Mission, BC: Barbarian Press, 2013. Simon Brett. Hardcover. Endgrain Editions Four. Limited to 120 copies in the regular edition. This is the first addition to the Endgrain Editions since 2003, and it is a major return to the series. It is a celebration of the work of Simon Brett documenting his fifty plus years as an engraver. Simon is acknowledged as one of the masters of wood engraving of the past half-century. With 134 engravings printed from the wood, an introduction by the artist, and a chronological catalogue of the more than 1,000 engravings Simon has so far engraved, this is a major work of 250 pages, and is certain to be an important reference on Simon’s work as well as being a splendid book from this important private press. Text printed in Joanna with Fry’s Ornamented for display in green and black on Zerkall Cream laid with engravings printed on Zerkall White Smooth. Bound in quarter green cloth with paper patterned boards and title label to spine. In fine condition. PRI/062014. Fine.
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Tuscaloosa, AL: Hand Papermaking / Word Way Press, 1998. Paperback. Number 91 of 150 copies. "Between 1984 and 1996, Dorothy traveled to Nepal four times. She sought out those who have preserved Nepalese papermaking and she visited new mills, some of which practice traditional Nepalese methods, others using adaptations and imported techniques. While in Nepal, she met with papermakers, discerned their methods, and collected their papers. The samples she assembled, many made using traditional lokta fiber, make up the specimens in the portfolio" (introduction). A portfolio of 18 sheets of handmade paper created in Nepal with an accompanying booklet that supplies descriptions for each sample as well as an introduction and an extensive essay about Nepal and its paper. The yellow paper wrapper covering the booklet is letterpress printed. The images within are from traditional Nepalese woodblock prints and were designed by Berinji Narayan Shrestha. Each paper sample is mounted within a folder labeled from A to P. The accompanying booklet and mounted samples are all housed in a red clamshell box with paper title label to spine. Each paper sample is approximately 7 x 10 inches or smaller. The box is 11.5 x 9 x 1.5 inches. The booklet is 40 pages. PRI/050218. Fine.
Wales: Gwasg Gregynog, 2004. Hardcover. Number 122 of 200 copies. In the introduction Dowd states “the present publication is designed to bring the artistic achievements of contemporary binders who have worked...for Gregynog to the notice of a wider public.” This book reproduces in color the nineteen special bindings produced from 1977 until 2002 by the press. Among the binders are Sally Lou Smith, James Brockman, Julian Thomas, Alan Wood, David Esslemont, David Vickers, and Kyffin Williams. Printed in Monotype Walbaum type on Monoadnock Astrolite paper. Bound in dark blue linen with gilt title and press name to spine and the device of the press on the front board. Housed in slipcase in same blue linen. In fine condition. 100 pages. PRI/120811. Fine.
Glenview, IL: Karen Hanmer, 2016. Number 34 of an open edition. For centuries paper has served as a quick, elegant, and economical covering material for books. Renowned book artist and teacher Karen Hanmer has created this set of ten model paper bindings to offer instruction to experienced and would-be binders. She writes: "These models and accompanying instructions will introduce beginners to the basic tools, techniques and materials of bookbinding. Experienced practitioners will discover how features from multiple bindings can be combined to create a new, custom structure to meet the requirements of any project. All of these structures can be made in a sparsely-equipped studio with minimal specialized tools or equipment.The paper bindings are mostly non-adhesive, mostly unsupported sewing: three folded paper cases, supported and unsupported laced cases, long stitch, chain stitch with decorative guards, double-pamphlet in tipped wrapper, multi-section pamphlet, German stiffened paper binding with double-fan adhesive text block. They are in a variety of colors and patterns. The set also includes a 140 page hand-bound b&w laser-printed manual: a skill-building guide to bookbinding techniques, tools, and materials with a glossary and an extensive bibliography (many of the resources available online). Chapters on tools and supplies, ergonomics, signature preparation, end sheets, sewing and working with case-weight papers precede complete instructions for crafting ten different paper binding structures. Each process is illustrated with numerous b&w photographs and diagrams. The instructions for each structure are also provided as PDFs on digital media for classroom distribution." Each model is approximately 6.5 x 4.5 inches; manual is 9 x 6 inches. All housed in a beige cloth covered clamshell box with paper title label on spine. These models are a valuable reference for libraries, book arts programs, or for anyone who is interested in learning more about the structural aspects of the book. In fine condition. ARTISTSB/102517.
Oldham, England: Incline Press, 2012. Hard Cover. Number 118 of 250 copies. Heavily influenced by the Art Nouveau movement, E.R.Weiss (1875 – 1942) was a multitalented German artist who painted watercolors and murals, and also designed furniture, fabric, stained glass, ceramics, wallpaper, and books. This book focuses on Weiss’s book artistry including his typographic designs, calligraphy, book jacket designs, illustrations, and more. It took printer Graham Moss of the Incline Press over fifteen years to research, compile, and print this impressive collection of Weiss’s book works, which features numerous tipped-in reproductions and several original pieces. It is a large folio bound in brown paper covered boards with vellum spine and design in red to front cover. Housed in a brown paper covered slipcase with black cloth edges and title label to spine. In fine condition. 178 pages. PRI/062415. Fine.
London: George Bell and Sons, 1902. Walter Crane. Hardcover. FIRST TRADE EDITION. This is still the best and most comprehensive work on Crane’s art, encompassing his illustrations, paintings, and decorative works. There are 8 photogravure plates, 24 full page colored plates, and over 100 other illustrations of his paintings, wall paper designs, and book illustrations. There are also two inserted facsimile leaves from The Story of the Glittering Plain published by the Kelmscott Press. It was the only Kelmscott Press title illustrated by Crane, despite his close friendship with fellow-Socialist William Morris. The book begins with a chapter discussing Morris’s influence on Crane’s ideas of Socialism and art. A very good small folio bound in the original blue-green pictorial cloth, with the cover design and spine printed in black and gilt. The covers show wear, with slight fraying at edges, brief spotting, and the front hinge slightly cracked. The interior is quite clean and bright save for some very light aging to margins and a small brown stain on one of the color illustrations and its facing page. Altogether a very nice copy of this rather scarce book. 148 pages. ILL/042210. Very Good.
London: Faber and Gwyer Limited, . Hardcover. FIRST EDITION. Scarce in jacket. Features over 90 illustrations by the most important artists, along with the lesser known artists of the period. Includes work by Ford Madox Brown, Edward Burne-Jones, George Du Maurier, Arthur Hughes, Frederic Leighton, Millais, Whistler, Rossetti, and many more. There is a full chapter which is over 60 pages in length on the Pre-Raphaelite artists. Green cloth boards with gilt title to spine and gilt illustration to front board. Minor fading and spotting to spine. The interior is very clean and bright. In very good minus blue dust jacket with red title to spine and front panel. Fading and chipping to edges of jacket and fading to spine panel. A key reference. 295 pages. BOB/041808. Very Good Plus in Very Good Minus Jacket.