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Omaha: The Cummington Press, 1990. Littell, Harry. Hardcover. 16mo -. 140/243 c. Beautiful copy of compilation of Howard's poem, with 7 photoengraved plates by Harry Littell. INSCRIBED on colophon by writer. Light brown Japanese cloth with spine label with author name wrapped over front board with title. Printed by Harry Duncan on moldmade paper by Caratier Miniani Fabriano. Bembo type. 120 pp. PRI/020207. Fine.
Omaha: Cummington Press, 1993. Paper Covered. 12mo. 87/140 c. Lovely poems in nicely printed book. Pink and gray marbled covers with spine label extending onto the front cover. Bembo type printed on Lana Royal paper by Harry Duncan at the University of Nebraska Book Arts Center. 59 pp. PRI/031907. Fine.
Barcelona: Elies Plana, 2018. Hardcover. One of 50 regular copies from an edition of 72. The printer Elies Plana is a Barcelona based book artist and printer who has been working in the field for the last 15 years. After studying fine arts at the art school of Olot, he joined the workshop of his father, Miquel Plana. He learned the craft and the different techniques by helping and assisting his father in the production of over 100 fine books. He not only learned the love for the books but also for the craftsmanship involved in every stage of producing them. In 2008 he started his own projects that vary from editions book, prints and special commissions. He works with different techniques, from linocuts and woodcut to etching, and uses lead and wood types to print the texts. He has worked with different writers and poets, mainly related to the Catalan culture. This striking book is the result of a collaboration between Plana and a number of other contributors. The text is an unpublished poem written by Ateri Miawatl in the Nahuatl language of the Uto-Aztecan family, which originated in Mesoamerica and is spoken by 1.4 million people in central Mexico. It was translated into Spanish by Omar Gatica. Maria Merce Padrose and Miquel Colomer did the Catalan version and D. Sam Abrams the English version. The books design and layout were done by Gabriela Comba. The handsome yellow and black linocuts are by Francisco Villa. Printed on GravArt paper. Bound in bright yellow paper covered boards, with title in black with a design of the title's letters debossed around it. Black cloth spine with title in yellow. In fine condition. Measures 9 x 13 inches. Housed in a brown cardboard slipcase. Unpaginated [17 pages]. PRI/102518. Fine.
Israel: Even Hoshen, 2009. Someck, Ronny. Hardcover. Numbered and signed by the author and printer. A collection of five poems by Ronny Someck about ballet with two hand-colored illustrations. Someck is an Israeli poet, musician, and artist who has won multiple awards for his poetry including the Prime Minister's Award, the Hans Berghhuis prize for poetry, and the Yehuda Amichai Award for Hebrew poetry. He is internationally renowned with poems published in over thirty-five languages and ten books of poetry published in English. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. Pointe Shoes is a dos-a-dos structure printed in both English and Hebrew. It is bound in black cloth boards with inset cloth ballet slippers to both boards and decorative pink and black ribbons to spine. The center of both signatures features four black and pink flourishes. Printed on Grandee paper and handset in Alt-Mediaval and Margalit type. Housed in a black cloth slipcase. A fine production. Unpaginated. [18 pages.] PRI/032713. Fine.
Oxford: Privately printed at the New Bodleian, 1959. Hardcover. First edition. 17 of 100 numbered copies. Signed by the author and Herbert Davis, the printer. Includes 36 poems. Bound in gray paper covered boards with printed paper label on the front board. Offsetting to endpapers and pastedowns from removed acetate dust jacket. Slight sunning to spine. Printed in Eric Gill's Joanna type from matrices lent by Rene Hague. Slight musty smell. Unpaginated. PRI/101316. Very Good.
New York: House of Books, Ltd., 1939. Hardcover. LIMITED FIRST EDITION SIGNED BY THE AUTHOR. NUMBER 68 OF 250. Small 8vo. Near fine in blue cloth covered boards with gilt title to front board and to spine. Minor fading to spine. Minor browning to front free end page. Else is pristine with untrimmed pages. In original glassine dust jacket with a few small closed tears to the edges. Unpaginated. PRI/102016. Near Fine / Very Good.
Oldham, England: Incline Press, 2010. Paperback. One of 140 copies published for the Summer Fair at Greenside Primary School Shepherds Bush London. A charming collection of poems for children. Poets include W.B. Yeats, William Blake, William Wordsworth, Edward Lear, and Lewis Carroll. Printed with Poliphilus type on Somerset Text Laid paper. Green Indian decorated paper wrappers with handsewn binding. In near fine condition. Unpaginated [18 pages]. PRI/033015. Near Fine.
Oldham, England: Incline Press, . Paperback. Number 30 of about 200 copies. A sweet love song with a note about its history and the author of the reprise. Fine in blue paper wrappers with light blue paper title label to front cover. Printed in red and black inks with several illustrations on fine paper. Unpaginated. [12 pages.] PRI/092013. Fine.
Oldham, England: Incline Press, 2015. Number 33 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/072015. Fine.
Oldham, England: Incline Press, 2015. Number 48 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/080316. Fine.
Oldham, England: Incline Press, 2015. Paperback. One of about 250 copies of this chapbook written and illustrated by English poet and printmaker Jo Reed. Blue paper wrappers with hand-sewn accordian folded pages of text and print. Handset in Bodoni types. In fine condition. 4 x 8 1/2 inches. Unpaginated. PRI/072015. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
Hammersmith: Kelmscott Press, 1896. This is a beautiful original leaf from the magnificent The Works of Geoffrey Chaucer issued by the Kelmscott Press. It is considered a landmark in the history of printing. This disbound leaf is the first page of text for "The Hous of Fame Liber Tercius - the Invocation". Chaucer’s 'House of Fame' is a surreal account of a dream in which the poet visits the palace where Fame herself sits in state. Chaucer’s tour-guide to this strange corner of the medieval universe is a comically garrulous eagle, and there is even time for the pair to stop by the House of Rumour. This page has a splendid illustration by Edward Burne-Jones, who provided the designs for the 87 wood-engravings that illustrate the book. It shows the poet wandering among the ice that have the names of famous people inscribed - but he cannot read them because all but a few letters have thawed and disappeared (fleeting fame...). The illustration is enclosed in a beautiful ornamental border designed by William Morris. There is also an ornate 16-liine opening initial and a six-line initial on the front page. The other side of the page has double column text with ten three-line initials. Printed in Chaucer type on Perch paper. In near fine condition save for pinholes along the left margin from binding, a few light spots of foxing, and two faint tape marks to the top margin of the verso. 11 x 17 inches. PRI/011519. Near Fine.
Hammersmith: Kelmscott Press, [1896-1897]. Six Leaves, pages 83-94, from "The Wanderers and March" in The Earthly Paradise that offer a wonderful example of the fine printing of the Kelmscott Press and the impressive poetry of Morris. Pages 83-90 are from "The Wanderers". Pages 91-94 are from "March", with the opening text , border decoration and ten-line decorated initial "S" of March. Other pages with four and six line decorated initials. Printed in black and red Golden type on Apple paper. In near fine condition. PRI/050216. Near Fine.
Massachusetts: Viewpoint Editions, 2011. Hardcover. Number 13 of 15 copies. This mystical book by the award winning book artist Dorothy Simpson Krause draws upon her work as a painter, collage-maker, and printmaker. The text is from Samuel Taylor Coleridge's poem "Kubla Kahn or A Vision in a Dream, A Fragment,” composed in 1797 after an opium-induced dream. Krause’s imagery creates a vision of a savage place, with holy and enchanted caverns, walls, towers and a sacred river where "the shadow of the dome of pleasure floated midway on the waves.” These haunting images of submerged architectural passageways, lit from within, reflect the branches of trees and illuminate floating leaves and flowers. Bound in gold and brown Asahi fabric over boards with gold cloth spine. The title and author are stamped in gold on a gold paper label on the front board. Laserprinted with endsheets of mustard gold Lokta paper. Housed in a gold organza bag with gold drawstring ties. In fine condition. About 5 x 7 inches. Unpaginated. PRI/100312. Fine.
New York: Covici Friede, 1928. Hardcover. Number 328 of 750 copiers. An additional 100 copies were signed and specially bound. A bit of a whimsy: epigrams and aphorisms by Wilde from the beyond, taken down in "automatic writing" by the otherwise unidentified Lazar. The epigrams are unfortunately not in the same league as Wilde's own trenchant observations on life and more - and Lazar would have us believe Wilde began speaking in Americanisms when he reached the other side. But as it is observed here that "pedantry is stupidity that read a book," it is probably churlish to look too closely. Set by hand in Lutitia Cursive type and printed on a Van Rees Press on Normandy Vellum paper. In tan cloth backed paper covered boards with gilt title to spine. Minor wear to edges and corners of boards. Short closed tears along the top margins of a couple pages. Clean and bright. In a good tan dust jacket with black title and design to front panel. The edges of the jacket are chipped and the spine panel is no longer present. The bottom edge of the rear panel of the jacket is dampstained, but it looks like the jacket successfully protected the book as there is no evidence of staining to the boards. 37 pages. PRI/053111. Very good in good dust jacket.
Oakland CA: Littoral Press, 2002. Hardcover. Number 6 of 125 copies. This is one of the ten copies from the Deluxe Edition that are signed on the colophon by sixteen of the seventeen contributors to this poetry and prose anthology (alas, not Frida Kahlo). They include Ahimsa Timoteo Bodhran, Claribel Cone, Martha Gies, Robert Hass. Steve Hellman, Marie Howe, Frida Kahlo, Vickie Karp, Stephen Kessler, Rachel Loden, Jane Miller, Janell Moon, Sharon Olds, LIsa Rappoport, Mark Salerno, Joseph Stroud, and Gary Young. Rappoport writes that this book "is dedicated to those we love with a blazing passion, to those we hope will burn in hell, and ideally, to the future separation of the two." She has been a book artist for almost twenty years and her books can be found in many institutional collections. This beautiful accordion book is bound in red and black Thai Unryl reversible paper with a black title label to front cover. Printed with handset Garamond type on Johannot paper with black and blood-red ink. Each volume has unique pastepaper endpapers. With title page drawing of a heart in flames by Bobbe Besold. The book is 11 x 7 folded and 18 feet long unfolded. In fine condition. Unpaginated. [25 pages] PRI/030915. Fine.
Middleton CT: Robin Price, 2012. One of 50 copies of this broadside created by Price and De Nigris for a kickstarter campaign for an apprenticeship for Brittany. The quote is by Agnes Martin from her book Writings. Letterpress printed in Perpetua type. Slight creases to top edges otherwise near fine. 10.5 x 13 inches. PRI/111816. Near Fine.
New York: n.p., 1927. Hardcover. One of 245 copies privately printed for George A. Nelson as a Christmas keepsake. This George Nelson may be the American socialist who was the 1936 Socialist candidate for Vice-President of the United States, here reprinting a poem by famed British Socialist William Morris. Bound in blue paper boards with a white paper spine and title label affixed to front cover. In near fine condition. Housed in a white cardboard box with blue paper lid. Book measures 5 x 8 inches. Unpaginated [4 pages]. PRI/112918. Near Fine.
Portland: Thomas B. Mosher, 1901. Hardcover. Number 84 of 100 copies printed on Japanese vellum. Includes Poe's most famous poems and additional poems written in his youth. Beautiful modern deep purple leather binding with gilt title to front. Original endpapers. The text is bright and clean and many of the pages are unopened. 87 pages. POE/080407. Fine.
Portland ME: Thomas B. Mosher, 1909. Paper covered boards. 1 of 925 copies. A charming title from Mosher's press. Printed on Van Gelder paper with an appropriately delicate type. Bound in cream paper boards to resemble vellum, with yapp edges. Title printed in brown on front board, bordered by an art nouveau style flower design. Other than a smallgray spot on the front board and very slight coloring to end pages, the book is in pristine condition. There is a short gift inscription in French to a ffe. The interior pages are beautiful, with original ribbon present. Many pages are unopened. In a very shabby case which served its purpose in protecting the covers. 130 pages. PRI/102307. Near Fine.