London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
Refine search resultsSkip to search results
Toronto: Cheshire Cat Press, 2019. Hardcover. Number 13 of 42 copies. Signed by Walker, Burstein, and printer Andy Malcolm. Quarto. This is the latest version of The Hunting of the Snark to be published by the Cheshire Press. Carroll's famous nonsense poem has been subject to numerous interpretations over time. In this truly snarky edition, Walker has chosen President Donald Trump and his White House cabinet and advisors for his 21st century lineup of the characters. He writes: "...I think they match up nicely to to the crew of the ship. When you read the poem and think of Trump's cabinet, it's hard not to see the parallels. The political arena in the USA could be described as nonsense, which is exactly the type of poem [this] is. The plot follows a crew of ten unqualified professionals trying to hunt the Snark with a blank map." Thus such familiar names as Scaramucci, Sessions, Priebus, Pence, Mnuchin, Bannon, Sanders and Trump himself appear in parts that reflect their real-life attributes and roles. Bound in grey textured cloth with leather title label to front cover and gilt title to spine. Printed in New Caledonia type on Velin BFK Rives paper. With thirteen engravings by Walker and "The Snark Map" in a sleeve affixed to front pastedown. Housed in slipcase covered in same cloth as book with gilt titling to cover and spine. In fine condition. 71 pages. PRI/011520. Fine.
New York: Béatrice Coron, 2003. Paperback. Number 2 of 3 copies. Beatrice Coron creates a charming papercut work to illustrate the poem "Le Mot et la Chose" (The Word and the Thing) written by The Abbot of Lattaignant (1697-1779). "Although his name is forgotten, the verses written by the man who was nicknamed in his lifetime 'The great songwriter' have passed through the centuries" [poesie.net].The poem is addressed to "Madame" and Coron's papercut depicts Madame being addressed by the gentleman who composed the poem. Inserted in the folder holding the papercut illustration is what appears to be a charred letter that unfolds to reveal the text of the poem. Housed in a red cloth covered folding box with a black ribbon tie created by Barbara Mauriello. Handcut on Arches paper. In fine condition. Measures 8.5 x 9 x 1 inches. Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website]. ARTB/081921. Fine.
London: Henry J. Glaisher, 1909. Paperback. Inscribed: "To R.P.K., from D.J. F. March 19, 1912." Frontispiece portrait from a drawing by Dorothy Newill. Includes a poem inspired by Max Beerbohm's caricatures. Scarce volume by a minor but interesting modernist poet. Bound in original cream wraps. Title and author in red on front cover. Some soiling, chipping and small tears along spine. Foxing to endpapers. Very good condition. 48 pages. POE/061512. Very Good in Wraps.
Hammersmith: Kelmscott Press, [1896-1897]. Six Leaves, pages 83-94, from "The Wanderers and March" in The Earthly Paradise that offer a wonderful example of the fine printing of the Kelmscott Press and the impressive poetry of Morris. Pages 83-90 are from "The Wanderers". Pages 91-94 are from "March", with the opening text , border decoration and ten-line decorated initial "S" of March. Other pages with four and six line decorated initials. Printed in black and red Golden type on Apple paper. In near fine condition. PRI/050216. Near Fine.
London: Faber and Faber, . Advance proof copy (not designated a proof within book, but this is the proof binding). Winner of the National Book Award. This Advance English edition precedes the American edition. Bound in blue paper wrappers with black title to front cover. Lower right corner bumped, otherwise fine. 62 pages. POE/110416.
London: Burns & Oates, 1919. Hardcover. Scarce first edition of an anthology of verse by Lucas. 12mo. Bound in brown linen with title, author and ornament in gilt to front cover. Slight bumping and fading but very good. Interior pages also very good, with gift inscription on ffep and an annotation in red ink on page 17 noting that a line of verse could be a motto for a sundial. 34 pages plus 4 pages of praise of the writings of Lucas and Alice Meynell. Accompanied by five short ALs from Lucas. Four were written between June - December1904 to Mr. Shorter asking for information and also inquiring about the possibility of submitting verse to "The Sphere." This would be Clement Shorter, the journalist and author who founded "The Sphere" and later "The Tatler." The fifth was to a friend in 1922 to congratulate her on the birth of her baby. Collection also includes fair copies of a few of her poems. POE/090613. Very Good.
London: William Rider and Son, Ltd, 1899. Hardcover. First Edition. This is the author's uncommon second book. Very good in original white parchment covered boards with gilt title to spine and front board. The elaborate gilt cover with floral and geometric design is by Gleeson White. Browning to spine and rubbing to spine and boards. Minor wear to joints. Signed by the previous owner in pen on the front pastedown; otherwise, the interior is clean. An attractive copy of a scarce book. 123 pages. POE/062910. Very Good.
London: Stangeways and Walden, . First edition. A unique and most interesting offering - a scarce privately printed book accompanied by only recently published handwritten letters from Rossetti's brother, William Michael (the texts of the letters were published for the first time in "Notes and Queries," Oxford University Press, in January 17, 2011). This is a privately printed edition of a story that had first appeared in The Germ in 1850. Dante Gabriel Rossetti originally intended to include this prose story in his volume of verse, but decided not to following the recovery of his poetical manuscript notebook from the grave of his wife, Elizabeth Siddal. This short story offers a manifesto for the Aesthetic and Decadent movements. It tells the tale of a fictional Renaissance poet who realizes that the artist's only duty is to express what is in his soul. This pamphlet is an offprint from the typesetting found in proofs produced between October 30 and November 25 1869. William Rossetti notes when his brother excluded the story from his published verse he had various copies of Hand and Soul done up in drab wrappers, and that he gave some away but never sold them. Both Thomas Wise and Charles Fairfax Murray state, without citing any authority, that one hundred copies were printed. About thirty can now be accounted for. All but a handful are in institutional collections, most deriving from a cache discovered by William after Dante Gabriel's death in 1882. William Michael Rossetti sent this copy to an admirer of his family, Louisa Douglas Summerbell. She was an artist and illuminator much influenced by the Pre-Raphaelites. Rossetti has inscribed the book "To Miss L. Douglas Summerbell with the friendly regards of Wm. Rossetti June 1896." Written above this in William's hand is a six-line explanation of the pamphlet's publishing history. Bound in are five important signed autograph letters, seventeen pages in all, from William Rossetti to Miss Summerbell, written between 1896 and 1906, in which he discusses at length the writings of Dante Gabriel, Christina and himself. In original buff printed wrappers that Summerbell had neatly sewn into limp green cloth along with the letters and laid into a beautiful 19th-century handmade leather case showing some rubbing. On the preliminary leaf of the cloth bound book is a note that it had passed to her friend, Ruth Johnston. From the celebrated poetry collection of Gerald N. Wachs and included in an exhibition of his collection at the Grolier Club in 1995. Pamphlet in very good collection bound into near fine cloth book. Housed in a green cloth covered clamshell box with black and gilt title label to spine. Near Fine.
self published (Archibald Rutledge), 1938. Paperback. Scarce. Signed by the author on title page. American poet, Archibald Rutledge (1883 - 1973) was the first poet laureate from South Carolina. He wrote over 50 books and numerous poems, mostly about his life and experiences in South Carolina. Bound in the original brown suede flexible covers with black title to front cover. Stapled binding. Minor chipping to edges of covers and creasing to top corners. Clean and bright. 39 pages. POE/081717. Very Good.
London and Chicago: John Lane and the Bodley Head and Stone and Kimball, 1895. Patten Wilson. Hardcover. First Edition, Private Issue. Presentation Copy. This is the very scarce private version of Frederick Tennyson's last book. With a handwritten limitation notice on the half-title "Twenty five vellum bound copies of the first edition have been issued for private circulation, This is No. 16." It is inscribed: "To the Revd. W.B. Macleod With Capt. J. Tennyson's & the Authors Compliments Jersey Jan 1896." The recipient was the author of Frederick Tennyson: His Life and Work, published in 1896. Frederick Tennyson (1807-1898) was a poet and the older brother of Alfred Tennyson. Although a gifted poet, he was overshadowed by his brother throughout his life. Captain Julius Tennyson was the author's only son, and the book is dedicated to him and his sister, Sophia, whom Frederick called the companions of his old age. In original vellum with gilt title and author to spine, and gilt florettes and initial "F" to front cover. The spine is darkened and the covers are soiled and bumped but still nice. In very good condition with darkening to page edges. Frontispiece photograph of Tennyson and title page design by illustrator Patten Wilson. A lovely book with a charming association. 163 pages plus tipped-in errata sheet and 16 pages of publisher ads. POE/061313. Very Good.
Rockport, ME: Two Ponds Press, 2017. Hardcover. Number 264 of 300 copies signed by the poet and photographer. This compelling book was created as a collaborative project between Presidential Inaugural Poet Richard Blanco and contemporary landscape photographer Jacob Bond Hessler. In it, Blanco's powerful poetry is juxtaposed with Hessler's evocative photographs. From the Prospectus: "Blanco's poems and Hessler's phonographs together investigate the visible and invisible boundaries of race, gender, class, and ethnicity, among many others; they challenge the physical, imagined, and psychological dividing lines - both historic and current - that shadow America and perpetuate an us vs. them mindset by inciting irrational fears, hate, and prejudice. In contrast to the current narrowing definition of an America with very clear-cut boundaries, Blanco and Hessler cross and erase borders. As artists, they tear down barriers to understanding by pushing boundaries and exposing them for what they truly are - fabrications for the sake of manifesting power and oppression pitted against our hopes of indeed becoming a boundary-less nation in a boundary-less world." Bound in black cloth with silver design across the covers and silver title to spine. Printed with Gotham and Baskerville types on Mohawk Superfine Cover, Ultra White, Eggshell paper. Presswork was executed by Puritan Press. Housed in a red cloth slipcase. Accompanied by the prospectus. In fine condition. Oblong measuring 9.75 x 14 inches. Unpaginated. PRI/071922. Fine.