El Sobrante, CA: Lisa Kokin, 2014. A unique hanging book art object made from golden thread, shredded money, and zippers. According to the artist: This is "another piece from my Facsimile series of stitched work using zipper fragments. Each length of zipper fragments corresponds to the length of each word on the original book page. I chose a page spread (pages 248-249) from Alexis de Tocqueville’s 1835 book ‘Democracy in America’ as the basis for the piece. Each zipper fragment corresponds to the length of a word in the page spread. The substrate is made entirely from thread with bits of shredded money stitched in. I was worried about the demise of democracy in 2014 and I’m even more worried now.
The story of the Facsimile series begins with the twelve boxes of books that I inherited from my grandfather via my mother. Schlepped from house to house, Brooklyn to Long Island to Florida to California – a uniquely twentieth century Jewish-American itinerary – these treasured books are my literary and intellectual heritage.
At first I thought that I would alter some of the volumes, which include sets of Dostoevsky, Chekhov, Flaubert, Wilde, and Whitman, to give them a new life and to prevent the certain fate that awaits them at the recycling center or worse, the landfill. I took myself several months to gather my courage to do this, only to realize that I was incapable of making the first cut.
Instead I began to make faux pages and page spreads using the trimmed-down zippers that I had snagged at a fabric give-away months before. The first pieces were generic book pages, small, even, single-column blocks, made of zippers and thread, with no reference to specific texts. After several months, the work entered the realm of specificity when I decided to work from particular books and to incorporate fabric as a substrate.
I began with four different text sources: the aforementioned boxes of my grandfather’s books (Oscar Wilde and Walt Whitman); dictionaries (because I love the way they look, their illustrations, obscure and archaic words and the fact of their sad and inevitable demise in the digital age); Jewish history (my divergence from the prevailing all-or-nothing stance towards Israel); and democracy (recent Supreme Court decisions involving the unlimited use of money and disenfranchisement to determine election outcomes).
While in the past I have used readable text, in this work I have substituted text for fragments of stripped-down zippers, with their attendant metaphors of concealment, closure, and impenetrability. The zippers themselves are often not “read” as such, as they are bundled by thread. It is only by reading the titles and source texts that the viewer has an inkling of the content." Size, open: 15.5 x 20.25 inches.
Lisa Kokin is a well-known visual artist and book artist who also creates art with sewing and alterations, as well as with button work and assemblage. She also is known for acting as a mentor and coach to people in the arts. Her work is in collections across the U.S. Fine. More