1896, shortly before Morris's death. It was recognized even in its time as the most remarkable and important production from this influential press. In fine condition in fine dustjacket. 280 pages. PRI/102814. Fine / Fine. More