Buenos Aires: Marina Soria, 2022. A calligraphic work on paper. Based on the original Spanish text by Ruth Corcuera. Gouache on purple colored handmade paper from Papeterie Saint-Armand. In 2022 this piece was featured in an exhibition at the Embassy of Argentina in DC and was sewn to a hanging textile, leaving several tiny and obscure needle holes to each corner of this piece. In fine condition. Size: 37.5 x 28.5 cm Born in Buenos Aires, Argentina, Marina Soria is a seasoned artist and educator with degrees in Fine Arts and Graphic Design. Not content to just immerse herself in learning calligraphy at international conferences, and through courses with renown calligraphers, she studied Eastern principles of Beauty in sumi-e (Japanese painting). She distilled and blended these principles with her rich experience and background in the fine arts, typography and graphic arts, employing unique approaches and techniques. She has also dabbled in the textile arts, creating a metaphor for weaving; letters as stitches and text as if it were a textile. Her works, vibrating with a love for nature and exploding with life and color, can be found in calligraphy collections in museums, universities, and libraries in the U.S., Europe, and South America. Marina has received numerous national and international awards, and has been featured widely in calligraphic arts publications. A prolific artist, experimental calligrapher, book artist, and educator, her goal is to mingle diverse disciplines to challenge the limits of conceptual art and technique. ARTISTSB/101422. Fine.
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Chicago: Starshaped Press, 2019. Hardcover. Number 6 of 50 copies. Signed and numbered by the book artist. This powerful book was created by book artist and printer Jen Farrell to describe the pain and anguish she experienced as Jo, her young daughter, was treated in 2018 to stem the growth of tumor nodules around her right lung. She writes: "While the treatments were challenging, the fallout that followed over the winter was unbearable. The chest pressure, pneumonitis and inability to breathe sent us to the hospital repeatedly, with unsatisfactory results. By ‘unsatisfactory’ I mean punching-a-hole-in-the-wall angry at the lack of understanding about why Jo had these side effects and the weeks, sometimes months, it took to get appointments with specialists. I sought solace in songs that directed my frustration away from people around me. One of these was Black Star’s Respiration, with lyrics that expressed a metaphorical difficulty to breathe in an urban environment. Many of the words applied to our reality; rewriting the lyrics was an outlet for acknowledging the trauma....Respiration is a rewrite of the song, but in this case applied to watching my child struggle to breathe." The book unfolds as a poster measuring 20x14 inches that folds down to approximately 5x 7 inches within red paper covered boards. The covers are printed in two colors on Mohawk Keakolour and the interior text is printed on Fabriano Tiziano paper with ‘fuzz’ in the texture as a nod to the scarring fuzz in Jo’s lungs. The book is accompanied by a white folded paper reference guide to the lyrics with notes on Jen's rewrites. In fine condition. Fine.
New York: Harcourt, Brace and Company, 1934. Hardcover. First abridged edition with "first edition" on the copyright page. "The story of an American family, of their descendants and their friends" (jacket). Bound in pink cloth boards with black title to spine and front cover. Slightly rolled spine, cloth faded where the dust jacket is missing pieces, otherwise very good condition. In rubbed, soiled, unevenly faded dust jacket missing good-sized pieces. The jacket is red with white title to spine and front panels. 416 pages. LIT/102716. Very Good / Good.
New York: Stevens-Nelson Paper Corporation, 1953. Hard Cover. "The main purpose of issuing "Specimens" is to demonstrate to a large audience the outstanding results the printing buyer achieves by using the best designers, printers, and materials" (Print Magazine, 1953). This extensive collection of paper specimens displays the range of paper and printing styles and types available at that time. Each of the specimens is designed and printed by a different press on beautiful papers from around the world. Many noteworthy designers such as Bruce Rogers, Joseph Blumenthal, John de Pol, and Hans Mardersteig are credited with various designs. Presses from around the world participated, including the Curwen Press, Golden Cockerel Press, Limited Editions Club, Chiswick Press, and many others. Each sheet identifies the source of the paper along with the paper's technical specifications. Inserted is the Stevens-Nelson price list dated July 1953. An exquisite collection. Bound in quarter blue morocco with marbled paper covered boards and gilt title to spine. Minor wear to corners and edges of boards. In very good condition. Housed in a blue slipcase with chipping, soiling, and tears to bottom edges. Unpaginated. BOB/043018. Very Good.
Akron, OH: Saalfield Pub. Co., 1936. A charming complete set of five little books about Shirley Temple and her life, published when she was only eight years old and the country's number one box office draw. Each book has a pictorial cover and fourteen pages of black and white photographs of Shirley. The titles are: Shirley Temple Twinkletoes," "Just a Little Girl," "Shirley Temple Little Playmate," "Shirley Temple on the Movie Lot," and "Shirley Temple in Starring Roles." The books are all in very good to near fine condition. Housed in their original box covered with glossy white paper and with a color portrait of Shirley on the front. The box has some wear, soiling, and creases but still very nice. CHILD/110118. Very Good.
London and Chicago: John Lane and the Bodley Head and Stone and Kimball, 1895. Patten Wilson. Hardcover. First Edition, Private Issue. Presentation Copy. This is the very scarce private version of Frederick Tennyson's last book. With a handwritten limitation notice on the half-title "Twenty five vellum bound copies of the first edition have been issued for private circulation, This is No. 16." It is inscribed: "To the Revd. W.B. Macleod With Capt. J. Tennyson's & the Authors Compliments Jersey Jan 1896." The recipient was the author of Frederick Tennyson: His Life and Work, published in 1896. Frederick Tennyson (1807-1898) was a poet and the older brother of Alfred Tennyson. Although a gifted poet, he was overshadowed by his brother throughout his life. Captain Julius Tennyson was the author's only son, and the book is dedicated to him and his sister, Sophia, whom Frederick called the companions of his old age. In original vellum with gilt title and author to spine, and gilt florettes and initial "F" to front cover. The spine is darkened and the covers are soiled and bumped but still nice. In very good condition with darkening to page edges. Frontispiece photograph of Tennyson and title page design by illustrator Patten Wilson. A lovely book with a charming association. 163 pages plus tipped-in errata sheet and 16 pages of publisher ads. POE/061313. Very Good.
London: Robert Baldwin, 1813. First edition of this interesting travel book by Thomas Thomson written after a several week trip throughout Sweden. It was written in an engaging conversational style that makes it quite readable today. Thomas Thomson FRS FLS FRSE (1773 – 1852) was a Scottish chemist and mineralogist whose writings contributed to the early spread of Dalton's atomic theory. His scientific accomplishments include the invention of the saccharometer] and he gave silicon its current name. He served as president of the Philosophical Society of Glasgow [Wikipedia]. He was also a member of The Geological Society, the Wernerian Society, and the Imperial Chirurgo-Medical Academy of Petersburgh. As a mineralogist, there is an emphasis in the book on the geology of Sweden, but he also writes extensively on all aspects of Swedish society, culture, history, and customs. The book has thirteen plates that include maps of Sweden, Gothland, and Stockholm, portraits of the Crown Prince and the late King Gustavus Adolphus, and others of geological interest. Bound in three quarter brown leather with marbled paper boards. Decorative gilt and title to spine. Leather and boards are scuffed and bumped. Joints are tender. Marbled page edges. Spotting and soiling to endpapers and offsetting to text pages from maps and plates. Otherwise the text is generally clean. Maps of Sweden and Stockholm have spotting and soiling. Ownership signature in ink to first page of text. A nice and sound copy of this rather scarce title. Small quarto. xii; 460 pages including two page publisher advertisements. TRAVEL/072021.
Niles, MI: Eugenie Torgerson, 2006. Hardcover. A unique journal with blank pages and five digital illustrations of various tools by an award winning book artist, photographer, printer, and illustrator. This beautiful book could be used as a photo album or scrapbook or it could be kept untouched as a book art object. The journal is bound with expandable posts. It is covered in red book cloth and decorative paper with a digital image mounted on the cover. The image is framed with decorative paper and covered with a glass panel. It is housed in a decorative, extra deep box that has room to store the journal and extra mementos. The box is covered in black and red book cloth with a digital image mounted on the lid and covered in glass. Unpaginated. Journal dimensions: 11.5 inches by 10 inches. Box dimensions: 13.5 inches by 10.5 inches by 4 inches. An impressive piece from this noted artist. ARTB/120512. Fine.
London: Chapman and Hall, 1862. Millais, J.E. Hardcover. First edition in book form. Illustrated by the Pre-Raphaelite artist, John Everett Millais (1829 - 1896). Includes 40 illustrations. In original brown publishers cloth with blind stamped designs to boards and decorated gilt titles to spines. Both volumes have been expertly rebacked with new material showing along the spine ends and hinges of both spines. Modern endpapers. Wear to the edges and corners of both volumes with fraying and chipping along the edges of the remnants of the original spines. Minor foxing to plates and to pages facing the plates including the title page; the rest of the interior is clean. 320 pages in volume one; 384 pages in volume two. May require extra shipping fee. LIT/032713. Very Good.
Arlington, VA: Turtle Light Press, 2017. Hardcover. Number 7 of 18 copies. This is a magnificent artist’s book that pays homage to one of the greatest Hebrew-language poets, Yehuda Amichai. The Amichai Windows is an exquisite bilingual artist’s book in Hebrew and English of Amichai’s poems that opens a window on love, war, and being Jewish today. Through his poetry Amichai sang of the everyday experiences of private individuals caught in the middle of war and historical events. He was often considered for the Nobel Prize in Literature and his poems have been translated into more than 30 languages. Book artist and poet, Rick Black, fell in love with the poetry of Yehuda Amichai even before working for the Associated Press and The New York Times in Jerusalem, where he resided for six years. He particularly loved Amichai’s poems that dealt with family, love and war. He spent ten years creating this limited-edition artist’s book of the poet’s work. The book offers a visual odyssey through Jewish history as filtered through 18 poems. Each poem is wrapped and folded in an individual, handmade paper triptych. When one opens each triptych, one discovers a different world within. The book incorporates replicas of some of Amichai’s original, handwritten poems as well as over 100 collaged images of Jewish history and life that have been culled from archives around the world. There are also replicas of Amichai’s handwritten poems. Printed on handmade paper with deckled edges, with gold leaf highlights and blind embossments in some of the designs. The collection of triptychs and a 28 page guide are housed in a box enclosure shaped like a Jerusalem window. With a special introduction written by the eminent Hebrew literary critic and translator, Professor Robert Alter of the University of California at Berkeley. The newsletter of the American Jewish Libraries Association called The Amichai Windows “a major contribution to American arts and letters.” (Artist’s statement and descriptions). The book recently won the Isaac Anolic Jewish Book Arts Award. In fine condition. Fine.
New York: Charles L. Webster and Company, 1885. Hard Cover. FIRST EDITION, first state save for frontis portrait in second state. In uncommon variant binding of blue cloth. It has been rebacked with the original blue cloth boards attached and title strip laid down. The author and title are in black and gilt on the spine and front board. The cover also has a blind-stamped illustration of Huck in black and gilt. Minor wear to corners, darkening to board edges, and rubbing to boards. There is a photo-gravure portrait bust of Twain with facsimile signature, frontis illustration, and 174 text illustrations by E.W. Kemble. Lacks tissue guard between frontispieces. Light dampstain to corner of photo-gravure page. The interior is clean overall with occasional foxing and occasional spots of soiling, mostly to margins. Modern endpapers. Altogether a desirable copy of this milestone of American literature. 366 pages. LIT/092519. Near Fine.
New York: Harper's, 1917. Softcover. Rare in the original wrappers. Six issues between May and November 1917. The letters were also published by Harper as two volumes in 1917. The letters were arranged with comment by Albert Bigelow Paine. Paine was an important Twain scholar and in addition to the letters, he published several other books about him including a three volume biography. Each issue’s cover is printed in a different color paper, most with pictorial front cover and advertisements on rear. Covers are all in very good condition, some with small tears to spine and creases to covers, three issues with Oregon State Library stamp to cover. Interior pages near fine. Wonderful advertisements and illustrations throughout each. Each issue is about 150-175 pages. Continuous pagination for the year’s issues. Very Good. LIT/091318. Very Good.
Rockport, ME: Two Ponds Press, 2017. Hardcover. Number 264 of 300 copies signed by the poet and photographer. This compelling book was created as a collaborative project between Presidential Inaugural Poet Richard Blanco and contemporary landscape photographer Jacob Bond Hessler. In it, Blanco's powerful poetry is juxtaposed with Hessler's evocative photographs. From the Prospectus: "Blanco's poems and Hessler's phonographs together investigate the visible and invisible boundaries of race, gender, class, and ethnicity, among many others; they challenge the physical, imagined, and psychological dividing lines - both historic and current - that shadow America and perpetuate an us vs. them mindset by inciting irrational fears, hate, and prejudice. In contrast to the current narrowing definition of an America with very clear-cut boundaries, Blanco and Hessler cross and erase borders. As artists, they tear down barriers to understanding by pushing boundaries and exposing them for what they truly are - fabrications for the sake of manifesting power and oppression pitted against our hopes of indeed becoming a boundary-less nation in a boundary-less world." Bound in black cloth with silver design across the covers and silver title to spine. Printed with Gotham and Baskerville types on Mohawk Superfine Cover, Ultra White, Eggshell paper. Presswork was executed by Puritan Press. Housed in a red cloth slipcase. Accompanied by the prospectus. In fine condition. Oblong measuring 9.75 x 14 inches. Unpaginated. PRI/071922. Fine.
1856. Hardcover. Very good in the original black publisher's cloth with gilt title to spine and gilt emblem to front cover. Chipping to book cloth along the head of the spine and bottom of the front hinge. Minor wear to corners and edges of boards. With numerous illustrations including a fold out map of New York, a fold out plan of the city, a fold out plan of Fort Green, a fold out map of Harlem Heights, and more. Several of the fold outs have closed tears and extra creases. Clean and bright. 600 pages. NY/022118. Very Good.
1862. Hardcover. Very good in the original black publisher's cloth with gilt title to spine and gilt emblem to front cover. Chipping to book cloth along spine ends and minor wear to corners and edges of boards. There is a two inch split to the book cloth along the bottom of the front hinge and a dime sized loss to the book cloth on the front cover. With numerous illustrations including a fold out view of New York from the sea (1790), several fold-outs of bridges and reservours, several color fold-outs of army regiments leaving the city during 1861, a large fold out of "Old New York - The Bouwery", and more. Several of the fold outs have closed tears and extra creases. Clean and bright. Previous owner's signature in pencil on front free endpaper. 775 pages. NY/022118. Very Good.
[Toronto]: George A. Walker, . Hardcover. Number 35 of 39 copies signed and numbered by George Walker. This book is a wordless narrative “written” with 109 wood engravings. It follows the life of Canadian landscape painter Tom Thomson until his mysterious death in Algonquin Park in 1917 at the age of thirty-nine. Tom Thomson is one of the most famous nonmembers of the Canadian Group of Seven painters. He actually died before the group was formally named, but has always been included. His early death occurred in wartime when many men his age and younger were losing their lives. His death has troubled many people as much for the mystery of the circumstances as for the tragedy of his brief passionate life. In this book Walker responds to the creative life of Thomson in the language Thomson spoke most eloquently, the grammar and vocabulary of pictures. Walker builds his wordless story by breaking down the colorful paintings and life of Thomson into light and dark, the black and white of a picture text. Walker has also imagined Thomson’s happiness by the lakesides, his loves and passion for the landscape of Algonquin Park and Thomson’s life and work in Toronto, where Walker lives and works. Canadian art historian and author Tom Smart has written the introduction to this work. The beautiful black and white wood engravings are hand printed on Rising Stonehenge 100% rag archival paper. The book is bound in cream cloth with brown title label to spine and engraving of Thomson inset on front cover. Housed in a clamshell box covered by the same beige cloth as the book, with brown spine label and engraving of Thomson inset on front cover. In fine condition. The book is 6.25 x 8 x 2.5 inches. Unpaginated. [232 pages printed recto] PRI/110716. Fine.
London: Smith, Elder, 1888. Hardcover. 8vo. FIRST EDITION. SIGNED LETTER. Includes a one and a half page handwritten and signed letter by Ward to her publisher. Also features the bookplate of accomplished Danish actor, Jean Hersholt (1886 - 1956), which is pasted down to the front end page of Volume I. Hersholt, perhaps best known for his role as Shirley Temple’s grandfather in Heidi (1937), appeared in over one hundred films, directed several films, won a Golden Globe Award, and was nominated for an Academy Award. He was also an eminent collector of books by Hans Christian Andersen and translated many of Andersen’s fairy tales into English. These were later published in six volumes and are still considered to be one of the best English translations. A very good triple decker set in the original blue cloth with gilt titles to spines and black titles to front boards. There is a small closed tear along the exterior front joint of Volumes I.and II All volumes have minor wear and a few chips to the book cloth along the corners, edges, and hinges. Bumping to corners, minor rubbing to boards, and wear to joints. The interiors remain very clean overall. There are floral patterned end pages in first two volumes and variant chocolate colored end pages in Volume III. The set is housed in an attractive dark green half-morocco slipcase with maroon and gilt leather labels to spine. There are a few minor scuff marks to the case and a closed tear to the hinge of the tri-fold sleeve which fits within. Volume I has 371 pages; Volume II has 374 pages plus ads; Volume III has 411 pages. LIT/031908. Very good.
Baltimore: J. Murphy, 1846. Hardcover. Uncommon. Includes 12 issues from 1846 with articles on Native Americans, Lord Baltimore and the Maryland Charter, "Oriental Churches", Brazil, Maryland history, Festivals among the Jews, John P. Kennedy, as well as poetry, music, literature reviews, and foreign and domestic intelligence. Ex-library from St. Joseph's Seminary with gilt stamp to spine, sticker to spine. and library markings to endpapers. In a modern binding of black buckram over black leatherette covered boards with gilt title to spine. Occasional foxing throughout, which is heaviest on engravings and tissue guards. Occasional pencil markings, a few pen markings, and occasional soiling, but clean overall. Fold-out illustration of the sixth provincial council is torn and lacks the bottom portion. The other four full page engravings: Mt. St. Mary's College (MD) and St. Joseph's Sisterhood and Academy (MD), Pius 9th, and Gregorio XVI, are both present; although, both are foxed. 692 pages; however, pages 389 - 409 are missing; however nothing is called for on these pages within the contents and most issues end with a literary review section, which this issue ends with - so perhaps these pages never existed. REL/061820. Very Good.
Risbury, England: Whittington Press, 1994. Hardcover. Number 23 of 95 copies of the deluxe edition. There were 975 total copies printed including the regular edition. This is one of the special copies of the annual publication of Matrix, one of the foremost publications on the book arts during its 36 year existence. Sadly, Matrix 36, published in 2020, was the last annual edition of the Matrix series. After 36 years, Whittington Press owners, John and Rose Randle, decided to discontinue producing this fine annual for printers and bibliophiles on the book arts that compiled articles, illustrations, paper and typography samples and book reviews. This issue includes a number of articles by such well-known bibliophiles as Ruari McLean, John Dreyfus, Sebastian Carter, David Butcher, William Peterson, and Roderick Cave. Interspersed throughout are photographs, printing samples, and illustrations. There is a loose print and the volume's prospectus inserted in a back pocket. Quarter bound in magenta Oasis leather with magenta and orange marbled boards. The deluxe copy includes a separately bound book of wood engravings for Virgil's Georgics by Edward Craig. Both volumes are housed in a stiff board slipcase. Fine condition save for the slightest wear to Georgics. Matrix volume measures 8, x 11 inches. BOB/102621. Fine.
Risbury, England: Whittington Press, 2004. Hardcover. Number 9 of 80 copies of the deluxe edition. There were 800 total copies printed including 720 copies of the regular edition. This is one of the special copies of the annual publication of Matrix, one of the foremost publications on the book arts during its 36 year existence. Sadly, Matrix 36, published in 2020, was the last annual edition of the Matrix series. After 36 years, Whittington Press owners, John and Rose Randle, decided to discontinue producing this fine annual on the book arts for printers and bibliophiles that compiled articles, illustrations, paper and typography samples and book reviews. This issue includes a number of articles by such well-known bibliophiles and book artists as Roderick Cave, Charles Hobson, Barbara Henry, Jerry Kelly, Stan Nelson, and John Randle. Interspersed throughout are photographs, printing samples, and illustrations. Inserted in a back pocket is the prospectus for this volume and an announcement for Matrix 25. Quarter bound in green Oasis leather with green and yellow marbled boards. Letterpress printed in Caslon, Poliphilus, and Neo-Didot types on Somerville Laid, Zerkall, and Hahnemühle papers. The deluxe copy includes a separate yellow paper covered booklet titled Typefounder at the Old Bailey by Justin Howes. Both volume and folder are housed in a mauve stiff board folder. In fine condition. Volumes measure 8 x 11 inches. BOB/102621. Fine.
Risbury, England: Whittington Press, 2007. Hardcover. Number 21 of 70 copies of the deluxe edition. There were 750 total copies printed including 680 copies of the regular edition. This is one of the special copies of the annual publication of Matrix, one of the foremost publications on the book arts during its 36 year existence. Sadly, Matrix 36, published in 2020, was the last annual edition of the Matrix series. After 36 years, Whittington Press owners, John and Rose Randle, decided to discontinue producing this fine annual on the book arts for printers and bibliophiles that compiled articles, illustrations, paper and typography samples and book reviews. This issue includes a number of articles by such well-known bibliophiles and book artists as Gaylord Schanilec, Abigail Rorer, John Randle, Sebastian Carter, and William Peterson. Interspersed throughout are photographs, printing samples, and illustrations. Inserted in a back pocket is the prospectus for this volume. Quarter bound in yellow Oasis leather with black, gray, and orange marbled boards. Letterpress printed in a number of types including Joanna, Goudy Modern, Times Roman and Poliphilus, and Centaur types on Somerville Laid and Hahnemühle papers. The deluxe copy includes a separate mauve paper covered folder holding two large linocuts by John Smith and Andrew Anderson. Both volume and folder are housed in a mauve stiff board slipcase. In fine condition. Volumes measure 8 x 11 inches. BOB/102621. Fine.
Risbury, England: Whittington Press, 2010. Hardcover. Number 58 of 70 copies of the deluxe edition. There were 725 total copies printed including 655 copies of the regular edition. This is one of the special copies of the annual publication of Matrix, one of the foremost publications on the book arts during its 36 year existence. Sadly, Matrix 36, published in 2020, was the last annual edition of the Matrix series. After 36 years, Whittington Press owners, John and Rose Randle, decided to discontinue producing this fine annual for printers and bibliophiles on the book arts that compiled articles, illustrations, paper and typography samples and book reviews. This issue includes a number of articles by such well-known bibliophiles and book artists as David Godine, John Randle, Colin Franklin, Jerry Kelly and Sebastian Carter. Interspersed throughout are photographs, printing samples, and illustrations. Inserted are order forms for Matrix 30 and requests to join the press mailing list. The volume's prospectus inserted in a back pocket. Quarter bound in light blue Oasis leather with blue and yellow marbled boards. Letterpress printed in Caslon, Joanna and Gill Sans types and printed on Somerville Laid and Zerkall Mould-made papers. The deluxe copy includes a separate blue folder with a tribute from Whittington to the compositors at Freshwater. Both volumes are housed in a stiff blue board slipcase. Near fine condition with light sunning to book spine. Matrix volume and folder measure 8 x 11 inches. BOB/102621. Near Fine.
DC: Windhorse Press, 2013. Hardcover. Number 7 of 7 copies. "In my book 'Florentine Pages', I want to take the reader through the streets of Florence in the same manner as taking journey through the book. The entire experience of walking through the streets of Florence is akin to flipping pages of a book. The text is a narrow black passage leading to a colorful illustration, represented by fountains, cathedrals and towers, just beyond the corner. The city is a live version of the book that the reader doesn’t read but live in. The city of Florence itself parallels the structure of a basic codex book form. While the exteriors of buildings represent dark gray color with some yellow from street illumination during evening hours, there is a different life inside of the buildings. The same happens with the cover and interior of the book, which are usually quite different. The codex book form includes photographic images of Florence, which I took during my trip, combining with woodcuts and manuscript, as well as letterpress" (artist statement). The text, which winds around the negative space between her illustrations, features Tatiana’s observations about Florence. It is handwritten in both English and Russian, and is printed lithographically. She supplements her personal experiences with letterpress printed quotes about the city by famous Italians such as Dante Alighieri, Bruscaccio da Rovezzano, Michaelangelo. (These quotes are in English only.) Each copy is bound a little differently. This book is bound in red cloth with dark red leather spine and woodcut illustration inset to the front cover. The silk headbands are handsewn. The images and text are printed from a combination of lithographic pronto-plates, woodcuts, letterpress, and polymer plates. Unpaginated. [48 pages.] Born in Moscow, Tatiana has been interested in books and bookmaking since her childhood. She holds degrees from the Moscow University of Printing, the University of Maryland, and the Corcoran College of Art and Design. Her work is in collections nationwide and she has recently won an award for traditional illustration. She currently resides in Takoma Park, Maryland with her family. Fine.
DC: Windhorse Press, 2011. Paperback. Number 7 of 12 copies. Signed by the artist. Text is in Russian and English. This book is based on recollections from the artist's childhood about her relationship with her grandmother. After years of knowing her, she is perplexed to learn that she speaks another language, has not always lived in Russia, and has a very different personal history than once assumed. She works through this revelation and ultimately forms a deeper bond and understanding with her grandmother. The text is printed in English with Russian entwined as the narrator gradually embraces her grandmother's revelation. The book is bound in red paper wrappers with black title and illustration printed on front cover. The binding is handsewn using red and grey threads. It is printed using stone lithography for the images and lithographic pronto-plates for the text. Printed at the Corcoran Print Shop on Canson Velin Arches paper. Housed in a red cloth covered clamshell box with inset illustration to front panel. Folio. Unpaginated. [16 pages.] Born in Moscow, Tatiana has been interested in books and bookmaking since her childhood. She holds degrees from the Moscow University of Printing, the University of Maryland, and the Corcoran College of Art and Design. Her work is in collections nationwide and she has recently won an award for traditional illustration. She currently resides in Takoma Park, Maryland with her family. Fine.
Washington DC: 2012-2013. Hardcover. Limited to 7 copies. These three fascinating volumes comprise the Non-Boundaries Series. They document a project undertaken by Zussman in which a group of people was asked to categorize a list of forty-two interactions between memory and reality into three to five categories. The book artist states: "This project has been a physical fulfillment of the question of whether there is any conscious common ground to the way we categorize unfamiliar phenomena and interactions that haven't been categorized for us in advance." The first volume provides the categories representing each participant's grouping and categorization of the interactions. In the second volume, participants were asked to map up to five interactions from the same list, using Euclidean geometric tools of a dot and a line. The third volume uses Jeremy Bentham's circular structure, the Panopticon to explore the interactions between memory and reality from the first two volumes. Each volume is bound in white laminate covers with the title printed in black on the cover. In fine condition. 8 x 10 inches, Unpaginated. This set may require an extra shipping fee. ARTISTSBOOK/081315. Fine.