Toronto: Cheshire Cat Press, 2017. Number 31 of 42 copies. Signed by the printers and the author of the introduction, who are ardent and well-known Carroll admirers. The Cheshire Cat Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. From the prospectus: "Here finally is a book collecting all the Alice associated images into one volume. In this book is the work of the other PUNCH illustrators who were influenced by John Tenniel’s pictures for Lewis Carroll’s Alice. Oh yes we include Tenniel too! Through the many decades that Punch existed (1841-2002), references to the Alice books have been a common feature. Now you can have them all in one volume. The images are printed by hand directly from polymer plates made by Boxcar Press, except Alice Reigns Supreme (page 27) which is printed photo-mechanically. The plates were created from high resolution scans made directly from the original PUNCH publications. Printed on 115 gsm Rives Lightweight Buff 100% rag paper using a Vandercook Sp15 letterpress." Bound in green cloth with gilt title to spine and gilt ruling and Punch figure to front cover. Punch figure repetitive design to endpapers. Housed in a green cloth slipcase. In fine condition. 10 x 13 inches. 57 pages. PRI/031221.
Refine search resultsSkip to search results
Toronto: Cheshire Cat Press, 1991. Hardcover. Number 129 of 177 copies. Around 1982, Walker, Poole, and Brambant founded the Cheshire Cat Press. They spent six years working on their well received edition of Alice's Adventures in Wonderland, published in 1988. George Walker's wood engravings were so admired that the Press decided to publish a book that would be devoted entirely to his engravings. This is that book, which is divided into three parts.: In the first part the 96 illustrations featured in Wonderland are reproduced by chapter in the story's order. The second part, Alice's Misadventures, has engravings that were not used in 1988 along with the reasons why. The last part reproduces some of Walker's preliminary sketches for Wonderland. The introduction describes the procedures the three used in deciding upon each of the illustrations used in Wonderland. Bound in red cloth with gilt titling to spine. Red and gold marbled endpapers. Printed with Century Schoolbook and Hadriano & Hadriano types on Noranda Recycled Antique paper. The drawings were reproduced from Polymer plates. In fine condition. PRI/031221. Fine.
Baltimore: Hill Press, 2014. Number 32 of 60 copies. This handsome book combines Heaver's interest in two subjects and their confluence: Dutch-Inspired type faces and English prayer books. He states in his preface that this fascination had its foundation in years of typographic contemplation and that his HIll Press, founded in 1987, was an early manifestation. In this book, Heaver and his contributors explore the early Dutch types and typographers and how the use of their types spread to other countries. The Book of Common Prayer was chosen for detailed examination because of its beauty and the need to narrow the scope of the analysis. Bound in red cloth with white titling on spine and cover labels. Printed on Twinrocker paper with Fry Baskerville type. With many illustrations and tipped in items throughout. Title page illustration by Chris Manson. In fine condition. Measures 7.25 x10 inches. 65 pages. PRI/021221.
Boston: Daniel B. Updike at the Merrymount Press, 1904. A first edition of a scarce and lovely book. From the colophon:"Here ends the life of the divine Michelagnolo Buonarroti, written in Italian by Ascanio Condivi, and first printed at Rome, on XVI July , MDLIII, by Antonio Blado, printer to the Camera, and now done into English by Herbert P. Horne, and newly printed at Boston in the United States of America, at the Merrymount Press, by Daniel Berkeley Updike, I September, MCMIII, with the types and ornaments designed for him by the translator." In original paper grey boards. Wear to spine and torn along rear cover. Soiling and rubbing. still a nice copy of a fragile book with interior pages in very good condition. With bookplate of author William Greenough Wendell. Small octavo. x, 85 pages. PRI/042921. Very Good.
Toronto: The Aliquando Press, 1987. Softcover. One of approximately 100 copies bound in Mayfair Goldenrod covers, out of a total edition of about 235 copies. A charming chapbook designed and collaged by William Rueter with a series of black and white collages produced for the 1987 Grimsby Wayzgoose Anthology and the Typocrafters. In wraps. A fine copy. Measures 5.5 x 8.5 inches. Unpaginated [8 pages]. PRI/032521. Fine.
London: Printed at the Chiswick Press for George Allen, 1897. Hardcover. One of 1000 sets on paper (there were an additional 28 on vellum).A magnificent edition of The Faerie Queene with Crane's glorious illustrations. Walter Crane (1845-1915) was renowned as an illustrator, artist, decorator, and designer during his career. This was Crane’s most elaborate and extensive commission as a book illustrator. It was inspired by the revival of the private press, particularly the Kelmscott Press, as well as by the transition from Art Nouveau to Arts and Crafts, and by the importance of the illustrator in book production, bound white cloth, with gilt spine lettering plus a large Art Nouveau design in gilt stamped to the front boards. This was originally issued in 19 parts, and all of the original salmon colored pictorial front wrappers are bound in. There are 88 mostly full page (one double page) black on white and white on black illustrations and 132 head or tail pieces, all from woodcut designs by Crane. The boards show very light wear and spines are slightly darker than covers. The texts are very tight throughout with front hinge to volume I somewhat cracked. Pages with some light aging to the margins and just a few have a light speckle. All volumes are in very good or better condition. 1546 pages. PRI/ 042821. Very Good.
Chicago: Starshaped Press, 2020. One of 40 copies signed and numbered by the book artist. This splendid production from Jennifer Farrell's Starshaped Press celebrates her love for Chicago and showcases the impressive type and ornament collection that she has gathered and uses for her work. For this production she created ten multi-colored prints, or ELEVATIONS, that cover the themes of printing, women, labor, music, neighborhoods, architecture, motherhood and perseverance. Each tells a story in image and anecdote while featuring a grouping of typefaces based on her approach to the subject. Ten CONSTRUCTION DRAWINGS designed to resemble traditional architectural bluelines explain and document the text and typography of the prints. Each set is held in an archival folder and housed in a clamshell box. She writes: "Since 1999, Starshaped Press has stayed true to the original craft of letterpress, disregarding the naysayers that claim antique metal & wood type is too limiting for quality design. With solid presswork and hard working midwestern gumption, I like to buck popular trends by showcasing the beauty and relevance of well-designed, historic type. Unlike most letterpress shops, Starshaped focuses on reusing existing materials (some over 150 years old) for all projects, meaning no plastic is ever used in production. The substantial metal type collection at Starshaped Press is constantly growing and evolving alongside my life experiences that are deeply rooted in Chicago. The urban environment is the backdrop for this typographic memoir that showcases the studio’s type collection and serves as a pictorial representation of the first 25 years of my life in the city." Printed on Mohawk Superfine Cover paper. The clamshell box is covered with red cloth with a pictorial title label affixed to the cover. Fine condition. Prints measure 11 x 17 inches. Box is 11.75 x 18 inches. ARTISTSB/061920. Fine.
San Francisco: The Grabhorn Press, 1934. Hardcover. One of 550 copies. These historic documents were assembled for this book with an introduction by Douglas S. Watson. The "Plan" and "Junta" have been translated from the Spanish documents by Douglas S. Watson and Thomas Workman Temple II, and the "Diario" of Miguel Costansó follows the translation of Frederick J. Teggert. Includes a facsimile of the original map provided by Henry R. Wagner. Printed in Franciscan type designed by Frederic Goudy for the Press. With two woodcut portraits by Zena Kavin. Bound in original orange and brown patterned paper boards with brown linen spine with orange title label. Spine label is torn as is the top right edge of the spine. Bumped corners and small black line on rear cover. Interior pages are clean with untrimmed edges. Bookplate of Niels P. Thomsen on front pastedown. Very good condition. Measures 8 x 11 inches, 63 pages. PRI/040221. Very Good.