Washington DC: Abstract Orange, 2019. Number ? of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/122319. Fine.
Refine search resultsSkip to search results
London: William Heinemann, 1919. Hardcover. A very nice ASSOCIATION COPY. Beerbohm signed and inscribed the book “For CS Evans from his friend Max 1919.” Evans was the chairman of Beerbohm’s publishing company, Heinemann, and he and Evans were close friends. Max Beerbohm, of course, is known as one of the leading critics, caricaturists, and writers of his day. This book is the first edition in the primary binding of dark blue cloth with gilt title and author to spine and front board. It is in very good plus condition with a small nick to the top of the front board, some chipping to corners and spine, and four darker blue spots to front. No dust jacket. Interior pages are clean with some browning to margins of pages. 219 pages plus four pages of publisher ads. LIT/091608. Very Good +.
London: Richard Bentley and Son, 1897. Hardcover. Scarce First Edition. Rhoda Broughton (1840-1920) was a prolific novelist and short story writer who was very popular in the nineteenth century. She wrote both “women’s” novels and stories of the supernatural, the latter undoubtedly influenced by her uncle, Sheridan Le Fanu. Bound in original cloth with blind-stamped design to front and rear covers and gilt title and author to spine. In very good plus condition with slight bumping to corners. Interior is also in very good condition with a few small brown spots to fore-edge and light off setting to front free endpaper. 400 pages plus 31 pages of ads. LIT/041811. Very Good.
Ogdensburg, NY: Caliban Press, 2017. One of 104 copies signed and numbered by the highly regarded book artist and printer Mark McMurray. This is a beautifully produced new edition of A Christmas Carol that captures the power of this timeless story through the inventive use of text, images, paper, type, and binding. McMurray writes in the prospectus: "We know the story, we know the characters, but the language of the text offers new rewards with each reading. This edition of Dickens' classic returns to the dark, sleep-deprived angst of the original complete text." The prospectus states that the text in this edition comes from the 1843 edition with minor corrections. Printed on a variety of handmade and mould-made papers including Zerkal Ingres and papers from La Papeterie-St. Armand. The text is printed entirely from metal and wood types, including monotype Bell plus many from the 19th century. There are wonderful images of the ghosts that visit Scrooge on that fateful night, and many other ornaments and designs throughout. They are done in various media including pochoir, collage, wood engraving, and relief blocks. Bound in black ribbed flexible covers with a red morocco leather spine with title in gilt on spine and inside a cutout on the front cover. Housed in a stiff black paper slipcase with a subtle chain design. Prospectus and errata slip inserted. In fine condition. 7.5 x 10.5 inches. 107 pages. PRI/120420.
New York: Viking, 2003. Hardcover. First American Edition. Signed by the author. Published in the same year Coetzee won the Nobel Prize for literature. This is an unusual book in many respects: Coetzee’s alter ego is a woman, and through the device of formal speeches, he gives himself a platform to reflect on the novel in Africa, race relations, wildlife, and environmental issues; and on evil in Amsterdam and the sexual impulses of the American poet Robert Duncan. He does this while recounting Costello’s life as a woman and mother. Fine in blue cloth backed paper covered boards with white title to spine. In fine blue illustrated dust jacket with orange title to spine. 233 pages. LIT/052511. Fine in Fine Dust Jacket.
New York: George Routledge and Sons, circa 1900. Hardcover. Copperfield edition. Bound in the original grey cloth boards with gilt title to spines, black titles to front covers, and floral decoration to spines and front covers. Minor wear to spine ends, corners, and edges of boards. Minor browning to margins, but interiors are clean overall. Illustrated. Yellow endpapers. Some volumes have slightly loose hinges, but most have tight bindings. An attractive set in very good condition. This set may require an additional shipping fee. LIT/050719. Very Good.
Boston and New York: C.T. Brainard Publishing Co., circa 1920. Hardcover. Volume I: The Adventures of Joseph Andrews and his friend Mr. Abraham Adams, parts I & II; Volume II: Tom Jones, parts I & II; Volume III: Tom Jones, parts III & IV; Volume IV: Amelia, part I; Volume V: Amelia, part II and Jonathan Wild; Volume VI: Miscellaneous Writings, parts I & II. This set is attractively bound in three quarter tan leather backed marbled paper covered boards. Maroon leather title labels and tan leather volume labels to spines of all volumes. Chip to heads of spines of books III and IV. Corner of title label missing from volume II. Light wear to corners and edges of all volumes. Pristine interiors with marbled endpages. Each part begins with a frontis illustration and tissue guard (12 in all). An attractive set. LIT/100407 This set may require an extra shipping fee. Very good plus.
London: William Heinemann, 1904. Hardcover. First Edition of the English version of the first published issue, written when Galsworthy was only 37 years old. An important literary association copy, inscribed "Jan 29 1904. To W. H. Hudson from John Galsworthy." The book had been published the day before. W.H. Hudson, author of Green Mansions, for which Galsworthy wrote the introduction, was one of Galsworthy's close friends and the dedicatee of his 1907 novel The Country House. While signed copies of Galsworthy's early books are not uncommon, contemporary presentation copies are rare. Bound in original green cloth with gilt title and author to spine and gilt title in script across front cover. Some fading and rubbing. Hinges are tender but text block is solid. Housed in a handsome green quarter leather slipcase. With book plate of Joseph Fisher Loewi to front pastedown and Hugh Roberts Parrish on slipcase. Very good condition. 311 pages. LIT/011216. Very Good.
London: Arthur Barker, 1934. Hardcover. First Edition. A masterpiece of historical fiction, ranked in some surveys as one of the best novels of the twentieth century. In very good condition in black cloth boards with gilt title to spine. Light spotting to boards and light wear to edges. Previous owner’s bookplate to front pastedown and note in pencil to front free endpaper. There is offsetting from an article that is no longer present on the front endpaper and front flap of the jacket. Minor foxing to endpapers. There is a foldout family tree at the rear of the book. In blue illustrated dust jacket with white title to spine and front panel. The jacket is in three pieces with small chips to the spine ends, edges, and hinges. Browning to spine of jacket. A nice copy despite noted wear. 494 pages. LIT/052511. Very good in a good dust jacket.
New York: E.P. Dutton, 1929. Hardcover. First American edition (English sheets). Author’s second book. Considered to be a Modernist, Proletarian novel, this is a social satire about the lives of Birmingham factory workers during the 1920s. Bound in green cloth lettered in black on the spine. Wear to the head and tail of spine and corners. Ownership stamp on the front endpaper and back pastedown. Browning to margins, else clean interior. 269 pages. LIT/111116. Very Good.
London: T. Fisher Unwin, 1893. Hardcover. FIRST EDITION, very uncommon. American author, Pearl Craigie (1867 - 1906), published several novels including this one in Fisher Unwin's Pseudonym Library series. Near fine in original beige cloth with green title to spine and front board. Minor foxing to end pages, else the interior is clean. Top edge in gilt. Nice condition. 249 pages plus 8 pages of ads. LIT/012109. Near Fine.
London: Tower Publishing Co., 1895. Piffarrd, Harold. Hardcover. First Edition. Author's rare first book. Edgar Jepson (1863-1938) was a popular English writer of adventure and detective stories. Very good in original red cloth boards with gilt title to spine and front board. The front cover is illustrated with a ship and the spine with a man hailing a ship from the shore. There is minor wear to the edges of the boards and there are a few dark markings to the boards and spine. Aside from a few light smudge marks, the interior is clean and bright with eight illustrations and cover design by Harold Piffard. Bookplate to front pastedown. 316 pages. LIT/062910. Very Good.
New York: Metropolitan Syndicate, Inc., . Hardcover. First edition. First issue with integral title leaf. Scarce copy of author’s first book. Inscriptions on the front free endpaper: “Robert W. Jones, / Jan. 1. 1909” and just below it in a different hand: “Presented by the Author, / who did not sign his name herein--durn him.” A collection of short stories that “deal with grim incidents of life in the big city. In one story a drunken hotel waiter beats his wife to death with a chair, in another an Italian pickle dealer stabs a saloon keeper who will not pay his twelve dollars, and yet another story tells how a cab driver took a drunken man into his cab and after driving to a secluded section stabbed him in a fight that followed an attempt to rob him. Each story is one incident, a crisis, told in a style both unusual and interesting. Lyon’s style is clear, effective, and unaffected” (unidentified newspaper review, pasted in). Bound in the original green cloth titled in red on spine and front cover. A few chips to cloth at foot of spine, minor sunning to spine, small stain to spine, and light wear to corners, otherwise a bright, attractive copy. Clipping from newspaper review of the book pasted to the rear pastedown with offsetting to endpapers. 225 pages. LIT/30119. Very Good.
[The Hague] a la Haye: Pierre de Hondt, 1758-1759. Hardcover. This remarkable "Historical Dictionary," offers critical and literary memoirs about the life and works of various distinguished persons, particularly in the republic of letters, This book was done as a complementary work to the famous early 18th century dictionary of Pierre Bayle. Prosper Marchand (1678-1756) was a Huguenot refugee who became a bookseller, bibliographer, and publisher in the Netherlands. Marchand died before the manuscript was complete, but he had commissioned his friend and executor, Jean Nicolas Sebastien Allamand, to review and publish it. Allamand spent four years putting Marchand's notes in order. They were mostly written on confused and scattered scraps of paper. In his introduction, Allamand describes all the pains he had to take to restore these notes and to supplement the omissions of Marchand. The result is this monumental bound folio with two painstakingly printed volumes on on seemingly everyone and everything literary. Printed in double columns with numerous shoulder footnotes on most pages. At the end of Volume II are an alphabetical list of articles, a table of subjects, and a catalog of books published by Pierre de Hondt. Bound in three quarter brown leather with decorated brown paper boards. Six raised bands to spine with brown leather title label in second compartment. Chipping and small tears to leather as well as to paper covers. Interior pages show light aging but are otherwise clean and bright. Offsetting on free endpapers from leather borders on pastedowns. Previous owner bookplate to front pastedowns and small stamp on title page of volume I "Holstein-Holsteinborg." In very good condition. Volume I: 330 pages plus publisher catalog; Volume II: 328 pages plus lists and publisher catalog. FRE/042415. Very Good.
New York: Harper & Brothers, Publishers, 1851. Hardcover. The “Town Ho’s Story” appeared on pages 659-665 in the October 1851 issue of Harper’s New Monthly Magazine. It was the first appearance of any part of the great novel Moby Dick and became chapter 54 in the book. A publisher’s note on page 659 says: “From The Whale, the title of a new work by Mr. Melville, now in the press of Harper and Brothers, and now publishing in London by Mr. Bentley.” The chapter concerns a potential mutiny and the appearance of Moby Dick that thwarted the uprising. It was a first report of the white whale while at sea. The volume is bound in contemporary quarter brown leather with marbled paper boards and gilt titling to spine. Light bumping and wear with chipping to edges of paper, but very nice. Interior pages are clean and bright with occasional light foxing and browning. Very good condition. 864 pages. PER/071118. Very Good.
New York: Harper and Brothers, 1849. Hardcover. First American Edition. This was Melville's third book and his first purely fictional work. It was not a critical success when published but is now considered to have explored philosophical themes and showed his potential. Bound in modern brown leather boards with black title labels to spines. Marbled endpapers. Dampstaining throughout and intermittent foxing. Page repair to page 365 in volume I. Volume I: 365 pages; Volume II: 387 pages plus 8 pages of advertisements. Good+ condition. LIT/081218. Good +.
New York: Dix & Edwards, 1855. Hardcover. Very scarce. The first appearance of Melville’s novella, Benito Cereno, a fictionalized account of a revolt on a Spanish slave ship captained by Cereno. It was published anonymously in the magazine in three parts. A revised version of the story was included in his first and only short story collection, The Piazza Tales, published in the United States in May 1856 and in England that June. It was never reprinted during Melville’s lifetime. This novella has often been considered one of Melville’s finest achievements. It appears in the magazine on pages 353-367, 459-471, and 633-644. Bound in publisher’s original green cloth with embossed design and gilt titling to spine. Minor wear to edges of boards, chipping to cloth along spine ends, fading to spine and edges of boards, and a few discolored spots to spine and boards. Ex-library marking that has been covered over to foot of spine, library call number stamped to several internal page margins, and previous ownership stamp to both front and rear pastedowns. No other ex-library markings. There is a one inch split to the bottom of the front hinge. Interior pages are generally clean, with occasional foxing, smudge marks, small spots of soiling, and browning. Split after title page, but binding remains secure. Otherwise very good condition. 6 x 9.5 inches. 668 pages. LIT/071118. Very Good.
New York: Wiley and Putnam, 1847. Hardcover. Fourth edition of this first American printing of Melville's recounting of his voyages in the South Seas. With the sequel "The Story of Toby" on pages 293-307. Expertly rebacked with modern leather spine over original navy blue cloth covered boards. Gilt title to spine. Paper repair to rear free endpaper. Minor wear to edges of boards. Dampstaining and foxing throughout. 307 pages with 23 pages of advertisements to rear. LIT/101119. Very Good -.
London: Remington & Co., 1879. Hardcover. First Edition. This was Moore's second publication, and apart from a broadside of which only one copy is known, this is by far the rarest of his books. No copy has appeared at auction in the past decade. George Moore (1852-1933) was an Irish novelist, poet, critic, and dramatist who is often regarded as the first great modern Irish novelist. This play was done in collaboration with French dramatist Bernard Lopez, who had ignited Moore's interest in drama when they were fellow residents at the Hotel de Russie in Paris. Moore made the suggestion to collaborate after the failure of his first work, Flowers of Passion. The result was this, a five act verse tragedy that was never produced. It was considered at the time almost unreadable because of its poor verse and wooden characters. In later years Moore had very little regard for this early effort and never considered its reissue in any of the collected editions of his work. Bound in original blindstamped black cloth with gilt title and authors to front cover and title to spine. In Edwin Gilcher's bibliography of Moore he describes this as the "Theater (?) impression, slightly larger in size, repaged and without prefatory matter presumably...issued to send to theater managers in an effort to secure a production." Corners lightly bumped and small piece missing from top on spine. Interior pages are very nice. Ownership signature of Henry Knight on title page and bookplate of Rosita de Texada. In very good condition. Housed in a green silk folding case. 139 pages. DRA/080315. Very Good.
London: John Parker & Son, 1854 and 1856. Hardcover. First Editions. Inscribed by the author, “With the author’s compliments” in first volume. The Angel of the House became extremely popular in its time, and the title became a Victorian phrase used to describe the ideal wife/woman. Patmore wrote this about his wife, Emily, whom he thought was perfect. John Everett Millais painted her portrait and used the same title as the book. After the first book there were three subsequent installments. This and the first installment formed a coherent poem. The later two were a separate poem inspired by the first. Bound in original rippled brown cloth with paper spine labels. Rubbed and bumped, and tears to The Espousals label. Interior pages generally very good. Pastedown to first volume stained and has remains of a bookplate. Second volume has a light ink inscription on pastedown and a pencil drawing and signature on the free front endpaper. Volume I: 191 pages; Volume II: 182 pages plus 16 page publisher catalog. This set may require an extra shipping fee. LIT/040912. Very Good.
Bristol and London: J.W. Arrowsmith and Simpkin, Marshall, Hamilton, Kent, & Co., Ltd, (1891). Hardcover. PRESENTATION COPY "To my friend G.B. Burgin with every good wish E. Phillpotts." He and Burgin collaborated on a play, '"His Lordship" (1892). Presentation copies from Phillpotts are scarce in the 1890s. Very good in original brown cloth with gilt title to spine and black title to front board. The front board is slightly bowed and the spine is somewhat cocked. The hinges are rubbed, there is minor soiling to the boards, and the corners are bumped. Bookplate of Alastair Forbes to front pastedown. The text remains bright although there is browning to margins of interior. ?Evidence of a repair to front and rear interior hinges.? 284 pages. LIT/051710. Very Good.
Philadelphia: George R. Graham, 1842. Hardcover. Includes the first printing of Poe’s “The Masque of the Red Death,” on pages 257-259 and “Life in Death” on pages 200-201 (later renamed “The Oval Portrait”), as well as Poe’s “An Appendix of Autographs” on page 45 and “A Few Words About Brainard” on page 119-121. Also contains a reprint of Poe’s “To One Departed” on page 137 and considerable criticism and reviews. Both volumes are bound together in three-quarter reddish-brown leather with brown textured cloth boards and gilt title to spine. Cracking to leather on spine, wear to hinges and corners, and red “WB” lettering to front board. Marbled endpapers. Repair to interior hinges. A few internal splits to binding. Foxing and light dampstaining to margins of some pages, but clean overall. Volume XXI lacks one plate (Playful Pets), but is extra illustrated with three fashion plates that weren’t called for on the table of contents page. Volume XX: 356 pages; Volume XXI: 344 pages. PER/010418. Very Good.
New York: Farrar, Straus, & Giroux, 2006. Hardcover. Signed by the author on a bookplate. First Edition, later printing. Powers declines to sign his books but he will sign bookplates, one of which is laid in and dated October 15, 2007 from a reading series. A portion of a ticket to this event is also laid in. This was the National Book Award winner in 2006 and a finalist for the 2007 Pulitzer (with National Book Award winner sticker on front of jacket). Near fine in grey cloth boards with silver title to spine. Slight bumping to corners and edge of rear board and very small spot on bottom of rear board, else fine. In a fine illustrated white dust jacket with red title to spine and front panels. 451 pages. LIT/052311. Near Fine in Fine Dust Jacket.
New York: E.B. Hall and Company. Hardcover. The Buckner Library Edition. Very good in red cloth boards with beige paper title labels to spines. Minor rubbing and wear to boards, edges, and spines of all volumes. Rubbing and fading to title labels. Occasional spots of soiling to spines and covers. Occasional smudge marks to interiors, but overall very clean. Illustrated with photogravures. LIT/070213. Very Good.
London: Chapman and Hall, 1880. Hardcover. FIRST EDITION. Three volumes in the original cloth. This book was never reprinted in its original triple decker form (Sadleir). It is the last book of Trollope’s wonderful Palliser series. The six books of the series follow the lives of Plantagenet Palliser, later the Duke of Omnium, and his wife, Lady Glencora. She is one of Trollope’s most memorable characters, full of life and personality. The book is bound in dark blue-green cloth with block design on front cover, and spine with gilt title, author, and publisher. The bindings are in very good condition with some bumping to boards and spine edges. The interior pages are quite clean with the usual aging to the page margins. In Volume I the rear hinge is cracked, although the binding is otherwise tight. There is a diagonal tear across the top right of the first page of each volume, with a few words from the first four lines of the recto missing. Volumes II and III are tender but holding tight. Very nice except for the odd tears to the first page of each book. Volume I: 320 pages; Volume II: 327 pages; Volume III: 312 pages. This set may require an extra shipping fee. LIT/010913. Very Good.