Jersey City, NJ: American Type Founders Company, 1912. Hardcover. This heavy encyclopedic catalog from the American Type Founders is the largest ever issued by the company, with its 1000+pages showing every possible type face available. They exhort printers to study every page to understand how type faces can make the difference between having a profitable vs. unprofitable business. In addition to displaying the type styles themselves, the specimen book offers numerous examples in different colors and layouts to showcase how the type can be used. Altogether a fascinating view of the art of printing at the beginning of the 20th century. Each volume has a unique number stamped in that links it to the buyer for purchases. Bound in red cloth with black titling to spine and front cover. Spine is somewhat worn but the binding is in very good condition. The interior pages are near fine save for one decorative ornament image on page 974 having been neatly excised from the middle of the page. Measures 8 x 11 x 3 inches. 1096 pages. BOB/040920. Near Fine.
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Easthampton, MA: Abecedary Press, 1990. Hardcover. Number 8 of 10 deluxe copies signed by the artist. This Abecedary Press Production's book was written by Mark P. Carol, as a contemplation inspired by a trip to the Galapagos Islands to view Haley’s Comet. It is a humorous look at contemporary social and sexual values through the guise of rocks (occasionally referred to as the “pet rock turns 30-something.”) Alan James Robinson illustrated the book with two handsome wood engravings and seven line drawings depicting the Galapagos Islands, the Galapagos Tortoise and of course, the Banging Rocks. Alan is a renowned book artist who has been producing fine limited edition books since the 1980s. His work can be found in many institutions nationally and abroad. This engaging deluxe production's book is bound in quarter leather green Moroccan goat with a millimeter leather fore-edge and Japanese Chiri (bark) paper. The book and its set of two actual banging rocks of green Beryl crystals from Connemara, Ireland are “housed” in an elaborate hand crafted cherry dove-tailed jointed wooden box with expansion joints. This geo-stable enclosure was crafted by Allan Wheeler and protects the Banging Rocks, which are of a semi-precious nature. Printed in Centaur & Arrighi types set by Dan Carr at Golgonooza Type Foundry on T.H. Saunders Hotpress Watercolor paper. Printed by master printer H.P. McGrath. Bound in paper over boards by Kim O’Donnell. In fine condition. Book measures 5 x 8 inches. The box is 5.5.x.8.5 x 3 inches. Unpaginated [32 pages]. ARTISTB/071020. Fine.
Washington DC: Abstract Orange Press, 2020. Number 6 of 20 copies signed and numbered by the book artist. Lauren based this powerful and timely work on the United Nations Universal Declaration of Human Rights from 1949. She has created a set of 30 broadsides, each printed with text from one of the declarations, starting with "all humans are free & equal" through "no one may deny the rights of others." The text pages have hand cut wood type printed on brown chipboard using neon ink and printed on a Vandercook 99 proof press. They are housed in a portfolio with the title printed in wood and metal type on blue Keaykolour cover stock. In fine condition. Measures 7 x 11 inches. ARTISTS/100620. Fine.
Washington DC: Abstract Orange, 2019. Number ? of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/122319. Fine.
London: printed for H. Lintot, T. Longman, J. and P. Knapton, B. Sprint, D. Midwinter, et. al. 1737. Hardcover. Size: Small 8vo. Bound in full dark brown leather boards with red and gilt title labesls to spines. Gilt volume numbers to volumes 1, 2, and 3. Volume 4 has been expertly restored; the boards are original, and spine is modern with original title label. The front boards of Volumes 3 and 4 are detached but present. Cracking to exterior hinges of volumes several volumes. Leather of spines of volumes 1 - 3 are cracked with minor chipping. Leather boards of all volumes are scuffed and edgeworn with bumped corners. A border is tooled on all boards. Gilt tooling to edges of boards is worn. Bookplate of previous owner to front pastedowns of all volumes, Harold Randolph. Vols. are also signed by previous owner. Laid paper interiors are very clean with bright text and only very occasional spots of foxing. Edges of pages in Volume 4 are somewhat warped. Decorative woodcut headpieces begin all chapters. A nice set despite noted wear. All volumes include an Index. Vol. I, 299 pages; Vol. II, 330 pages.; Vol. III, 312 pages.; Vol. IV, 309 pages. ENG/091404. Very Good.
Minneapolis: Angel Bomb Press, 2020. Number 47 of 125 copies signed and numbered by the book artist, Todd Thyberg. He writes in the colophon that the book took over two years to write, create, and print. He states: "This experiential read was conceived as an ode to H.P. Lovecraft, whose books I had discovered and read profusely as a teenager growing up in a small town in rural North Dakota....I knew I wanted to be a writer, to breathe life into stories that transported the reader to realms unknown. H.P. Lovecraft gifted the world with a style of cosmic horror and weird fiction that was previously unknown. In homage, Todd created a mythical and mystical expedition to the steppes of Siberia to find the temple and artifacts of a mysterious people that supposedly once inhabited this barren and forbidding land. He says, "In the winter of ‘18, I rented a cabin in the woods of Wisconsin and sequestered myself for a week, sketching, researching and writing down plot points. I took an historic event that fascinates me and turned it on its head, spinning it into the world of old gods and monsters that thrilled me as a kid. I wanted to celebrate and honor the creepy cosmic horror that made Lovecraft’s work so unique. One of the men on the expedition is required to document their findings. Odd diagrams and even odder structures are found and recorded for the archives at Miskatonic University. What is it that they find? What happens to the expedition when they find it?" It’s all hidden within. But be forewarned! Many who have seen the contents of The Miskatonic Papers have died horrible deaths or gone completely insane! The valiant quest for knowledge may lead you down a path that branches into dark corners of the night, filled with arcane shadows. Never travel there alone and be cautious where you step. If you hear a wet, rustling noise behind you, you had best run screaming. After exploring Todd's remarkable and complex production, the reader will indeed understand Todd's warning! The work comes in a foil-stamped grey clothbound clamshell box with three sealed folders inside.Todd urges the reader to break the seals and pore through the contents of the folders. One includes a broadside for the expedition, drawings, two letters, a rubbing, telegrams from the field, and an amazing handwritten expedition journal. All of them letterpress printed, aged, and weathered. The Expedition Broadside appears stained with ale and smudges from the hands of inquisitive sailors. It states that Professor Tyler Freeborn seeks able-bodied men to risk life and limb for the advancement of science. Do you have a thirst for adventure? Perhaps you should apply. Each piece of the book was made to look as if it was created 100 years ago. Stains, creases, and even burned edges will provide the reader with a rich experience when delving through the ephemera and piecing the story together. Printed on a selection of stocks as well as vintage business cards and journal pages, with too many typefaces to name and lots of handwriting as well. Letterpress printed at the Angel Bomb studio. In fine condition. ARTSB/071320. Fine.
London: Longman, Brown, Green, and Longmans, 1855 and 1858. Hardcover. Francois Arago (1786-1853) was an important French astronomer, physicist, and mathematician, who was also a politician for republican causes. For some years before his death, Arago spent much time revising his large collection of manuscripts with a view toward their definitive publication. This work mainly consists of the course of Lectures on Astronomy which he delivered annually at the Observatory of Paris over eighteen years. Each of the volumes is organized into sections that the author calls books with several chapters on the subject of that book, resulting in a comprehensive discourse on astronomy and related fields. The text is accompanied by numerous plates and hundreds of wood engravings. Bound in original green cloth bindings. Volume I has been rebacked. Gilt author, title, and volume number to spine. Corners bumped but very good. Interior pages and plates are also in very good condition. A very handsome set of this significant work. Volume I: 707 pages; Volume II: 846 pages including index. This set may require an extra shipping fee. SCI/07415. Very Good.
Richmond, VA: Monalisa Bagby, 2020. One of four copies signed and numbered by the book artist. Lisa Bagby describes this intricate and mysterious book as "a magical tale of how beauty enters the world and the intertwine of fate and potential." She explores her theme by following the journey of an unnamed good woman who realizes that as she responds to circumstances over which she has no control that she is realizing her potential in ways she could not have imagined. The artist incorporates striking visual and structural designs throughout this book to trace the course of the good woman's journey. They include screen printed patterns of foliage and shapes, the use of colors and various papers to delineate the text, pop-ups and reverse pop-ups, and images from a Liechtenstein print, and a Chagall painting. The backs of the pages of this concertina book are also screen printed using the colors black, orange, and gray. All of the images on the back relate to the story unfolding on the front side. They include the constellation Ursa Major to refer to the mention of a black bear, while an image of a polar bear refers to stories told to the good woman about the North people. Postage stamps of birds pasted in pertain to their cacophony. Printed in Roboto on Rives paper, with insertions of various other fonts. It is bound in grey cloth with maroon floral designs on the front cover, with a black string tie with a maroon and cream button attached. In fine condition. Measures 8.25 x 8.25 x 1 inches. ARTISTSB/101620.
A set of four original drawings in pen, ink, and gouache for an amateur theater production in Paris each signed by Barbier.The French artist George Barbier (1882-1932) was one of the most sophisticated and prolific illustrators and designers of his era. His Art Deco creations using the techniques of pochoir printing were both modern and classic, highly stylized, and extremely colorful. He became extremely popular after his first exhibition at the age of twenty-nine, and was widely sought after to design theater and ballet costumes, illustrate books, and most notably to produce haute couture fashion illustrations. He was somewhat forgotten after his early death at age fifty, but there has been strong renewed interest in his work in recent years. These charming drawings were done early in Barbier’s career when his style wasn’t yet fully matured. Early work by well known artists is important; although, less valuable. Three of the illustrations are full length figures, two of bearded men and one young boy shown dancing. The fourth drawing depicts the heads of two men and two women, labeled A, B, C, and D. All are in near fine condition, although along the top of the back of each sheet of paper is a glue remnant where once mounted on something. 7.25 x 10.25 inches. ORIG/080816.
1911. The French artist George Barbier (1882-1932) was one of the most sophisticated and prolific illustrators and designers of his era. His Art Deco creations using the techniques of pochoir printing were both modern and classic, highly stylized, and extremely colorful. He became extremely popular after his first exhibition at the age of twenty-nine, and was widely sought after to design theater and ballet costumes, illustrate books, and most notably to produce haute couture fashion illustrations. He was somewhat forgotten after his early death at age fifty, but there has been strong renewed interest in his work in recent years. This beautiful pochoir illustration is a Greek fan composition that had appeared in an album done for the French fashion designer, Jeanne Paquin, who was the first woman to head a major Parisian fashion house. The album, limited to 300 copies, comprised seven plates done by Paul Iribe, Georges Lepape, and Barbier. Of the seven plates this was the only one by Barbier. It is a classical image of Pan playing his pan-pipes, and a dancer and a couple in a woods. The design and colors are quintessential Barbier, with its stylized design and deeply rich colors. There is a small black and white drawing of Pan on the lower right border. Printed on a 13.5 x 17.5 sheet. A few light spots on the white borders otherwise in near fine condition. ORIG/072916.
[Paris]: 1920. The French artist George Barbier (1882-1932) was one of the most sophisticated and prolific illustrators and designers of his era. His Art Deco creations using the techniques of pochoir printing were both modern and classic, highly stylized, and extremely colorful. He became extremely popular after his first exhibition at the age of twenty-nine, and was widely sought after to design theater and ballet costumes, illustrate books, and most notably to produce haute couture fashion illustrations. He was somewhat forgotten after his early death at age fifty, but there has been strong renewed interest in his work in recent years. This beautiful and scarce pochoir illustration was used in the 1921 French book of fairy tales "Le Carrosse Aux Deux Lezards Verts" (The Coach Pulled by Two Green Lizards). It is an Arabesque scene with two women in the forefront of a a depiction of an Oriental location. It is signed by Barbier with his initials and the date 1920. The design and colors are quintessential Barbier, with its stylized design and deeply rich colors. The illustration is 4.25 x 6.25 inches and is mounted on a 6.5 x 8 inch sheet of paper. Both the illustration and the sheet of paper have vertical cuts to the bottom left and right edges. The paper sheet has a few light spots on its right edge not affecting the illustration, which is in near fine condition. ORIG/080316.
London: William Heinemann, 1919. Hardcover. A very nice ASSOCIATION COPY. Beerbohm signed and inscribed the book “For CS Evans from his friend Max 1919.” Evans was the chairman of Beerbohm’s publishing company, Heinemann, and he and Evans were close friends. Max Beerbohm, of course, is known as one of the leading critics, caricaturists, and writers of his day. This book is the first edition in the primary binding of dark blue cloth with gilt title and author to spine and front board. It is in very good plus condition with a small nick to the top of the front board, some chipping to corners and spine, and four darker blue spots to front. No dust jacket. Interior pages are clean with some browning to margins of pages. 219 pages plus four pages of publisher ads. LIT/091608. Very Good +.
Paris: 1785. The Silver Striped Herring, The Herring Carp. Plate number 408 from the book Ichithyologi, Ou Histoire Naturelle, Generale Et Particuliere, Des Poissons. Printed in Paris and Berlin, 1785 – 1797. Size: 8 1/2 inches x 15 3/8 inches. Marcus Bloch, 1723 – 1799, was a German physician from Berlin who spent the earlier part of his career studying intestinal worms. At the age of 57, Bloch turned to the study of fish, and set the task of providing full descriptions and illustrations, in a splendid style, of the species known to him. One of the earliest students of fish, Bloch published a series of fish prints titled: Ichithyologi, Ou histoire naturelle generale et particuliere, Des Poissons, in which he described over 200 species for the first time. The prints remained a primary reference source for the next century. Bloch issued folio and octavo prints and each specimen was engraved on a copper plate and then hand-colored with watercolors. The plates contain the names of each fish in several languages. Framed. #34603. Near Fine.
London: Longmans, Green, and Co., 1878. Hardcover. First Edition. Lady Anna Brassey (1839 - 1887) recorded several of the celebrated voyages that she and her family made together around the world on their yacht, “The Sunbeam.” This was the first of the several volumes she published about their travels. It was a huge bestseller, running into many editions and translations. It provides a lively and detailed account of their journey around the world in 1876-77. In addition to vividly describing their journey, the book describes life aboard her yacht, which carried over forty people, including the family, the crew, friends, and a complete domestic staff. An uncommon book to find in the original cloth, it is bound in dark grey cloth with gilt title and author to spine and front cover, and gilt illustrations to front and back. Cloth is chipped and faded but still quite attractive. Some soiling to preliminary pages and tear to front map but otherwise in very good condition. With two fold-outs and 118 wood engraved illustrations after drawings by the Hon. A.Y. Bingham. With ownership signature of George R. Clayton. 504 pages. TRA/081715. Very Good.
London: Richard Bentley and Son, 1897. Hardcover. Scarce First Edition. Rhoda Broughton (1840-1920) was a prolific novelist and short story writer who was very popular in the nineteenth century. She wrote both “women’s” novels and stories of the supernatural, the latter undoubtedly influenced by her uncle, Sheridan Le Fanu. Bound in original cloth with blind-stamped design to front and rear covers and gilt title and author to spine. In very good plus condition with slight bumping to corners. Interior is also in very good condition with a few small brown spots to fore-edge and light off setting to front free endpaper. 400 pages plus 31 pages of ads. LIT/041811. Very Good.
London: Printed by T.H. for Richard Chiswell, J. Churchill, 1679, 1683, 1715. Hardcover. Written by Scottish philosopher and historian Gilbert Burnet (1643 - 1715), this was considered to be the standard reference on this subject for over a century. The Parliament of England voted to formally thank Burnet after he published the first volume and he was later awarded the degree of Doctor of Divinity from Oxford University. Three volumes bound in full black morocco with gilt decoration, raised bands, and title labels reading "Burnet's Historical Works" to spines. Gilt emblems reading "Honi soit qui mal y pense" (a French saying that translates to: "Shame be to him who thinks evil of it") to front and rear boards of all volumes. This was the motto of the Order of the Garter, which Burnet became the Chancellor of in 1689. He served as the Bishop of Salisbury for the order from 1689 to 1715. Gilt rules to boards and dentelles. Full gilt edges to all volumes. Long cracks to front and rear boards of first volume, but boards remain attached. Chipping and wear to spine ends, edges, hinges, spine bands, and corners of all volumes. Minor rubbing to boards and to gilt emblems. Bookplates of William Pochin, Barkly Hall, Leichester, Lynden Bonnie Evans, and Blanche Guthrie Miller to endpapers. Previous ownership stamp "Withrow" and name "Mary Guthrie Miller Naquin" in pen to front endpapers, dated 1966. Another previous owner's name in pen to top margin of title page of volume two. William Pochin (1731 - 1798) was a member of the English Parliament and held the office of sheriff of Leichester from 1756-7. Illustrated title page plus seven plates to first volume, illustrated title pages plus eight plates to second volume, five plates to supplement. Interiors are clean overall with occasional smudge marks and spots of soiling. Volume I: Progress Made in it during the Reign of K. Henry the VII, 368 pages; Volume II: of the Progress made in it till the Settlement of it in the beginning of Q. Elizabeth Reign, 416 pages; Volumes III: Supplement, 426 plus a table of records and papers. An oversized, heavy set that may require an extra shipping fee. REL/032119. Very Good.
Ogdensburg, NY: Caliban Press, 2017. One of 104 copies signed and numbered by the highly regarded book artist and printer Mark McMurray. This is a beautifully produced new edition of A Christmas Carol that captures the power of this timeless story through the inventive use of text, images, paper, type, and binding. McMurray writes in the prospectus: "We know the story, we know the characters, but the language of the text offers new rewards with each reading. This edition of Dickens' classic returns to the dark, sleep-deprived angst of the original complete text." The prospectus states that the text in this edition comes from the 1843 edition with minor corrections. Printed on a variety of handmade and mould-made papers including Zerkal Ingres and papers from La Papeterie-St. Armand. The text is printed entirely from metal and wood types, including monotype Bell plus many from the 19th century. There are wonderful images of the ghosts that visit Scrooge on that fateful night, and many other ornaments and designs throughout. They are done in various media including pochoir, collage, wood engraving, and relief blocks. Bound in black ribbed flexible covers with a red morocco leather spine with title in gilt on spine and inside a cutout on the front cover. Housed in a stiff black paper slipcase with a subtle chain design. Prospectus and errata slip inserted. In fine condition. 7.5 x 10.5 inches. 107 pages. PRI/120420.
Paris: n.p., n.d. Portfolio. This is a scarce portfolio of beautiful color plates that showcase the breadth and beauty of French decorative arts at the beginning of the 20th century. The arts range from textiles, ceramics, bindings, ironworks, enamel, house designs and much more. The artists include LeFebvre, Magnew, Guimard, Mucha, Jambon, Lepere, Boulez among many others. There were 60 plates issued with this edition. Plates one and nine are missing, but there are two plates each for plates 4 and 55, each with a different design. The plates are generally in very good condition, with spotting and/or aging to some. The loose plates, preface, and list of plates are housed in a folio portfolio with grey paper boards and brown linen spine with gilt title to front board. Spine is split about two inches along front cover, chipping and bumping and ties missing. DEC/100812. Very Good.
Northampton MA: Cheloniidae Press, 1978. State Proof. One of only a few copies printed for Robinson's Masters Thesis Show in 1978. With title, state proof, and signature in pencil on the lower margin. This striking black and white print of Robinson in turtle armor and with an image of a turtle and its skeleton next to him anticipates his founding of the Cheloniidae Press the following year. Cheloniidae is the name given to a family of Sea Turtle species. Robinson is shown in profile up to his shoulders and his turtle armor on his head and body given him the air of a Renaissance man. The turtle images are meticulously and realistically depicted. Image is 17.5 x 23 inches on heavy paper measuring 21 x 27 inches. In fine condition. ORIGART/073117. Fine.
Martinez, CA: Lucy Childs, 2020. Cloth. A unique embroidered artists’ book with a murder mystery theme. Lucy’s exquisite embroidered books are inspired by her “exploration of the history, craft, and culture of early American and British sewing samplers, made mostly by young girls to learn the practical craft of sewing but also to learn letters and spelling. Many old and antique samplers included text or images in memory of family members who had died.” Lucy’s beautiful and painstakingly created books are a fitting tribute to and continuation of the craft she honors. Her previous unique books can be found in several artists’ book collections. Although this book is not precisely a memorial to Louisa, it does document her mysterious death. The book is held in a grey wool folded covering with a poignant scene of a cross in the ground under a willow tree on its top. The interior folds of the grey covering are of a knife dripping blood on one side and a peaceful lake on the other. The grey wool covering opens to the folds of the interior panels. They are covered in pale blue cloths with an elaborate letter "L" on one side and a cross on the other. The interior panels are meticulous and intricate embroidered tableaux of what may have happened to Louisa. The first panel asks "Whatever Happened to Louisa." The words are framed with flowers and decorative stitching. The second panel has a garden scene with what appears to be two knives flying through the air. The third panel has two cross shapes: the first is a tatted insert and the second includes an embroidered floor plan of a home interior with ominous foot prints leading upstairs to a bedroom. The fourth inner panel is embroidered with a lake scene that has a mysterious object near one shore. Is it a boat or is it a coffin? The words “And flights of angels sing thee to thy rest” are stitched along the lake’s other bank. The hand embroidery throughout uses cotton, silk, rayon, and polyester threads of various colors. Lucy's gorgeous artist's book is housed in a grey cloth box with a stitched blue label of a boat and a cross. The folded book measures 3.5 x 4.5 inches. it unfolds to 3.5 x 18.25 inches. The grey wool covering is 4 x 5 inches folded and 4.5 x 19 inches unfolded.The box is 4.75 x 6 x 2 inches. In fine condition. ARTISTSBOOK/042320. Fine.
Mermod, 1929. Paperback. First edition. A scarce work by Swiss author and musician Charles-Albert Cingria (1883 - 1854). Number 90 of 300 copies on Velin pur fil du Marais. Near fine in brown paper wrappers with black title to front cover. Light wear to corners, else fine. Pristine interior. Includes photographic frontispiece of the author in his car. 26 pages. In French. FRE/121013. Near Fine.
New York: Viking, 2003. Hardcover. First American Edition. Signed by the author. Published in the same year Coetzee won the Nobel Prize for literature. This is an unusual book in many respects: Coetzee’s alter ego is a woman, and through the device of formal speeches, he gives himself a platform to reflect on the novel in Africa, race relations, wildlife, and environmental issues; and on evil in Amsterdam and the sexual impulses of the American poet Robert Duncan. He does this while recounting Costello’s life as a woman and mother. Fine in blue cloth backed paper covered boards with white title to spine. In fine blue illustrated dust jacket with orange title to spine. 233 pages. LIT/052511. Fine in Fine Dust Jacket.
San Francisco: Chronicle Books, 1989. Dean, Loomis. Glossy Paper Cover. Inscribed By Photographer. 4to. INSCRIBED BY PHOTOGRAPHER AND WITH 8 ORIGINAL SNAPSHOTS TAKEN BY DEAN. Loomis Dean was an acclaimed “Life Magazine” photographer who had 52 “Life” covers during his career. This book is the chronicle of the time he spent with Ernest Hemingway in 1960, which was only a year before the writer committed suicide. It is inscribed in black marker on the half title page, “To Phyllis + Bill Gaylor/ who chose Spain/ for their honeymoon!/ Best regards, Loomis Dean/ Venice ‘90” In full color illustrated glossy paper wrappers. The interior high gloss pages are clean and bright and filled with color photographs of Hemingway and bullfighting. The book also contains a typed and signed letter on Dean’s stationery dated “September 30, 1994.” The letter is accompanied by 8 original photographs (mentioned in the letter) taken by Dean when in Spain. Six of the photos are bullfighting scene and the other two are of flamenco dancers. 159 pages. PHO/091406. Very Good.
[New Jersey]: [1862, 1867]. A handwritten notebook containing a compilation of Columbian College faculty member and president George Whitefield Samson’s theological lectures delivered in October 1862, transcribed by Leonidas Coyle (1840-1906) while he was attending the college. Samson (1819-1896) served as president of Columbian College, later George Washington University, during the critical years of the Civil War. He was also the pastor at DC’s E Street Baptist Church. Samson was a noted author of several books and monographs on theology and spiritualism. It appears that the lectures were compiled into this volume later as Coyle signs and dates the free endpaper in December 1867. He also labels the book with his name and the name Princeton Theological Seminary - probably written in the book when Coyle was a tutor at the Seminary. He became the pastor of the First Presbyterian Church of Bridgeton, New Jersey. He was born in Washington DC and died there at the age of 64 while visiting his sisters. His home in Bridgeton is now a bed and breakfast. The transcribed lectures were first written on the recto side of 6 x 7.5 inch notepaper, then turned over and upside down to continue on the verso. There is also a four-page insert written on 4 x 5 yellow paper. The lectures are written in a fine hand primarily in ink but with a few pages also in pencil. On a few pages a different person has written in large blue pencil the name of the book of the Bible discussed in that lecture. Otherwise the pages are in very good condition save for the free endpapers, which have offsetting in the front and glue stains in the rear including on the title page. There are also a few pencil drawings by Coyle, who was an amateur artist/cartoonist. The book’s binding is not in good condition. The boards are detached and the marbled paper covers are chipped, worn, and bumped; the leather spine is mostly worn away, exposing the signatures. Still an interesting piece of Americana. Unpaginated [86 pages plus 4 page insert]. REL/071117.
Augsburg, Germany: Erhard Ratdolt, 1488. An Incunabula Leaf from the Hungarian Chronicle of Johannes de Thurocz, which was the most extensive Hungarian work of this kind dating from the 15th century. The Chronicle was probably made on the impulse of dignitaries who were working in the Royal court of King Matthias Corvinus. Johannes de Thurocz, a member of Turiec a yeoman family, produced it while working from 1475 as a general notary of a regional judge. Erhard Ratdolt in Ausgburg, Germany printed it on June 3, 1488 for Theobald Feger. There are 8 lines of gothic text in Latin printed single column on paper as well as a 130 x 111 mm woodblock print of the coronation of King Besya. The verso contains 38 lines of the same text with no woodblock print. Beautifully custom framed. #17511. Fine.