London: John Lane, n.d. . Hardcover. First illustrated edition. Inscribed by the publisher, John Lane, "Frances Minturn Hall with love from her publisher John Lane Nov 16, 1924. Hall was an American poet, and would have been just 19 years old when she received the book. George Sheringham was best known as a painter and theater designer, but also was a book illustrator. There is a color frontispiece and twenty three full page color illustrations protected by tissue guards. Bound in the original cream cloth, with the front cover elaborately decorated in cream, blues, and pink by Sheringham. Spine faded, corners bumped, and some chipping and marks of handling to covers. Interior pages and illustrations are clean and bright with occasional foxing. 70 pages. LIT/090411. Very Good.
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Upland CA: Blackbird Press, 2007 [Distributed in 2010]. Hardcover. Number 40 of 100 copies. Signed by the poet, the book artist, and the illustrator. Writes Gillingwators, "When I first read B. H. Fairchild’s poetry collection The Art of the Lathe, I knew I wanted to publish the opening poem “Beauty” as a letterpress limited edition book. The poem has book characteristics–narrative structure and four, chapter-like divisions–and its visceral, lyrical appeal motivated me." Fairchild's poetry has been widely published and he has been the recipient of numerous awards. The Art of the Lathe was described in the LA Times as "a contemporary classic...finely crafted and perfectly pitched." The book artist continues: "I knew from the initial reading that my book edition would have metal covers, reminiscent of the corrugated-metal buildings that often house machine shops [where the poem takes place]. The making of the book took three years as the book artist and illlustrator learned how to make the tiny metal hinges for the book and how to age the thin aluminum used for the book covers. Each step required research, test trials, and practice. Printed with Centaur and Arrighi monotype on Zerkall Book paper, with linocuts by Alquitela. Housed in a grey clamshell box with title and author in red to spine. In fine condition. 7 x 11". Unpaginated. [11 pages] PRI/031715. Fine.
Brazil: Ministerio da Educacao e Cultura, 1965. Paperback. Number 12 of 200 copies numbered and signed by the author. An additional 800 unsigned copies were printed. Elephant folio. A collection of 50 poems by Stella Leonardos illustrated with 3 lithographs by Pedro. Portuguese author and painter Antonio Pedro (1909 - 1966) helped introduce Surrealism into Portuguese painting during the 1930s. Bound in white and green paper wrappers with green title to front cover. Minor browning to spine and edges of wrappers and a few small closed tears to edges of wrappers. The interior is clean overall with minor browning to edges of pages. Some light foxing / light soiling to margins of some pages. Small closed tear to margin of one of the prints, which does not effect the image. Includes a postcard on the letterhead of the Brazilian minister of education and culture dated 7/6/65 with a brief handwritten note in Portuguese. Unbound as issued in large folded sheets. 91 pages plus plates, notes, and index. IN PORTUGUESE. POE/010715. Very Good.
Monmouthshire, England: The Old Stile Press, 2008. Hard Cover. Number 70 of 195 copies in Main Edition. Illustrated by Michael Onken and signed by him. This book came when the McDowells, proprietors of the press, discovered this text among the papers of George Mackay Brown. He wrote it in 1984 and it had a single public reading but was never published. The play draws on the tales of the Selkie folk. The American artist, Michael Onken, has found Orkney to be his "spiritual" home, and also was drawn to the Selkie legends. This book is a result of the play's discovery. Bound in cream cloth front cover with illustration in brown. Backing and rear board are blue linen. Housed in fine grey slipcase with paper illustration of Mackay Brown affixed to front. Designed and printed by Nicolas McDowell in Albertina type on grey Velin Arches paper. The artist's wood engravings, woodcuts,and linocut images were printed in black and white from the original blocks. Binding by The Fine Book Bindery using paper printed at The Old Stile Press. In fine condition. Unpaginated [56 pages]. PRI/061316. Fine.
London: Lawrence & Bullen, 1897. Hardcover. First Edition. An excellent presentation copy. Inscribed by William Butler Yeats to his friend Clement Shorter: " Clement Shorter from W B Yeats June 23 1899." William Butler Yeats (1865-1939), the famous Irish poet, was one of the most important figures in twentieth century literature. and was key figure in Ireland's nationalist movement. Clement Shorter (1857-1926) was a British journalist and critic who was also an avid collector of books and manuscripts, particularly of the Brontes. He was the editor of the Illustrated London News and in 1893 founded the periodical Sketch. The fourth story in this short story collection, "Where There is Nothing, there is God," was first published in Sketch in October 1896. The stories blend Irish with Rosicrucian themes and characters. Bound in the original blue cloth with the famous cover design done for Yeats by Althea Gyles stamped in gilt on covers and spine. At its center is a four-petalled rose joined to a cross. The boughs of the tree resemble a serpent; among them, just above the rose, are the kissing faces of a man and a woman, With six black and white illustrations by William's father, John Butler Yeats. The binding is bright and beautiful with very slight bumping to corners. Interior pages are quite clean with just a trace of aging to margins. Housed in a cream cloth covered clamshell box with black and gilt title label to spine. Near fine condition. LIT/011816. Near Fine.