Jersey City, NJ: American Type Founders Company, 1912. Hardcover. This heavy encyclopedic catalog from the American Type Founders is the largest ever issued by the company, with its 1000+pages showing every possible type face available. They exhort printers to study every page to understand how type faces can make the difference between having a profitable vs. unprofitable business. In addition to displaying the type styles themselves, the specimen book offers numerous examples in different colors and layouts to showcase how the type can be used. Altogether a fascinating view of the art of printing at the beginning of the 20th century. Each volume has a unique number stamped in that links it to the buyer for purchases. Bound in red cloth with black titling to spine and front cover. Spine is somewhat worn but the binding is in very good condition. The interior pages are near fine save for one decorative ornament image on page 974 having been neatly excised from the middle of the page. Measures 8 x 11 x 3 inches. 1096 pages. BOB/040920. Near Fine.
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Paris: Abbé de la Chau and Abbé Le Blond, 1780 and 1784. Hardcover. These two sumptuous French volumes describe the Duc of Orléans's magnificent collection of pierre gravées - "engraved stones or gems" - that was acquired over the years. This was the collection of Louis Philippe (1725-1785) that was inherited by his son Louis Philippe II (174701798), The son had the collection for two years but it was sold to Catherine, Empress of Russia in 1787. The volumes include descriptions of every stone included along with beautiful and intricate engravings of each. Most of the subjects are the Greek and Roman divinities. There are also a number of vignettes and cul de lampes throughout the text. There is also an engraving of the Duc designed by the artist Charles-Nicolas Cochin. The two folio volumes are bound in brown speckled calf skin, with gilt rulings to edges of covers, and gilt titling and ornaments to spine compartments. Leather is scuffed and mottled, and gilt has faded in places, with a skillfully rebacked spine in both volumes. Marbled paper endpapers. All edges gilt. Interior pages are in very good to near fine condition. Volume I, published in 1780, is 303 pages; Volume II, published in 1784, is 215 pages. Small folios measuring 8 x 12.5 inches. ART/122820. Very Good.
New York: William W. Snowden, 1841-2. Hardcover. Includes twelve issues from May 1841 through April 1842. With over 13 steel engravings including fashion plates, a view of the capitol at Washington, and a view of Baltimore. Both volumes are bound together in three quarter dark brown leather over black cloth boards. Gilt title and decoration to spine. Wear to corners and edges of boards. Several chips to bookcloth on front cover. Interior is clean overall with occasional spots of foxing. The title page and table of contents for Volume 16 is bound in the front of the book, before Volume 15. The title page and table of contents for Volume 15 are not present. Volume 15 is 312 pages. Volume 16 is 326 pages. PER/010417. Very Good.
1918. Hardcover. Rare military service record of Brigadier General Frank Parker (1872-1947). Presentation inscription from Parker "To C. Van U. in memory of the Great Days together - F.P. - Bridge Head, Easter, 1919". Includes service record, facsimiles of orders and telegraphs, as well as a list of decorations of Brig. Gen. Frank Parker from 1918 - 1919 during which he was awarded the War Cross of France with Palm, Commander of the Legion of Honor of France with second Palm of War Cross, Commander of the Order of the Crown of Belgium, D.S.M., and Third Palm on War Cross. Parker served in a tour of Lorraine, the second Battle of the Marne, the Battle of St. Mihiel Salient, the Battle between the Meuse and the Argonne Forest, and more. Bound in full red leather with gilt title and dates to spine. Gilt rules and swastikas to both boards. Rubbing and wear to boards, edges, spine ends, and corners. Evidence of a removed sticker to front board (about 1 x 2 inches) with surface sheen of leather removed in this small area. Adhesive remnants to front pastedown where a bookplate was removed. Browning to interior, mostly along margins. Unpaginated with blank sheets bound in at rear to fill out an otherwise thin binding. [Approximately 150 pages.] WWI/011221. Very Good.
Cambridge, MA: The Harvard University Press, . Hardcover. Very Scarce. Only four copies found in OCLC. This comprehensive manual uses a paragraph of text about the history of the university press to display hundreds of type faces in varying point sizes. Each example prints the text followed by the alphabet and numbers in capitals and italics. The specimens are divided into Linotype and Monotype sections. They are followed by sections of display, foreign language, initials and borders, accents and special characters, and seals. Contents are in a red cloth binder in nice condition. The interior pages show signs of usage and some aging it is in very good condition - legible and clean. Each section is paginated separately. BOB/040320. Very Good.
Paris: Chez Vincent, 1776. Hardcover. Bound in 2 volumes: A - K and L - Z. An extensive dictionary of artists including painters, musicians, actors, dancers, engravers, printers, clockmakers, and mechanics. The dates of birth and death and a brief biography is listed for each cited artist. Very good minus in full brown leather with maroon title labels and black volume labels to spines. Six compartments to spines with raised bands and gilt decoration. The front hinge of volume one is cracked. The corners are bumped, edges worn, spine ends chipped, and leather cracked. Previous owner's signature in pen to front endpages of both volumes. Page 281 / 282 of volume 2 has a long closed tear and paper imperfection to following page. Scattered foxing throughout and a spots of dampstaining to beginning and end of volume one. Marbled endpage and full red edges. 772 pages in volume one and 95 pages in volume two. FRE/011513. Very Good.
Washington DC: Abstract Orange Press, 2017. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This boldly designed book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved wood numbers from 1 to 0 in various bright colors either on a single page or on a fold-out page. Bound in dark blue cloth with title in orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
San Francisco: American Trust Company, 1954. Paperback. First Edition. SIGNED BY ADAMS and dated May 25th 1980, Carmel on the dedication page. This book was commissioned by the American Trust Company on its one hundredth anniversary. Includes sixty photographs by Ansel Adams printed on high gloss paper. In soft covers bound with clear plastic spiral comb which has broken in several places but continues to hold the pages together. There are a few scuff marks to the covers and minor wear to the edges. This copy is ex-library from the Carmel Valley Manor with an unobtrusive stamp on the dedication page. This is the only library marking. Unpaginated. PHOTO/052611. Very Good.
Milan: Giovanni Pirotta, 1818. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa, and has many fantastic and magical elements. It was a big influence on later works of literature, including Spenser's Faerie Queen and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs, this is a nice, attractive copy with strong, tight spine and clean interior. Marbled end pages. Bookplate to front end page. In Italian. Folio. ITA109201. Very Good.
Richmond, VA: Monalisa Bagby, 2019. Hardcover. Number 1 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/072120. Fine.
Mission, B.C. Barbarian Press, 2017. Number 89 of 100 copies for sale. Signed by the book artists. This delightful book celebrates the wonderful Barbarian Press's 40th anniversary and is the 47th book to be issued by the press. The Crispins thought that the occasion seemed to require some formal observance. Crispin writes: "Some of the more frequent questions asked us concern bears: Why do we have a bear as a press device? Do we really have bears around the press room? Is the bear a symbol of something? Is the bear really Crispin? – and so on. One of the most requested ephemeral pieces we ever produced was A Sloth of Bears, a broadsheet we printed in 2002 which showed all the press devices we had by that time commissioned from engravers who had illustrated our books. Since we have had several new devices engraved since 2002, and since the ‘FAQ’s (as they are now inevitably called) listed above are not answered by a broadsheet, we decided to print a small book about them. The book opens with a Preface about bears, our relationship with them, and theirs with the press. The body of the book prints all nineteen devices to date in chronological order, each image accompanied by a list of the titles in which the device has been used, and a note about the engraver and our work together. As well as versions of our press device, we have sometimes had pairs of printer’s marks engraved for us. These marks, in effect graphic ‘signatures’ of an individual printer or designer, have at various times been a feature of book design and production. The most famous modern example is probably Bruce Roger’s thistle. In our case, we initiated the marks with A Christmas Carol, or, The Miser’s Warning in 1984. Jan’s features a robin singing atop a tombstone bearing her initials; Crispin’s is a hand holding a hornbook which bears his initials and the word ‘Felicitas’. The reasons behind these are explained in an afterword, which also prints all six of the earlier printer’s marks, two each by Edwina Ellis, Colin Paynton, and Nancy Ruth Jackson. In celebration of our 40th anniversary, we have commissioned a fourth pair from Andy English, who has also created a twentieth press device, and his device and printer’s marks will be displayed on the book’s colophon page. The book thus includes a total of twenty devices and eight printer’s marks, all but one of the images printed from the wood, by fourteen artists and engravers: Louis Turpin, Edwina Ellis, Colin See-Paynton, John DePol, Barry Moser, Wesley Bates, Ted Staunton, Simon Brett, Gerard Brender à Brandis, Abigail Rorer, Peter Lazarov, Andy English, Nancy Ruth Jackson, and John Lawrence." Ursus typographicus is designed in a small landscape format, bound in decorated boards, with a delightful frontispiece by Andy English featuring three cartouches showing the exterior of the press building and two interiors with two bears hard at work. The text is set in Van Dijck roman and italic with Castellar drop caps, printed in black and blue on Zerkall Book White mouldmade paper. The engravings are all printed from the wood, except for our first device by Louis Turpin, which is printed from a photo-engraved magnesium block taken from his original drawing. The book is quarter bound in grey morocco with paper over boards printed with a pattern adapted from a binding brass engraved by Alex McGuckin as a gift to the press, and is contained in a blue silk-covered slipcase. In fine condition. PRI/041618.
1911. The French artist George Barbier (1882-1932) was one of the most sophisticated and prolific illustrators and designers of his era. His Art Deco creations using the techniques of pochoir printing were both modern and classic, highly stylized, and extremely colorful. He became extremely popular after his first exhibition at the age of twenty-nine, and was widely sought after to design theater and ballet costumes, illustrate books, and most notably to produce haute couture fashion illustrations. He was somewhat forgotten after his early death at age fifty, but there has been strong renewed interest in his work in recent years. This beautiful pochoir illustration is a Greek fan composition that had appeared in an album done for the French fashion designer, Jeanne Paquin, who was the first woman to head a major Parisian fashion house. The album, limited to 300 copies, comprised seven plates done by Paul Iribe, Georges Lepape, and Barbier. Of the seven plates this was the only one by Barbier. It is a classical image of Pan playing his pan-pipes, and a dancer and a couple in a woods. The design and colors are quintessential Barbier, with its stylized design and deeply rich colors. There is a small black and white drawing of Pan on the lower right border. Printed on a 13.5 x 17.5 sheet. A few light spots on the white borders otherwise in near fine condition. ORIG/072916.
Newcastle, England: J.G. Foster, 1860. Hardcover. Scarce. Thomas Bell (1785-1860) was a prominent land valuer and surveyor who also served as a commissioner and arbitrator for lands in districts of northern England. He is best remembered, however, as an extraordinary book collector, "bringing together one of the largest and most valuable collections of books, papers, and engravings ever formed in the North of England particularly in matters of local interest"(from obituary reprinted in catalogue). The auction sale lasted fifteen days. On the front free endpaper, there is an interesting later handwritten transcript of notes originally written by John Gray Bell, son of Thomas, about his father's library. He described a good-sized library that was shelved round with filled bookcases buried by other bookcases, also filled and then buried as well. The door of the room would only open slightly ajar and one had to sidle in one at a time along a narrow round pathway. A woman wearing a crinoline could not enter at all. The catalog was published in paper wrappers. This copy has been rebound with covers in blue cloth with a black and gilt spine label. Original wrappers bound in. Some bumping and fading. Browning to wrapper cover and browning to to untrimmed edges and to some page margins, not affecting text. Very good condition. 276 pages. BOB/042415. Very Good.
Kingston, NY: Maureen Cummins, 2019. Number 8 of 15 copies signed and numbered by the book artist Maureen Cummins. This powerful production was initially realized as a unique object in the spring of 2019, the book was later editioned in the fall of 2019. Throughout the piece, Cummins uses simple typographic means to explore issues of anti-Semitism, denial, and the erasure of cultural memory. Unpublished Manuscript, 1946 came out of the research phase of the Friends, Peace and Sanctuary Project, in which artists were asked to spend two weeks in the Special Collection archives at Swarthmore College. Cummins was immediately drawn to a collection of materials relating to the life of Hans Bergas, a survivor of the Buchenwald concentration camp. Cummins writes: "Following the war he and his family relocated to the United States, to the town of Chester, Pennsylvania. It was there that he met Gertrude Weaver, a German language high school teacher. In response to her request, Bergas began corresponding with Weaver’s students, a process that led to his writing a full-length memoir. Hoping to see the manuscript published, Weaver sent the manuscript to Grace Naismith, a senior editor at Reader’s Digest magazine. In a brief, typewritten response, Naismith thanked Weaver for her submission while unequivocally rejecting it as unsuitable for publication: “…the day has passed,” she wrote, “when people will read any more about Buchenwald or German atrocities…we have been so surfeited with Fascist horror stories, movies, and Nuremberg trial testimonies, that I’m afraid a present sale is most difficult.” In this artist's book, Cummins painstakingly surprints Naismith’s letter, using no more than a few words at a time, over copies of Bergas’s manuscript. In this way, Naismith’s decision to reject the manuscript is given the full weight and consequence it deserves. Reading the texts side by side also highlights the contrast between the editor’s polite, patrician language and the horrific events and experiences described in the memoir: “Death by starvation. Death by illness or execution.”" Both visually and emotionally, the reader/viewer is invited to witness the collision of worlds. Printed on a variety of translucent papers, including vintage onionskin. The memoir was digitally reproduced, while Naismith’s letter was printed letterpress using photoengraved plates. Also included are two documents contained in Bergas’s original manuscript: a map of Buchenwald that he drew for the Chester high school students, and a page of family photographs. Each book is held by a vintage clip board. The book measures 8.5 x 11 inches. In fine condition. 79 pages. ARTISTSB/011620. Fine.
Paris: 1785. Snapper. Plate number 256 from the book Ichithyologi, Ou Histoire Naturelle, Generale Et Particuliere, Des Poissons. Printed in Paris and Berlin, 1785 – 1797. Size: 8 1/8 inches x 15 7/8 inches. Marcus Bloch, 1723 – 1799, was a German physician from Berlin who spent the earlier part of his career studying intestinal worms. At the age of 57, Bloch turned to the study of fish, and set the task of providing full descriptions and illustrations, in a splendid style, of the species known to him. One of the earliest students of fish, Bloch published a series of fish prints titled: Ichithyologi, Ou histoire naturelle generale et particuliere, Des Poissons, in which he described over 200 species for the first time. The prints remained a primary reference source for the next century. Bloch issued folio and octavo prints and each specimen was engraved on a copper plate and then hand-colored with watercolors. The plates contain the names of each fish in several languages. Framed. #34607.
Riverside CA: Bo Press Miniature Books, 2015. Hardcover. Number 29 of 50 copies. Signed and numbered by the book artist. This is a delightful miniature book from the Bo Press. Book artist Pat Sweet is a master of inventive and intricate miniature books, bookish objects, and globes and tellurions. She describes her book as follows: "Three Rats At Sea' is a product of my love of illuminated manuscripts and their creators. As a maker of miniature books, I can't help feeling a kinship with those anonymous artists of the past (and the present). The detail and imagination of these works is something I have always tried to achieve in my own books, to add dense layers of idea and image to the main story; a counterpoint to the melody. I've told the story of my three brave rats in three parts. The first is the introductory text: the story, told in a miniature book. The next is the “real” illuminated manuscript, ' Mures ad Mare (Rats at Sea),' from which I took my story and its world, where rats embark upon voyages of adventure. The third is the pop-up version of the tale told by Sir Bruno’s manuscript and its miniatures, with 8 pop-ups. . Given time, I’m sure I could bake more layers for this little mock-medieval cake, but for now, here’s the story of brave Sir Bruno, his squire Whitby, their servant Pebble on a voyage and adventure upon the sea. The book is bound in turquoise and gold Japanese chiyogami paper, with a metallic gold paper spine and a brass magnetic closure. " The illuminated manuscript is a laid-in booklet. In fine condition. 2 5/8 x 2 1/4". Unpaginated. [14 pages] ARTISTSBOOK/060619. Fine.
London: Longmans, Green, and Co., 1878. Hardcover. First Edition. Lady Anna Brassey (1839 - 1887) recorded several of the celebrated voyages that she and her family made together around the world on their yacht, “The Sunbeam.” This was the first of the several volumes she published about their travels. It was a huge bestseller, running into many editions and translations. It provides a lively and detailed account of their journey around the world in 1876-77. In addition to vividly describing their journey, the book describes life aboard her yacht, which carried over forty people, including the family, the crew, friends, and a complete domestic staff. An uncommon book to find in the original cloth, it is bound in dark grey cloth with gilt title and author to spine and front cover, and gilt illustrations to front and back. Cloth is chipped and faded but still quite attractive. Some soiling to preliminary pages and tear to front map but otherwise in very good condition. With two fold-outs and 118 wood engraved illustrations after drawings by the Hon. A.Y. Bingham. With ownership signature of George R. Clayton. 504 pages. TRA/081715. Very Good.
London: E. and R. Nutt and R. Gosling, 1734. Hardcover. SCARCE. The Second edition, corrected. Covers abatement, affidavits, pleas, assignment, bankruptcy, bonds, courts, creditors, deeds, evidence, executors, heirs, idiots & lunaticks, limitations of suits, mortgages, titles, will, writs, etc. Quarto. Very good in original full leather binding with red leather label and raised bands on spine. The front cover is detached with slight evidence of prior repair to hinge. Heavy scuffing and wear to boards including chips to the leather and spine ends. The interior is very clean with a few light smudge marks and previous owner's name to front endpage and top of title page. Printed in Roman, Italic and Gothic typefaces. A good candidate for restoration. 417 pages + index. Law. LAW107181. Very Good.
Paris: n.p., n.d. Portfolio. This is a scarce portfolio of beautiful color plates that showcase the breadth and beauty of French decorative arts at the beginning of the 20th century. The arts range from textiles, ceramics, bindings, ironworks, enamel, house designs and much more. The artists include LeFebvre, Magnew, Guimard, Mucha, Jambon, Lepere, Boulez among many others. There were 60 plates issued with this edition. Plates one and nine are missing, but there are two plates each for plates 4 and 55, each with a different design. The plates are generally in very good condition, with spotting and/or aging to some. The loose plates, preface, and list of plates are housed in a folio portfolio with grey paper boards and brown linen spine with gilt title to front board. Spine is split about two inches along front cover, chipping and bumping and ties missing. DEC/100812. Very Good.
n.p. Cheloniidae Press, 1979. A stunning black and white print of a majestic bald eagle in flight. This is the last available print of a sold out edition of 50. Signed and dated by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The eagle is shown from the side with his head extended and wings held wide. In fine condition. Image is 17.5 x 23.5 inches; in mat it is 21.5 x 25 inches. ORIGART/072517. Fine.
Northampton MA: Cheloniidae Press, n.d. State Proof signed by the artist. A stunning original print, never published and the only copy ever printed, created by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The image depicts an owl flying in the dark of night. Most of the surface is a profound black, with the hunting owl visible by moonlight. The print is 17.5 x 23 inches and measures 22 x 27 inches with the mat. In fine condition.ORIGART/072017.
Toronto: Cheshire Cat Press, 2015. Number 16 of 66 copies signed and numbered by the publisher, Andy Malcolm, the writer of the introduction, Edward Wakeling, and the printer, George A. Walker. The press calls this fine production their Sesquicentennial Edition of Alice's Adventures in Wonderland. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. Wakeling writes in his introduction: Harry Furniss was born in Wexford, Ireland on March 26, 1854. He was a prolific artist and illustrator, best remembered for his humorous illustrations published in Punch, to which he contributed over 2,600 drawings from 1880 to 1894. Furniss was eleven years old when Alice’s Adventures in Wonderland was published. He regretted not being old enough to illustrate the Alice book for himself. He was delighted when Carroll singled him out to illustrate the Sylvie and Bruno books. Carroll recognized Furniss’s ability to draw both character likenesses and grotesques; an essential ingredient for his new book. Sylvie and Bruno was nothing like Alice’s Adventures. Furniss said that this was a bitter disappointment to him. Inwardly, he nursed the ambition to do his own illustrated version of Alice. When the copyright ran out in 1907, he drew twenty illustrations for the book. But few people have seen Alice as illustrated by Harry Furniss. The illustrations first appeared in three installments of The Children’s Encyclopaedia edited by Arthur Mee in 1908. This edition offers for the first time enlarged, high resolution copies of the original Furniss art. The portfolio of loose illustration leaves is made available for sale as a hand printed folio. The polymer plates of the illustrations were made from high resolution scans; sixteen of these images are from the original drawings from the archives of the Fales Library in New York City. Printed on Arches Velin Cream French 100% rag archival paper with Janson type. The portfolio is housed in a clam shell box made from the finest quality materials, with red cloth covers and a gilt illustration of the white rabbit on the top cover and gilt title on spine. In fine condition. Paper sheets measure 11 x 15 inches. PRI/111519. Fine.
Oxford: Francis Macpherson, 1848. Hardcover. First edition. Arthur Clough (1819 - 61), close friend of Matthew Arnold and Ruskin, hosted reading parties on his vacations to Scotland. This poem was composed in response one such vacation and supposedly both delighted and outraged his guests. Very good in original blue cloth flexible boards with gilt title to front cover. Minor wear to edges of covers. There are a few small chip to edges of several pages. The binding is split in a few places; however, all of the pages remain bound in. Features the bookplate of a notable collector, Mark Samuels Lasner. 55 pages plus 1 page of ads. POE/062510. Very Good.
Pasadena, CA: Deeply Game Productions, 2012. Hardcover. Number 1 of 7 copies. Signed and numbered by the book artist. Sara Press is a photographer, printer, and book artist whose work addresses science, nature, and the intricacies of our culture. This is a suite of four etchings by Ms. Press that depict contemporary mixed-martial-arts fighters. The accompanying text has been appropriated from a panther / bear fight advertising poster from the 1850s. The text describing animal fights is juxtaposed with the prints of human fighters to make an important statement on violence. The typeface is designed by Dan Mayer. Letterpress printed on a Vandercook No. 3 Proof Press. The loose prints and text pages are housed in a solid maple box with title burnt into the lid. This book was made in California and East Coast humidity has caused the box lid to warp a little along the edges. Unpaginated. ARTISTSBOOKS/030613. Near Fine.
New York: Museum of Modern Art, (1962). Second Edition. Hardcover. Later edition with price of $7.50 on jacket. This MoMA monograph is a landmark book in 20th century photography. Evans (1903 - 1975) was a photojournalist best known for his work documenting the Great Depression. In very good condition in black cloth boards with gilt title to spine. A few speckles to boards and minor foxing to fore-edge, else a clean copy. In an off-white illustrated dust jacket with black title to spine and front panel. The jacket has a few small chips to the edges and minor dampstaining, foxing, and toning along the edges. 195 pages. PHOTO/052311. Very Good / Very Good Minus.