Oldham, England: Incline Press, 2015. Paperback. Limited Edition of under 250 copies. Out of Print. Hans Fallada (1893-1947) was a famous German writer in the first half of the 20th century. His most significant work was the 1947 novel Every Man Dies Alone, written by Fallada in a feverish heat in only twenty-four days, dying just weeks before its publication. This Anti-fascist novel was based on a true story of a couple whose grief for their murdered son led them to launch a clandestine resistance campaign in Nazi Germany. In her new introduction for this translation, Jenny Wilson says that Fallada turned to writing for children in the 1930s when his novels came under scrutiny by Nazi authorities. Among his works for children was this charming and poignant story of young Tom and his beloved stuffed dog, Hoppelpoppel. This 21st New Year Book from the Press is printed in Sabon and Centaur types on Zerkall Paper. Frontispiece illustration by Jennie Malbon. Bound in pred paper wrappers with decorative covers and paper title label. 4 x 8.5 inches. In Fine Condition. 18 pages. PRI/032415. Fine.
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Oldham, England: Incline Press, . Paperback. Number 30 of about 200 copies. A sweet love song with a note about its history and the author of the reprise. Fine in blue paper wrappers with light blue paper title label to front cover. Printed in red and black inks with several illustrations on fine paper. Unpaginated. [12 pages.] PRI/092013. Fine.
Oldham, England: Incline Press, 2015. Number 33 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/072015. Fine.
Oldham, England: Incline Press, 2015. Number 48 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/080316. Fine.
Oldham, England: Incline Press, 1999. Number 75 of 150 sets. This production from the Incline Press is a generous portfolio of sample broadsides and other sheets that demonstrate their fine printing and handsome typefaces. The examples are preceded by sixteen page bound Introduction that discuss their presses, paper, type, and gives a brief description of each broadside. This is followed by a folder of Duplicates, and then the many samples of their work. Held in a quarto portfolio covered with charming Curwen Press red patterned paper, with a red cloth spine and black ribbon ties. Housed in a black cloth slipcase with a grey spine and red title label to spine. In fine condition. PRI/051216. Fine.
Oldham, England: Incline Press, 2015. Paperback. One of about 250 copies of this chapbook written and illustrated by English poet and printmaker Jo Reed. Blue paper wrappers with hand-sewn accordian folded pages of text and print. Handset in Bodoni types. In fine condition. 4 x 8 1/2 inches. Unpaginated. PRI/072015. Fine.
Oldham, England: Incline Press, 2013. Hardcover. Number 16 of 50 large paper copies. Published to celebrate the tercentenary of the birth of Sterne. The book was inspired by printing a pamphlet edition for the Trustees of Shandy Hall, one-time home of the author. Beautiful printed on acid-free Zerkall paper and bound by hand using marbled color paper commissioned from Jemma Lewis, done with the colors used in the first edition of Tristam Shandy. The Caslon typeface used retains the stylistic details of the 18th century, although modern spelling is followed nor is the long s (f) used. With a tipped in illustration of Sterne. Small quarto. In fine condition 21 pages. PRI/042814. Fine.
Oldham, England: Incline Press, 2012. Hard Cover. Number 118 of 250 copies. Heavily influenced by the Art Nouveau movement, E.R.Weiss (1875 – 1942) was a multitalented German artist who painted watercolors and murals, and also designed furniture, fabric, stained glass, ceramics, wallpaper, and books. This book focuses on Weiss’s book artistry including his typographic designs, calligraphy, book jacket designs, illustrations, and more. It took printer Graham Moss of the Incline Press over fifteen years to research, compile, and print this impressive collection of Weiss’s book works, which features numerous tipped-in reproductions and several original pieces. It is a large folio bound in brown paper covered boards with vellum spine and design in red to front cover. Housed in a brown paper covered slipcase with black cloth edges and title label to spine. In fine condition. 178 pages. PRI/062415. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
Minneapolis: Indulgence Press, 2011. One of 20 copies. Arthur & Barbara is a portrait of art critic/philosopher Arthur Danto and artist Barbara Westman as seen reflected in the space of their New York City apartment on Riverside Drive. This book embodies their life and work in symbolic forms of thoughtful play. Arthur & Barbara is a collection of simple objects, images and “games” referring to both Duchamp’s Boîte-en-valise and to Fluxus Collections. The box contains laser-etched glass with a plan view of the apartment. Beneath the glass, separated spaces hold a DVD with images of Arthur, Barbara and their apartment, a hand-bound codex filled with photographic illustrations and brief text, a glass block laser-etched with an illustration by Barbara Westman, two chairs, handmade dice, and a spinner. A drawer holds a folio of letters written by Sean Scully, Shirin Neshat and Barbara Westman, and an introduction by David Carrier. A fascinating way of documenting the lives and personalities of this interesting couple. In fine condition. Size: 13 x 12 x 7 inches. PRI/041111. Fine.
Minneapolis: Indulgence Press, 2012. Hardcover. Number 26 of 50 copies. Signed by the book artists. The book was produced by Schilling and Pittman for an exhibition Cull-arbor-ation. They describe the exhibit and the book as a record of urban deforestation. The exhibit documents tree stumps as artifacts that allow one to reimagine space and time based on what is left behind. The book juxtaposes pictures of tree stumps with pictures of newspaper articles on environmental protection developments. It also provides a glossary of tree diseases. Accordion structure bound in brown cloth with black design on covers. Includes a vinyl record with tree cutting and chipping sounds in rear pocket. In fine condition. Unpaginated. PRI/121312. Fine.
Portland, ME: The Mosher Press, 1929. Hardcover. Signed by the author. 1 of 750 copies. Printed on Ven Gelder paper. Light blue paper covered boards with dark blue title to spine and front cover. A few short closed tears to paper along the hinges. Minor wear to edges of boards. Bookplate of a lady on horseback (possibly Joan of Arc?) to front endpaper. Offsetting to endpapers, else clean and bright. Four leaf clover laid in. Housed in a brown paper covered slipcase with black title to spine and front panels. Heavy rubbing to panels and seams are splitting. 52 pages. PRI/051718. Very Good.
Simi Valley, CA: Pie in the Sky Press, 2014, 2016. Hardcover. The book's writer and illustrator, Rebecca Chamlee, states: "Like the self-taught naturalists of the Victorian era, my recent work examines the intersection of my artistic and scientific interests by collecting and cataloging the natural world. I am inspired to record, interpret and celebrate nature. My new letterpress printed artist book project records and observes the natural world around me." Her creative aesthetic is beautifully complemented by Karen's own. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. This beautifully executed unique binding was done from a few printer's proofs that the writer left in sheets for hand bookbinders. Karen's binding uses a design of Quercus lobata (valley oak) leaves and vintage botanical instruments that reference the author's documenting of the native flora surrounding her home in an arid inland valley in Southern California. In a German Bradel binding with a green goatskin spine, boards covered in orange Khadi handmade paper with Cave paper onlays and pigment inkjet printed illustrations. With three-color hand-sewn silk endbands, and the top edge decorated with sponged gilt acrylic, acrylic pochoir on spine, and hand-titling in gold foil. Roma endpapers. The book measures 9 x 6 x 1 inches. Housed in a brown cloth bound clamshell box with leather title label to spine. In fine condition. Fine.
Germany: John Gerard, 1993. LIMITED. Paper Wrappers. 4to. 7 of 10 copies on unique handmade paper. Signed and numbered by artist. Each copy features a slightly different pulp paper painting. Ode by Keats printed on lovely handmade papers designed by John Gerard, handset in 16 pt. Garamond. Hand sewn. Small folio size pages open in portfolio fashion. 6 printed pages. PRI/041807. Fine.
New York: Kelly-Winterton Press, 1998. Huskey, Trevor. Hardcover. 1 of 105 copies. Poetry by Kenneth A. Lohf (1925 - 2002), former director of Columbia University's rare book and manuscript library. Fine in navy blue cloth boards with grey paper title label to spine. Pristine. Includes three geometrical drawings by Trevor Huskey. Unpaginated [15 pages]. PRI/102708. Fine.
New York: Kelly-Winterton Press, 1990. Hardcover. 1 of 100 copies. Thin quarto. Fine in black cloth boards with gilt title (Aeneidos VI. 637 - 901) to front board. Pristine. The English translation is printed alongside of the original Latin. An accessible, but dignified translation. Printed in black and red from Adobe Garamond type generated directly onto film. Binding by Moroquain, Inc. 17 pages. PRI/102708. Fine.
New York: Kelly-Winterton Press, 2005. Paper Wrappers. 1 of 150 copies. Perhaps best known as a painter and sculptor, Michelangelo (1475 - 1564) was also a talented poet. Pristine. Green and white patterned paper wrappers with paper title label pasted down to spine. The title label reads "Michelangelo" and is accentuated by red floral devices. Printed by letterpress on Fabriano paper from several typefaces designed by Robert Slimbach with typography by Jerry Kelly. An attractively bound and printed book that includes 77 poems by Buonarroti and an afterword by Symonds. 115 pages. PRI/112612. Fine.
Hammersmith: Kelmscott Press, 1896. This is a beautiful original leaf from the magnificent The Works of Geoffrey Chaucer issued by the Kelmscott Press. It is considered a landmark in the history of printing. This disbound leaf is the first page of text for "The Hous of Fame Liber Tercius - the Invocation". Chaucer’s 'House of Fame' is a surreal account of a dream in which the poet visits the palace where Fame herself sits in state. Chaucer’s tour-guide to this strange corner of the medieval universe is a comically garrulous eagle, and there is even time for the pair to stop by the House of Rumour. This page has a splendid illustration by Edward Burne-Jones, who provided the designs for the 87 wood-engravings that illustrate the book. It shows the poet wandering among the ice that have the names of famous people inscribed - but he cannot read them because all but a few letters have thawed and disappeared (fleeting fame...). The illustration is enclosed in a beautiful ornamental border designed by William Morris. There is also an ornate 16-liine opening initial and a six-line initial on the front page. The other side of the page has double column text with ten three-line initials. Printed in Chaucer type on Perch paper. In near fine condition save for pinholes along the left margin from binding, a few light spots of foxing, and two faint tape marks to the top margin of the verso. 11 x 17 inches. PRI/011519. Near Fine.
Hammersmith: Kelmscott Press, 1892. This monumental three volume work was one of the early achievements of the renowned Kelmscott Press. This is a single sheet from the book (pages 521-522 from Volume II) with two ten-line and one six-line beautiful ornamental initials designed by William Morris. Printed in Golden type on Flower paper. Small chips and light browning to margins otherwise very good condition. PRI/120518. Very Good.
Hammersmith: Kelmscott Press, 1892. This monumental three volume work was one of the early achievements of the renowned Kelmscott Press. This is a single sheet from the book (pages 497-498 from Volume II) with one ten-line and two six-line beautiful ornamental initials designed by William Morris. Printed in Golden type on Flower paper. Small chips and light browning to margins otherwise very good condition. PRI/120518. Very Good.
Hammersmith: Kelmscott Press, 1892. This monumental three volume work was one of the early achievements of the renowned Kelmscott Press. This is a single sheet from the book (pages 467-468 from Volume II) with one ten-line and two six-line beautiful ornamental initials designed by William Morris. Printed in Golden type on Flower paper. Small chips and light browning to margins otherwise very good condition. PRI/120518. Very Good.
Hammersmith: Kelmscott Press, 1892. This monumental three volume work was one of the early achievements of the renowned Kelmscott Press. This is a single sheet from the book (pages 353-354 from Volume I) with one ten-line and one six-line beautiful ornamental initials designed by William Morris. Printed in Golden type on Flower paper. Small chips and light browning to margins otherwise very good condition. PRI/120518. Very Good.