Toronto: Cheshire Cat Press, 2018. Hardcover. Number 15 of 42 copies signed by the printer, illustrator, and the author of the introduction. The illustrator writes: "This edition in your hand is one of three interations of The Hunting of the Snark published by Cheshire Cat Press, all of them very different in concept while sharing the same aesthetic, inflecting the narrative in different ways without in the least altering Lewis Carroll's original text." The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. For this edition of Snark, Malcolm created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. He chose images that to him bring to life the imagined crew men on the hunt for the snark. They are ideal depictions for this fantastical nonsense poem by Carroll, written when he was forty-four years old. Bound in dark blue cloth with title in gilt to spine and on cover label. With "The Snark Map" inserted in a sleeve on the front pastedown. Handprinted in New Caledonia type on Velin Rives paper. Housed in a slipcase in the same blue cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 71 pages. PRI/111519. Fine.
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Toronto: Cheshire Cat Press, 2018. Hardcover. Number 20 of 42 copies signed by the printer, illustrator, and the author of the introduction. The illustrator writes: "This edition in your hand is one of three interations of The Hunting of the Snark published by Cheshire Cat Press, all of them very different in concept while sharing the same aesthetic, inflecting the narrative in different ways without in the least altering Lewis Carroll's original text." The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. For this edition of Snark, Malcolm created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. He chose images that to him bring to life the imagined crew men on the hunt for the snark. They are ideal depictions for this fantastical nonsense poem by Carroll, written when he was forty-four years old. Bound in dark blue cloth with title in gilt to spine and on cover label. With "The Snark Map" inserted in a sleeve on the front pastedown. Handprinted in New Caledonia type on Velin Rives paper. Housed in a slipcase in the same blue cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 71 pages. PRI/111519. Fine.
Toronto: Cheshire Cat Press, n.d. Number 50 of 71 copies signed and numbered by the book artist. A charming broadside from master designer and printer George Walker. Donne's famous quote "no man is an island" is paraphrased in this broadside and printed both pictorially and in text. There is an image of a bee, an knot, and an eye for those words. Printed in black and yellow on handmade paper. In fine condition. Measures 7.5 x 14.75 inches. PRI/091919. Fine.
Toronto: Cheshire Cat Press, n.d. Number 114 of 125 copies signed and numbered by the book artist. A charming broadside from master designer and printer George Walker. Shakespeare's famous quote from Hamlet, "to be or not to be," is printed both pictorially and with numbers. It uses the number 2 for "to," a bee for "be," an oar for "or," and a knot for "not." Printed in black and yellow on handmade paper. In fine condition. Measures 7.5 x 14.75 inches. PRI/091919. Fine.
Toronto: Cheshire Cat Press, 1991. Hardcover. Number 173 of 177 copies. Around 1982, Walker, Poole, and Brambant founded the Cheshire Cat Press. They spent six years working on their well received edition of Alice's Adventures in Wonderland, published in 1988. George Walker's wood engravings were so admired that the Press decided to publish a book that would be devoted entirely to his engravings. This is that book, which is divided into three parts.: In the first part the 96 illustrations featured in Wonderland are reproduced by chapter in the story's order. The second part, Alice's Misadventures, has engravings that were not used in 1988 along with the reasons why. The last part reproduces some of Walker's preliminary sketches for Wonderland. The introduction describes the procedures the three used in deciding upon each of the illustrations used in Wonderland. Bound in red cloth with gilt titling to spine. Red and gold marbled endpapers. Printed with Century Schoolbook and Hadriano & Hadriano types on Noranda Recycled Antique paper. The drawings were reproduced from Polymer plates. In fine condition. PRI/011019. Fine.
San Diego: Anne Covell, 2017. Number 9 of 20 standard copies. There were also five deluxe and two artist copies of this beautifully conceived and executed work. Anne Covell is a book artist and hand papermaker living in San Diego, CA. . She has studied Asian and Western papermaking techniques with Timothy Barrett, and has taught for numerous professional organizations including the Morgan Art of Papermaking Conservatory, Penland School of Crafts, and the University of Georgia study abroad program in Cortona, Italy, among others. Her work has been exhibited internationally and can be seen in a growing list of private collections, special collections libraries, and museums worldwide.In her colophon Anne writes: "I first became interested in the Japanese beetle in 2012 during a particularly hot and dry summer in Iowa City. Perhaps it was a result of the season or of my having moved to a new home ripe with some of the beetle's most preferred foods, but I became overwhelmed by its pervasive, relentless assault on my garden. AS the summer wore on, I began finding leaf remains gathering at the bases of trees...as if it were fall. Their presence was out of place; out of season. But when I began to look more closely, what struck me was the beauty of form that the beetle had inadvertently left behind. Starved of oxygen and drained of color, these leaf skeletons would soon crumble and return to the earth. But, for a moment they existed between realms and reflected a loss that spoke to the complexity of the natural world." The book contains 12 folios of 100% Japanese Gampi hand-dyed with persimmon tannin and treated with konnyaku to mimic the sound and texture of withering foliage. The illustrations of leaves, berries, and twigs were letterpress printed from drawings by Anne. Housed in a stiff brown paper handmade envelope. Measures 4.5 x 10 inches. Fine condition. ARTISTSB/010421. Fine.
Bloomfield Hills, MI and Columbia, SC: Bruccoli Clark, 1974. Hardcover. Number 187 of 350 copies, of which 300 were offered for sale. Signed and numbered by the author. Brown cloth boards with dark brown paper title label pasted down to front cover. Clean and bright, printed on fine paper. Designed by Gary Gore and composed in Cloister types. 32 pages. PRI/041818. Fine.
Kingsport, TN: Kingsport Press, 1965. Hardcover. One of 1250 copies printed for distribution to friends of the press. Set in Linotype Janson types and lithographed on Strathmore Artlaid paper. Designed by Gary Gore with illustrations by Mary Alice Bahler. Bound in green linen with black linen spine. Title and author on spine. Front cover has author and title in gilt script along the edge of the spine. Binding and interior pages in near fine condition. Housed in a green linen slipcase with light smudging . 58 pages. LIT/040120. Near Fine.
Rockville, MD: Crooked Crow Press, 2019. Limited edition of 50 copies. The Kelmscott Bookshop owner Fran Durako worked with master printer Chris Manson to design and print this broadside in honor of the great William Morris and his Kelmscott Press. The work includes two quotations by William Morris. The first is about beautiful houses and books, taken from "A Note by William Morris on his Aims in Founding the Kelmscott Press." The second is from "The Ideal Book" and offers his thoughts on printing books. Illustrated with a handsome copy of C.M. Gere's famous illustration of Kelmscott Manor that was the frontispiece for News from Nowhere. In fine condition. Measures 12 x 21.25 inches. PRI/082319. Fine.
Iowa City, Iowa: The Cummington Press, 1963. Hardcover. LIMITED EDITION. NUMBER 174 OF 250 COPIES. Fine in light brown cloth covered boards with gilt title to spine. Pristine interior with unopened pages. In original rice paper dust jacket. One of 250 numbered copies. Author's first solo book. 69 pages. PRI/102016. Fine / Fine.
West Branch, Iowa: Cummington Press, 1970. Limited Edition. Hardcover. LIMITED EDITION. Number 116 of 300 numbered copies. First edition. Fine black cloth backed, beige covered boards with black title to front board. Interior is clean and bright with lovely color illustrations. In white dust jacket with no title or text. Small closed tear to top edge of rear panel of dust jacket. 20 pages. PRI/102516. Fine / Very Good.
Omaha: The Cummington Press, 1990. Littell, Harry. Hardcover. 16mo -. 140/243 c. Beautiful copy of compilation of Howard's poem, with 7 photoengraved plates by Harry Littell. INSCRIBED on colophon by writer. Light brown Japanese cloth with spine label with author name wrapped over front board with title. Printed by Harry Duncan on moldmade paper by Caratier Miniani Fabriano. Bembo type. 120 pp. PRI/020207. Fine.
Omaha: Cummington Press, 1993. Paper Covered. 12mo. 87/140 c. Lovely poems in nicely printed book. Pink and gray marbled covers with spine label extending onto the front cover. Bembo type printed on Lana Royal paper by Harry Duncan at the University of Nebraska Book Arts Center. 59 pp. PRI/031907. Fine.
Omaha: Cummington Press, 1987. Limited Edition, Privately Printed. Hardcover. 12mo. 78/300 copies. Another fine work printed at Harry Duncan's press. Mr. Duncan was described by Newsweek as the father of post-WWII private press movement. Gray cloth binding with paper label on spine and front board. Pristine. 77pp. PRI/011607. Fine.
Cummington Press, 1943. Hardcover. 238 of 430 copies. The Latin text with an introduction and English translation by Allen Tate. Black cloth boards with red title to spine. Slight bump to bottom corner of front board. Wear resulting in exposed book board to bottom corner of rear board. A few spots of foxing to end pages, else clean. Sticker from Bull's Head bookshop to front endpage. PRI/012808. Very Good. No DJ as Issued.
Maureen Cummins, 2018. Number 17 of 35 copies signed and numbered by the book artist, Maureen Cummins. Secretary deconstructs the life and death-by-suicide of the artist's mother, Dolores Cummins, a brilliant woman, aspiring artist, and housewife for twenty-five years. It is this story that inspired Cummins's later book Crazy Quilt, as well as all the subsequent work that she created around marginalized populations. This book is the first of several around this common theme that Maureen has become well-known for. Secretary is made even more powerful by the structure and composition. It was letterpress printed on sheets of Asian lined paper resembling a steno pad, with titling redacted by hand in graphite. The type used appears to have been typed on an old typewriter. Each section of the book is preceded by a ghostly photographic image of Cummins's mother from that period of her life, reprinted from originals in the artist's possession. The text pages are bound in the style of a stenographer's notepad. It is housed in a stiff grey paper folder. Maureen Cummins is a noted creator of artists' books. Her work is held in over one hundred permanent public collections internationally and has been included in exhibitions at the American Craft Museum, the Corcoran Gallery of Art, and the Rotunda Gallery (amongst others). She has received over a dozen grants and awards and has been an artist-in-residence at numerous venues, including the American Antiquarian Society and the Irish Museum of Modern Art. In fine condition. Measures 8.75 x 14.5 inches. ARTB/100119.
West Chester, PS: Aralia Press, 2008. Softcover. One of 100 copies. A small collection of sometimes humorous, sometimes poignant poems about the life of a single man seeking a relationship. Bound in stiff brown paper wrappers with title label on front cover. Printed in Bembo type on Frankfurt Cream Paper. In fine condition. Measures 6 x 8.5 inches. Unpaginated (6 text pages). PRI/053020. Fine.
Pasadena, CA: Deeply Game Productions, 2012. Hardcover. Number 1 of 7 copies. Signed and numbered by the book artist. Sara Press is a photographer, printer, and book artist whose work addresses science, nature, and the intricacies of our culture. This is a suite of four etchings by Ms. Press that depict contemporary mixed-martial-arts fighters. The accompanying text has been appropriated from a panther / bear fight advertising poster from the 1850s. The text describing animal fights is juxtaposed with the prints of human fighters to make an important statement on violence. The typeface is designed by Dan Mayer. Letterpress printed on a Vandercook No. 3 Proof Press. The loose prints and text pages are housed in a solid maple box with title burnt into the lid. This book was made in California and East Coast humidity has caused the box lid to warp a little along the edges. Unpaginated. ARTISTSBOOKS/030613. Near Fine.
San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
Rockville, MD: Erik Delfino, 2015. Number 5 of 10 copies signed by the book artist. A stunning production by book artist and photographer Erik Delfino. In his accompanying pamphlet about the 1964 fair, Delfino writes that his parents took him to the fair when he was four years old. His memories are still vivid and treasured, and he hopes that the photographs of the still remaining structures that he took for this book at the fiftieth anniversary celebration have captured the spirit of the fair. The photographs and text are digitally printed on loose sheets of 19 x 13 inch Epson Exhibition Fiber paper. The twenty-five striking and evocative color photographs are of the structures still remaining at the fair site. They are bold and often abstract and geometric. The photos are interspersed with text offering his brief impressions from viewing the site. The photos are followed by a leaf with pictures of Delfino and his parents on the day they visited the fair. There is a table of contents on the colophon page. The leaves are housed in a taupe cardboard folder that is housed in a blue cloth case, which is encased in a 19.5 x 14 inch stainless steel box with an impression of the iconic stainless steel unisphere. Includes a copy of Cotter and Young’s The 1964-1965 New York World’s Fair. Unpaginated. ARTISTSBOOK/112916.
Malvern East, Victoria Australia: Electio Editions, 2011. Softcover. Number 29 of 40 copies of which 31 were for sale. The is the second book in the Alan Loney's Electio Edition "alphabeta series". Alan Loney (1940 - ) is a well known writer, poet, editor, publisher and letterpress printer. His work has been published by University and private presses in New Zealand, Australia and North America.His own presses have printed and published many of New Zealand's most noted poets. He has also produced books himself, and in collaboration with artists and printmakers in New Zealand and overseas. His partner Miriam Morris enjoys a dual career as a visual artist and professional musician. For this book Morris contributes two original pen and acrylic drawings, each one unique in each copy. Marion May Campbell is better known as a contemporary Australian artist, but the book's prospectus describes her as also a poet of brilliance, sensitivity and skill. Bound in hand stitiched tan paper covers with title in yellow and author and artist names in red. Designed and printed by Lone with Dante and Libra types printed on damped BFK Rives paper. Housed in a bright yellow clamshell box and accompanied by the prospectus. In fine condition. Measures 5 x 9.25 inches. Unpaginated. PRI/022020. Fine.