Washington DC: Abstract Orange Press, 2020. Number 6 of 20 copies signed and numbered by the book artist. Lauren based this powerful and timely work on the United Nations Universal Declaration of Human Rights from 1949. She has created a set of 30 broadsides, each printed with text from one of the declarations, starting with "all humans are free & equal" through "no one may deny the rights of others." The text pages have hand cut wood type printed on brown chipboard using neon ink and printed on a Vandercook 99 proof press. They are housed in a portfolio with the title printed in wood and metal type on blue Keaykolour cover stock. In fine condition. Measures 7 x 11 inches. ARTISTS/100620. Fine.
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Washington DC: Abstract Orange, 2019. Number ? of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/122319. Fine.
Richmond, VA: Monalisa Bagby, 2020. One of four copies signed and numbered by the book artist. Lisa Bagby describes this intricate and mysterious book as "a magical tale of how beauty enters the world and the intertwine of fate and potential." She explores her theme by following the journey of an unnamed good woman who realizes that as she responds to circumstances over which she has no control that she is realizing her potential in ways she could not have imagined. The artist incorporates striking visual and structural designs throughout this book to trace the course of the good woman's journey. They include screen printed patterns of foliage and shapes, the use of colors and various papers to delineate the text, pop-ups and reverse pop-ups, and images from a Liechtenstein print, and a Chagall painting. The backs of the pages of this concertina book are also screen printed using the colors black, orange, and gray. All of the images on the back relate to the story unfolding on the front side. They include the constellation Ursa Major to refer to the mention of a black bear, while an image of a polar bear refers to stories told to the good woman about the North people. Postage stamps of birds pasted in pertain to their cacophony. Printed in Roboto on Rives paper, with insertions of various other fonts. It is bound in grey cloth with maroon floral designs on the front cover, with a black string tie with a maroon and cream button attached. In fine condition. Measures 8.25 x 8.25 x 1 inches. ARTISTSB/101620.
San Diego: Anne Covell, 2017. Number 9 of 20 standard copies. There were also five deluxe and two artist copies of this beautifully conceived and executed work. Anne Covell is a book artist and hand papermaker living in San Diego, CA. . She has studied Asian and Western papermaking techniques with Timothy Barrett, and has taught for numerous professional organizations including the Morgan Art of Papermaking Conservatory, Penland School of Crafts, and the University of Georgia study abroad program in Cortona, Italy, among others. Her work has been exhibited internationally and can be seen in a growing list of private collections, special collections libraries, and museums worldwide.In her colophon Anne writes: "I first became interested in the Japanese beetle in 2012 during a particularly hot and dry summer in Iowa City. Perhaps it was a result of the season or of my having moved to a new home ripe with some of the beetle's most preferred foods, but I became overwhelmed by its pervasive, relentless assault on my garden. AS the summer wore on, I began finding leaf remains gathering at the bases of trees...as if it were fall. Their presence was out of place; out of season. But when I began to look more closely, what struck me was the beauty of form that the beetle had inadvertently left behind. Starved of oxygen and drained of color, these leaf skeletons would soon crumble and return to the earth. But, for a moment they existed between realms and reflected a loss that spoke to the complexity of the natural world." The book contains 12 folios of 100% Japanese Gampi hand-dyed with persimmon tannin and treated with konnyaku to mimic the sound and texture of withering foliage. The illustrations of leaves, berries, and twigs were letterpress printed from drawings by Anne. Housed in a stiff brown paper handmade envelope. Measures 4.5 x 10 inches. Fine condition. ARTISTSB/010421. Fine.
Philadelphia: University of the Arts, 2017. Hardcover. Number 6 of 10 copies. Signed by the artist. Folio. "All Disease is an exploration of hysteria in women. Images of inkblots invoke interpretive psychological tests and are paired with images of pelvic bone and language from 18th and early 19th century medical texts. The conclusion presented by the male-dominated voices in the text is that women are bound to irrationality, emotional instability, and insanity on account of the womb" (artist statement). The text that meanders through the book, often cut off against the edge of a page reads: "The womb, the starting point of hysteria. My womb, the starting point. Like some delicate plant deprived of the beneficial rays of the sun, she is a flower, which withers and droops away, even before its blossoming. On account of the uterus, woman is all disease. A document in madness, thoughts and remembrance fit. Divided from herself and her fair jud ... On account of the uterus, I am all disease.... some delicate plant deprived of the beneficial rays of the sun, she is a flower, ... My womb, the starting point of hysteria. A document in madness, thoughts and remembrance fitted. The womb, the starting point of hy ... On account of the uterus, woman is all diseas... Divided from herself and her fair jud ... On account of the uterus, I am all disease." The disjointed, repetitive text paired with the inkblots makes the reader feel as if they are descending into madness or recalling a traumatic event. As you read it, you can easily imagine a woman sitting, rocking, and whispering these words over and over in a chant of despair - and then you realize that as the reader, you have become this woman. A subtle, but powerful book about the oppression of women. Bound in quarter black leather boards with hand marbled paper covered boards. Imagery and text are appropriated from 19th century medical texts and Shakespeare's "Hamlet." Letterpress printed on a Vandercook SP20 from polymer plates. Printed on handmade cotton rag paper (including watermarks, formed shapes, and pulp painting). Inkblot imagery printed by hand lithography. Size: 22 (width) x 15 (tall) inches when open. ARTB/060920. Fine.
Whittington, England: Nomad Letterpress, 2019. One of 125 copies. This copy is unique bound in a stunningly beautiful leather binding by Hannah Cousins, the book's author and artist. She is a British printmaker and illustrator who graduated from the Camberwall College of Arts in London in 2012. Coastline, Hannah's first book, chronicles a two-week trip down California's iconic Pacific Coast Highway, between San Francisco and Los Angeles, a route taken by Hannah and her husband Luke in Autumn 2016. She states that Coastline is a linocut and letterpress love-letter to the California coast " For ten days we travelled along the rugged coastline of Big Sur, through the rolling hills of San Simeon, and settled under the swaying palm trees of Venice Beach. I didn’t anticipate becoming so enchanted by it all and couldn’t resist documenting along the way. Coastline includes fifty linocut engravings and pochoir illustrations which draw inspiration from the autumnal coastal plant life and dazzling ocean views, and are accompanied by my travel diary. The book is a celebration of a beautiful landscape and a tribute to that time travelling down the California coast." The book is letterpress printed in Monotype Walbaum and printed on heavy-weight Zerkell papers. Hannah's lovely design binding creates an impressionistic image of sky and sea in various shades of green and pale yellow. Housed in a cream linen clamshell box with blue linen edges and title label to spine. In fine condition. Book measures 11 x 14 inches. Box is 12 x 15 inches. ARTISTSB/122420. Fine.
Dania Beach, FL: Claire Jeanine Satin, 2020. A unique artists' book from Claire Jeanine Satin, a well known book artist, sculptor and designer of public art installations. Satin's work has been extensively exhibited and collected in the United States and in Europe, including at The Library of Congress, the National Museum of Women in the Arts, The Getty (CA), MOMA, and The Victoria and Albert Museum. She is known especially for her conceptual works in uenced by the ideas of her friend and mentor the composer/visual artist John Cage, and the conversion of ordinary industrial materials into environmental constructions and book works of layered transparent mass. This is one of a series of unique works by Satin, each signed by her. Each book is created with Cordenons paper, a fine paper that has been manufactured in Italy since 1630. This book uses various metallic papers, stencils, fabric, crystals, and monofilament to create precise and inventive designs on the cover and each page. In a lavender cloth bag. In fine condition. Measures 9 x 7 inches. Unpaginated [10 pages]. ARTISTSB/111020.
Dania Beach, FL: Claire Jeanine Satin, 2020. A unique artists' book from Claire Jeanine Satin, a well known book artist, sculptor and designer of public art installations. Satin's work has been extensively exhibited and collected in the United States and in Europe, including at The Library of Congress, the National Museum of Women in the Arts, The Getty (CA), MOMA, and The Victoria and Albert Museum. She is known especially for her conceptual works in uenced by the ideas of her friend and mentor the composer/visual artist John Cage, and the conversion of ordinary industrial materials into environmental constructions and book works of layered transparent mass. This is one of a series of unique works by Satin, each signed by her. Each book is created with Cordenons paper, a fine paper that has been manufactured in Italy since 1630. This book uses silver fabric, photographs, glitter, sequins, crystals, and monofilament to create precise and inventive designs on the cover and each page. In a lavender cloth bag. In fine condition. Measures 9 x 7 inches. Unpaginated [10 pages]. ARTISTSB/111020.
Rutland, VT: Shattuck Studios, 2000. Number 1 of 5 copies signed by the book artist. This is an inventive work from well-known artist Carolyn Shattuck that displays her skill in using various book structures to convey meaning and context in the books she creates. She writes: Save the Rhinos was designed to bring awareness of their struggle as the population is rapidly declining due mainly to poachers. Her text describes the ongoing loss of these magnificent animals and the desperate efforts of those trying to save them. Despite these efforts, the Rhino Recovery Fund in South Africa estimates a rhino is killed every fifteen hours. They are sought because of the believe that powdered rhino horn has medicinal value and because the horn is valued in traditional Chinese culture as a symbol of wealth. Her design uses a flag book structure from which three origami rhinos, a giraffe, and three wildebeests are walking the grasslands of Africa when the book is opened. They are made with Lofta origami papers as well as Canson Mi Teinte, and Strathmore watercolor papers. The binding is a plain grey with an orange spine title label and a white title label, signed and numbered by Carolyn. The work is housed in a black stiff paper slipcase with an orange title label to cover. In fine condition. Measures 13.5 x 7.5 x 3 inches in slipcase. ARTISTSBOOK121520. Fine.
Bennington, VT: The Bird Press, 2019. Number 2 of 30 copies, signed and numbered by Thorsten Dennerline. Founded in 1997 by Thorsten Dennerline, The Bird Press is an artist-run publishing project that has focused on hand printed artists’ books. All projects utilize some inherent aspect of the book and often take the form of open-ended collaborations with writers. Each project is a response to the last, both in form and content, in order for the work to continually to evolve. Poetry, broadly defined, is a major inspiration for most of the work. They produce editions of between 15-40 copies, utilizing various print media including: flatbed offset lithography, stone lithography, etching, letterpress, wood blocks, and digital pigment printing. The Bird Press books are represented by many library collections, including The New York Public Library, Stanford University, Smith College, Yale University, The Library of Congress, The Getty Research Foundation, and The National Gallery. This book contains visual collaboration by Thorsten Dennerline working with six poets, each on a 4 page section. Each section has a stunning visual inventiveness that complements the poet's words and meaning. Most of the poems include its English translation. Susanne Jorn, who selected the poets included, writes in her introduction: " I have chosen six distinctive Danish poetic voices for an art project in which words and images encounter one another in widely different dialogues. The six poets' diverging views of the world represent new contemporary Danish poetry as a whole." In the afterword, Anne-Marie Mai says: "What Dennerline and the poets have created here is a new artwork, an object in the world, an artist book, where texts and visual elements interact, challenging the book medium." This folio book was created using stone, late, and offset lithography, metal and polymer petterpress, woodcuts, handmade and machine made papers and is hand bound. The colophon cites the several printers, artists, and others who contributed to this beautiful achievement. Bound in white paper covers with an open spine and the letters NDP on the cover. The book is housed in a blue cloth covered slipcase. In fine condition. Measures 13 x 18 inches.ARTISTSB/111720.
Bennington, VT: The Bird Press, 2017. Number 15 of 30 copies signed by the creators of this production. This complex and ambitious work is the result of an exchange between choreographer Susan Sgorbati and Thorsten Dennerline. They take Sgorbati’s concept of “Emergent Forms” as their point of departure. “Emergent Forms” grew out of Sgorbati’s study of the spontaneous composition of form in complex systems. Elements of order and interaction create recognizable patterns in these systems, but they remain dynamic, engendering differentiations that influence and modify the form. This phenomenon – the creation of order from a rich array of self-organizing interactions – is found not only in dance and music; indeed, it is present throughout the natural world. This project consists of four emergent forms (Pattern, Memory, Landscape, and Dream), each represented by a “volume”, a unique print/object. The texture, color and gesture of each form on paper emerged through the process of collaborative dialogue, reminiscent of a shared choreography. Each volume is not only a documentation of this dialogue, but also an interactive visualization of these emergent forms [artist's statement]. Various techniques were used in the creation of the volumes, including letterpress, woodblock, and stone lithography. The four volumes are housed in a CNC milled wooden box with a cloth top. The box in turn is in a stiff paper slipcase. In fine condition. Measurements: Box, 244x390 mm (9.5x15.5 inches) Books inside box: Pattern, 78x152mm Memory, 206 x151mm Landscape, 214x94 mm Dream, 151X305 mm. Founded in 1997 by Thorsten Dennerline, The Bird Press is an artist-run publishing project that has focused on hand printed artists’ books. All projects utilize some inherent aspect of the book and often take the form of open-ended collaborations with writers. Each project is a response to the last, both in form and content, in order for the work to continually to evolve. Poetry, broadly defined, is a major inspiration for most of the work. They produce editions of between 15-40 copies, utilizing various print media including: flatbed offset lithography, stone lithography, etching, letterpress, wood blocks, and digital pigment printing.The Bird Press books are represented by many library collections, including The New York Public Library, Stanford University, Smith College, Yale University, The Library of Congress, The Getty Research Foundation, and The National Gallery. Link to Video: https://youtu.be/0ZkNuAHvlFgARTISTSB/111320.
Toronto: George A. Walker, 2020. Number four of 35 copies signed and numbered by the book artist. An additional 10 hors commerce copies were made and lettered A–J. In this handsome pictorial biography, noted wood engraver George A. Walker celebrates the life of Mary Pickford (1892-1979), a silent film star whose groundbreaking contributions to the motion picture industry earned her the title ‘Queen of the Movies’. Toronto-born Gladys Louise Smith, who would later come to be known as Mary Pickford, first burst onto the silent-film scene at the tender age of 17. But Pickford was more than just ‘the girl with the curls’. In addition to her acting career—a brilliant success that spanned 52 features—Pickford also helped establish the Academy of Motion Picture Arts and Sciences as well as United Artists studio. In this edition Walker tells the story of Pickford’s life in a sequential narrative not unlike the silent films of old, complete with inter-titles. The 87 black-and-white wood engravings recall the monochromatic media of Pickford’s films, and echo the experience of interpreting stories visually. The number 87 was Pickford’s age when she died and the number 35 (copies of the limited edition) refers to the 35mm film on which silent movies were shot. The engravings are hand printed on 250 gsm Revere Felt mouldmade paper created at the 600 year old Cartiere Magnani mill in Italy. The book is beautifully bound in blue Asahi silk cloth and is housed in a clamshell protective box with a drawer that contains ephemera from Pickford's career. The ephemera included with this copy include a limited edition engraving that was featured in the book; Two small and one larger photograph of Pickford; two postcards of Pickford's birthplace in Toronto and her Beverly Hills home when she was married to Douglas Fairbanks; a postcard sized copy of a Pickford movie poster; and an early 20th century Charlie Chaplin film cell. The book features hand marbled end leaves and bevelled cover boards with a wood engraving print sunk into the cover. In fine condition. Book size: 6.25 X 7.5 X 1.75 inches. Unpaginated(160 pages printed recto). PRI/101620.