Mermod, 1929. Paperback. First edition. A scarce work by Swiss author and musician Charles-Albert Cingria (1883 - 1854). Number 90 of 300 copies on Velin pur fil du Marais. Near fine in brown paper wrappers with black title to front cover. Light wear to corners, else fine. Pristine interior. Includes photographic frontispiece of the author in his car. 26 pages. In French. FRE/121013. Near Fine.
Refine search resultsSkip to search results
New York: Viking, 2003. Hardcover. First American Edition. Signed by the author. Published in the same year Coetzee won the Nobel Prize for literature. This is an unusual book in many respects: Coetzee’s alter ego is a woman, and through the device of formal speeches, he gives himself a platform to reflect on the novel in Africa, race relations, wildlife, and environmental issues; and on evil in Amsterdam and the sexual impulses of the American poet Robert Duncan. He does this while recounting Costello’s life as a woman and mother. Fine in blue cloth backed paper covered boards with white title to spine. In fine blue illustrated dust jacket with orange title to spine. 233 pages. LIT/052511. Fine in Fine Dust Jacket.
London: R.A. Walker, 1924. Hardcover. First Edition. Number 183 of 500 copies with signature of publisher, Walker. PRESENTATION COPY inscribed by Walker to the journalist J.M. Bulloch "To J.M. Bulloch / with the regards of the publisher and editor / R.A. Walker / 7 January 1925." An autograph letter from Walker to Bulloch is pasted down to the rear end page and Bulloch's review of this book is pasted down to the front end page. It was appropriate that Bulloch reviewed this book as he had promoted Beardsley's work in the 1890's. The main text is a lecture by A.W. King, a friend and tutor of Beardsley. He originally delivered the lecture at the Blackburn Technical Institute where he held the position of secretary. The book also includes 15 full page sketches and about 16 letters from Beardsley, many of which include smaller sketches. All of the letters and sketches had been in the possession of A.W. King and had never before been published. Several of the letters are of notable content, one of which tells of his first visit to see the influential artist Edward Burne-Jones in 1891 and another describes his development of a new drawing style. Near fine in original light blue cloth boards with black and gilt leather title label to spine. Slight browning to spine and minor wear to spine ends. Light offsetting to front endpages from inserted review, else very clean. A nice association copy. 103 pages. ART/010710. Near Fine.
London: John Lane at the Bodley Head, 1895. Hardcover. First edition. 1 of 750 copies. Inscribed by Nesbit's cousin Paris Nesbit (1852-1927) in 1907. Paris Nesbit was a prominent Australian lawyer, judge, embezzeler, and general "character" of his time. He was committed to mental asylums at various times in his life. Edith Nesbit (1858-1924) was a prolific and popular writer in many genres. She is best known for her books about and for children, but she considered poetry as most important. She was also a follower of Willaim Morris and a founder of the Fabian Society. Bound in tan boards with gilt cover design by Laurence Housman, who also did the charming illustration for the title page. Very good with bumping to board corners and chipping to spine edges. Interior is clean with slight aging to margins of untrimmed pages. 88 pages plus 16 pages of ads. POE/030608. Very Good -.
London: Leonard Smithers & Co, 1899. Hardcover. First Edition, second issue (issued by Grant Richards with his name at the foot of the spine) of this scarce title. Vincent O’Sullivan (1868-1940) was an American-born short story writer, poet, and critic. He was part of the Decadent group of the 1890s, and a friend of Oscar Wilde, Aubrey Beardsley, and Leonard Smithers. He has been described as a writer of the macabre, such as seen in the story “Will” found in this volume. Bound in original brown cloth with title and author in gilt to spine. Some chipping and bumping to spine ends and corners otherwise in very good condition. Typical offsetting to free endpapers, and one or two gatherings slightly pulled away, but still in very good condition. Undated ownership signature of [?] Baptiste O’Sullivan. 113 pages. LIT/051011. Very Good.
New York: Farrar, Straus, & Giroux, 2006. Hardcover. Signed by the author on a bookplate. First Edition, later printing. Powers declines to sign his books but he will sign bookplates, one of which is laid in and dated October 15, 2007 from a reading series. A portion of a ticket to this event is also laid in. This was the National Book Award winner in 2006 and a finalist for the 2007 Pulitzer (with National Book Award winner sticker on front of jacket). Near fine in grey cloth boards with silver title to spine. Slight bumping to corners and edge of rear board and very small spot on bottom of rear board, else fine. In a fine illustrated white dust jacket with red title to spine and front panels. 451 pages. LIT/052311. Near Fine in Fine Dust Jacket.
London: Chatto & Windus, 1904. Hardcover. First edition, large paper set, one of only 10 marked Presentation Copy and numbered with roman numerals, out of a total of 110 sets. This copy is numbered VI and stamped "presentation copy" with a penciled note stating that it was formerly in the library of Mrs. Mason, Theodore Watts-Dunton's sister. All volumes are bound in original black cloth with gilt titles to spine. Light rubbing to edges, boards, and hinges but overall very clean. Foxing and offsetting to endpages, else clean interiors. Several of the hinges are starting. Includes the last text revised by Swinburne and the first printing of the dedicatory epistle to Theodore Watts-Dunton. A nice set. Poetry. This set may require an extra shipping fee. POE/4113. Very Good.