Vancouver: Heavenly Monkey, 2019. Hardcover. Number 25 of 55 copies. This is one of 30 standard copies. There were also 20 deluxe copies and five hors de commerce. This beautifully produced leaf book begins with Pollard’s essay that was written for the catalogue of William Andrews Clark Jr.’s renowned book collection, published in 1921 by John Henry Nash. "Rather than a straight historical account of the two presses, Pollard offers a meditation on their influences and influence, particularly in matters of design and typography. It is embellished here with calligraphy by Martin Jackson, and accompanied by a leaf from both of the presses: the Kelmscott's Golden Legend and the Doves' English Bible." [Publisher statement] "Heavenly Monkey is the imprint of publisher Rollin Milroy, dedicated to creating books for people interested in contemporary applications of traditional book crafts: handmade papers, letterpress printing, and bindings that emphasize both aesthetic and structural integrity. Our books are designed as objects to be experienced both intellectually and physically; innovative use of technology from any era, and its skillful application are the studio's guiding principles." [Publisher website] Bound in blue paper covered boards with dark blue cloth spine and with titling and cloth title label to front cover. Printed in Centaur type and with calligraphy in red by Martin Jackson from polymer plates on dampened Arches paper. In fine condition. Measures 10 x 15 inches. 18 pages plus leaves and colophons. PRI/022819. Fine.
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1918. Paper Covered Boards. Thin 8vo. 1 of 200 copies. Patterned paper covered boards with white and green title to front board. Minor wear/bumping to corners and spine ends. Interior is very clean with bright text. Tight binding. Glassine dj with heavy wear, chipping, tear to edges. Front panel of dj is present, but detached. PRI/051005. Near Fine in Good- dj.
Oldham, England: Incline Press, 2016. Softcover. One of fewer than 400 copies in this limited second edition of this poem in six parts. From the printer: "Matthew Hollis's first collection of poems, Ground Water, was shortlisted for the Whitbread Poetry Award, the Guardian First Book Award and the Forward Prize for Best First Collection. Its follow up, Stones, is a swirling meditation on loss and recovery in six parts that asks how far must we change in order to overcome the past? And what of ourselves will we have lost in so doing? Stones is the first publication from Matthew Hollis since Now All Roads Lead to France: the Last Years of Edward Thomas was awarded the 2011 Costa Award for Biography. A longer poem of around 200 lines, it takes its setting from the Lake District where the author was living when he began work on the poem in 2006. Ten years later, after more than 300 pages of drafts, Stones was completed. It is this very element of time, and its contribution to our well being, that occupies the poem. After trauma, how can we live well in the present without doubting or denigrating the past? Or must we retain our connection to formative experience, whatever the personal cost, in order to understand the present? The first edition of Stones having sold out, Matthew Hollis asked us to print a second edition to accompany his reading the poem on the Radio 4 new poetry show, The Echo Chamber. We don't usually run to second editions, not just because our books are limited editions, but because Graham Moss the printer can't stand to print the same thing twice. On the other hand, we think Stones deserves to be in as many hands as possible. Our compromise was to design a completely new edition, keeping Paul Kershaw's lovely wood engraving of Balveen on the Isle of Skye. Letterpress printed in Monotype Bembo on Zerkall paper. The titling is DeLittle of York's Number 43, a san serif wood type. Sewn into its brown printed paper wrapper by Bill Seversen and Joanne Behm. 8 3/8 x 5 3/4 inches. In fine condition. 7 pages plus colophon. PRI/011618. Fine.
Montgomery Village, MD: Shireen Holman, 2013. Paperback. Number 15 of 20 copies signed and numbered by the artist. This complex and beautiful artist's book explores time from the viewpoints of religion, literature, science, and philosophy. The book artist, Shireen Modak Holman, has been a printmaker for more than thirty-five years and a book artist for more than twenty. She was born in India, and her work often involves the interaction of her Indian and American cultures. She states that she is fascinated by time and spent several years reading, sketching, and selecting texts to illustrate the imagery she was creating as she tried to visually express time. She has used texts from the writings of Shakespeare, Tagore, Einstein, Thoreau, Hawking, and others. As the design of the book came together, she created a full-sized colored pencil mock-up. The finished book consists of woodcuts printed onto pulp-painted handmade paper. The text was letterpress printed on gampi paper and then pasted onto the handmade sheets. The pages are folded in such a way that one can see a little of each of the subsequent pages from the current page. Thus from the beginning to the end of the book one can see a little of the future from the present. Each page has semicircular areas cut out so that the calendar at the bottom right of the colophon page is visible at all times. Housed in a cream paper clamshell box with the title "Time" in raised letters affixed vertically to the cover. Linen spine. In fine condition. Accompanied by a softcover book titled "The Making of the Artist Book 'Time.'" Unpaginated. [16 pages]. 13.75 x 19.25 inches. ARTISTS/041916. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
New York: House of Books, Ltd., 1939. Hardcover. LIMITED FIRST EDITION SIGNED BY THE AUTHOR. NUMBER 68 OF 250. Small 8vo. Near fine in blue cloth covered boards with gilt title to front board and to spine. Minor fading to spine. Minor browning to front free end page. Else is pristine with untrimmed pages. In original glassine dust jacket with a few small closed tears to the edges. Unpaginated. PRI/102016. Near Fine / Very Good.
Benjamin Iluzada, 2017. Paperback. Number 3 of 8 copies. Signed and numbered by the book artist. This book was inspired by The Wild's album "A Collection." Bound in handmade blue paper wrappers with black title to front cover. The interior is a single layer woodcut printed in black ink on J.B. Green Crisbrook Handmade Paper. The text reads: "Brick by brick we build our cities / Filled with friendship and understanding for together / We will drive the darkness out." Benjamin Iluzada is an up and coming printmaker currently working on his MFA at the University of the Arts in Philadelphia. Size: about 7 x 5 inches. PRI/042018. Fine.
Benjamin Iluzada, 2015. Hardcover. Number 7 of 7 copies. Signed, numbered, and dated by the artist. Woodcut printed in blue ink on handmade paper. The paper was handmade by the artist in Fabriano, Italy. An attractive image of a docked gondola floating in a Venetian canal. Benjamin Iluzada is an up and coming printmaker currently working on his MFA at the University of the Arts in Philadelphia. Image Size: 7.75 x 9.75 inches. Paper size: 9.25 x 12 inches. PRI/070319. Fine.
Benjamin Iluzada, 2017. Hardcover. Number 5 of 15 copies. Signed and numbered by the book artist. A collection of memories from the author about the places he's lived and his experiences ranging from a tarantula on his head when he was a child to adventures in sledding to noisy neighbors making love in the apartment above him. While each memory is very personal, anyone reading it can immediately relate to this nostalgic memoir. Letterpress printed with linoleum cuts, Resingrave engravings, pressure plates, and polymer plates on Fabriano Rospina paper. Created and printed for Sarah Nicolls' MFA Letterpress class at the University of the Arts, in Philadelphia, PA. Benjamin Iluzada is an up and coming printmaker currently working on his MFA at the University of the Arts in Philadelphia. Size: 5 x 5.25 inches. PRI/070219. Fine.
Benjamin Iluzada, 2017. Hardcover. Number 6 of 15 copies. Signed and numbered by the book artist. A collection of memories from the author about the places he's lived and his experiences ranging from a tarantula on his head when he was a child to adventures in sledding to noisy neighbors making love in the apartment above him. While each memory is very personal, anyone reading it can immediately relate to this nostalgic memoir. Letterpress printed with linoleum cuts, Resingrave engravings, pressure plates, and polymer plates on Fabriano Rospina paper. Created and printed for Sarah Nicolls' MFA Letterpress class at the University of the Arts, in Philadelphia, PA. Benjamin Iluzada is an up and coming printmaker currently working on his MFA at the University of the Arts in Philadelphia. Size: 5 x 5.25 inches. PRI/070219. Fine.
Oldham, England: Incline Press. Hardcover. Number 32 of 160 copies signed by the artist. This is a handsome book with striking prints from artist Nick Wonham. From the press: "Collective nouns, the stuff of schooldays, always seem to amuse us. A parliament of magpies has to be a favourite, especially if you’ve heard a group of them cackling together in the Springtime. But we prefer the alternative, a charm of magpies, which certainly suits this poem better. It is one version of a folk rhyme which has many local variants, all superstitiously foretelling the future through random occurrence. Although Iona & Peter Opie’s Dictionary of Nursery Rhymes does not include it amongst the counting rhymes. It makes a nice counting or even skipping song, and we present it thus, with the numeral and its word facing each picture to encourage learning by mixing reading with the action of counting. Magpies are often known a thugs in the garden, stealing eggs and chasing off their more delicate rivals. As printers, though, we have a fondness for them because of their “ink on paper” plumage and their latin name pica pica, which recalls the printshop unit of measure. The heart of our book is the ten two-colour linocut prints. Each one 8 x 6 inches, their bold, dense colours add to the edgy feel of the images. Hand set in Monotype Bemb from 24 to 72 points in size. The numerals are Winchester 30-line woodtype from Stephenson, Blake. The paper is Zerkall. Bound with a dark blue cloth spine and light blue printed paper over boards with specially printed endpapers by Roger Grech at his Papercut Bindery. In fine condition. Measures 14.5 x 10.25 inches. Unpaginated [27 pages]. PRI/102518. Fine.
Oldham, England: Incline Press, 2009. Paperback. "U unwillingness, slowness to learn. V is the vomitting the great fish is forced to make our hero change and turn, if only stumblingly, mind not yet open. W's the whale and the gobbling worm. X is exposure to why, Yahweh. Z is the zeal that makes Yahweh squirm" (last page). A chapbook issued to celebrate The Books of Jonah, the summer exhibition at Chetham's Library in Long Millgate, Manchester. Letterpress printed with metal type and illustrated with wood cuts printed in various colors. Bound in marbled paper wrappers with yellow title label to front cover. Clean and bright. Size: 4.5 x 3.5 inches. [8 pages] PRI/120518. Fine.
Oldham, England: Incline Press, . Hardcover. 1 of less than 240 copies printed of which only 50 (including this one) were bound for subscribers. This book was produced to commemorate Boccaccio's 700th anniversary in 2013 for the international conference and exhibition 'Locating Boccacio in 2013,' held at the John Rylands University Library and Town Hall in Manchester. This is an excerpt from De mulierbus, the first collection of biographies of women in Western literature. Fine in beige paper covered boards with red cloth spine. The text is printed on blue paper with Poliphilus type. Includes woodcut frontispiece illustration of Joanna, Queen of Jerusalem and Sicily (1541), initials, and head and tailpieces. In a fine tan dust jacket with red title to spine panel. 22 pages. PRI/092013. Fine / Fine.
Oldham, England: Incline Press, 2010. Paperback. One of 140 copies published for the Summer Fair at Greenside Primary School Shepherds Bush London. A charming collection of poems for children. Poets include W.B. Yeats, William Blake, William Wordsworth, Edward Lear, and Lewis Carroll. Printed with Poliphilus type on Somerset Text Laid paper. Green Indian decorated paper wrappers with handsewn binding. In near fine condition. Unpaginated [18 pages]. PRI/033015. Near Fine.
Oldham, England: Incline Press, 2001. Hardcover. Number 16 of 250 regular copies. English illustrator Thomas Lowinsky (1892-1947) was a good friend of Charles Ricketts and frequently worked with other friends including Sacheverell, Edith Sitwell, Oliver Simon, and Francis Meynell. He was a founding member of the Double Crown Club, a dining club for printers, publishers, book designers, and illustrators. This fine book features more than ninety illustrations, including all of his surviving unpublished illustrations, an autograph poem and ink sketch made while he was in the army, two woodcuts, and all of his patterned paper designs and publishers' devices. Also included are reproductions of his Double Crown Club menus, facsimile illustrations from the eighteen books that he illustrated, a previously unpublished studio portrait of Lowinsky, a memoir written by his daughter, a biography, and bibliography. Fine in grey cloth with pattern paper covered boards and gilt title to spine. Printed on Magnani paper in Monotype Fournier. Housed in grey and dark blue cloth covered slipcase with paper title label to spine panel. Pristine. A beautifully printed collection. 124 pages. PRI/051216. Fine.
Oldham, England: Incline Press, 2015. Paperback. Limited Edition of under 250 copies. Out of Print. Hans Fallada (1893-1947) was a famous German writer in the first half of the 20th century. His most significant work was the 1947 novel Every Man Dies Alone, written by Fallada in a feverish heat in only twenty-four days, dying just weeks before its publication. This Anti-fascist novel was based on a true story of a couple whose grief for their murdered son led them to launch a clandestine resistance campaign in Nazi Germany. In her new introduction for this translation, Jenny Wilson says that Fallada turned to writing for children in the 1930s when his novels came under scrutiny by Nazi authorities. Among his works for children was this charming and poignant story of young Tom and his beloved stuffed dog, Hoppelpoppel. This 21st New Year Book from the Press is printed in Sabon and Centaur types on Zerkall Paper. Frontispiece illustration by Jennie Malbon. Bound in pred paper wrappers with decorative covers and paper title label. 4 x 8.5 inches. In Fine Condition. 18 pages. PRI/032415. Fine.
Oldham, England: Incline Press, . Paperback. Number 30 of about 200 copies. A sweet love song with a note about its history and the author of the reprise. Fine in blue paper wrappers with light blue paper title label to front cover. Printed in red and black inks with several illustrations on fine paper. Unpaginated. [12 pages.] PRI/092013. Fine.
Oldham, England: Incline Press, 2015. Number 33 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/072015. Fine.
Oldham, England: Incline Press, 2015. Number 48 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/080316. Fine.
Oldham, England: Incline Press, 2015. Paperback. One of about 250 copies of this chapbook written and illustrated by English poet and printmaker Jo Reed. Blue paper wrappers with hand-sewn accordian folded pages of text and print. Handset in Bodoni types. In fine condition. 4 x 8 1/2 inches. Unpaginated. PRI/072015. Fine.
Oldham, England: Incline Press, 2013. Hardcover. Number 16 of 50 large paper copies. Published to celebrate the tercentenary of the birth of Sterne. The book was inspired by printing a pamphlet edition for the Trustees of Shandy Hall, one-time home of the author. Beautiful printed on acid-free Zerkall paper and bound by hand using marbled color paper commissioned from Jemma Lewis, done with the colors used in the first edition of Tristam Shandy. The Caslon typeface used retains the stylistic details of the 18th century, although modern spelling is followed nor is the long s (f) used. With a tipped in illustration of Sterne. Small quarto. In fine condition 21 pages. PRI/042814. Fine.
Oldham, England: Incline Press, 2012. Hard Cover. Number 118 of 250 copies. Heavily influenced by the Art Nouveau movement, E.R.Weiss (1875 – 1942) was a multitalented German artist who painted watercolors and murals, and also designed furniture, fabric, stained glass, ceramics, wallpaper, and books. This book focuses on Weiss’s book artistry including his typographic designs, calligraphy, book jacket designs, illustrations, and more. It took printer Graham Moss of the Incline Press over fifteen years to research, compile, and print this impressive collection of Weiss’s book works, which features numerous tipped-in reproductions and several original pieces. It is a large folio bound in brown paper covered boards with vellum spine and design in red to front cover. Housed in a brown paper covered slipcase with black cloth edges and title label to spine. In fine condition. 178 pages. PRI/062415. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.