London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Death of the Sister. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Psyche by the Bed. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Psyche Comes to the Second Sister. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Psyche Entering the Court of the Palace. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Psyche Looking into the Cupboard. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine. More about The Story of Cupid and Psyche: Psyche. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine. More about The Story of Cupid and Psyche: The Task of Seeds PRINT

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51451. Very Good. More about Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51492. Very Good. More about Racinet Lithograph

1888. Leaf from Auguste Racinet's Le Costume Historique, the most comprehensive and detailed study of fashion ever published. These volues cover the history of dress and hair styles from antiquity to the 1880's. While Racinet's main focus is on European clothing and accoutrements, including armor, furniture and material culture, he does provide sections on Asia, America and Africa. Lithographs are in full color on heavy stock. Some minor foxing and toning of paper. Print measures 16.125 x 11 inches. Archivally matted. #52812. Very Good. More about Leaf from Le Costume Historique

1888. Leaf from Auguste Racinet's Le Costume Historique, the most comprehensive and detailed study of fashion ever published. These volues cover the history of dress and hair styles from antiquity to the 1880's. While Racinet's main focus is on European clothing and accoutrements, including armor, furniture and material culture, he does provide sections on Asia, America and Africa. Lithographs are in full color on heavy stock. Some minor foxing and toning of paper. Print measures 16.125 x 11 inches. Archivally matted. #52794. Very Good. More about Leaf from Le Costume Historique

Orchids Illustrated & Described. Reichenbachia, a native of Ghent and founder of Messes Sanders of St. Albans, a large nursery firm, intended in this work to illustrate all classes of orchids, drawn life sized and “colored by lithography, or hand painted when found expedient.” He employed as many as 20 orchid collectors in the field, in diverse locations such as Brazil, Columbia, Peru, Ecuador, New Guinea, India, Burma and Madagascar. For the illustration of the work he engaged the services of Henry Moon (1857 – 1905). Unlike many illustrators of the day, Moon believed in representing the flower as found in nature, rather than intensifying the colors, or dramatizing the blooms. The framed print measures 20 ½ x 15 inches. #43760. Fine. More about Orchid - Chromolithograph

ca. 1913. English artist, Sir William Rothenstein (1872 - 1945), was highly regarded for his portraits of authors, royalty, and other famous persons. He was also an official war artist during both world wars and served as the Principal of the Royal College of Art between the wars. This is a lovely pencil drawing on paper of the artist's wife, Alice, that was done as a study for the double portrait of her and Eric Gill now at the National Portrait Gallery in London. The drawing is from the collection of the Rothensteins' daughter, Betty Holiday. The study measures 26.4 x 18.5 cm. In very good condition with slight aging to margins and a pencil smudge along the hem of Alice's dress, neither affecting the image. A few pencil marks on the verso, possibly by artist practicing pencil strokes. In an archival mat and protected by sheet of tissue paper. ORIG/071216. Very Good. More about Alice Rothenstein. Original pencil drawing