New York: Whitney Museum of American Art; Distributed by Harry N. Abrams, 1992. Hardcover. Agnes Martin (1912-2004 was an influential Canadian-American abstract artist whose work is in collections throughout the United States. The exhibition catalog describes itself as the first book to deal with the full scope of Martin's art. There are 100 illustrations including 60 color plates, and three essays that place her work in the context of American and European 20th century art and culture. Very good in grey cloth boards with silver title to spine and front board. There is underlining with notes in pencil on several pages and in red pen on two pages in Chave's essay. Small spots of soiling on one page. In very good dust jacket with grey spine panel and blue title to spine. Light wear to edges of jacket. 188 pages. ART/052810 Modern Art. Very good in very good jacket.
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London: Methuen, . Hardcover. Folio. A nice collection of Beerbohm’s fine caricatures. The forty-nine subjects include Henry James, G.K. Chesterton, John Singer Sargent, H.G. Wells, Bernard Shaw, and Winston Churchill. Each is protected by a tissue guard with a facsimile of Max’s handwriting describing the subject. Bound in the original red cloth backed red cloth boards, with printed paper label on front cover and gilt title and author to spine. Spine has a few splits, boards are faded and rubbed, with bumping to corners. Foxing to endpapers but plates are clean. In very good condition. ART/092111. Very Good.
Northampton MA: Cheloniidae Press, n.d. State Proof signed by the artist. A stunning original print, never published and the only copy ever printed, created by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The image depicts an owl flying in the dark of night. Most of the surface is a profound black, with the hunting owl visible by moonlight. The print is 17.5 x 23 inches and measures 22 x 27 inches with the mat. In fine condition.ORIGART/072017.
Washington DC: Library Fellows, The National Museum of Women in the Arts, 1992. Hardcover. Number 4 of 20 copies. Signed and numbered by the artist with an original drawing in a separate portfolio. Audrey Flack (1931-) is an important American artist who is nationally recognized and whose works are in major collections throughout the world. She is known as a pioneer in Photorealism and has also been inspired by Baroque art. This book is the third volume in the artists' book series published by the Library Fellows of The National Museum of Women in the Arts. The sketchbook records Flack's travels from 1985-89, which included trips to Paris, Las Vegas, and Fort Lauderdale. The terra cotta pencil sketches that fill the sketchbook are beautifully rendered and often intimate. They are reproduced to scale. The book and the portfolio for the illustration are bound in a green, black and orange marbled cloth. Save for light creases on the free endpapers the book is in fine condition. The original drawing is a portrait from a Baroque sculpture and measures 4 x 6 inches. Both are housed in a brown cloth box with black leather title label affixed to a strip of the marbled cloth used for the binding. A lovely copy of this now rare book. Unpaginated. ARTISTS/102612. Fine.
Paris: Goupil and Cie; Manzi, Joyant and Cie, 1907. Hardcover. Number 107 of 300 copies. A beautiful and sumptuous work in French on the life and art of the great Renaissance painter Sandro Botticelli. In his preface, the author describes his careful research and authentication process on the artist’s work, saying it was necessary because Botticelli had so many disciples who imitated his style. There are 70 plates, of which nine are in color, plus a color frontispiece of a Botticelli self-portrait. For each work there is a plate of the full painting, followed by one or more plates with details from it. The color plates are all details of Botticelli’s exquisite portraiture. Plates 1-66 follow the text pages; plates 67-70 are bound in with the text. Bound in three quarter red leather with marbled paper covered boards and raised bands and gilt title to spine. Original paper covers bound in. Some staining to edges of some of the text pages, not affecting the plates. Each plate has a tissue guard printed with the title and location of the painting. Ownership signature in red ink on half title. In very good condition. Elephant folio. 83 pages plus plates. ART/091012. Very Good.