Santa Cruz: Foolscap Press, 2010. Hardcover. Number 19 of 200 copies of which 140 were offered for sale. Signed by each author. "As a journalist Ernest Hemingway was trained to cut to the story's essentials, leaving out those words that stand between the writer and his intent. And so we have a Hemingway principle of good writing—the well-hewn sentence. It is said that Ernest Hemingway was challenged to write the shortest of short stories: the ultimate example of brevity in storytelling. Though perhaps apocryphal—no one can tell us who challenged him or on what occasion—this was the result: “For Sale, Baby Shoes, Never Worn.” Writers have attempted to equal this six-word short story with six of their own, but no one has clearly beaten the master. Those six words are just too good. Foolscap Press commissioned six writers each to write a six-page story where only the title was supplied. The writers were free to do whatever they chose within those parameters. We invited three women and three men in order to balance personal experiences and writing styles. The response is these six extraordinary stories stocked with a captivating cast of characters. And, yes, there is a distinction between the men and women writers. And what happens when it comes to dealing with an unmitigated loss (as the title might suggest)? You can read for yourself these six creations spun from six very different imaginative worlds, all in response to those six tantalizing words" (Foolscap Press). A large book bound in light blue Japanese cloth with paper title label on front cover. The book is sewn in an modified accordion structure designed so that each story is presented individually. Each story has its own title page which has been signed by the author. Each title page features a different collaged print of a pair of shoes by Peggy Gotthold on Kitakata paper. Letterpress printed on Frankfurt Cream text paper using hand-set Garamond type. Unpaginated. [60 pages.] PRI/031011. Fine.
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London: Longmans, Green, and Co., 1893. Maurice Greiffenhagen. Hardcover. First Edition of this Aztec romance. Author's Presentation Copy, inscribed "To Andrew from his affec brother H Rider Haggard 1894." Henry Rider Haggard (1856-1925) was the author of a number of adventure novels set in exotic locales. His books, including She and King Solomon's Mines, are still popular today. Haggard traveled to Mexico in 1891 to do research for this book and sadly his young son died while he was away. The book describes the first interactions between the Spanish and South American natives, as well as murders, shipwrecks, and slavery. Colonel Andrew Haggard, who had a distinguished military career - he was one of he first British officers to command in the Egyptian army - was also a successful novelist, travel writer and poet. It is known that Andrew helped Rider with the writing of Dawn and he likely played an important role in helping his younger brother with the several bestsellers which revolved around Egypt and mummies. There are 25 black and white illustrations by the British painter and illustrator Maurice Greiffenhagen. He was Haggard's friend, which led him to illustrate several of his adventure books, starting with She in 1889. Bound in the original publisher's blue-green cloth with gilt author and title to front cover and spine. Light bumping, small chip to bottom of faded spine. Hinges a bit tender but text block is tight. Interior pages are clean. Bookplate of collector Mark Samuels Lasner to front pastedown. Very good condition. 325 pages plus 24 page publisher's catalog. LIT/012016. Very Good.
Boston: Houghton Mifflin and Company; The Riverside Press, 1900. Hardcover. 258 of 500 copies of the Autograph Edition, signed in the first volume by the author's daughter, Rose Hawthorne Lathrop, who provided the introduction, and by the publisher. FRONTISPIECE OF EACH VOLUME IS SIGNED BY THAT VOLUME'S ILLUSTRATOR. This beautiful and important set is illustrated by some of the foremost illustrators from the late 19th and early 20th centuries. They include several of the artists of the Brandywine School such as Howard Pyle, Jessie Wilcox Smith, Frank Schoonover and Anna Whelan Betts. Other illustrators include the famed American impressionist artist, Child Hassam. The volumes are signed as follows: Anna Whelan Betts (Volume I); Emlen McConnell (II); Sarah S. Stilwell (III); Jessie Wilcox Smith (IV); Mary Lewis Ayer (V); Eric Pape (VI); Maud Cowles (VII); B. West Clinedinst (VIII); Alice Barber Stephens (IX and X); E.C. Peixotto (XI); Frank T. Merrill (XII); Howard Pyle (XIII); A.I. Keller) (XIV); Frederick McCormick (XV); F.C. Yohn(XVI); Albert Herter (XVII); Harry Fenn (XVIII); Childe Hassam (XIX); Edmunc H. Garrett (XX); Jules Guerin (XXI); and Ross Turner (XXII). Beautifully bound in publisher's deluxe binding of three quarter blue morocco, marbled boards, and gilt decorated spine with titles and floral ornaments betweeen raised bands. Marbled end pages, t.e.g.. In fine condition. LIT/072310 This set may require an extra shipping fee. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
Hammersmith: Kelmscott Press, . Arthur Gaskin. Five text pages plus two of the twelve full page illustrations by Arthur Gaskin. This was one of the later books of the Kelmscott Press, and it was finished several days after Morris's death on October 3, 1896. These beautiful sample pages include the first three pages for "Januarie" and the first two for March. The Januarie pages are in near fine condition but the March leaf has a tear along the bottom margin not affecting text. Each has a striking ten line first initial. The two Gaskin illustrations are printed on the versos of a bifold leaf. There is a three inch tear along the bottom of the fold not affecting the illustrations. Accompanied by a proof of the front cover showing the lettering. Very nice examples of Kelmscott Press printing and illustration. PRI/011816. Very Good.
London: The Studio, 1913. Slipcased. SCARCE. Issued as a bound-in Christmas supplement to Volume 60 of The Studio. It includes seven illustrations in color and eight in black and white, all in the quintessential Art Nouveau style for which Jessie M. King is known. This copy is hand-sewn into a folder with maroon paper boards and a beige linen spine. Housed in a slipcase covered in the same maroon paper. In near fine condition. ART/111412. Near Fine.
London: Cecil Palmer, n.d. . Hardcover. With its large format and beautiful color illustrations on every page, this is one of Jessie M. King’s most desirable books. The stories are charming, and many impart a gentle moral to the children reading them. For many years there was some uncertainty about the identity of the author, “Marion.” Many believed that Jessie M. King was the author because her middle name was Marion. It was finally established by her descendants, however, that the author was Mrs. Alexander (Marion) Gemmel. (B199, Colin White bibliography). The illustrations are exuberant and playful, as befits stories for small children. There are eleven full-page illustrations, with color decorations on each text page. Bound in bright paper covered pictorial boards with title and illustrator in red to front cover and spine. Some wear and rubbing to edges, hinges, and corners but in very good condition with clean, bright interior. Original glassine jacket not present. 56 pages. CHILD/111412. Near Fine.
Monmouth shire UK: The Old Stile Press, 1998. Hardcover. Number 160 of 200 copies. Signed by the artist and essayist. From the Press: "When The Affectionate Shepheard was first published, in London in 1594, its author was 20 years of age and immediately became a celebrity -- although he ceased to write six years later. In the centuries since, however, both poem and poet have largely disappeared from sight. Printings have been few and this one is thought to be the very first to be accompanied by images. The poem followed the rich tradition of pastoral poetry and was influenced especially by the second Eclogue of Vergil, taking unrequited love as its theme and, as its subject, the love of a shepherd, Daphnis, for the young man, Corydon. An essay, putting the work fascinatingly in its historical and literary context, has been specially written by Dr. Peter Wakelin for inclusion in this edition. If the poem is an unusual and worthwhile rediscovery, so is the printmaking technique employed by Clive Hicks-Jenkins. Involving glass and a layer of pigment, it is more akin to line engraving on, say, metal than to any form of drawing. This publication is also remarkable for being the first of our books to be printed entirely on paper handmade by Frances McDowall at The Old Stile Press." Printed in Bulmer types on McDowall's handmade paper.Illustrations on each page produced from autographic relief images using a variant form of cliché verre. Bound in vegetable parchment hand toned by the printer, illustrated on both covers with outline designs printed in grey, black spine titling. Special endpapers handmade by Frances McDowall. Foxing to some pages. Housed in a folding slipcase covered in burnt orange cloth, lined with blue Ingres paper. Octavo in near fine condition. 58 pages. PRI/061416. Near Fine.
Monmouthshire, England: The Old Stile Press, 2008. Hard Cover. Number 70 of 195 copies in Main Edition. Illustrated by Michael Onken and signed by him. This book came when the McDowells, proprietors of the press, discovered this text among the papers of George Mackay Brown. He wrote it in 1984 and it had a single public reading but was never published. The play draws on the tales of the Selkie folk. The American artist, Michael Onken, has found Orkney to be his "spiritual" home, and also was drawn to the Selkie legends. This book is a result of the play's discovery. Bound in cream cloth front cover with illustration in brown. Backing and rear board are blue linen. Housed in fine grey slipcase with paper illustration of Mackay Brown affixed to front. Designed and printed by Nicolas McDowell in Albertina type on grey Velin Arches paper. The artist's wood engravings, woodcuts,and linocut images were printed in black and white from the original blocks. Binding by The Fine Book Bindery using paper printed at The Old Stile Press. In fine condition. Unpaginated [56 pages]. PRI/061316. Fine.
Monmouthshire, UK: The Old Stile Press, 2010. Hardcover. 1 of 60 copies. Illustrated with textual descriptions by Natalie d’Arbeloff. The artist created these gestural pen and ink figure drawings over fifty years ago while she was a student in New York City studying under Jack Tworkov, a prominent abstract expressionist. D’Arbeloff is now a printmaker, cartoonist, and book artist with work in collections around the world. Bound in blue paper covered boards with gilt title to spine and black illustration to front cover. Printed on Velin Arches Blanc in Aries type. The images were printed at original size with photopolymer plates. The text is printed in grey with titles in blue and illustrations in black. In fine condition. Unpaginated. PRI/081111. Fine.
Paris: 1937. Paperback. Number 158 of 500 copies, the first 200 of which were reserved for the writers of the book. This remarkable deluxe collection of writings and art about Paris was commissioned by the city of Paris to celebrate their hosting the World’s Fair of 1937. The volume includes original prose, poetry, and illustrations by the leading writers and artists of France. There are thirty-one sections on various quarters, neighborhoods, gardens, avenues and boulevards, each with a short piece written by an eminent writer and engravings by two notable artists. For each section there is a full-page illustration by an artist associated with the area and a smaller one on the first page of the section by the other artist. Among the writers are Paul Valery, Raymond Escholier, Colette, Paul Claudel, Abel Bonnard, and Jules Romains. The participating artists are equally impressive, and include Matisse, Andre Derain, Raoul Dufy, Marie Laurencin, Pierre Bonnard, Edouard Vuillard, Jean Laboureur, and Andre Lhote. Each section is a separate folder with the full-page illustration of the following section as its last page. The folders are encased in a paper wrapper with the title and a color illustration on its cover. The entire production is housed in a chemise of dark blue paper covered boards with a red leather spine label which fits into a blue paper and linen slipcase. The slipcase is in very good condition with a few chips and bumps. The contents are also in very good condition; however, pages 286-288 are missing. They included the full-page illustration by Gabriel Belot and Renefer for “Les Musees.” Page 277, the first page of “Les Eglises de Paris” has a repaired tear. Still, a splendid collection of French art and prose commemorating Paris on the eve of the Second World War. 294 pages plus table of illustrations. ART/012412. Very Good.
London: Faber and Gwyer Limited, . Hardcover. FIRST EDITION. Scarce in jacket. Features over 90 illustrations by the most important artists, along with the lesser known artists of the period. Includes work by Ford Madox Brown, Edward Burne-Jones, George Du Maurier, Arthur Hughes, Frederic Leighton, Millais, Whistler, Rossetti, and many more. There is a full chapter which is over 60 pages in length on the Pre-Raphaelite artists. Green cloth boards with gilt title to spine and gilt illustration to front board. Minor fading and spotting to spine. The interior is very clean and bright. In very good minus blue dust jacket with red title to spine and front panel. Fading and chipping to edges of jacket and fading to spine panel. A key reference. 295 pages. BOB/041808. Very Good Plus in Very Good Minus Jacket.
Franklin Center, PA: The Franklin Mint, 1972. Hardcover. The 1972 Franklin Mint Christmas Plate. Made of solid sterling silver and contains an original etching of the work titled "The Carolers" drawn by Norman Rockwell expressly for this limited edition. Complete with certificate of authenticity, description of artist and plate, and order form for frame. Housed in a maroon leatherette clamshell box made to look like a book with embossed wreath on front cover and gilt title and artist to spine. In original plain white box. "Book" and plate in fine condition. DEC/100312. Fine.