Paris: Societe du Mercure de France, 1905. Hardcover. Translated by X. Marcel Boulestin with an essay by him on Beerbohm. This is the first edition in French of one of Beerbohm's best known works, The Happy Hypocrite. It includes the first publication of a caricature of Boulestin by Max. Boulestin was best known as a chef and restauranteur, but also published articles and books. Bound in original brownish-gray wrappers with red and black lettering to front cover . Covers in near fine condition save for slight darkening to spine and crease on front right cover along fore-edge. Interior is bright and clean, with usual browning to margins of pages, not affecting text. The bookplate of Scottish historian and book collector W. Macdonald Mackay is affixed to the verso of the front wrapper. Rare to find in this condition. Housed in half morocco slipcase with pink cloth boards and red leather spine. Some smudging to boards. 106 pages. FRE/020408. Near Fine.
Refine search resultsSkip to search results
London: William Heinemann, 1911. Hardcover. IN THE RARE DUST JACKET. First Edition of Beerbohm’s famous novel. According to Mark Samuels Lasner, the Beerbohm scholar and bibliographer, there have only been five copies of this book identified as still having their dust jackets. Two are in institutions, two have been in private hands, and the location of the remaining copy is not currently known. The front cover of the plain brown dust jacket is cleanly detached, and there are small chips and tears along top edges, but otherwise in very good condition. Title, author, price, and publisher in brown to spine. Bound in original reddish brown cloth with light bumping and soiling. Some spotting to fore-edges and very occasional light foxing to text pages but in very good condition. 350 pages. LIT/110811. Very Good in Very Good Dust Jacket.
New York: Vanguard Press, 1947. Hardcover. First Edition. Signed by the author on the title page. The author’s second novel. Very good in black cloth boards with blue title to spine. Minor wear to corners and spine ends and very light evidence of a minor dampstain to the rear board. Signed by the previous owner on the front free endpaper, and browning to both gutters; otherwise, a clean copy. In a good light blue dust jacket with white title to spine and front panel. There are several large chips to the top edges of the dust jacket and there are a few small chips to the bottom edge. Browning to the spine panel and dampstaining to rear panel. 294 pages. LIT.052511. Very Good in Good Dust Jacket / Chipped.
London: John Lane, The Bodley Head, 1897. Paperback. Bodley Booklets Number Two. First Edition. Rare. A send-off of Richard Le Gallienne's 'The Quest of the Golden Girl' written by David Hodge and George M. Matheson, two Glasgow journalists writing under the pseudonym of Richard de Lyrienne. Near fine in orange paper wrappers with brown title to spine and front panel. There is a short closed tear to the front end page; otherwise, in fine condition. Housed in a portfolio within a grey cloth slipcase with black and gilt leather title label to spine and bookplate of Mark Samuels Lasner on inside board of portfolio. 98 pages plus 4 pages of ads. LIT/052010. Near Fine in Fine slipcase.
San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
London: Elkin Mathews and John Lane at the sign of the Bodley Head, 1893. Hardcover. One of 120 copies. Uncommon first published edition. This book comprises the sheets of the private issue with four preliminary leaves added, containing half-title, limitation notice, Mathews and Lane title-page, preface, errata list, and a note explaining that "The play stands simply as it was roughly printed for our own and the actors' use. " At the back is a single leaf of advertisements for Michael Field titles followed by a Bodley Head catalogue dated 1893. The play was not reprinted in its original form and was heavily revised before printed in 1918. This is also a notable association copy, with the bookplate of Richard Le Gallienne. Not only was Le Gallienne well acquainted with the authors, but he was also the publisher's reader for the Bodley Head when the book was published. Bound in original green cloth with red title and author to spine and front cover. Offsetting to free front and rear endpapers. Pages unopened. Very good condition. 48 pages plus 16 page publisher's catalog. DRA/081015. Very Good.
Boston and New York: C.T. Brainard Publishing Co., circa 1920. Hardcover. Volume I: The Adventures of Joseph Andrews and his friend Mr. Abraham Adams, parts I & II; Volume II: Tom Jones, parts I & II; Volume III: Tom Jones, parts III & IV; Volume IV: Amelia, part I; Volume V: Amelia, part II and Jonathan Wild; Volume VI: Miscellaneous Writings, parts I & II. This set is attractively bound in three quarter tan leather backed marbled paper covered boards. Maroon leather title labels and tan leather volume labels to spines of all volumes. Chip to heads of spines of books III and IV. Corner of title label missing from volume II. Light wear to corners and edges of all volumes. Pristine interiors with marbled endpages. Each part begins with a frontis illustration and tissue guard (12 in all). An attractive set. LIT/100407 This set may require an extra shipping fee. Very good plus.
New York: Charles Scribner's Sons, 1908. Hardcover. The Outward Bound Edition. Volumes 1 - 32; lacks volumes 11, 17, 20, and 33 - 36. This set was issued over many years, so it's no surprise that several are missing. An attractive set bound in three quarter dark brown leather over marbled paper covered boards with gilt titles, floral devices, and raised bands to spines. Minor wear to edges, corners, spine ends, and bands to most volumes. One volume has a detached spine (along one edge). Another volume (18) is heavily cracked along the spine with some chipping. Minor sunning to spines of some volumes. Clean interiors overall with occasional spots of soiling to margins. Includes full page illustrations with captioned tissue guards. Marbled endpapers and top edges gilt. LIT/041719. Very Good.
New York: Harper and Brothers, 1847. Hardcover. First American Edition of Melville's second novel. This story is based on Melville's adventures and experiences during his years at sea between 1839-1844. It has been professionally rebacked in handsome dark green leather with gilt titling and elaborate ornaments to spine. The front cover features a gilt ship and embossed decoration. Wear to cloth on edges and corners. Original marbled endpapers. Foxing throughout, but heaviest to first several pages. With frontis map and text illustration. A nice copy of this literary landmark. 389 pages plus two sets of advertisements. LIT/091919. Very Good.
New York: G.P. Putnam & Co., 1853. Hardcover. “Bartleby the Scrivener,” Herman Melville’s famed short story, was first serialized anonymously in two parts in the November and December 1853 issues of Putnam’s Monthly Magazine. It was reprinted with minor textual changes in Piazza Tales in 1856. The story has been called the unquestionable masterpiece of Melville’s short fiction and is among the most noted American short stories. Volume II included July - December 1853. The story appeared on pages 546-557 in November and pages 609-615 in December. Bound in the original green cloth with gilt title to spine. Minor fading to spine, short closed tear to top of front hinge, bumping to corners, and a few spots of soiling to spine. Several splits to binding; although, all pages remain bound. Occasional spots of foxing throughout (heaviest on endpapers) and very occasional notations in pencil. Very good condition. 690 pages. LIT/071118. Very Good.
New York: Dix & Edwards, January - June 1856. Hardcover. This volume contains two of Herman Melville’s less well-known short stories, “I and My Chimney” (pages 269-283) and “The Apple Tree Table: or Original Spiritual Manifestation” (pages 465-475). The stories were not reprinted until 1922 when Princeton University published them in a collection of Melville stories in a limited edition. “The Apple Tree” was unusual for Melville as it is a topical satire of the Spiritualist movement of his time. “I and My Chimney” describes his beloved home Arrowood. Bound in contemporary three quarter brown leather with marbled paper boards. Wear to leather and to boards with bumped corners, rubbing, and scratches. Interior pages are generally very good with occasional foxing, soiling to page edges. Page 20 has a piece neatly cut out. Still a very good copy of a scarce volume. 668 pages. LIT/050918. Very Good.
New York: Dix & Edwards, 1855. Hardcover. Very scarce. The first appearance of Melville’s novella, Benito Cereno, a fictionalized account of a revolt on a Spanish slave ship captained by Cereno. It was published anonymously in the magazine in three parts. A revised version of the story was included in his first and only short story collection, The Piazza Tales, published in the United States in May 1856 and in England that June. It was never reprinted during Melville’s lifetime. This novella has often been considered one of Melville’s finest achievements. It appears in the magazine on pages 353-367, 459-471, and 633-644. Bound in publisher’s original green cloth with embossed design and gilt titling to spine. Minor wear to edges of boards, chipping to cloth along spine ends, fading to spine and edges of boards, and a few discolored spots to spine and boards. Ex-library marking that has been covered over to foot of spine, library call number stamped to several internal page margins, and previous ownership stamp to both front and rear pastedowns. No other ex-library markings. There is a one inch split to the bottom of the front hinge. Interior pages are generally clean, with occasional foxing, smudge marks, small spots of soiling, and browning. Split after title page, but binding remains secure. Otherwise very good condition. 6 x 9.5 inches. 668 pages. LIT/071118. Very Good.
New York: Wiley and Putnam, 1847. Hardcover. Fourth edition of this first American printing of Melville's recounting of his voyages in the South Seas. With the sequel "The Story of Toby" on pages 293-307. Expertly rebacked with modern leather spine over original navy blue cloth covered boards. Gilt title to spine. Paper repair to rear free endpaper. Minor wear to edges of boards. Dampstaining and foxing throughout. 307 pages with 23 pages of advertisements to rear. LIT/101119. Very Good -.
New York: G.P. Putnam & Col, 1854-1855. Scarce. The first appearance of Israel Potter, Melville’s novel about the Revolutionary War, was published in six parts in Putnam’s Magazine between July 1854 - March 1855. It was published in book form in March 1855. Loosely based on a real person, Israel Potter recounts the life of a young American who fights in the Revolution, is captured at sea by the British Navy, and has a series of adventures in England involving King George III, Benjamin Franklin, John Paul Jones, and Ethan Allen. The work ends sadly, with Potter exiled in poverty in England for fifty years, finally returning to America shortly before his death. The book was a commercial failure in its time but garnered critical appreciation. Volume IV also includes Melville’s “The Lightning-Rod Man.” Both volumes are bound in the original green cloth with embossed designs to covers and gilt titling to spine. Volume IV is stained, bumped, and rubbed, with faded gilt design and titling to spine. Remnants of spine label, hole in back cover not affecting interior and small tears to joint. Ownership stamp of D.F. Tillinghast to front and rear pastedowns. Interior pages clean and bright with age darkening to some pages. Covers of Volume V have soiling and bumping. Foxing to endpapers and occasional light foxing to text pages but otherwise clean and bright. Overall in very good condition. Volume IV: 672 pages; Volume V: 668 pages. LIT/.
New York: Ormsby & Hackett, 1846-47. Hardcover. Includes the first printing of "The Domain of Arnheim" by Poe on pages 123 - 129. Includes 10 issues from The Columbian and 1 issue from Godey's. All eleven issues are bound together in beautiful full black leather with elaborate gilt decoration to boards and spine. Gilt title to spine and gilt name of previous owner "Antoinette King" to front board. Front hinge is cracked, but remains firmly attached. Volume 6 lacks July issue and four of the eighteen engravings (3 of which should have been included with the July issue). Volume 7 lacks February issue and and three of the eighteen engravings (all of which should have been included with the February issue). Bound in at the end of both volumes is the November 1849 issue from Godey's Lady's Book. This issue has five plates including a color fashion plate, color crochet pattern, and lace pattern; multiple embellishments; and musical score for "A Temperance Song." All edges gilt. Volume 6 has 286 pages (excluding the July issue: pages 1 - 48), Volume 7 has 284 pages (excluding the February issue: pages 49 - 96), and the November issue of Godey's is numbered 303 - 370. PER/011018. Very Good.
Philadelphia: George R. Graham, 1842. Hardcover. Includes the first printing of Poe's “The Masque of the Red Death,” on pages 257-259 and “Life in Death” on pages 200-201 (later renamed “The Oval Portrait”), as well as Poe’s “An Appendix of Autographs” on page 45 and “A Few Words About Brainard” on page 119-121. Also contains a reprint of Poe’s “To One Departed” on page 137 and considerable criticism and reviews. Both volumes are bound together in modern blue cloth with gilt title to spine. Lacks most plates. Foxing and browning to interior. Page repairs to edges of a few pages and chipping to edges of several pages. Volume 20 has 356 pages; Volume 21 has 344 pages. PER/010518. Very Good.
Chicago: Sherwin Beach Press, 1992. Howard Coale. Hardcover. Number 55 of 200 copies. Originally published in The New Yorker in 1980. George Trow was a writer and critic for The New Yorker for more than thirty years. This essay may be his most acclaimed and influential single work. It is about television and its effects on American culture, but more than that, an indictment of the emptiness of modern discourse. It has been described as a work in which Trow foretold his own descent into madness. This is a handsomely designed book with elegant printing and four interpretive illustrations. Bound in black cloth with grey design with a hat on the cover and paper spine label. Printed in Centaur and Arrighi types on Johannot paper. Designed by Robert McCamant, handset and printed by Jennifer Hughes, and bound by Trisha Hammer. Signed by McCamant. In fine condition. 110 pages. PRI/071615. Fine.
Chicago: Sherwin Beach Press, 1998. Heather McAdams. Hardcover. Number 57 of 200 copies. Numbered and signed by the illustrator and the bookmakers. This is a quite handsome contemporary edition of Mark Twain's travelogue with the text following a copy of the first edition in the collection of Northwestern University Library, and with cartoon illustrations by Heather McAdams. "The people of those foreign countries are very, very ignorant. They looked curiously at the costumes we had brought from the wilds of America. They observed that we talked loudly at table sometimes. They noticed that we looked out for expenses and got what we conveniently could out of a franc, and wondered where in the mischief we came from. In Paris they just simply opened their eyes and stared when we spoke to them in French! We never did succeed in making those idiots understand their own language."So wrote Mark Twain in 1867, in one of his most exuberant nonfiction works. The companion themes that fill it—the shallowness of the sites to be visited and the shallowness of the visitors—prove to be prophetic of tourism today, as is seen in Heather McAdams’ witty 1995 cartoons, completed for this edition.The non-adhesive binding with exposed spine sewing consists of 7 black double raised cords attached to hard covers wrapped in red cloth. Each volume has a cut-out to front cover with small black and white illustration along with author, title, and volume number. The two volumes are in turn housed in a black and white linen covered hard case wrapper with black leather straps over brass studs and a leather suitcase-type label, intended to suggest a portmanteau. Printed in Montype Bell on Johannot paper. Designed by Bob McCamant and printed by Martha Chiplis. The binding was designed and executed by Trisha Hammer. The book is numbered and signed by the artist and bookmakers. In fine condition. Each volume is 7 3/4 x 11 1/4 inches. Continuous pagination with 445 text pages and 20 pages of illustrations. This set may require an extra shipping fee. PRI/072015. Fine.
New York: George H. Doran, n.d. (1927). Hardcover. First American edition with illustrations by Edmund Dulac and in the scarce dustjacket. According to the book's front flap, Dulac's "magnificent interpretation" of this classic adventure story is unsurpassed. There are twelve full color tipped in plates and many text illustrations in black and white. Bound in bright green cloth with gilt titling to spine and front cover and a blind illustration of a sailing ship on cover. Very light bumping. In the original dust jacket with chips, small tears, and soiling. Not price clipped. Decorative endpapers with Brentano's bookseller ticket affixed to rear pastedown. The interior of the book is in beautiful condition with clean and bright pages and plates. Very good. 287 pages. LIT/032619. Very Good / Very Good Minus.
New York: Charles L. Webster and Company, 1885. Hard Cover. FIRST EDITION, first state in uncommon variant binding of blue cloth. It has been rebacked with the original blue cloth boards attached and title strip laid down. The author and title are in black and gilt on the spine and front board. The cover also has a blind-stamped illustration of Huck in black and gilt. Minor wear to corners, darkening to board edges, and rubbing to boards. There is a photo-gravure portrait bust of Twain with facsimile signature, frontis illustration, and 174 text illustrations by E.W. Kemble. Lacks tissue guard between frontispieces. Light dampstain to corner of photo-gravure page. The interior is clean overall with occasional foxing and occasional spots of soiling, mostly to margins. Modern endpapers. Altogether a desirable copy of this milestone of American literature. 366 pages. LIT/092519. Near Fine.
Hartford, CT: American Publishing Company, 1874. Hardcover. Second Edition. Fully illustrated from new designs. This is the only novel that Twain wrote with a collaborator. Warner was Twain's friend and neighbor. Supposedly, the book came about after the wives of both author's challenged them to write a better book than they were used to reading. Twain wrote the first eleven chapters and Warner wrote the next twelve with the remaining chapters written by both. The novel is a satire about greed and political corruption in post-Civil War America. In original dark brown cloth boards with gilt title to spine and front cover. Cracking to book cloth along both joints. Spine cloth is chipped along hinges and ends and has been glued down in places. Wear to edges of boards and corners. Occasional spots of foxing and occasional spots of soiling, but clean overall. Fold out illustration on page 246 is present but torn and detached. 574 pages. LIT/032318. Very Good.
New York: Sheldon and Company, 1871. Hardcover. Each month includes "Memoranda" by Twain on pages 133, 286, 424, 565, 726, and 876. The August issue includes Portrait of Twain. November includes "Mark Twain's Map of Paris," a fold out map. Bound in three quarter black leather over black cloth covered boards with gilt title and raised bands to spine. Chipping to spine leather and a few chips to book cloth on both boards. Clean and bright overall with occasional foxing. 888 pages. PER/060519. Very Good.
New York: Harper & Brothers, 1867. Hardcover. Includes Twain's "Forty-Three Days in an Open Boat" on pages 104 - 113. This was Twain's first publication (with his name misspelled, Mark Swain). Bound in three quarter dark brown leather over black cloth covered boards with gilt title and volume number to spine. Rubbing and wear to leather, boards, and edges. Interior is clean and bright overall. Light dampstain to top margins of a few pages. Illustrated. 816 pages. PER/060619. Very Good.