circa 1650. These are leaves from a Hafez Dewan fragment of Ottoman origin, circa 1650, on paper, measuring 169 x 78 mm., consisting of nineteen lines of delicate black nasta'liq script within geometric designs in blue ink. The author, Mohammed Shams od-Din Hafez, lived from 1325-1399. Hafez was one of Persia's finest lyric poets and wrote in the sophisticated "Ghazal" manner. The Dewan takes the poetic format of six and fifteen couplets and expresses Sufi ideals in lyrics. Framed. #17709/17710. Very Good. More about Hafez Dewan Fragment Leaves

circa 1760. This is a set of leaves from an anthology or collection of poems by Sa'di, Amir Khusrao, Jami and others. Circa 1760, it is written on paper, in a fine hand, black nasta'liq script with occasional phrases in blue. Written diagonally within two columns, the text throughout is encased in double gold lines with a few exquisite blue and gold floral headings. The fragment also contains illuminated title in polychrome colors of blue gold and red with a final folio of perching birds amongst flower sprays. Framed. #22611/22702. Very Good. More about Poems by Sa'di, Amir Khusrao, et al., Two Leaves

India: 1425. Framed rare leaf from the remains of a Koran, on paper, India, Sultanate, originating in the state of Bihar, circa AD 1425 (330 x 250 mm).  Text is from the end of juz 15 and juz 16 – 30. There are eleven lines of large bihari script in black ink; the word Allah picked out in red or gold throughout, first ‘ayah’ of each juz selected in gold, single verse divisions marked with illuminated gold florets, sura headings written in white on illuminated panels with palmetts extending into the margins, inner and outer margins ruled in red and blue, large finely illuminated marginal devices marking sajda instructions, juz, quarter and half and three-quarter juz, text words in black. The condition is in unusually good condition.  Damp staining confined largely to one corner, hardly affecting the text. #17886. Good. More about Indian Koran Leaf

circa 1825. This brilliantly illustrated leaf is from one of the highest quality medium sized Indian Koran manuscripts, on paper, measuring 192 x 133 mm., circa 1825. This page consists of twelve lines with a floral margin, which is reserved for only the finest manuscripts produced for important personages. The script is naskh, with thuluth in the headings, and is of a fine elegant hand. A Persian interlinear translation in red has been added. All lines are in gold, as too is the floral borer and the Chapter Heading cartouches that are further embellished with blue floral end pieces and white titles. There are slight signs of devotional wear. Framed. #4324. Near Fine. More about Indian Koran Leaf, circa 1825

1809. A leaf from a large Koran on polish ivory paper measuring 310 x 190 mm. or approximately 12 1/4 x 7 1/2 inches, with twelve lines of black naskh script between gold rules, gold roundels between verses, sura headings in red on gold panels with polychrome floral spandrels. Red Persian interlinear translation, extensive marginal commentary within gold clouds, elsewhere in the form of Cypress trees and finial shapes. Framed. #6373. Fine. More about Koran Leaf, Large,1809

A leaf from an illuminated poetry manuscript, Moulana Nurruddin Abdorrahman Jami, North India, middle of the 18th century, on gold sprinkled paper. There are twelve lines to the page written in two columns of elegant nasta'liq script in black ink, inter columnar rules decorated with floral motifs, corner pieces and outer margins decorated with floral sprays and motifs in colors and gold throughout, inner margins ruled in colors and gold. Leaf measures 210 x 140 mm. Framed. #32889. Very Good. More about Leaf from a Poetry Manuscript, Moulana Noor-od Din Abdorrahman Jami

India: 1878. This is a leaf from a remaindered (Dala'il al-Khayrat) prayer book, scripted in India, in 1878, thirteen lines scribed in a strong Naskhi script on a fine lines paper, measuring 204 x 130 mm. It was written in Arabic with Persian translation in red ink between the lines. The holy name of Allah is in red ink. The headings are in gold as well as the borders. Gold rosettes end the verses. The original text was composed by Muhammed ibn Sulayman al-Jazuli. This is one of the most popular devotional prayer books of Islam. Framed. #17661. Fine. More about Leaf from an Indian Prayer Book

circa 1575. This is a leaf from a Prayer book and Benedictional for the use of Cistercian Nuns, in Latin, France second quarter of the 16th century. There are eighteen lines in black ink of angular Gothic script from the section of Temporal Benedictions. Provenance: Cistercian House presumably a nunnery since the opening, and only illustrated, office for the profession of female novices, who promise to live secundum regulam sancti Benediciti. The Illumination within this Prayer Book shows considerable similarities with those of the Master of Francois de Rohan, active in Paris from c. 1525 - 1546. Beautifully custom framed. #6800. Fine. More about Leaf from Cistercian Nun Prayer Book

A leaf from a Koran, India, late 15th century, on paper (150 x 115 mm). There are fifteen lines to the page written in elegant bihari script with diacritics in black, the word Allah picked out in gold throughout, illuminated rosettes between verses, margins ruled in blue and red, illuminated devices in margins, sura headings in white on gold panels. Verso: fifteen lines to the page written in elegant bihari script Framed. #32531. Near Fine. More about Leaf from Indian Koran

Italy: 1625. Framed leaf from a manuscript antiphonal, of Italian origin, circa 1625, in Latin, on vellum. There are five staves of music and verse in Rotunda script with large capital initials. This Antiphonal was used in a very large cathedral because of its enormous size and is extremely rare.The leaf measures 750 x 525 mm. #49347. Fine. More about Leaf from Manuscript Antiphonal

Spain: 1650. A leaf from a Medieval Antiphonal or Choir Missal, Spain, circa 1650, in Latin on extremely heavy vellum. Text is in a Spanish rounded gothic hand (Rotunda). Music is on a stave formed of five lines. There are six lines of music and verse. Verso: six lines of music and verse. Framed. #2537. Near Fine. More about Leaf from Medieval Antiphonal

Paris. A leaf from a medieval manuscript Bible: Paris, France, mid 13th century. In Latin on vellum (197 x 134 mm). There are fifty-five lines of triple column text in microscopic-miniscule Gothic script. This leaf is from the final section of the Bible and defines the Hebrew names in alphabetical order. This leaf ends with names beginning with D and starts with C. The letter “D” is four lines high in highly embossed gold on a ground of pink and blue with white tendrils. Verso: there are fifty-five lines of triple column text in microscopic-miniscule Gothic script. Bible leaves have become rare especially ones in fine condition. Framed. #3142. Fine. More about Leaf from Medieval Manuscript Bible

Tehran: 1866. A framed leaf from an illuminated Qajar Koran during the rule of Nasir al-Din Shah (1848-1896), Persian, Tehran. 1866, on paper (220 x 200mm.). There are fourteen lines of text of bold naskhi script in a competent hand within gilded cloud-bands and ruled borders; small roundels make the verse endings, illuminated marginal ornaments, sura heading in red thuluth script within illuminated rectangles. Verso: fourteen lines of text of bold naskhi script in a competent hand within gilded cloud-bands and ruled borders. #24076. Fine. More about Leaf from Qajar Koran