New York: Vanguard Press, 1947. Hardcover. First Edition. Signed by the author on the title page. The author’s second novel. Very good in black cloth boards with blue title to spine. Minor wear to corners and spine ends and very light evidence of a minor dampstain to the rear board. Signed by the previous owner on the front free endpaper, and browning to both gutters; otherwise, a clean copy. In a good light blue dust jacket with white title to spine and front panel. There are several large chips to the top edges of the dust jacket and there are a few small chips to the bottom edge. Browning to the spine panel and dampstaining to rear panel. 294 pages. LIT.052511. Very Good in Good Dust Jacket / Chipped.
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Wilmington, DE: by the author, 1908. Hardcover. Signed by the author on the front endpaper of volume one. Very good condition bound in green cloth with faded titles to spines. Browning to spines and wear and some discoloration to boards. Occasional small spots of foxing to all volumes. Some of the pages remain unopened and some have been opened poorly leaving closed tears along the edges. Includes many illustrations. This set may require an extra shipping fee. 1179 pages. Very Good.
London: Henry J. Glaisher, 1909. Paperback. Inscribed: "To R.P.K., from D.J. F. March 19, 1912." Frontispiece portrait from a drawing by Dorothy Newill. Includes a poem inspired by Max Beerbohm's caricatures. Scarce volume by a minor but interesting modernist poet. Bound in original cream wraps. Title and author in red on front cover. Some soiling, chipping and small tears along spine. Foxing to endpapers. Very good condition. 48 pages. POE/061512. Very Good in Wraps.
New York: Simon and Schuster, 1980. Hardcover. Deluxe Limited Edition. Number 429 of 500 copies. Signed by the Author. First American Edition. This is a short novel with a very complicated plot (described somewhere as savagely sarcastic). Near fine in black cloth boards with gilt title to spine. Slight fading to spine. Interior is pristine. In a near fine black cloth slipcase with minor edge wear. 156 pages. LIT/052411. Near fine in near fine dust jacket.
London: R.A. Walker, 1924. Hardcover. First Edition. Number 183 of 500 copies with signature of publisher, Walker. PRESENTATION COPY inscribed by Walker to the journalist J.M. Bulloch "To J.M. Bulloch / with the regards of the publisher and editor / R.A. Walker / 7 January 1925." An autograph letter from Walker to Bulloch is pasted down to the rear end page and Bulloch's review of this book is pasted down to the front end page. It was appropriate that Bulloch reviewed this book as he had promoted Beardsley's work in the 1890's. The main text is a lecture by A.W. King, a friend and tutor of Beardsley. He originally delivered the lecture at the Blackburn Technical Institute where he held the position of secretary. The book also includes 15 full page sketches and about 16 letters from Beardsley, many of which include smaller sketches. All of the letters and sketches had been in the possession of A.W. King and had never before been published. Several of the letters are of notable content, one of which tells of his first visit to see the influential artist Edward Burne-Jones in 1891 and another describes his development of a new drawing style. Near fine in original light blue cloth boards with black and gilt leather title label to spine. Slight browning to spine and minor wear to spine ends. Light offsetting to front endpages from inserted review, else very clean. A nice association copy. 103 pages. ART/010710. Near Fine.
Eugene, OR: Knight Library Press / University of Oregon, 2000. Robin Eschner. Paperback. 62 of 125 numbered copies. Signed by the author and artist. An additional 10 lettered artist’s copies were also printed. This wonderful short story by Lopez was originally published in the Fall 1997 issue of The Georgia Review. In the story, a Peruvian man writes of the effects on his life and faith from having read at different points in his life, secret love letters written in the 17th century between Rosa and Martin. The two were later canonized as saints, and the writer comes to understand their divinity and love of God as expressed in the letters. The book is a beautiful production from the Knight Library’s fine press publishing program. It was designed, printed, and bound by Sandy Tilcok. It is printed on Heine paper using Bembo types. There are five lovely tipped-in hand-colored etchings done by Robin Eschner. Marilyn Reaves did the calligraphic title, headings, and ornaments. The colophon describes the cover as being made by laminating two handmade papers of brown and rose. The covers are fastened by thin leather straps for which instructions are provided on a laid-in card on how to re-tie them in the original intricate fashion. Unpaginated. ARTB/120209. Fine.
Amsterdam and Leipzig: Arkstee & Merkus, 1767. Hardcover. Nouvelle Edition. Avec de belles figures - 8 charming etchings in each volume. A beautiful early edition in French of this book. As described in the Oxford Companion to English Literature (p. 565) this was Le Sage's masterpiece and it had great influence in 18th century comic fiction. It was first translated into English by Tobias Smollett. In four small volumes 3 by 5.5 inches bound in full contemporary leather. The spine has four raised bands with gilt design in three and author and title in the other two.The edges of the boards have a very small gilt design of stripes.In very good condition with some minor bumps and rubbing. The hinges are a bit tender but the volumes are sturdily bound. Two hinges are cracked with one board coming loose. The interior pages are very clean and bright save for light browning to the end pages. The ownership signature of a previous owner, James Oldham is inscribed on front free end pages. Nice bookplate with flower design and initials B.C.T. on front pastedowns. A very attractive copy of this important novel. Volume I:392 pages; Volume II: 343 pages; Volume III: 369 pages;Volume 4: 370 pages. This set may require an extra shipping fee. LIT032409. Very Good.
Bristol and London: J.W. Arrowsmith and Simpkin, Marshall, Hamilton, Kent, & Co., Ltd, (1891). Hardcover. PRESENTATION COPY "To my friend G.B. Burgin with every good wish E. Phillpotts." He and Burgin collaborated on a play, '"His Lordship" (1892). Presentation copies from Phillpotts are scarce in the 1890s. Very good in original brown cloth with gilt title to spine and black title to front board. The front board is slightly bowed and the spine is somewhat cocked. The hinges are rubbed, there is minor soiling to the boards, and the corners are bumped. Bookplate of Alastair Forbes to front pastedown. The text remains bright although there is browning to margins of interior. ?Evidence of a repair to front and rear interior hinges.? 284 pages. LIT/051710. Very Good.
London: Macmillan and Co., 1886. Hardcover. First Edition. A Presentation Copy, inscribed "Edward Shorthouse from his affectionate brother & sister J Henry & Sarah Shorthouse." John Henry Shorthouse (1834-1903) was an English novelist probably most famous for his book John Inglesant. The recipient was also an author. With the bookplate of Ohio book collector Paul Lemperly, with Lemperly's inscription stating that he received the book as a gift from Morris L. Parris, whose collection of Victorian novels is now at Princeton. Parrish's letter of presentation is inserted. Bound in original dark blue cloth with gilt stripes and embossed design on front cover and spine. In fine condition. Housed in a fine custom half-red morocco slipcase. Octavo. 300 pages. LIT/053013. Fine.
London: Chatto & Windus, 1894. First Edition. Hardcover. Signed Presentation Copy. 8vo. In original dark blue cloth. An extraordinary association copy, inscribed "Mary C. J. Leith from her affectionate cousin A.C. Swinburne Nov. 8, 1894." Mary Gordon, later Mrs. Leith, was Swinburne's first cousin and by far the most important woman in his life apart from his mother. Herself a poet and novelist, Mary Gordon's intimacy began in childhood when they lived in neighboring houses on the Isle of Wight. Later their relationship became literary, Swinburne providing the poems that appear in Gordon's anonymously issued "The Children of the Chapel" in 1864, and Gordon appearing as Clara in Swinburne's own novel, "A Year's Letters," first serialized in The Tatler in 1877. It was published in book form in 1905 as "Love's Cross-Currents." In her memoir, Gordon wrote that Swinburne [was] to me as an elder brother, a loved and sympathetic playmate, and in later years a loyal and affectionate friend. Although there is no direct evidence, recent scholarship has identified Gordon as most likely Swinburne's sole romantic attachment, which ended in traumatic rejection. This book was probably inscribed after Gordon visited Swinburne and Watts-Dunton at The Pines in the fall of 1894. In 1899, Swinburne dedicated his last major poetic work, "Rosamund, Queen of the Lombards," to Mrs. Disney Leither. Swinburne is better known for his lyric poetry, but he was also a prolific and well regarded literary critic. The collection of some of his critical writings include essays on Sir Walter Scott, Wilkie Collins, Beaumont and Fletcher, Whitman, and more. Bound in publisher's original dark blue cloth with gilt rule to front cover borders and title and author in gilt to spine. Light offsetting to free endpapers otherwise near fine condition. LIT/101304. Near Fine.