Richmond, VA: Mona Lisa Bagby, 2019. Hardcover. Number 6 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/121219. Fine.
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San Diego: Bay Park Press, 2006. Hardcover. Number 10 of 10 copies. This is a charming and beautifully produced book by Carolyn LaFrance, a San Diego architect who is affiliated with the gallery at the Bay Park Press. Maxine is Carolyn’s beloved feline friend and companion, and the book describes a day in Maxine’s life through text and illustrations. Maxine begins her story: “Sun’s up, I get to go out. Yes, yes, I know, ‘Be careful,’ the howling creatures may still be about. What, you think I don’t know that? What I need to know is, who has been in my yard? Mr. Smushy-face? Walter? Or that grey and white bruiser? ...” Each page includes a hand-colored intaglio print of Maxine at various moments in her day (11 prints altogether). The text is Bernhard Modern type on lovely Fabriano Rosapina Bianco paper. Oblong folio bound in grey linen with black spine. Paw prints decorate the front cover and endpapers. Housed in a black portfolio with a grey cloth square label illustrated with paw prints affixed to front and cream ribbon closure. In fine condition. Unpaginated. PRI/072012. Fine.
San Diego: Bay Park Press, 2010. Hardcover. Number 4 of 10 copies. Book artist Sibyl Rubottom grew up on Long Island Sound where Esther Williams was her hero. She grew up watching her movies trying "to relive the fabulous water ballet sequences." As an adult her love of water continued and she began swimming in La Jolla Cove near her home and later in an olympic sized outdoor pool in Mission Valley. She dedicates this book to La Jolla Cove, one of her regular swimming spots when the water is warm enough. Illustrated with six etchings and three unique oil paintings on mylar. Printed on Fabriano Rosapina Bianco paper using letterpress and intaglio prints, some with chine colle. Set in Bernhard Modern. Oblong folio. Housed in a blue clamshell box. Unpaginated. Fine.
Wien: k/haus, 2001. Hardcover. An Austrian artists' book packaged with an engineer's compass and a four lens action camera, all housed in a custom fitted green tupperware box. This two book set appears to have been issued to document an exhibition of design with work from design students at the University of Applied Arts, Vienna and the Royal College of Art, London. The "exhibit is made up of work-in-progress responses to some of the major issues raised around contemporary theory dealing with globalization and new technologies. Each has interpreted this project according to their own understanding of the imperatives of design in contemporary culture and, in this way, the project aims to open up an increasing vital debate around the nature and role of practice in the twenty-first century" (Vorwort / Foreword). The books include "Global Tools," bound with white cloth spine and white paper covered boards titled in black on front and "Think Tank," which is side-stapled in black paper wrappers with white title to front. Both books include photographic illustrations of the design projects with descriptions of the pieces (some in German and some in English). Sample project proposals include the Phrenology Hat, which changes shape according to your mood; the Audio Tooth Implant, which acts as an "electronic third ear"; Step N' Charge, which is a mat that can generate and store energy by being stepped on; and much more. Finger smudges to covers and minor rubbing, else clean and bright. 35 mm film for the action camera is not included; however, there are manufacturers directions in English for both the engineer's compass and camera. There is also a card for the tupperware container laid in with text in German. Most text in "Global Tools" is in German with some in English. The text in "Think Tank" is mostly in English with some German. All items are housed in a light green tupperware lunchbox that has been custom fitted with yellow foam. Empty plastic label on front of box and light wear / soiling. "Think Tank" is 61 pages; "Global Tools" is 197 pages. Size of box: about 11 x 9 x 3 inches. ARTB/050319. Very Good.
Riverside, CA: Bo Press Miniature Books, 2018. Hardcover. Limited to 10 copies. "When Duke Albert V of Bavaria commissioned his court painter, Hans Mielich, to make an inventory of the jewels belonging to him and his wife Anna in 1552, he may not have expected the over-the-top manuscript Meilich finally produced two years later. The jewelry wasn't the half of it. The 110 gouche on paper paintings showed the back and front of each piece of jewelry, life-sized, and each was surrounded by a different elaborate frame. The manuscript is a riot of cartouches, strapwork, acanthus, foliage, flowers, grotesques, and caryatids, and yet each jewel shines forth as an individual masterpiece. The book remained in the private ducal and electoral Chamber of Artifacts for almost three centuries—long after the originals of the jewelry depicted had been lost. Only in 1843 was the work presented to the Bavarian State Library by King Ludwig I. I have tried, in my presentation of the Jewel Book, to reproduce in miniature some sense of the outrageous Renaissance ostentation that makes the original such a brilliant and worldly example of wretched excess. My favorite page is the frontispiece of the Duke and Duchess playing chess, as though their real pursuits were intellectual, surrounded by their bored courtiers and a couple of puppies. This miniature copy of the Jewel Book of Anna of Bavaria is limited to ten copies. It is set on OldStyle1 and Palatino Linotype, and printed on Monarch Superfine paper with a Canon Pro-100 inkjet printer. The book is bound in gilded snakeskin with a beaded and embellished front panel of celadon snakeskin. The tri-fold box is bound in a gold on black Indian silkscreened paper with a raised rectangle on the front bound in a textured Japanese metallic gold paper. The interior of the box is lined in a Japanese chiyogami feather print. A small pocket on the front of the box holds a booklet containing information on the Jewel Book and its patrons. Both are of the same gold paper" (Pat Sweet). The book is 2 5/8" x 2" and the box is 3" x 2 3/8" x 1" 136 pages. ARTB/120219. Fine.
Rockville, MD: Erik Delfino, 2015. Number 5 of 10 copies signed by the book artist. A stunning production by book artist and photographer Erik Delfino. In his accompanying pamphlet about the 1964 fair, Delfino writes that his parents took him to the fair when he was four years old. His memories are still vivid and treasured, and he hopes that the photographs of the still remaining structures that he took for this book at the fiftieth anniversary celebration have captured the spirit of the fair. The photographs and text are digitally printed on loose sheets of 19 x 13 inch Epson Exhibition Fiber paper. The twenty-five striking and evocative color photographs are of the structures still remaining at the fair site. They are bold and often abstract and geometric. The photos are interspersed with text offering his brief impressions from viewing the site. The photos are followed by a leaf with pictures of Delfino and his parents on the day they visited the fair. There is a table of contents on the colophon page. The leaves are housed in a taupe cardboard folder that is housed in a blue cloth case, which is encased in a 19.5 x 14 inch stainless steel box with an impression of the iconic stainless steel unisphere. Includes a copy of Cotter and Young’s The 1964-1965 New York World’s Fair. Unpaginated. ARTISTSBOOK/112916.
Portland and Berkeley: Triangular Press; Flying Fish Press, 2011. Number 82 of 100 copies. Signed by the highly regarded book artists, Julie Chen and Barbara Tetenbaum. In their statement about the book, they write: "Working together again after almost a decade (Ode to a Grand Staircase, 2001), Glimpse is a new collaboration … inspired by a conversation about how a person translates their life experience into a narrative form: prominent events may stand out as the nameable moments, yet it is the space between these events that life, in fact, is lived." The mid-century photo album structure contains text written by Chen, examining this question. Her text is printed on both surfaces of each of the fifteen hinged sleeves. Windows in the sleeves reveal small glimpses of pull-out cards, each written and printed by Tetenbaum. The cards contain dates and events of the non-important moments of her life illustrated with diagrams, grids, and mundane imagery. Glimpse is letterpress printed using a combination of photopolymer plates, found images, wood blocks, wire, and handset type. It is housed in a box with magnetic closure. Box size: when closed: 8 1/8 inches x 11 3/4 inches x 1 1/8 inches. Fine.
San Francisco: Gazelle and Goat Press, 2016. Number 17 of 30 copies. Signed and numbered by book artist and author Rhiannon Alpers. She is a papermaker, letterpress printer and book artist, with an MFA in Book and Paper Arts from Columbia College Chicago and a BA in Book Arts from UC Santa Barbara. In addition to creating books and providing custom commissions from her California studio, Rhiannon has taught book arts at numerous institutions and has been exhibited nationally. The artist says that "this book was inspired by sleep-deprived dreams as a new mother in the Summer of 2016. It explores an imagined journey, being carried through the comfort of one's dreams. A journey guided by a murmuration of a thousand starlings, undulating and wisping through the evening sky, their soft voices calming and cooing as they head into the unknown." She further states that the book abounds in metaphors and symbolism. This lovely work is letterpress printed with photopolymer plates and monotype, with an under layer of hand painted stars beneath, on Somerset Velvet Black. The endsheets are Fabriano Tiziano Anthracite and bound in Asahi Grey Crepe bookcloth. Foil stamped birds and title, this false accordion book is masquerading in a Secret Belgian binding with Italian film yarn. In fine condition. Unpaginated. ARTISTSBOOK/080417. Fine.
San Francisco: Gazelle and Goat, 2018. Number 20 of 40 copies. Signed and numbered by Rhiannon Alpers, the book artist. Rhiannon has been a book artist, maker of paper, and bookbinder based in San Francisco for almost twenty years. She is fascinated by structures and boxes, and much of her work is focused on nature. This beautifully designed and executed book is emblematic of Rhiannon's artistic interests and aesthetics. She writes of her book, which was inspired by author Glynis Ridley: "When Jeanne Baret stepped on-board the Etoile ship in 1766, she didn’t set out to be the first woman to circumnavigate the globe. Alongside her colleague, accomplice and lover, Philibert Commerson, she took on many roles during the expedition as a botanist, herb woman, nurse, and cataloger of the more than 630 specimens they brought aboard. This limited edition artist book traces the expedition of the first woman to circumnavigate the globe, through the lens of the botanical discoveries she made along the ship’s journey. Jeanne Baret was not able to document the expedition herself, due to the forbidden nature of her passage on this journey, but her legacy has inspired many, and spurred the creation of this book." The book has a removable magnetic spine binding that opens completely back-to-back, with a digitally produced specimen chart hidden within. Hahnemuhle Bugra Fawn folio maps are letterpress printed from polymer plates, adapted from French expedition maps from the published logs “Voyage Autour du Monde par la Frégate du rio la Boudeuse et la Fluté L’Etoile.". Crane’s Lettra Ecru 90lb specimen folios letterpress printed from linoleum blocks and polymer plates. Plant outlines are laser cut and secured with Japanese tissue. Laser cut specimens were adapted from the original plant specimens collected by Commerson and Baret on the expedition, archived in the Museum of Natural History in Paris. Interleaved vellum sheets with macro photography by the artist laser printed on Neenah UV Ultra II. Spine bound with Gmund Bier Paper [colophon]. In fine condition. Measures 8.25 x 9.5 inches. Unpaginated. ARTISTSB/072419.
Hingham, MA: Maryanne Grebenstein, 2012. Hardcover. Number 16 of 20 copies. One unique hand lettered copy was also issued. This is a small prayer book containing The Lord’s Prayer in Latin, Middle English (John Wycliffe version), and the Revised Standard Version. In this limited edition the black text is printed and the decorations are hand colored with the illuminations in gold or silver pen. Each book is hand bound and colored differently, so that the 20 copies all have a completely different look. 3 x 3 inches. Fine.
Glenview, IL: Karen Hanmer, 2018. Number 21 of 30 copies. In this small but powerful work, Karen Hanmer offers a scathing look at what has been happening in the United States since January 2017. From Access Hollywood through the Mueller investigation to white nationalist support, #Great Again #Believe Me documents contemporary American personalities, pronouncements, slogans, scandals, policies and crimes, complemented by the metaphor of a deconstructing US Capitol. The text is printed in inkjet on binders' board with polypropylene and juxtaposed with black and white photos of the US Capitol as it was constructed, but shown in reverse order to seemingly deconstruct. The book is bound in the Jacob’s Ladder artists’ book structure, which is borrowed from a folk toy traditionally made of blocks of wood held together with ribbons. The structure is held from one end and allowed to dangle vertically. When the block being held is tilted, the remaining blocks flip over in succession, producing a cascading visual effect. Housed in clamshell of archival board. In fine condition. 21.5 x 2.5 x .125 inches extended; 3.5 x 2.5 x .75 inches closed. PRI/112818.
Glenview, IL: Karen Hanmer, 2004. Number 20 or 20 copies, signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. This is the last unsold copy of this thoughtful and nostalgic book by Karen. She uses the text of a young Navy wife’s letter written from Europe in the 1950s to her family on the farm along with her alternate personal thoughts. The book uses the flag book structure to juxtapose these texts with sections of an old photograph of her Midwestern relatives. This structure offers an effective medium for creating a visual as well as a textual experience. The full photograph of the family is revealed when the book is fully opened. The photograph and text were created using pigment inkjet prints. The covers reproduce a black and white photo of the young Navy wife with an Italian city view behind her. The back of the book opens in accordion style and shows another black and white photo from Italy. Book is 4.5 x 9 inches closed and 8 x 19 inches when fully open. Housed in an archival stiff paper storage box with Velcro closures. In fine condition. Fine.
Glenview, IL: Karen Hamner, 2003. Number 16 of 20 copies. Signed and numbered by the book artist. An engaging tunnel book by Karen Hamner who is well known for her expertise with various book structures. "Her artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format" (from online biography). For this playful work she created paper cut-outs of the letters of the alphabet that were colored using pigment inkjet prints to run through the color spectrum and back. Book is 5 x 5 x 18 inches when expanded; 5 x 5 x 1 inch when closed. Housed in an archival square grey box with title label giving book artist address and number of this copy. In fine condition. ARTISTSBOOK/080119. Fine.
Glenview, IL: 2002. Hardcover. Number 8 of 20 copies. “Chicago binder, book and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient act of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text” (Karen Hanmer). This work is a history of an immigrant farming family told through photographs. The family is depicted on both inside covers with one picture dating from the 1920s and the other from the 1960s. Connecting the pictures is a flowing field of corn, which is blurred on one side and detailed on the other. As you open the book the interlocking pages and imagery create a flowing movement that simulates the passage of time. The result is an engaging book that tells a story despite the lack of text. Housed in an archival paper case with the artist’s contact information and edition number on the front panel. In fine condition. Unpaginated. ARTB/060111. Fine.
Montgomery Village, MD: Shireen Holman, 2013. Paperback. Number 15 of 20 copies signed and numbered by the artist. This complex and beautiful artist's book explores time from the viewpoints of religion, literature, science, and philosophy. The book artist, Shireen Modak Holman, has been a printmaker for more than thirty-five years and a book artist for more than twenty. She was born in India, and her work often involves the interaction of her Indian and American cultures. She states that she is fascinated by time and spent several years reading, sketching, and selecting texts to illustrate the imagery she was creating as she tried to visually express time. She has used texts from the writings of Shakespeare, Tagore, Einstein, Thoreau, Hawking, and others. As the design of the book came together, she created a full-sized colored pencil mock-up. The finished book consists of woodcuts printed onto pulp-painted handmade paper. The text was letterpress printed on gampi paper and then pasted onto the handmade sheets. The pages are folded in such a way that one can see a little of each of the subsequent pages from the current page. Thus from the beginning to the end of the book one can see a little of the future from the present. Each page has semicircular areas cut out so that the calendar at the bottom right of the colophon page is visible at all times. Housed in a cream paper clamshell box with the title "Time" in raised letters affixed vertically to the cover. Linen spine. In fine condition. Accompanied by a softcover book titled "The Making of the Artist Book 'Time.'" Unpaginated. [16 pages]. 13.75 x 19.25 inches. ARTISTS/041916. Fine.
Minneapolis: Indulgence Press, 2011. One of 20 copies. Arthur & Barbara is a portrait of art critic/philosopher Arthur Danto and artist Barbara Westman as seen reflected in the space of their New York City apartment on Riverside Drive. This book embodies their life and work in symbolic forms of thoughtful play. Arthur & Barbara is a collection of simple objects, images and “games” referring to both Duchamp’s Boîte-en-valise and to Fluxus Collections. The box contains laser-etched glass with a plan view of the apartment. Beneath the glass, separated spaces hold a DVD with images of Arthur, Barbara and their apartment, a hand-bound codex filled with photographic illustrations and brief text, a glass block laser-etched with an illustration by Barbara Westman, two chairs, handmade dice, and a spinner. A drawer holds a folio of letters written by Sean Scully, Shirin Neshat and Barbara Westman, and an introduction by David Carrier. A fascinating way of documenting the lives and personalities of this interesting couple. In fine condition. Size: 13 x 12 x 7 inches. PRI/041111. Fine.
Petersham, MA: The Lone Oak Press, 2005. Hardcover. Number 9 of 70 signed and numbered copies. There were also 14 deluxe copies with an extra set of prints and an original block. This beautiful production from master printmaker, Abigail Rorer, is a tribute to Henry David Thoreau and his celebration of the wonders of nature. In Ms. Rorer's description of her book, she says that "woodland pools, spring-holes, and ditches are all terms used by Thoreau to describe vernal pools; ephemeral springtime wetlands that often dry up in the summer and are vital breeding habitats for many species ranging from wood frogs, spadefoot toads, spotted salamanders....In New England these pools are an important part of the landscape and the rites of spring. The book comprises selected entries from Thoreau's Journal for the months of March, April, and May  to give a sense of the awakening spring and teeming life...at this time of year. Thoreau puts so beautifully into words what one woud see, hear, and feel when out in nature at this time of the year." The enlightening introduction is written by renowned Thoreau scholar, Bradley P. Dean. Accompanying the text are twenty-eight marvelous wood-engravings, some with hand-coloring, by Ms. Rorer. They are based on the landscape and pools that Thoreau explored. The book was designed and printed by Michael Russem of Kat Ran Press on Zerkall Book in Baskerville type. Barbara Blumenthal bound the book in quarter brown morocco leather with marbled paper by Iris Nevins for the covers. Housed in a grey-green cloth clamshell box with the same marbled paper on the edges and spine. The result of the collaboration of these book artists is this stunning edition. 92 pages. PRI/081417. Fine.
Boston: Ticknor and Fields, 1860. Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. Karen Hanmer has created a beautiful and unique leather binding for this classic book about Sir John Franklin’s 1845 expedition that was one of many to search for the elusive Northwest Passage, a sea route through the Arctic connecting the Atlantic and Pacific oceans. Franklin’s two ships, HMS Erebus and HMS Terror, became trapped in sea ice and were abandoned in 1848. None of the 129 man crew survived, and the ships were believed to be lost. The Voyage of the ‘Fox’ in the Arctic Seas is an account of one of numerous expeditions to search for Franklin’s ships and crew. Karen began working on this binding in August of 2014, the same time another expedition to search for Franklin’s ships began. The well-preserved wreckage of HMS Erebus was found on September 7, 2014. The design for her binding was inspired by historic and contemporary photographs, paintings and illustrations of sea ice and Arctic exploration. The book was rebound in full teal goatskin, with white, blue, and green buffalo and calf vellum inlays to both outer and inner covers. The inlays are in various shapes to represent floating ice. There are public domain images of historic shipwrecks injket printed and then laminated behind the vellum inlays. With hand-sewn, French-style headbands and graphite to top edges. The book’s original cloth covers are bound in at front and rear. The book is housed in a green cloth clamshell box with leather title label to spine. The green suede interior of the box has narrow cutout spaces to accommodate the cover’s inlays. In fine condition. Size: 7.75 x 5.25 x 1.5 inches. PRI/061917.
Bisbee, AZ: Pequeno Press, 1997. Number 19 of 16 copies, signed by Pat Baldwin, the designer and publisher. This charming miniature book is designed as a folding box with an accordion style folded out sheet. When the box is opened it reveals a silver figure of Queen Mab riding in her polymer clay carriage with silk reins. In Shakespeare's Romeo and Juliet, the character Mercutio jests with Romeo by musing that Mab, the bringer of dreams, has visited his lovesick friend. Mab first seems like a whimsical creation like the fairies in A Midsummer Night's Dream, but it soon becomes clear that Mercutio's Queen Mab is a malevolent hag who punishes "unchaste" ladies. Pat Baldwin established the Pequeno Press in 1984 in San Miguel de Allende, Mexico. She moved the press to Bisbee Arizona in 1990. The press published 71 limited edition, hand bound miniature books, two of which won the Miniature Book Society's Distinguished Book award. Book measures 2 inches square inches in a box that measures 2.25 inches square. In fine condition. MINIAT/111319. Fine.
Middletown, CT: Robin Price, Publisher, 2007. Hardcover. Number 49 of 86 copies. Robin Price has designed, printed, and published books for over twenty-five years. Her works can be found in university and public library collections throughout North America and Europe. This book is particularly personal, as well as complex and mysterious. Ms. Price says that “Text excerpts from 86 books significant to me - mostly other artist’s books - were gathered using formulas based on the number 43, which was my age at the genesis of the project.” In her announcement for this book, she says that simple formulas, using modular arithmetic with the number 43, were applied to categories such as page number, paragraph, sentence, line of poetry, etc. The text is grouped by subject matter into sixteen page spreads. Titles of spreads include “Water,” “Counting,” and “Flora.” Paper maps from locations along the 43rd parallels are bound in an accordion that structurally supports the main text, which is printed on graph paper and also hinged together as an accordion. A Legend Card and supplemental Annotated Bibliography are included. The unusual double-layer accordion is housed in an olive green cloth covered clamshell box with a river section printed in blue, and a map-paper spine label. The book was co-designed and co-produced with Daniel E. Kelm at the Wide Awake Garage. The typefaces are handset ATF Garamond and Kabel. Six colors are printed letterpress. All additional printing within the structure is also letterpress, except for the laser-printed text sheets of the 32-page bibliography. 11.75 x 8 x 1.5 inches, opens to 20 feet wide; 32 pages with supplemental 32 page booklet. ARTISTSBOOKS/012011. Fine.
Redwood, CA: Judith of Serebrin Books & Prints, 2017. A one-of-a-kind work by noted book artist Judith Serebrin. This is a tiny porcelain box with nine unique scrolls that allow one to play a form of tic-tac-toe. The scrolls are decorated with mixed-media drawings. Judith describes this piece as a cynical metaphor for life - fun to play but hard to win. White porcelain box measures 1.5 x 1x.5 inches. Each scroll measures .5 inches. Signed and dated on the bottom of the box. In fine condition. ARTISTSBOOK/070318. Fine.
Eugene, OR: 2005. Number 8 of 12 copies. Signed and numbered by the book artist. Susan Lowdermilk is a book artist and printmaker working in traditional processes such as woodcut, wood engraving and intaglio etching as well as digital media. Her artist’s books involve movable parts, pop-ups and LED circuitry. She is a professor at Lane Community College in Eugene, Oregon, teaching courses in printmaking, artist books and graphic design. Her work has been collected by over 60 public institutions including, the Getty Museum, the Library of Congress and the New York Public Library. Her artist’s books are represented in galleries throughout the United States. She earned her Master’s of Fine Art from the University of Oregon. The text of this book is a quote from Shakespeare's As You Like It: It is ten o'clock: Thus may we see how the world wags: 'Tis but an hour ago, since it was Nin; and after an hour more, 'twill be Eleven : And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot, And thereby hangs a Tale." The poem is printed on eight Stonehenge paper panels and is in an Indonesian palm leaf style construction with sewn thread binding. When untied, the book can be opened to reveal all of the panels and the text. With black corrugated paper covers with grey title label on front. In fine condition. 12.75 x 4.6 inches. ARTISTSB/073118.
Mexico: Taller Leñateros, 2010. In Spanish and Mayan. Third edition. Taller Lenateros, or The Woodlanders' Workshop, is a community of Mayan artists who produce handmade paper, artists' books, silkscreen and wood block prints, pansey graphs, natural dyes, and magic spells. The society was founded in 1975 by poet Ambar Past, and continues to flourish while offering training and employment to men and women who have no education and no career. Inspiration for many of the projects comes from dreams, nature, and Mayan history and tradition. Thirty years in the making, this book was created by 150 Mayan women. The collection of spells, hymns, and incantations was originally captured on tape in the Tzotzil language (a Mayan dialect), and was then transcribed and translated by Ambar Past. The prologue is written by Juan Banuelos. Included are 45 poetic incantations, 40 silk-screened illustrations, and more. The English / Mayan version of the book, titled "Incantations of Mayan Women" which includes a few more poems than the Spanish version, was featured in the 2007 ‘Book as Art: Twenty Years of Artists’ Books exhibit at the National Museum of Women in the Arts. Unpaginated. Bound in brown handmade paper covered boards with a large relief face depicting the Mayan goddess of the wilderness filling the front cover. The endpages are also handmade. Housed in a printed cardboard box with white title to spine panel. Minor wear to edges of box. 191 pages. ARTB/070110. Fine.
Niles, MI: Eugenie Torgerson, 2009. Hardcover. UNIQUE ARTISTS' BOOK. Eugenie Torgerson is a book artist, photographer, printer, and illustrator from Michigan. She has been represented by art galleries across the U.S, and her work can be found in many corporate collections. In her artist's statement she says: "I build book and box forms with traditional bookbinding materials and methods. These sculptural objects contain my own pastel drawings and imagery generated from my own photographs. The stories they tell are contained in my words and the poetry of Kevin McCue. My subjects are the allure of the horizon, the power of the land, the experience of loss, and the sweetness of redemption." This exceptional book object comprises three individual parts. There is a small illustrated book with short poems that rests open on a box stand. The book and stand are covered by a box with a glass window on the top. Each object has been meticulously and creatively designed and produced using Ms. Torgerson's art, photography, and writing. The book is 3 inches wide x 4 inches tall x 3.5 inches thick. The poems are printed on vellum paper and coated with shellac, and the images are printed on various interesting papers. The book is bound in silver cloth with silver metal medallions on the front and back, and black and white beads around the edges. The spine is of brown suede and also has small beads sewn on. The book rests in a cradle at the top of its box stand. The stand is 5 inches tall and 9 x 10 inches at the base. The cradle is covered in green/gold cloth and decorated paper. There are the same small beads which are seen on the book cover, and there is also a medallion in the middle. The sides of the box have beautiful landscape images which are printed on Yupo synthetic material and waxed. The box base has two levels, one covered in orange cloth and the other with cloth in a gold and black design. The cover is 8 inches x 9 inches x 9 inches. The top and base are covered in decorated cloth. Each side is covered in brown cloth and has a landscape image printed on Yupo synthetic material and waxed. It has a window on top which allows one to look in at the book. This singular, stunning book object perfectly reflects Ms. Torgerson's creativity and artistry. In fine condition. ARTISTSBOOKS/011411. Fine.
Niles, MI: Eugenie Torgerson, 2006. Hardcover. A unique journal with blank pages and five digital illustrations of various tools by an award winning book artist, photographer, printer, and illustrator. This beautiful book could be used as a photo album or scrapbook or it could be kept untouched as a book art object. The journal is bound with expandable posts. It is covered in red book cloth and decorative paper with a digital image mounted on the cover. The image is framed with decorative paper and covered with a glass panel. It is housed in a decorative, extra deep box that has room to store the journal and extra mementos. The box is covered in black and red book cloth with a digital image mounted on the lid and covered in glass. Unpaginated. Journal dimensions: 11.5 inches by 10 inches. Box dimensions: 13.5 inches by 10.5 inches by 4 inches. An impressive piece from this noted artist. ARTB/120512. Fine.