New York: Vanguard Press, 1947. Hardcover. First Edition. Signed by the author on the title page. The author’s second novel. Very good in black cloth boards with blue title to spine. Minor wear to corners and spine ends and very light evidence of a minor dampstain to the rear board. Signed by the previous owner on the front free endpaper, and browning to both gutters; otherwise, a clean copy. In a good light blue dust jacket with white title to spine and front panel. There are several large chips to the top edges of the dust jacket and there are a few small chips to the bottom edge. Browning to the spine panel and dampstaining to rear panel. 294 pages. LIT.052511. Very Good in Good Dust Jacket / Chipped.
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London: R.A. Walker, 1924. Hardcover. First Edition. Number 183 of 500 copies with signature of publisher, Walker. PRESENTATION COPY inscribed by Walker to the journalist J.M. Bulloch "To J.M. Bulloch / with the regards of the publisher and editor / R.A. Walker / 7 January 1925." An autograph letter from Walker to Bulloch is pasted down to the rear end page and Bulloch's review of this book is pasted down to the front end page. It was appropriate that Bulloch reviewed this book as he had promoted Beardsley's work in the 1890's. The main text is a lecture by A.W. King, a friend and tutor of Beardsley. He originally delivered the lecture at the Blackburn Technical Institute where he held the position of secretary. The book also includes 15 full page sketches and about 16 letters from Beardsley, many of which include smaller sketches. All of the letters and sketches had been in the possession of A.W. King and had never before been published. Several of the letters are of notable content, one of which tells of his first visit to see the influential artist Edward Burne-Jones in 1891 and another describes his development of a new drawing style. Near fine in original light blue cloth boards with black and gilt leather title label to spine. Slight browning to spine and minor wear to spine ends. Light offsetting to front endpages from inserted review, else very clean. A nice association copy. 103 pages. ART/010710. Near Fine.
Amsterdam and Leipzig: Arkstee & Merkus, 1767. Hardcover. Nouvelle Edition. Avec de belles figures - 8 charming etchings in each volume. A beautiful early edition in French of this book. As described in the Oxford Companion to English Literature (p. 565) this was Le Sage's masterpiece and it had great influence in 18th century comic fiction. It was first translated into English by Tobias Smollett. In four small volumes 3 by 5.5 inches bound in full contemporary leather. The spine has four raised bands with gilt design in three and author and title in the other two.The edges of the boards have a very small gilt design of stripes.In very good condition with some minor bumps and rubbing. The hinges are a bit tender but the volumes are sturdily bound. Two hinges are cracked with one board coming loose. The interior pages are very clean and bright save for light browning to the end pages. The ownership signature of a previous owner, James Oldham is inscribed on front free end pages. Nice bookplate with flower design and initials B.C.T. on front pastedowns. A very attractive copy of this important novel. Volume I:392 pages; Volume II: 343 pages; Volume III: 369 pages;Volume 4: 370 pages. This set may require an extra shipping fee. LIT032409. Very Good.
London: Leonard Smithers & Co, 1899. Hardcover. First Edition, second issue (issued by Grant Richards with his name at the foot of the spine) of this scarce title. Vincent O’Sullivan (1868-1940) was an American-born short story writer, poet, and critic. He was part of the Decadent group of the 1890s, and a friend of Oscar Wilde, Aubrey Beardsley, and Leonard Smithers. He has been described as a writer of the macabre, such as seen in the story “Will” found in this volume. Bound in original brown cloth with title and author in gilt to spine. Some chipping and bumping to spine ends and corners otherwise in very good condition. Typical offsetting to free endpapers, and one or two gatherings slightly pulled away, but still in very good condition. Undated ownership signature of [?] Baptiste O’Sullivan. 113 pages. LIT/051011. Very Good.