Baltimore: Horn-Shafer Company, 1941. Hardcover. Limited to 250 copies. Signed and inscribed by the author: "To F.C. Latrobe compliments of Bruce Cotten Sept 4th 1941." Born in Wilson, North Carolina, Bruce Cotten (1873 - 1954) was a serious collector of books, art, and ephemera relating to North Carolina. Much of his collection can now be found at the Louis Round Wilson Library of the University of North Carolina library. Bound in original brown cloth with gilt title to spine. Very subtle dampstain to front cover. Offsetting to endpages and a few small spots of foxing to interior, but overall clean and bright. Includes 100 facsimile impressions of titlepages. 66 pages plus 101 plates. BOB/022814. Very Good.
Refine search resultsSkip to search results
Kingsport, TN: The Kingsport Press, 1952. Hardcover. First Edition. SIGNED BY CLARE LEIGHTON, LYND WARD, AND FRITZ EICHENBERG. The contents of this book originally were published once a month as a series on book illustration in Publishers' Weekly. Because of many requests, the series was published in book format. According to the publisher's note, this book was not for sale, but distributed to those requesting a copy and to their many friends in the publishing, bookmaking, and others interested in the book arts. The series begins with medieval manuscripts and Renaissance books, and includes well known artists ranging from Durer,Hogarth, Blake, Cruickshank, Dore, Burne-Jones, Crane, Pyle; to Parrish, Beardsley, Dulac, Kent, Gill, and De Angeli. One page is devoted to each artist. Ward, Leighton, and Eichenberg signed the page on his/her work. A b&w illustration accompanies each artist. Bound in original black cloth backed orange cloth, with gilt title to spine. Minor wear and bumping to corners, otherwise near fine. 76 pages. BOB/111810. Near Fine.
Hammersmith: Kelmscott Press, 1892. William Morris greatly admired The Golden Legend, a medieval collection of saints' lives. It was one of the first books printed in England by William Caxton, (1422- 1491), the first English printer, who, as a translator and publisher, exerted an important influence on English literature. In his bibliography of the Kelmscott Press, William Peterson writes that The Golden Legend was intended to be the first book produced by the press, but because of its length and some problems with paper delivery, Morris was forced to issue several shorter volumes before it was completed. The book was completed in three volumes and a celebratory dinner was held in October 1892 (Bibliography pages 19-24). It was printed in Golden type on Flower paper. These 6 leaves display the fine printing and handsome Morris-designed ornamental initials. The leaves comprise pages 3-4, 13-14, 296-297, 368-367, 499-500, 523-524. There are eleven 6-line initials and three 10-line initials. The pages are in very good condition although the leaf with pages 368-369 show some aging and has the name C.B. Foote and New York written upside down in ink at the bottom of page 368. A nice addition to a teaching collection for the printing arts and history of the book. Very Good.
Kalamazoo, MI and Toronto: The Private Press and Typefoundry of Paul Hayden Duensing and The Alliquanda Press, 1976. One of 150 copies, this copy being "h/s." Printers and typographers Paul Hayden Duensing and William Rueter shared the work for this portfolio created as a tribute to the great Rudolf Koch ( 1876 – 1934). The thirty loose sheets in this portfolio comprise a collection of quotes from Koch's works. Koch was a German type designer who was also a master of lettering, calligraphy, typography and illustration. Koch greatly admired William Morris. Speaking at a meeting in London, he expressed his disbelief that Morris was not of German descent: "I feel such a closeness to him that I always have the feeling that he cannot be an Englishman, he must be a German." The teachings of Morris and the Arts and Crafts Movement are evident in Koch's use of hand-lettering and wood-cutting techniques. At the same time, his book illustrations are evocative of Art Nouveau. Koch prized craftsmanship in his type design and printing methods, a principle deeply rooted in the Arts and Crafts Movement. The quotations from Koch's writings reveal his passion for letters, type faces, and the joy of work. They offer inspiration and insight into the art and craft of creating letters and printing. Many of the quotes are in German with an English translation. The others are in English. They are printed on a variety of papers and using various types mostly designed by Koch or his contemporaries. With a list showing the letter forms and paper used for each item. Housed in an orange paper portfolio cover which in turn is housed in a blue slipcase. The portfolio and its contents are in fine condition .The slipcase is soiled and a bit worn. BOB/041420.
England: The Whittington Press, 2016. Softcover. One of 660 copies. Another interesting collection of articles on various aspects of fine press printing, with many examples of typography, paper, and illustration. Contributors for this edition include Nicholas Barker, Simon Brett, Sebastian Carter, Jerry Cinamon, Nick Gill, Peyton Skipwith, and Paul Whitfield among many others. John Randle and Michael Taylor offer articles on the third annual Manhattan Fine Press Book Fair. In black and white illustrated paper boards with brown paper dust jacket with photograph of Matisse affixed to front cover. In fine condition. 168 pages. BOB/121216. Fine / Fine.