New York: Farrar and Rinehart, 1941. Andrew Wyeth. Hardcover. Limited to 650 copies. SIGNED by the author and artist. This is a special Delaware edition printed exclusively for the Greenwood Book Shop. This copy is not numbered and is marked in pen as "over - run." Part of the Rivers of America Series, this book gives a detailed history of the Brandywine River. Very good in original brown cloth boards with purple and gilt title label stamped on spine. Minor wear to edges of boards and spine ends. Light rubbing to hinges. There are a few light markings to the front board. There are a few small spots of foxing to the illustrated end pages and the first few pages. There is also a previous owner's signature in pen on the front end page; otherwise, the interior is clean. Vignette illustrations by Andrew Wyeth begin each chapter. Includes a laid-in newpaper article about an accident on a bridge across the Brandywine north of Wilmington, DE. At the top of article written in pen is "Baltimore American February 8, 1884." 285 pages including index. STA/060911. Very Good.
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Lincoln Mint, 1972. A limited edition silver collector's plate created by Salvador Dali expressly for the reproduction of this precious metal plate. Each plate is numbered. The plate is resting on dark blue satin and is housed in a white leatherette clamshell box with Dali's signature in silver on the top. In fine condition. In a white paper shipping box. DEC/120312. Fine.
Victoria, Australia: Electio Editions, 2013. Paperback. Number 13 of 26 copies, of which 22 were offered for sale. Numbered and signed by the printer. According to the foreword, “this work has its origins in an abandoned printing of Nicholas Jenson’s last will and testament, illustrated with Jenson’s Greek letters.” It includes quotes from Jenson in Greek from Noctes Atticae and quotes from other scholars in English. It also includes original poetry by the printer, some of which was created from words excerpted from Jenson’s will and translated into English. Bound in orange handmade Cave paper with “I, Nicholas Jenson alien & printer of books” printed in red and silver inks across the rear, spine, and front panels. A small spot of foxing to a few pages, but clean and bright overall. Illustrated with hand drawn Greek letters by Deirdre Hassed and printed from magnesium blocks. The binding style was created by Keith Smith. The book is housed in a blue cloth covered clamshell box with a magnetic folding closure. Unpaginated. [48 pages] PRI/111616. Fine.
Hammersmith: Kelmscott Press, . Arthur Gaskin. Five text pages plus two of the twelve full page illustrations by Arthur Gaskin. This was one of the later books of the Kelmscott Press, and it was finished several days after Morris's death on October 3, 1896. These beautiful sample pages include the first three pages for "Januarie" and the first two for March. The Januarie pages are in near fine condition but the March leaf has a tear along the bottom margin not affecting text. Each has a striking ten line first initial. The two Gaskin illustrations are printed on the versos of a bifold leaf. There is a three inch tear along the bottom of the fold not affecting the illustrations. Accompanied by a proof of the front cover showing the lettering. Very nice examples of Kelmscott Press printing and illustration. PRI/011816. Very Good.
London: The Studio, 1913. Slipcased. SCARCE. Issued as a bound-in Christmas supplement to Volume 60 of The Studio. It includes seven illustrations in color and eight in black and white, all in the quintessential Art Nouveau style for which Jessie M. King is known. This copy is hand-sewn into a folder with maroon paper boards and a beige linen spine. Housed in a slipcase covered in the same maroon paper. In near fine condition. ART/111412. Near Fine.
Paris: 1937. Paperback. Number 158 of 500 copies, the first 200 of which were reserved for the writers of the book. This remarkable deluxe collection of writings and art about Paris was commissioned by the city of Paris to celebrate their hosting the World’s Fair of 1937. The volume includes original prose, poetry, and illustrations by the leading writers and artists of France. There are thirty-one sections on various quarters, neighborhoods, gardens, avenues and boulevards, each with a short piece written by an eminent writer and engravings by two notable artists. For each section there is a full-page illustration by an artist associated with the area and a smaller one on the first page of the section by the other artist. Among the writers are Paul Valery, Raymond Escholier, Colette, Paul Claudel, Abel Bonnard, and Jules Romains. The participating artists are equally impressive, and include Matisse, Andre Derain, Raoul Dufy, Marie Laurencin, Pierre Bonnard, Edouard Vuillard, Jean Laboureur, and Andre Lhote. Each section is a separate folder with the full-page illustration of the following section as its last page. The folders are encased in a paper wrapper with the title and a color illustration on its cover. The entire production is housed in a chemise of dark blue paper covered boards with a red leather spine label which fits into a blue paper and linen slipcase. The slipcase is in very good condition with a few chips and bumps. The contents are also in very good condition; however, pages 286-288 are missing. They included the full-page illustration by Gabriel Belot and Renefer for “Les Musees.” Page 277, the first page of “Les Eglises de Paris” has a repaired tear. Still, a splendid collection of French art and prose commemorating Paris on the eve of the Second World War. 294 pages plus table of illustrations. ART/012412. Very Good.
London: Chapman and Hall, 1862. Millais, J.E. Hardcover. First edition in book form. Illustrated by the Pre-Raphaelite artist, John Everett Millais (1829 - 1896). Includes 40 illustrations. In original brown publishers cloth with blind stamped designs to boards and decorated gilt titles to spines. Both volumes have been expertly rebacked with new material showing along the spine ends and hinges of both spines. Modern endpapers. Wear to the edges and corners of both volumes with fraying and chipping along the edges of the remnants of the original spines. Minor foxing to plates and to pages facing the plates including the title page; the rest of the interior is clean. 320 pages in volume one; 384 pages in volume two. May require extra shipping fee. LIT/032713. Very Good.
Paris: Bibliotheque Artistique & Litteraire, 1894. Paperback. FIRST EDITION. SCARCE. Limited to 1000 copies. Thin octavo. In brown paper wrappers with black title to front cover and spine. Darkening to spine. Interior has a few spots of foxing and browning to margins. Unopened pages. Bookplate of Mr. Pollitt to front pastedown. Black and white illustrated frontis with original tissue guard. Several splits to binding. 76 pages. In French. FRE/052004. Very Good.