New York: William W. Snowden, 1841-2. Hardcover. Includes twelve issues from May 1841 through April 1842. With over 13 steel engravings including fashion plates, a view of the capitol at Washington, and a view of Baltimore. Both volumes are bound together in three quarter dark brown leather over black cloth boards. Gilt title and decoration to spine. Wear to corners and edges of boards. Several chips to bookcloth on front cover. Interior is clean overall with occasional spots of foxing. The title page and table of contents for Volume 16 is bound in the front of the book, before Volume 15. The title page and table of contents for Volume 15 are not present. Volume 15 is 312 pages. Volume 16 is 326 pages. PER/010417. Very Good.
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Charlottesville, VA: Virginia Arts of the Book Center, 2014. Number 12 of 20 copies. (20 additional copies were created and exchanged between the participants). This remarkable collaborative artists' book tells the tragic stories of the 1911 Triangle Shirtwaist factory fire in New York City and the 2012 Tazreen Fashions Factory fire in Bangladesh through the powerful assemblage in a "sewing box" of artifacts and mementos ostensibly collected over three generations that document the two tragedies. From the introduction: "In creating the contents of this box, we decided we would create a story to convey some of our own notions about greed and the value of a human life, about women's changing roles at home and in the workplace and about the increasing distance between consumers and producers. ... We named our primary character Rosie ... Rosie, her sister Kate, niece Rose, grandniece Rachel, and great-grandniece Katya, and other associated with them are composites of other historical and invented characters. 'Notions' is best read through the objects and the stories we've imagined that gather around them. It is framed like a quilt--an assemblage of many small pieces that stitched together tell a human story about workers here and elsewhere, now and in the past, who sew the clothes we wear. It is also an artists' book that expresses some of our own notions about how and why we make art, and how and why we use art to explore our humanity and comment on the human condition." The 23 objects in the sewing box, each by different artists, include postcards, an embroidered shirtwaist collar, a jar of buttons with modern label, reprints of historic news articles about the fire, letterpress printed cards, a paper doll, quilted lace, a vintage photo, a sewing booklet, and numberous other art objects. The sewing box itself has a pair of scissors and an empty thread spool laid in along with the art objects. It is a Kraft papier mache box painted with red acrylic, wrapped with a giclée-printed band of advertising art, and lined with sewing pattern tissue; original art on lid is letterpress printed. It also includes a small book describing the history of the tragedies and each of the items in the collection inside the box. In fine condition. Box is 12 inches in diameter and 6 inches high.Detailed list of the 23 items:Postcard from Rosie's fiancé - an antique postcard image giclée printed on Arches watercolor paper, hand-tinted with watercolors, and letterpress printed on back by Yolanda Merrill; Rosie's ruined piecework - white cotton shirtwaist collar, machine-stitched, with hand-embroidered inscription by Lotta Helleberg and Dorothy SmithRosie's charm string and button jar - buttons strung, knotted and saved in jam jar with original label art and Dickens quotation handset and letterpress printed by Janet Eden and Frank RiccioSmocking for Mrs. Vanderbilt - cotton embroidery floss on muslin) by Barbara Payne"Sewn in my own heart's blood" (letterpress printing on newsprint with hand-sewn embellishment by Dorothy SmithSmoldering fire - reprint of historic New York Times article accompanied by song lyrics typed on manual typewriter by Barbara Payne and Laura SprungRachel's yarn card - letterpress printed card with vintage yarn by Janet EdenLue's letter to Rachel - original letter reproduced on old book paper, vintage photo enclosed with letter by Rachel SingelBetsy McCall moves forward - vintage Betsy McCall paper doll enclosed in a cardstock folder imprinted with an original story and art) by Dorothy Smith and Cecilia SorochinMill migration postcards - letterpress printed duotone images on Crane's 90# Pearl White Wove and Rives Lightweight papers by Kristin Adolfson and Lotta HellebergDéjà vu: 9/11 and 1911 - reprint of a newsletter chronicling the experiences of former Peace Corps volunteers teaching in New York City public schools during 9/11 by Michael SwanbergSomething old, something new - hand-quilted pieces of lace sewn onto a card; original art and calligraphy letterpress printed by Cecilia SorochinTarzeen redirect - digital printing of designs and original artwork) by Garrett Queen and Lana LambertTazreen button card - letterpress printing with watercolor by Angie HoganMourning our loss - recreated historic newspaper articles printed on hand-stained paper with decoupage roses and black lace embellishment by Cecilia Sorochin"Plus change" mourning card - digital printing of graphic elements, including photo by Donna KnoellRosie's needle book - letterpress needle book with tea stains, hand sewing, and a hidden message by Kevin McFaddenKate's matchbox catch all - letterpress printed labels on die-cut matchboxes by Bonnie Bernstein and Yolanda MerrillConscience pin cube - letterpress-printed labels on papered boxes with ball head pins by Bonnie BernsteinRed Threads care instructions - color-printed on canvas and machine-stitched in red thread by Bonnie BernsteinOld Wavy hang tag - letterpress printed on on Crane's 100% cotton paper by Kristin AdolfsonMayn Rue Platz/My resting place - letterpress printed cabinet and card with photograph and music CD by Bonnie Bernstein, Stacey Evans, Nancy KoberLives beyond measure - a timeline charting family and labor history printed on canvas with aluminum embellishments in the form of a measuring tape) by Nancy Kober.
London: Longman, Brown, Green, and Longmans, 1855 and 1858. Hardcover. Francois Arago (1786-1853) was an important French astronomer, physicist, and mathematician, who was also a politician for republican causes. For some years before his death, Arago spent much time revising his large collection of manuscripts with a view toward their definitive publication. This work mainly consists of the course of Lectures on Astronomy which he delivered annually at the Observatory of Paris over eighteen years. Each of the volumes is organized by books of several chapters on the subject of that book, resulting in a comprehensive discourse on astronomy and related fields. The text is accompanied by numerous plates and hundreds of wood engravings. Bound in original green cloth bindings. Volume I has been rebacked. Gilt author, title, and volume number to spine. Corners bumped but very good. Interior pages and plates are also in very good condition. A very handsome set of this significant work. Volume I: 707 pages; Volume II: 846 pages including index. This set may require an extra shipping fee. SCI/07415. Very Good.
Philadelphia: 1870. This well-known lithograph is from the work Birds of America by John James Audubon, which has been printed in many editions. This print is from the 7th printing conducted by Audubon and Roe Lockwood in 1870-1871. Lockwood’s involvement has led this edition to commonly be known as the Lockwood edition. Other than the colored backgrounds, which were added to the post-first editions, the main images on these prints are, for the most part, identical to those of the First edition and feature hand coloring. J.T. Bowen was lithographer for the work, which was published in Philadelphia. These are some of the best examples of hand-colored work in America and are highly collectible. They are on fine heavy stock paper measuring 6 7/8 x 10 ½ inches. Double matted in wood frame. #43659. Fine.
San Diego: Bay Park Press, 2004. Glossy Pictorial Cover. Number 23 of 40 copies. Signed and numbered by the book artists. Founded by Sibyl Rubottom and Jim Machacek in 2000, the press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. Visiting artists including Carolyn LaFrance and others regularly print books at the press. Books created by Jim and Sibyl at Bay Park Press bear the imprint of False Bay Editions. It is named after False Bay, which was the original name of San Diego's Mission Bay and is located near the press. This engaging accordion book is an alphabetical melange of spice. Various spices are described by definition, quotes, or history, and accompanied by lovely images on tan color pages that were hand-tinted with spice dyes. Some of the pages had an "intoxicating 14 runs through the press." The accordion text pages are encased in stiff paper covers, with the top flap cut out in the shape of leaves. Comes in a burlap drawstring bag with title and press name printed on a label attached by string. In fine condition. 4.5 x5 inches.PRI/073112. Fine.
London: William Heinemann, 1921. Hardcover. Inscribed by Beerbohm with Autograph Letter Signed laid in. The book is inscribed on the half title to S.J. Williams, “Dear Mr. Williams I am so very glad you see to like [And Even Now] and I thank you very much - Max Beerbohm May, 1943.” Laid in is a letter to Williams along with the envelope in which it was sent. The letterhead is “Abinger Manor Cottage, Abinger Common, Nr. Dorking.” In this charming letter Beerbohm writes: “June 15 1943/Dear Mr. Williams/I write to tell you, with many thanks, how proud I am to be the subject of an epigram so perfect in pre-, com-, and incision. Epigrams are usually unkind in wit. Wit and kindness are rather distantly related to each other. But here they seem to be [the word are is crossed out below this] brother and sister, and will abide in my heart as well as in my brain. With kindest regards from my wife and me to Mrs. Williams and to you, I am sincerely and gratefully yours, Max Beerbohm.” The envelope is addressed S.J. Williams, Prof/Queens’ College/Cambridge. The flap of the envelope is affixed to the front endpaper opposite the half title page. There is one fold in the letter otherwise in fine condition. Book is bound in original yellow cloth with paper title label to spine. Soiled and bumped but in very good condition. Interior pages are clean and tight. 320 pages. LIT/042012. Very Good.
Paris: Societe du Mercure de France, 1905. Hardcover. Translated by X. Marcel Boulestin with an essay by him on Beerbohm. This is the first edition in French of one of Beerbohm's best known works, The Happy Hypocrite. It includes the first publication of a caricature of Boulestin by Max. Boulestin was best known as a chef and restauranteur, but also published articles and books. Bound in original brownish-gray wrappers with red and black lettering to front cover . Covers in near fine condition save for slight darkening to spine and crease on front right cover along fore-edge. Interior is bright and clean, with usual browning to margins of pages, not affecting text. The bookplate of Scottish historian and book collector W. Macdonald Mackay is affixed to the verso of the front wrapper. Rare to find in this condition. Housed in half morocco slipcase with pink cloth boards and red leather spine. Some smudging to boards. 106 pages. FRE/020408. Near Fine.
. Original caricature done in ink on paper. The caricature celebrates the opening night of The Happy Life, a play by Louis N. Parker and Murray Carson, staged at the Duke of York’s Theatre, London, in 1897. It depicts Parker (standing atop the Duke of York’s column), Carson, and Max (top hat and wasp-waisted coat) himself drinking champagne. Both Parker and Carson were important dramatists at the turn of the century; Beerbohm would later collaborate with Carson on a one-act “curtain-raiser” in 1914, The fly on the wheel. Inscribed “Best wishes in a great success. December 6 ’97” and signed “Max.” Unrecorded; not in Hart-Davis’s catalogue of Beerbohm’s caricatures. In near fine condition and nicely framed. 20 x 25.4 cm. ORIG/011216.
c 1919. Original Illustrations. An original ink wash drawing inscribed with name of the subject and signed by Max. Not dated, but from the early 1900s. Nathaniel Goodwin (1857-1919) was a leading American actor and vaudevillian, also known for his colorful personal life. (He was married five times and was engaged again at the time of his sudden death from apoplexy.) He was the subject of Beerbohm’s radio broadcast, “Nat Goodwin - and Another,” published in the Radio Times, accompanied by a reproduction of this caricature. The drawing shows an unsmiling profile of Goodwin in white tie, smoking a cigar. Done in black and white wash on dark cream colored paper. In near fine condition, in a gold frame with white matte. This came from the collection of Douglas Cleverdon, who produced Max’s broadcasts. Drawing measures 7 x 10.5 inches. In the frame it is 13 x 17.5 inches. Near Fine. ORIG/092111. Near Fine.
London: William Heinemann, 1911. Hardcover. IN THE RARE DUST JACKET. First Edition of Beerbohm’s famous novel. According to Mark Samuels Lasner, the Beerbohm scholar and bibliographer, there have only been five copies of this book identified as still having their dust jackets. Two are in institutions, two have been in private hands, and the location of the remaining copy is not currently known. The front cover of the plain brown dust jacket is cleanly detached, and there are small chips and tears along top edges, but otherwise in very good condition. Title, author, price, and publisher in brown to spine. Bound in original reddish brown cloth with light bumping and soiling. Some spotting to fore-edges and very occasional light foxing to text pages but in very good condition. 350 pages. LIT/110811. Very Good in Very Good Dust Jacket.
New York: Vanguard Press, 1947. Hardcover. First Edition. Signed by the author on the title page. The author’s second novel. Very good in black cloth boards with blue title to spine. Minor wear to corners and spine ends and very light evidence of a minor dampstain to the rear board. Signed by the previous owner on the front free endpaper, and browning to both gutters; otherwise, a clean copy. In a good light blue dust jacket with white title to spine and front panel. There are several large chips to the top edges of the dust jacket and there are a few small chips to the bottom edge. Browning to the spine panel and dampstaining to rear panel. 294 pages. LIT.052511. Very Good in Good Dust Jacket / Chipped.
Paris: 1785. Snapper. Plate number 256 from the book Ichithyologi, Ou Histoire Naturelle, Generale Et Particuliere, Des Poissons. Printed in Paris and Berlin, 1785 – 1797. Size: 8 1/8 inches x 15 7/8 inches. Marcus Bloch, 1723 – 1799, was a German physician from Berlin who spent the earlier part of his career studying intestinal worms. At the age of 57, Bloch turned to the study of fish, and set the task of providing full descriptions and illustrations, in a splendid style, of the species known to him. One of the earliest students of fish, Bloch published a series of fish prints titled: Ichithyologi, Ou histoire naturelle generale et particuliere, Des Poissons, in which he described over 200 species for the first time. The prints remained a primary reference source for the next century. Bloch issued folio and octavo prints and each specimen was engraved on a copper plate and then hand-colored with watercolors. The plates contain the names of each fish in several languages. Framed. #34607.
New York: Macmillan and Co., 1893. Hardcover. FIRST EDITION (there was no equivalent English edition). Robert Bridges (1844-1930) was an influential English poet who served as poet laureate from 1913 to 1930. Tipped-in is an excellent three page handwritten letter from Bridges to the publisher John Lane, dated 11 April 1893, discussing possible American editions of his works, indicating which titles might be published. Bookplates of Simon Nowell-Smith, the noted bibliophile and scholar, and his wife, Judith Nowell-Smith. Very good original dark blue cloth; corners sharp, light edgewear. Minor spotting to fore-edge but interior is clean and very bright. t.e.g. 185 pages. + publisher's ads. POE/8133. Very Good.
London: Richard Bentley and Son, 1897. Hardcover. Scarce First Edition. Rhoda Broughton (1840-1920) was a prolific novelist and short story writer who was very popular in the nineteenth century. She wrote both “women’s” novels and stories of the supernatural, the latter undoubtedly influenced by her uncle, Sheridan Le Fanu. Bound in original cloth with blind-stamped design to front and rear covers and gilt title and author to spine. In very good plus condition with slight bumping to corners. Interior is also in very good condition with a few small brown spots to fore-edge and light off setting to front free endpaper. 400 pages plus 31 pages of ads. LIT/041811. Very Good.
[Seattle]: Sea Pen Press, 1988. Hardcover. Number 97 of 100 copies. Signed by the author. Thomas Brush is an award winning Seattle poet who has written several books and for several distinguished journals. He tended bar for four years at a Seattle racetrack several years ago and found it an enchanted place that values possibilities and dreams. This influence is evident in the poems included in Even Money. This interesting production from the Sea Pen Press has a blue handmade light-and-shade watermarked paper covers that are sewn in a non-adhesive concertina fashion to the text. The orange and brown decorated endpapers were created by Neal Bonham of the press using colored paper pulps in a decorative technique that he developed. There are five linoleum cut illustrations by Suzanne Ferris that "capture the linear poetry of the thoroughbred world" (prospectus). The book also has images of racetrack betting tickets decorating the title page and colophon that were created by transferring Xerox images to linoleum. The text is printed in Monotype Janson and the title page is printed with Weiss Initial Series 2. The book is housed in a coarse tan linen covered clamshell box with blue borders and ticket images on the front cover. Both the book's binding and the case were designed and constructed by Judith L. Johnson. In fine condition. Book is 9 x 11.5 inches. Case measures 10.25 x 13 inches. Unpaginated [21 pages]. PRI/090717. Fine.
New Haven: Nathan Whiting, 1816. Hardcover. A later edition of Every Man His Own Doctor (previously printed as "Domestic Medicine,") but the first to include the lengthy appendix on horse and livestock care with advice on buying horses. Part of the appendix is also consists of a family directory including recipes for food and household products. Full brown leather boards with black and gilt title label pasted down to spine. Chipping to leather along head of spine and corners. Cracking to leather along spine. Minor rubbing and wear to covers and edges of boards. Bookplate of Susan Benedict Spencer to front pastedown. Spencer graduated from the New York University College of Medicine in 1941. There is also an older penned ownership signature of William H. Pratt to front free endpaper and rear free endpaper. In similar antiquated pen on the second free endpaper is a note stating "Granby, Connecticut. price $4." He notes on the rear free endpaper that the book was purchased in 1819. Pratt is recorded as having been a Revolutionary War pensioner, buried in the Pratt Cemetery in Granby, CT in 1850 at age 99 and 3 months. Pencil markings to front endpapers. Occasional spots of soiling and dampstaining. Minor uniform browning to pages. 464 plus appendix of 144 pages. MED/030719. Very Good.
Easton, PA: J.C. Riker, 1857. Hardcover. Gift inscription to Annie C. Buckley from her father dated Christmas 1857. Includes multiple entries from Annie’s friends and relations, many of which are dated 1858, Easton. Most of the entries are in verse form about friendship, memory, and in some cases death. Most of the verses appear to be original, not copied from printed works. A sample entry: “Never Forget Her: I can never forget you whose Friendship seems as a Boon, Received as a Gift from the Father above. To prove that the Earth ‘mid its Sin and its tears, Hath something still left us to Cherish and Love. Forget you! No, No! I hold as a Charm, A Being all Glowing with Genius of Youth, But dearer by far than all Beauty and Grace, Is the thought of that Heart of Kindness and Truth. - By him who will never forget you, City Cousin Charley.” Includes 11 entries, of which one is very light and difficult to read. Bound in full navy blue leather with gilt title “Album of Memory” and gilt and blind stamped floral decoration to both covers. Gilt decoration to the spine also; however, there is heavy chipping to spine leather. Includes five hand colored floral prints, hand colored title page, and presentation page. HAND/022118. Very Good.
Easthampton, MA: Cheloniidae Press, 1982. Hardcover. UNIQUE COPY WITH A SET OF THE 26 ORIGINAL PENCIL DRAWINGS BY ALAN JAMES ROBINSON. There were 300 copies of this book published; 200 were regular copies, 50 were deluxe copies with quarter leather binding and 50 others bound in full leather. The deluxe editions were issued with a set of proofs of the wood engravings and a set of proofs of the line-cut initials, with a large calligraphic manuscript initial beneath each image. The wood engraving proofs are lettered and signed by Robinson, and the line-cut proofs are signed both by Robinson and the calligrapher, Elizabeth Curtis. This copy shows some variation from the copies described in the prospectus. The colophon has been signed and numbered VI of L and internally seems to be a straightforward copy of the deluxe full leather edition. The binding varies somewhat from that pictured in the prospectus but uses many of the same elements. Also, the chemise is thicker that the regular chemise because it contains the 26 pencil drawings. This may have been a special copy prepared by Robinson for a particular subscriber/collector. This wonderful abecedary illustrates each letter of the alphabet with a masterful wood engraving by Robinson. Each animal is described at the bottom of its page in texts chosen primarily from the earliest first-hand accounts of the animal depicted. The descriptions are printed in red. The printed source of each text is identified, and at the end of the book there is a detailed and useful bibliography of these sources. A page with a small, different illustration of the animal precedes each animal’s page, with the calligraphic letter written in red by Curtis. The animals depicted are often wondrous and strange, and some, such as the basilisk, may never have actually existed. This is a two volume folio (including a chemise containing an additional suite of illustrations, and the group of original pencil drawings). The bound volume is in full red morocco, done by David Bourbeau of the Thistle Bindery. The covers have a large central, slightly sunken panel, with the title in red and black and with a Sea Turtle device blocked in blind (Cheloniidae is the name for a species of sea turtles). The proofs contained in the chemise are unbound as issued within the original red morocco-backed, linen cloth covered boards. Both volumes are housed in a red morocco-backed cloth covered box, with the spine lettered and dated in gilt and a small Sea Turtle device in blind. “The blocks were cut by the artist at the Cheloniidae Press & printed by Harold P. McGrath in the summer of 1982.... Mackenzie-Harris set the types in monotype with some hand-setting by Arthur Larson. The text was compiled and annotated by Laurie Block. The hand calligraphy is by Betsy Curtis. The paper is Rives lightweight” (from the colophon). The 8-page prospectus is laid in. A remarkable production from this press. In fine condition. PRI/020112. Fine.
Lincoln Mint, 1972. A limited edition silver collector's plate created by Salvador Dali expressly for the reproduction of this precious metal plate. Each plate is numbered. The plate is resting on dark blue satin and is housed in a white leatherette clamshell box with Dali's signature in silver on the top. In fine condition. In a white paper shipping box. DEC/120312. Fine.
London: John Lane, The Bodley Head, 1897. Paperback. Bodley Booklets Number Two. First Edition. Rare. A send-off of Richard Le Gallienne's 'The Quest of the Golden Girl' written by David Hodge and George M. Matheson, two Glasgow journalists writing under the pseudonym of Richard de Lyrienne. Near fine in orange paper wrappers with brown title to spine and front panel. There is a short closed tear to the front end page; otherwise, in fine condition. Housed in a portfolio within a grey cloth slipcase with black and gilt leather title label to spine and bookplate of Mark Samuels Lasner on inside board of portfolio. 98 pages plus 4 pages of ads. LIT/052010. Near Fine in Fine slipcase.
London: The Scholartis Press, 1928. Hardcover. 1 of 560 copies, this copy unnumbered. INSCRIBED BY EDITOR TO H.M. ELLIS, SON OF F.S. ELLIS. The inscription reads “To H.M. Ellis Esq., and the memory of a charming afternoon from The Editor.” In his preface Doughty writes that while the letters are not likely to have a wide appeal because they are mainly about the details of publication, they still reveal a great deal about Rossetti’s personality, with a considerable cumulative effect. He also provides extensive explanatory notes. Bound in blue cloth boards with sunning to spine and board edges and some light scuffing. Except for the pulling away of a signature in the rear, the binding is tight. The pages are clean with the usual light aging to the margins and browning to free endpapers. Bookplate of collector Mark Samuels Lasner affixed to front pastedown. 150 pages. PRERAPH/062008. Very Good.
Copper Plate Engraving by George Edwards, with original hand coloring on laid paper. Edwards spent most of his life observing and depicting indigenous and non-indigenous species of birds. Many of his drawings were done on commission for the Royal Society and Royal College of Physicians. Edwards is credited with collaborating on the scientific naming and description of about 300 species of birds. The framed print measures 11 1/2 x 8 1/2 inches. #49238. Very Good.
1750. A leaf from A Natural History of Birds. Edward's friend and mentor Mark Catesby taught him the technique of engraving, which made it possible for him to engrave his own drawings, the results of which can be found in his natural historical works. He added to the hand colored compositions of his illustration engravings by including insects, especiallly butterflies. Print method is Engraving by Copper Plate with original hand coloring on laid paper, measuring 290 x 220 mm. or approximately 11 1/2 x 8 1/2 inches. Archivally matted. #49247. Very Good.
Israel: Even Hoshen, 2010. Hardcover. Number 32 of 66 copies. Signed and numbered by the book artist. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. The Raven is bound in full black leather with tan and black leather inlay forming the image of a raven on both boards. The binding is a dos-a-dos structure printed in English and in Hebrew. The English text was hand set in Alt-Mediaval type and the Hebrew text was set in Margalit type. It is printed on Bavaria-Butten paper and illustrated with a paper cut of a raven. Housed in a white cloth slipcase with paper title label with light, ghostly visibility under the white cloth. In fine condition. Unpaginated. Fine.
London: Cassell and Co., and John Lane The Bodley Head, 1934. Hardcover. First Edition. An interesting and unusual presentation copy from the editor to Clementine Churchill, wife of Winston: "To Mrs. Churchill, these poems from the day when Fanny's First Play was written; and in memory of the pleasure of seeing it in her company. August 11, 1935 Desmond Flower." The inscription makes reference to Fanny's First Play, written anonymously in 1911 by G. Bernard Shaw. Desmond Flower (1907-1997) was a publisher, collector, and writer. He joined his father's publishing house, Cassell, and remained there until it was sold in 1966 following his father's death. Cassell's was the publisher for many major writers, but Flower's most important writer was Winston Churchill, editing and publishing his History of English Speaking People and the History of the Second World War. Bound in publisher's original green cloth with title and author in gilt to spine. Binding and text in near fine condition. In original dust jacket which is torn and tattered, and now protected by a mylar cover. 297 pages. POE/052913. Near Fine / Chipped and Torn.