London: Constable and Co Ltd, 1933. Hardcover. Author's Presentation Copy. First Edition. Inscription reads: "To the Revd H.M. MacLeod of Killearn, in remembrance of his sympathy and support during the dark hours of August 1st to 4th 1947. with the affectionate regards of Gordon Bottomley. Easter: 1948. Gordon Bottomley (1874-1948) was a notable figure known for his verse drama. He was greatly influenced by the Victorian romantics. In a beautiful dark red morocco binding by binder, E. Garrett with his stamped signature to the rear turn-in. Garrett was associated at the turn of the century with the Municipal School of Art. Hand stamped gilt title and author to spine and front board with raised bands to spine. Gilt rules, gilt chalice, gilt flowers, and embossed leaves to boards. Printed endpapers and full edges gilt. The binding is lovely despite the tooling being awkward in places. The interior is clean overall with occasional spots of foxing, which are most prevalent on first and last few pages. Black and white photographic frontispiece. 85 pages. DRA/011221. Very Good.
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London: Remington & Co., 1879. Hardcover. First Edition. This was Moore's second publication, and apart from a broadside of which only one copy is known, this is by far the rarest of his books. No copy has appeared at auction in the past decade. George Moore (1852-1933) was an Irish novelist, poet, critic, and dramatist who is often regarded as the first great modern Irish novelist. This play was done in collaboration with French dramatist Bernard Lopez, who had ignited Moore's interest in drama when they were fellow residents at the Hotel de Russie in Paris. Moore made the suggestion to collaborate after the failure of his first work, Flowers of Passion. The result was this, a five act verse tragedy that was never produced. It was considered at the time almost unreadable because of its poor verse and wooden characters. In later years Moore had very little regard for this early effort and never considered its reissue in any of the collected editions of his work. Bound in original blindstamped black cloth with gilt title and authors to front cover and title to spine. In Edwin Gilcher's bibliography of Moore he describes this as the "Theater (?) impression, slightly larger in size, repaged and without prefatory matter presumably...issued to send to theater managers in an effort to secure a production." Corners lightly bumped and small piece missing from top on spine. Interior pages are very nice. Ownership signature of Henry Knight on title page and bookplate of Rosita de Texada. In very good condition. Housed in a green silk folding case. 139 pages. DRA/080315. Very Good.