n.p. n.p., n.d. An attractively framed silk screen print of a famous photograph of young Ho Chi Minh taken during his years in France. It was in France that Ho Chi Minh became drawn to Communism years before he became the revolutionary leader of North Vietnam. In the photo portrait he is wearing a bowler hat and looking into the camera. The print is in shades of dark red and taupe, with French words making a design in the background ("a la societe des nations," "Colonisation France" etc.) The frame is dark brown, and the double matte is in the same red and taupe as the print. Print is 9 x 13 inches. Framed picture is 16 x 19 inches. In very good condition save for a few very small nicks to frame. ART/022513. Very Good.
Manuscripts & Prints
Refine search resultsSkip to search results
1840. This fine leaf is from an excellently preserved, circa 1840 Koran, scribed in Kashmir about the time of Queen Victoria coming to the throne of England. Eleven lines of naskh script in a strong hand and on highly burnished paper, measuring 185 x 125 mm. The layout incorporates the typical marginal devices to which the Kashmir scribes are devoted. Neat gold floral devices embellish the corners of each page. The attractive Chapter Headings are in blue and gold. Framed. #4105. Fine.
India: 1425. Framed rare leaf from the remains of a Koran, on paper, India, Sultanate, originating in the state of Bihar, circa AD 1425 (330 x 250 mm). Text is from the end of juz 15 and juz 16 – 30. There are eleven lines of large bihari script in black ink; the word Allah picked out in red or gold throughout, first ‘ayah’ of each juz selected in gold, single verse divisions marked with illuminated gold florets, sura headings written in white on illuminated panels with palmetts extending into the margins, inner and outer margins ruled in red and blue, large finely illuminated marginal devices marking sajda instructions, juz, quarter and half and three-quarter juz, text words in black. The condition is in unusually good condition. Damp staining confined largely to one corner, hardly affecting the text. #17886. Good.
circa 1825. This brilliantly illustrated leaf is from one of the highest quality medium sized Indian Koran manuscripts, on paper, measuring 192 x 133 mm., circa 1825. This page consists of twelve lines with a floral margin, which is reserved for only the finest manuscripts produced for important personages. The script is naskh, with thuluth in the headings, and is of a fine elegant hand. A Persian interlinear translation in red has been added. All lines are in gold, as too is the floral borer and the Chapter Heading cartouches that are further embellished with blue floral end pieces and white titles. There are slight signs of devotional wear. Framed. #4324. Near Fine.
Persia. Framed handwritten manuscript leaf from a Koran, Persia, middle of the 16th century, on paper (325 x 220 mm). This leaf comes from a large-sized Koran of fourteen lines of black Nasta’liq script. It has elegant marginal devices recto and verso. Verso: fourteen lines of black Nasta’liq script. #18003. Fine.
1809. A leaf from a large Koran on polish ivory paper measuring 310 x 190 mm. or approximately 12 1/4 x 7 1/2 inches, with twelve lines of black naskh script between gold rules, gold roundels between verses, sura headings in red on gold panels with polychrome floral spandrels. Red Persian interlinear translation, extensive marginal commentary within gold clouds, elsewhere in the form of Cypress trees and finial shapes. Framed. #6373. Fine.
1846. A leaf from large Koran, Iran, 1846-47, on fine paper. There are fifteen lines of black naskh script, gold rosettes between verses, sura heading in red on illuminated panels, large polychrome medallions in borders, borders ruled in gold, red Persian interlinear translation, colophon signed by the scribe Muhammad'Ali ibn Muhammad Baqir. Framed, measures 345 x 200 mm. #39684. Very Good.
Spain: 1537. Five lines of music and verse in Latin on extremely heavy vellum. The text is written in a Spanish rounded gothic hand (Rotunda). A beautiful large initial "A" is in yellow with a tile border in black, red, and liquid gold. Verso: Five lines of music and verse with large undecorated initial. This leaf is in a large gilded wooden frame with plexiglass on both sides so that the verso is visible. The leaf measures approximately 25.25 x 17.25 inches. #103. Fine.
A leaf from an illuminated poetry manuscript, Moulana Nurruddin Abdorrahman Jami, North India, middle of the 18th century, on gold sprinkled paper. There are twelve lines to the page written in two columns of elegant nasta'liq script in black ink, inter columnar rules decorated with floral motifs, corner pieces and outer margins decorated with floral sprays and motifs in colors and gold throughout, inner margins ruled in colors and gold. Leaf measures 210 x 140 mm. Framed. #32889. Very Good.
This brilliantly rare illuminated manuscript leaf is from a remainder volume of the Al-Kamilat Al-Sajjadiyah, Prayers, composed by Zayn Al-Abidin'Ali ibn al Husayn, only some 70 years after the death of the holy Prophet Mohammed. It was written during the period of Shiite Muslim consolidation in Persia under the reign of Abdalmalik who first enforced the use of Arabic as the official language of Persia. There are eight lines of script in elegant Arabic Naskhi, with Persian interlinear translation. The manuscript was dated "AD Huharran 1101/AD1689" Safavid Persia. Pure gold paint is used in the beautiful, meandering, floral pattern, which frames the words and also the many pious comments in the margins. Framed. #33590. Fine.
India: 1878. This is a leaf from a remaindered (Dala'il al-Khayrat) prayer book, scripted in India, in 1878, thirteen lines scribed in a strong Naskhi script on a fine lines paper, measuring 204 x 130 mm. It was written in Arabic with Persian translation in red ink between the lines. The holy name of Allah is in red ink. The headings are in gold as well as the borders. Gold rosettes end the verses. The original text was composed by Muhammed ibn Sulayman al-Jazuli. This is one of the most popular devotional prayer books of Islam. Framed. #17661. Fine.
circa 1575. This is a leaf from a Prayer book and Benedictional for the use of Cistercian Nuns, in Latin, France second quarter of the 16th century. There are eighteen lines in black ink of angular Gothic script from the section of Temporal Benedictions. Provenance: Cistercian House presumably a nunnery since the opening, and only illustrated, office for the profession of female novices, who promise to live secundum regulam sancti Benediciti. The Illumination within this Prayer Book shows considerable similarities with those of the Master of Francois de Rohan, active in Paris from c. 1525 - 1546. Beautifully custom framed. #6800. Fine.
This is a leaf from a Prayer book and Benedictional for the use of Cistercian Nuns, in Latin, France second quarter of the 16th century (207 x 143 mm). There are eighteen lines in black ink of angular Gothic script from the section of Temporal Benedictions. Provenance: Cistercian House presumably a nunnery since the opening, and only illustrated, office for the profession of female novices, who promise to live secundum regulam sancti Benediciti. The Illumination within this Prayer Book shows considerable similarities with those of the Master of Francois de Rohan, active in Paris from c. 1525 - 1546. Framed. #6802. Fine.
A leaf from a Koran, India, late 15th century, on paper (150 x 115 mm). There are fifteen lines to the page written in elegant bihari script with diacritics in black, the word Allah picked out in gold throughout, illuminated rosettes between verses, margins ruled in blue and red, illuminated devices in margins, sura headings in white on gold panels. Verso: fifteen lines to the page written in elegant bihari script Framed. #32531. Near Fine.
A rare illuminated Koran leaf, probably Heart of Bokhara, late 16th century, on paper. There are fifteen lines to the page: first, eighth, and fifteenth lines of each page written in gold muhaqqaq script with remaining lines written in smaller naskhi script in black ink. Illuminated markers are between verses and illumination flanks the text of each page; surah headings are written in thuluth script in white on illuminated panels in color and gold. All the leaves from this fragment have been remargined due to its age and its interesting provenance (supplied upon request). Framed. #17261. Near Fine.
Italy: 1625. Framed leaf from a manuscript antiphonal, of Italian origin, circa 1625, in Latin, on vellum. There are five staves of music and verse in Rotunda script with large capital initials. This Antiphonal was used in a very large cathedral because of its enormous size and is extremely rare.The leaf measures 750 x 525 mm. #49347. Fine.
Spain: 1650. A leaf from a Medieval Antiphonal or Choir Missal, Spain, circa 1650, in Latin on extremely heavy vellum. Text is in a Spanish rounded gothic hand (Rotunda). Music is on a stave formed of five lines. There are six lines of music and verse. Verso: six lines of music and verse. Framed. #2525. Near Fine.
Spain: 1650. A leaf from a Medieval Antiphonal or Choir Missal, Spain, circa 1650, in Latin on extremely heavy vellum. Text is in a Spanish rounded gothic hand (Rotunda). Music is on a stave formed of five lines. There are six lines of music and verse. Verso: six lines of music and verse. Framed. #2537. Near Fine.
A leaf from a medieval manuscript Bible: Paris, France, mid 13th century, in Latin, on vellum. There are fifty-five lines of double column text in microscopic-miniscule Gothic script. There are book headings, chapter numbers, Book of Tobias [Doway-Rheims] non existent in the King James, Chapters 1-2, Miniature of Tobit lying in bed with a swallow above. Verso: there are fifty-five lines of double column text in microscopic-miniscule Gothic script. Bible leaves from the 13th century are becoming rare. Framed. #2874. Fine.
Paris. A leaf from a medieval manuscript Bible: Paris, France, mid 13th century. In Latin on vellum (197 x 134 mm). There are fifty-five lines of triple column text in microscopic-miniscule Gothic script. This leaf is from the final section of the Bible and defines the Hebrew names in alphabetical order. This leaf ends with names beginning with D and starts with C. The letter “D” is four lines high in highly embossed gold on a ground of pink and blue with white tendrils. Verso: there are fifty-five lines of triple column text in microscopic-miniscule Gothic script. Bible leaves have become rare especially ones in fine condition. Framed. #3142. Fine.
1770. This beautiful illuminated leaf is from an anthology of Persian Sufi poetry, including works by Sa'di and Hafiz and is scribed in safina format, produced in Persia, on paper, 1770 AD. The scripts employed are the scarce shikasteh and the more common nasta'liq written diagonally on white within gold-bordered cloud bands. Verso: almost a mirror image in design. Beautifully custom framed. #15929. Fine.
Tehran: 1866. A framed leaf from an illuminated Qajar Koran during the rule of Nasir al-Din Shah (1848-1896), Persian, Tehran. 1866, on paper (220 x 200mm.). There are fourteen lines of text of bold naskhi script in a competent hand within gilded cloud-bands and ruled borders; small roundels make the verse endings, illuminated marginal ornaments, sura heading in red thuluth script within illuminated rectangles. Verso: fourteen lines of text of bold naskhi script in a competent hand within gilded cloud-bands and ruled borders. #24076. Fine.
1887. A leaf from Rand, McNally & Co.'s New Indexed Atlas of the World Containing Large Scale Maps of Every Country and Civil Divisions Upon the Face of the Globe. This double page map presents Delaware, Maryland and Washington, DC with lithographic color differentiating the various geographical regions within. Major cities, towns, rivers and geographic terrain are identified. Map measures 34 x 49.4 cm. or approximately 13 3/8 x 19 1/2 inches. Archivally matted. #50796. Near Fine.
This is an illuminated medieval manuscript Psalter leaf, in Latin, on vellum, Flanders, second half of the thirteen century (125 x 90 mm). There are eighteen lines in a rather small gothic script with single bar borders and serrated line extenders in pink, blue, and burnished gold. Verso: Eighteen lines of gothic script. Framed. #18931. Fine.