London: Chiswick Press [Privately printed], 1888. Paperback. First Edition. Scarce. Presentation copy inscribed "To F. Coylestone with best wishes T. Ashe Feb. 1888." Thomas Ashe (1836-1889) was a minor English poet who was admired by some, including Michael Field, but his work was not popular with his generation. He has risen far enough to be included in many recent anthologies of mid-to late- Victorian verse. In original paper wrappers. Covers stained, creased on right corner, and chipped along edges. Hinges tender but text block is tight and clean. Very good condition. 84 pages. POE/102714. Very Good.
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Upland CA: Blackbird Press, 2007 [Distributed in 2010]. Hardcover. Number 40 of 100 copies. Signed by the poet, the book artist, and the illustrator. Writes Gillingwators, "When I first read B. H. Fairchild’s poetry collection The Art of the Lathe, I knew I wanted to publish the opening poem “Beauty” as a letterpress limited edition book. The poem has book characteristics–narrative structure and four, chapter-like divisions–and its visceral, lyrical appeal motivated me." Fairchild's poetry has been widely published and he has been the recipient of numerous awards. The Art of the Lathe was described in the LA Times as "a contemporary classic...finely crafted and perfectly pitched." The book artist continues: "I knew from the initial reading that my book edition would have metal covers, reminiscent of the corrugated-metal buildings that often house machine shops [where the poem takes place]. The making of the book took three years as the book artist and illlustrator learned how to make the tiny metal hinges for the book and how to age the thin aluminum used for the book covers. Each step required research, test trials, and practice. Printed with Centaur and Arrighi monotype on Zerkall Book paper, with linocuts by Alquitela. Housed in a grey clamshell box with title and author in red to spine. In fine condition. 7 x 11". Unpaginated. [11 pages] PRI/031715. Fine.
Oxford: Francis Macpherson, 1848. Hardcover. First edition. Arthur Clough (1819 - 61), close friend of Matthew Arnold and Ruskin, hosted reading parties on his vacations to Scotland. This poem was composed in response one such vacation and supposedly both delighted and outraged his guests. Very good in original blue cloth flexible boards with gilt title to front cover. Minor wear to edges of covers. There are a few small chip to edges of several pages. The binding is split in a few places; however, all of the pages remain bound in. Features the bookplate of a notable collector, Mark Samuels Lasner. 55 pages plus 1 page of ads. POE/062510. Very Good.
Israel: Even Hoshen, 2009. Someck, Ronny. Hardcover. Numbered and signed by the author and printer. A collection of five poems by Ronny Someck about ballet with two hand-colored illustrations. Someck is an Israeli poet, musician, and artist who has won multiple awards for his poetry including the Prime Minister's Award, the Hans Berghhuis prize for poetry, and the Yehuda Amichai Award for Hebrew poetry. He is internationally renowned with poems published in over thirty-five languages and ten books of poetry published in English. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. Pointe Shoes is a dos-a-dos structure printed in both English and Hebrew. It is bound in black cloth boards with inset cloth ballet slippers to both boards and decorative pink and black ribbons to spine. The center of both signatures features four black and pink flourishes. Printed on Grandee paper and handset in Alt-Mediaval and Margalit type. Housed in a black cloth slipcase. A fine production. Unpaginated. [18 pages.] PRI/032713. Fine.
Chicago: Herbert S. Stone & Co, 1896. Hardcover. First American Edition. Tipped-in is a one page autograph letter on the author's printed stationary to the book's then owner, the author and book collector Thomas Hutchinson, on his own writing and books - an interesting autograph letter with good literary content. In maroon linen covered boards with highly decorated elaborate gilt Art Nouveau binding by Frank Hazenplug with gilt author and title stamp to spine. Minor bumping to corners and head/foot of spine, small smudge to design on front cover. Interior is clean and bright with decal edge to pages. Frontis photograph of Le Gallienne. Hutchinson's handwritten ownership signture on front pastedown. Very good condition. 201 pages. POE/121613. Very Good.
[London]: [late 1800s]. A very scarce collection of Lushington's privately printed writings. All were printed by the Chiswick Press. Vernon Lushington (1832-1912) was an English solicitor, a Positivist, an associate of many famous writers and artists, a friend of the Pre-Raphaelites, and the father of the model for Woolf's Mrs. Dalloway. He remains virtually unknown today, but recently available family archives reveal how interesting and important figure he was. It was Lushington who arranged the first meeting between his friend Dante Gabriel Rossetti and Edward Burne-Jones. He contributed to The Oxford and Cambridge Magazine and remained a long-time friend of William Morris, often visiting Kelmscott Manor. There was also a close connection between the Lushington and the Stephen family. After his wife died, Lushington's three daughters were taken under the wing of Julia Stephen, wife of Leslie Stephen, and mother of Virginia Woolf. The eldest daughter, Kitty, became the model for the eponymous heroine of Woolf's novel Mrs. Dalloway. Lushington's views on Positivism, politics, and literature are clearly evident in the occasional poetry he wrote and had printed by the Chiswick Press. This collection comprises: 1) Positivist Hymns, London, 1885. First edition. Original wrappers. 60 pages. 2) Moses. [London n.d.] First edition. Original wrappers. 28 pages. 3) St. Paul. [London, n.d.] First edition. Original wrappers.17 pages. 4) Sonnets on the Positivist Calendar. [London, n.d.]. Original wrappers. 5) Good for Evil: or a Marriage in Kensington Square. [London, n.d.] 7 pages. 6) Remembered Words. [London, n.d.]. Original wrappers. 27 pages. 7) A Slab Tomb in Rome [London, n.d.] 12 pages. 8) Prophetic. [London, n.d.]. 2 pages. Some light wear and browning to the wrappers but still very good copies of such fragile publications. POE/103014. Very Good.
London: Remington & Co., 1879. Hardcover. First Edition. This was Moore's second publication, and apart from a broadside of which only one copy is known, this is by far the rarest of his books. No copy has appeared at auction in the past decade. George Moore (1852-1933) was an Irish novelist, poet, critic, and dramatist who is often regarded as the first great modern Irish novelist. This play was done in collaboration with French dramatist Bernard Lopez, who had ignited Moore's interest in drama when they were fellow residents at the Hotel de Russie in Paris. Moore made the suggestion to collaborate after the failure of his first work, Flowers of Passion. The result was this, a five act verse tragedy that was never produced. It was considered at the time almost unreadable because of its poor verse and wooden characters. In later years Moore had very little regard for this early effort and never considered its reissue in any of the collected editions of his work. Bound in original blindstamped black cloth with gilt title and authors to front cover and title to spine. In Edwin Gilcher's bibliography of Moore he describes this as the "Theater (?) impression, slightly larger in size, repaged and without prefatory matter presumably...issued to send to theater managers in an effort to secure a production." Corners lightly bumped and small piece missing from top on spine. Interior pages are very nice. Ownership signature of Henry Knight on title page and bookplate of Rosita de Texada. In very good condition. Housed in a green silk folding case. 139 pages. DRA/080315. Very Good.
London: William Rider and Son, Ltd, 1899. Hardcover. First Edition. This is the author's uncommon second book. Very good in original white parchment covered boards with gilt title to spine and front board. The elaborate gilt cover with floral and geometric design is by Gleeson White. Browning to spine and rubbing to spine and boards. Minor wear to joints. Signed by the previous owner in pen on the front pastedown; otherwise, the interior is clean. An attractive copy of a scarce book. 123 pages. POE/062910. Very Good.
London: William Rider & Son, 1899. Hard Cover. First Edition. Inscribed by the author "L. Gesner from J.C.P." on the front free endpaper. Bookplate of Herbert Mortimer and Louise Cheney Gesner to front pastedown. John Cowper Powys (1872-1963) was an eminent English novelist, poet, critic, and philosopher. This early work was his second published book. In original cream paper covered boards with an elaborate gilt design by Gleeson White. The spine is browned and worn. Minor wear and browning to edges of boards, hinges, and corners. Interior pages have some aging to edges, an occasional pencil mark, and a pencil comment regarding one poem. 123 pages. Very good condition. POE/122018. Very Good.
London: Ellis & Elvey, 1904. Hardcover. 7 of 30 numbered copies with the plates on Japanese vellum. 25 copies were for subscribers and 5 for presentation. A lovely set bound in full vellum. teg. Slight soiling to gilt on fore-edge of Volume II.Beautifully printed, with 18 full page illustrations and frontispieces from Rossetti's paintings and drawings. Each is protected by a tissue guard giving the name of the work. It was noted by bibliographer Colbeck that the poem "After the French Liberation of Italy" was being published for the first time. Vellum binding is in very good condition with just the lightest signs of handling. Gilt title and author to spine, and Rossetti's own design of his initials on front cover. Interior is pristine. Bookplate of Frederick William Brown affixed to each front pastedown. Original blue ribbon placemarks present. Housed in modern green cloth slipcase. Volume I: 227 pages; Volume II: 245 pages. PRERAPH/070910 This set may require an extra shipping fee. Fine.
London and Chicago: John Lane and the Bodley Head and Stone and Kimball, 1895. Patten Wilson. Hardcover. First Edition, Private Issue. Presentation Copy. This is the very scarce private version of Frederick Tennyson's last book. With a handwritten limitation notice on the half-title "Twenty five vellum bound copies of the first edition have been issued for private circulation, This is No. 16." It is inscribed: "To the Revd. W.B. Macleod With Capt. J. Tennyson's & the Authors Compliments Jersey Jan 1896." The recipient was the author of Frederick Tennyson: His Life and Work, published in 1896. Frederick Tennyson (1807-1898) was a poet and the older brother of Alfred Tennyson. Although a gifted poet, he was overshadowed by his brother throughout his life. Captain Julius Tennyson was the author's only son, and the book is dedicated to him and his sister, Sophia, whom Frederick called the companions of his old age. In original vellum with gilt title and author to spine, and gilt florettes and initial "F" to front cover. The spine is darkened and the covers are soiled and bumped but still nice. In very good condition with darkening to page edges. Frontispiece photograph of Tennyson and title page design by illustrator Patten Wilson. A lovely book with a charming association. 163 pages plus tipped-in errata sheet and 16 pages of publisher ads. POE/061313. Very Good.
Bennington, VT: The Bird Press, 2016. Number 6 of 38 copies, signed and numbered by the artist and translator. A collaboration between the illustrator / book artist and translator. This is a new translation of the prologue and first part of Mayakovsky's first long poem, originally published in 1915. The Russian modernist poet and cultural icon Vladimir Mayakovsky (1893 - 1930) committed suicide in Moscow 15 years after publishing this piece. According to the translator: "Thorsten Dennerline's twisting artworks suspended against a blue-sky backdrop seemed fitting for the existential crisis in this poem. Mayakovsky writes in verbal cartwheels and associative flights of language, allowing wordplay, sonic riffs, and rhyme to drive his rhetoric and imagery. I sought to preserve both each line's intended meaning and Mayakovsky's rhythm and music. I also attempted to make the poem's diction smooth, accessible, and idiomatically modern to a 21st century American ear." Fascinated with the intensity of Mayakovsky's work and life as well as the historical happenings that influenced him, Thorsten decided to illustrate his work with "monsters." As the drawings developed with layers of ink and detail he "began seeing [them] as bodies, less as monsters and more as physical, mortal, vulnerable beings." Bound in yellow paper wrappers with black title to front cover and binding sewn with red thread along spine. Printed with lithography and letterpress at the Working Dog Press and Horton Tank Graphics. The plate lithographs were printed in sixteen layers of ink. Housed in a grey handmade paper wrapper featuring one of Thorsten's illustrations snaking around the front and rear panels along with another on the inside flap. Thorsten Dennerline creates paintings, drawings, and prints in addition to artists' books. He has exhibited work across the U.S. as well as in Chile and Denmark; and his work is represented in numerous collections including Yale University Library, the Library of Congress, UCLA, Stanford University, and the Kunstindustri Musset (Denmark). Size: 8.5 x 7 inches. ARTB/120120. Fine.
London and Cambridge: Macmillan and Co., 1864. Hardcover. FIRST EDITION. PRESENTATION COPY to Louis Tennyson d’Eyncourt inscribed: “The gift of the author ... to L.T. d’Eyncourt.” The recipient was the author’s cousin and a member of the part of the family which inherited the property, fortune, and aristocratic ambitions of their grandfather. Charles was the older brother of the renowned poet Alfred Tennyson. Very good in original green cloth boards with lightly rubbed gilt title to spine and gilt rules to front board. Minor wear to corners and edges of boards, with a few light spots of damp staining to rear board. Bump to top edge of front board. Bookplate of C.J. Sturman to front paste down. 102 pages plus 2 pages of notes. POE/043009. Very Good.