New York: Farrar and Rinehart, 1941. Andrew Wyeth. Hardcover. Limited to 650 copies. SIGNED by the author and artist. This is a special Delaware edition printed exclusively for the Greenwood Book Shop. This copy is not numbered and is marked in pen as "over - run." Part of the Rivers of America Series, this book gives a detailed history of the Brandywine River. Very good in original brown cloth boards with purple and gilt title label stamped on spine. Minor wear to edges of boards and spine ends. Light rubbing to hinges. There are a few light markings to the front board. There are a few small spots of foxing to the illustrated end pages and the first few pages. There is also a previous owner's signature in pen on the front end page; otherwise, the interior is clean. Vignette illustrations by Andrew Wyeth begin each chapter. Includes a laid-in newpaper article about an accident on a bridge across the Brandywine north of Wilmington, DE. At the top of article written in pen is "Baltimore American February 8, 1884." 285 pages including index. STA/060911. Very Good.
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Lincoln Mint, 1972. A limited edition silver collector's plate created by Salvador Dali expressly for the reproduction of this precious metal plate. Each plate is numbered. The plate is resting on dark blue satin and is housed in a white leatherette clamshell box with Dali's signature in silver on the top. In fine condition. In a white paper shipping box. DEC/120312. Fine.
Victoria, Australia: Electio Editions, 2013. Paperback. Number 13 of 26 copies, of which 22 were offered for sale. Numbered and signed by the printer. According to the foreword, “this work has its origins in an abandoned printing of Nicholas Jenson’s last will and testament, illustrated with Jenson’s Greek letters.” It includes quotes from Jenson in Greek from Noctes Atticae and quotes from other scholars in English. It also includes original poetry by the printer, some of which was created from words excerpted from Jenson’s will and translated into English. Bound in orange handmade Cave paper with “I, Nicholas Jenson alien & printer of books” printed in red and silver inks across the rear, spine, and front panels. A small spot of foxing to a few pages, but clean and bright overall. Illustrated with hand drawn Greek letters by Deirdre Hassed and printed from magnesium blocks. The binding style was created by Keith Smith. The book is housed in a blue cloth covered clamshell box with a magnetic folding closure. Unpaginated. [48 pages] PRI/111616. Fine.
Eugene, OR: Susan Lowdermilk, 2017. Susan Lowdermilk is a book artist and printmaker working in traditional processes such as woodcut, wood engraving and intaglio etching as well as digital media. Her books involve movable parts, pop-ups and LED circuitry. Her artists’ books are in the collections of many university libraries, public libraries and museums. She is a professor at Lane Community College in Eugene, Oregon where she teaches courses in printmaking, artist books and graphic design. Susan earned her Master of Fine Arts from the University of Oregon in Eugene and her Bachelor of Fine Arts from Colorado State University. In her artist’s statement she writes: “Through my art practice as a printmaker and book artist, I reflect my life experiences and relate them to a broader sense of the human condition: struggles, transitions, choices and the inevitable element of chance. I explore and express these themes through familiar forms and shapes, symbolic of humankind’s shared stories as we, as individuals, progress from one day to the next.” Number 4 of 30 copies. Signed and numbered by the book artist. This book’s striking three-dimensional multicolored imagery “juxtaposes the universal mathematical order and geometric shapes associated with the cosmos with an aviary of birds, thus alluding to an inherent connection - the mysteries of nature on earth with the mysteries of the universe as a whole “ (colophon). The book was originally a collaborative project by Doyle and Lowdermilk for an art and ecology exhibition in Portland (2011) for which they created a deluxe boxed set of three books. This edition of Aviary is digitally printed from one of the three deluxe books. It is handbound with blue cloth covers and an open concertina spine. A paper image of a hummingbird is affixed to the front cover and there are beige cloth ties. The interior features five layered pop-up spreads depicting five birds (owl, peacock, dove, eagle, and bird of paradise) within elaborate geometric backgrounds. It can be displayed open as a star book using the ribbon ties. Housed in a stiff cream paper enclosure with the same hummingbird image on the front panel. In fine condition. Unpaginated. Size: 11.25 x 6.25 inches closed; 11.25 x 12.25 inches open in star shape.
Monmouthshire: The Old Stile Press, 2006. Hardcover. Number 59 of 150 copies numbered and signed by Davis and Adams. The story of Bluebeard has a long history, from Perrault's Fairy Tales through Maeterlinck, and is deeply embedded in the dark storytelling of the early twentieth century. Béla Balázs, heavily influenced by the French Symbolists, wrote a play which inspired his fellow countryman Béla Bartók to create a truly Hungarian opera. The music and the libretto in their turn have drawn from Susan Adams a sequence of stunning images. Each page evokes the unfolding terror that the walls of Duke Bluebeard's castle have witnessed. The chilling story is of the young bride, Judith, brought to her new home by the Duke. She longs to fling open windows, to let sunlight flood into her castle but gradually she has to face the truth of what may have happened here -- the truth of the destroyed lives of three previous wives. The libretto is the English version made by John Lloyd Davies for performances of the opera in the UK. Printed in Eric Gill's Joanna type on BFK Rives paper. The 18 images by Adams use two printmaking techniques, printing directly from woodblocks in black (with two in white) and digitally generated photopolymer line blocks, printed in red. The small folio book is bound in black and red paper and covered with red paper with printed with woodcuts on both covers. The slipcase has grey sides with a black border, again printed with images by Susan Adams. A particularly striking production from this excellent private press. In fine condition. Unpaginated [56 pages]. PRI/061416. Fine.
Pennyroyal Press, 1985. Barry Moser. Hardcover. Number 194 of 200 copies signed and numbered by Barry Moser. The preface states that the bestiary was a well-established tradition in France by the time De Fournival wrote his Bestiare d'Amour in the middle of the 13th century. In his bestiary, however, he diverted the bestiary's hallowed animal symbolism to amorous purpose. An anonymous woman composed a response to his new symbolism, which was appended to a few of the surviving manuscripts. The two works remain as an articulation of the eternal debate between Man and Woman. This fascinating text is illustrated with dozens of Barry Moser's splendid small wood engravings of animals, birds, and insects. Bound in limp vellum with gilt title to spine and housed in a grey cloth slipcase. The rear panel of the slipcase has three watermarks but is otherwise in fine condition. In monotype Dante, designed by Moser and Chase Twichell, and printed by Harold McGrath. A beautiful book in fine condition. Unpaginated. PRI/032813. Fine in Very good Slipcase.
Bennington, VT: The Bird Press, 2000. Since 1997, The Bird Press has been an artist-run publishing project that has focused on hand printed artists’ books. All projects utilize some inherent aspect of the book and often take the form of open-ended collaborations with writers. Each project is a response to the last, both in form and content, in order for the work to continually evolve. Poetry, broadly defined, is a major inspiration for most of the work. Editions between 15-40 utilize various print media including: flatbed offset lithography, stone lithography, etching, letterpress, wood blocks, and digital pigment printing. Book artist Thorsten Dennerline creates paintings, drawings, and prints in addition to artists’ books. He has exhibited work across the U.S. as well as in Chile and Denmark. His work is represented in numerous collections including Yale University Library, the Library of Congress, UCLA, Stanford University, and the Kunstindustri Musset (Denmark).Number 26 of 40 copies in the regular edition. There are also 10 special bindings and 5 unique artists proof bindings. Signed and numbered by the book artist. A collection of eight poems by Danish poet, typographer, art critic, and translator Peter Laugesen (1942 - ). He was awarded the Danish Critics Prize for Literature in 2003. These poems were written in Denmark in 1999 specifically for this collaborative project with artist Thorsten Dennerline. He describes his eight etchings in this book: “[They] are meant to be an accompaniment to the text that functions as a collaboration similar to the way musicians might play together.” Bound in quarter vellum over blue cloth boards, which are laced into a vellum covered spine with five strips of alum-tawed thongs. The endbands are buttonhole stitched with waxed yellow thread. The front cover is titled in black and the rear cover has a black star printed near the bottom edge. The text is in both Danish and English. The Danish text is printed on translucent Seikishu Japanese paper and the English translation is printed on a thicker stock. This allows the reader to view the poems in both languages mirroring each other through the transparent paper. Unpaginated. [50 pages.] Size: 9.75 x 10 inches. In fine condition. ARTB/032417. Fine.